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Lot 026427
Käthe Kollwitz, 1867-1945, Schlachtfeld, Blatt 6 aus dem Zyklus Bauernkrieg 1907-21, Radierung, unten rechts mit Bleistift handsigniert, aber stark verblasst, ca. 40x52.5cm, Ränder hinterlegt, leichter LichtrandKäthe Kollwitz, 1867-1945, battlefield, sheet 6 from the cycle Peasants' War 1907-21, etching, hand-signed in pencil lower right, but heavily faded, approx. 40x52.5cm, backed edges, slight light edge
Lot 026527
Bruce Onobrakpeya,, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts, zahlreiche internationale Sammlungsvertretungen u. Ausstellungen, u.a. Tate Modern (2001); Vertreter einer dekolonisierten u. unabhängigen afrikanischen Kunst, verhandelt in westlicher Prägung traditionell westafrikanische Themen, hier: 'Erhu Ivie', Darstellung verschiedener Yoruba-Könige und deren Herrscher-Insignien v.a. deren reicher Kopfschmuck, aus einer Phase der Verarbeitung v.a. historischer Persönlichkeiten, Metal FoilDeep Etching: durch den Künstler entwickeltes plastographisches Verfahren gravierter u. bronzierter Metallfolie, Ed. 11/30, betitelt, signiert u. datiert 1981, ca. 69x50 cm, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence, numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized and independent African art, negotiates traditional West African themes in a western style, here: # 'Erhu Ivie #', representation of various Yoruba kings and their rulers' insignia, especially their rich headdresses, from a phase of processing especially historical personalities, Metal Foil Deep Etching: a plastographic process of engraved and bronzed metal foil developed by the artist, Ed. 11/30, titled, signed and dated 1981, approx. 69x50 cm, from private ownershipafter purchase from the artist
Lot 026394
Bernd Kastenholz, geb. 1943 Speyer, Ausbildung zum Maler a.d. Meisterschule für Handwerker Kaiserslautern und a.d. StaatlichenWerkkunstschule Mainz sowie a.d. Akademie der Bildenden Künste Stuttgart, Werkschwerpunkt auf die grafischen Künste, expressiv -figurative Sujets; hier: Pfalzspringer, Farbradierung, Ed. 56/70, sign. u. bez., unterPP u. Glas gerahmt, ca. 37x43 / 66x77 cmBernd Kastenholz, born 1943 Speyer, studied atthe academy of fine arts Stuttgart, work focuson the graphic arts, expressive-figurative subjects; here: Pfalzspringer, color etching, Ed. 56/70, signed and inscribed, framed under passe-partout and glass, approx 37x43 / 66x77 cm
Lot 026332
Heinrich Zille, 1858 Radeburg - 1929 Berlin, 'Frau mit Pleureuse', Radierung auf Bütten, Stempelsignatur, ca. 42 x 18 cm, Blatt ca. 53 x 29 cm, PP.Heinrich Zille, 1858 Radeburg - 1929 Berlin, #'woman with Pleureuse#', etching on hand-madepaper, signature stamp, approx 42 x 18 cm, sheet approx 53 x 29 cm, passe-partout.
Lot 026526
Bruce Onobrakpeya,, geb. 1932, zeitgenössischer nigerianischer Künstler, europäisch-britisch geprägtes Studium am Nigerian College of Arts; zahlreiche internationale Sammlungsvertretungen u. Ausstellungen, u.a. Tate Modern (2001); Vertreter einer dekolonisierten u. unabhängigen afrikanischen Kunst, verhandelt in westlicher Prägung traditionell westafrikanische Themen, hier: 'Oba Akai' Darstellung des Yoruba-Königs Aka, Metal Foil Deep Etching: durch den Künstler entwickeltes plastographisches Verfahren gravierter u. bronzierter Metallfolie, Ed. 9/30, betitelt, signiert u. datiert 1980, ca. 69x50 cm, aus Privatbesitz nach Ankauf vom KünstlerBruce Onobrakpeya, born 1932, contemporary Nigerian artist, studied at the Nigerian College of Arts with a European-British influence; numerous international collections and exhibitions, including Tate Modern (2001);Representative of a decolonized and independent African art, negotiates traditional West African themes in a western style, here: # 'Oba Akai #' Representation of the Yoruba king Aka, Metal Foil Deep Etching: the artist developed a plastographic process of engraved and bronzed metal foil, Ed . 9/30,titled, signed and dated 1980, approx. 69x50 cm, from private ownership after purchase fromthe artist
Lot 279
"The Studio".- Modern Masters in Etching, a broken run from 1924-33, 15 vol., introductions by Malcolm C. Salaman, etched plates with captioned paper guards, bookplates to front pastedowns, library stamps, original boards with mounted printed label, some toning, spines with manuscript numbering, extremities rubbed, 1924-33; Decorative Art, 1928. "The Studio" Year-Book, black and white illustrations, library stamps to numerous pages, cloth, slightly sunned, [1928]; and another, v.s. (17) ⁂ Volumes Modern Masters of Etching present are: Frank Brangwyn (1); James McBey (2); Anders Zorn (3); J.L. Forain (4); Sir Frank Short (5); Frank W. Benson (6); Sir D.Y. Cameron (7); E.S. Lumsden (17); G.L. Brockhurst (19); L.C. Rosenberg (22); Arthur Briscoe (23); Levon West (24); William Russel Flint (27); Frank Brangwyn (30); Sir D.Y. Cameron (33)
Lot 103
NO RESERVE Commedia dell'Arte.- Cornelis Vermeulen (c. 1644-1708) Portrait of the actor Angelo Costantini in the role of Mezetin in the Commedia dell'Arte, after François de Troy, engraving and etching, on laid paper, a good impression of the lettered state, with six lines of French text by De La Fontaine, and etched date of 1694 partially removed, platemark 560 x 395 mm. (22 x 15 1/2 in), sheet 690 x 505 mm. (27 1/4 x 19 7/8 in), full margins, light even browning to the sheet, minor spotting and surface dirt, some small nicks and tears in margins, handling creases, bears [?]collector's initials 'P.B.' lower right [not in Lugt], [circa 1694].Literature:Hollstein 103 ⁂ Scarce. The original painting by François de Troy is held in the Museé Condé, Chantilly.
Lot 19
NO RESERVE Maritime.- Corsica.- Andrews (George) Representing the Squadron under the orders of Capt. Barrie, commencing the Engagement... in Sagone Bay, etching and aquatint by R & D. Havell, with hand-colouring, on wove paper probably mounted on support, 490 x 610 mm (19 1/4 X 24 in), under glass, some surface dirt and browning, unexamined out of framed, [1811]
Lot 558
Folio of unframed prints and engravings, to include: after Willaim Hogarth, 'The Company of Undertakers'; after Paulus Potter (Dutch, 1625-1654), 18th or early 19th Century bookplate restrike etching of 'The Frisian Horse', 'Quadrupeds', some gilt-enriched prints from the Journal of Indian Arts and Industries, etc
Lot 101
Ursula Querner (1921-1969), by and after, 'Roman Fountain', signed in pencil to margin, etching, 42cm x 33cm; Robert Jennison, by and after, 'Bright Day', signed, titled, dated 1971, and numbered 17/20 in pencil to margin, 67cm x 52cm; Celia Ellis, by and after, 'Pattern', screenprint; Natalie Dumitresco (1915-1997), by and after, 'Les Lignes', unsigned, attribution to verso, screenprint, 40cm x 43cm; Gerard Clements, by and after, 'Start Point', signed, titled, dated 1975, and numbered 4/5 in pencil to margin, 38cm x 38cm
Lot 102
Freidrich Ahlers Hestermann (1883-1973), by and after, 'Childhood Memories', signed in pencil to margin, lithograph, 42cm x 27cm; Hans Frank (Austrian, 1884-1948), by and after, 'With the Harrow', signed in pencil to margin, coloured woodcut, 20cm x 30cm; Hubert Andrew Freeth (1912-1986), by and after, 'Prodigal Son', signed, dated 1939, and titled in pencil to margin, etching, 26cm x 19cm, (3).
Lot 156
Graham Clarke (bn. 1941), by and after, 'St. Anthony's', signed and titled in pen to margin, linocut print, 49.5cm x 76cm; another, Susan Dorothea White (Australian, bn. 1941), by and after, 'Camel', signed, titled, and with A/P attribution in pencil to margin, coloured etching, 77.5cm x 58cm.
Lot 198
Charles Stuart, by and after, 'Jacob's Coat', signed, titled, and numbered 41/50 in pencil to margin, screenprint, 63cm x 44cm; Paul Rogers, by and after, 'Beneath the Pond', signed, titled, and numbered 1/35 in pencil to margin, colour etching; Pauline Aitken, 'These Modifications of Matter', signed, titled, and numbered 5/50 in pencil to margin, colour etching; Danka Napiorkowsky, by and after, Anemone II, signed and titled in pencil to margin, screenprint, 76cm x 51cm; Alex Mackay, by and after, 'Fuchsia', screenprint; Rosalind Forster, by and after, 'In the Summer House', signed, dated '87, and numbered 123/150 in pencil to margin, lithograph, 79cm x 57cm; John Wolsley, 'Cycle of Life no. IV', signed and titled in pencil to margin, coloured etching, 58cm x 77.5cm (7).
Lot 201
Dietmar Lemcke (bn. 1930), by and after, 'Sea Wall in Brittany', signed and dated 1958 in pencil to margin, etching, 35cm x 40cm; Otto Eglau (1917-1988), by and after, 'Afrika', signed and titled in pencil to margin, etching, 20cm x 31cm; Ian McWhirter, by and after, 'Burn's Monument, Attoway', signed in pencil to margin, etching; Alexander H. Kirk, by and after, 'Santa Maria', signed and titled in pencil to margin, etching; E. H. Groom, by and after, 'Big Ben', signed and titled in pencil to margin, etching; After Rubens, reproduction print, 'Albertina Facsimile' blindstamp to margin; Jacobus Houbraken (1698-1780), by, after Holbein, 'A Portrait of Catherine Howard', etching, 40.5cm x 25cm; along with a small portfolio of prints, qty.
Lot 78
Salvador Dali (1904-1989), 'A L'Eternelle Madame', limited edition and signed drypoint etching, from 'Les Amours Jaunes' (1974), with added colour and gilt embellishments, numbered 27/300 on Arches paper, 29.5 cm x 21 cm with margins, the page under tissue paper, in a protective red slip-case, gilt-tooled 'Dali' to the cover, 41 cm x 30 cm.Private collection, London deceased estate.Condition report: Tissue paper appears a little stuck to the surface, but it has protected the etching / paper.
Lot 3441
Piranesi, Giovanni Battista: (1720 Mogliano - Rom 1778). "Veduta dell'Isola Tiberina. A Avanzi delle Sostruzioni del Tempio d'Esculapio". Radierung, 1775. 47,6 x 71 cm, Blgr. ca. 53,7 x 78 cm. Focillon 836, Wilton-Ely 254, Hind 121,I (von III). Vor der Nummerierung oben rechts. - Geglättete Mittelfalte, stockfl., einige Klebereste sowie kl.Montagelöcher außerhalb d. Darstellung. - Etching. Before the numbering on the upper right. Smoothed centrefold, foxing, some glue remnants and small mounting holes outside of the image. D
Lot 2186
Hartmann, Johann Joseph: (1753 Mannheim - Cotterd 1830). I. u. II. vue de l'Isle St. Pierre sur le Lac de Bienne. 2 Bl. Radierung u. Gouache 1787. Je ca. 28 x 42 cm. Auf Orig.-Unterlage mit vierfacher Tuschumrahmung, Titel u. handschr. Bezeichn.: "peint et gravé par Hartmann a Bienne 1787". Unterlage tls. angestaubt, feuchtigkeitsrandig u. fleckig, mit Leimresten auf d. Rändern von abgelößtem Passepartout. Unterlage u. Bilder mit einigen Wurmlöchern. - Selten. - Lake Biel. 2 Etching a. gouache 1787. On original backing with four ink frames, title and handwritten inscription. D
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71174 item(s)/page