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EDWARD JULIUS DETMOLD (1883-1957); etching, Lilytrotter, signed and initialled in pencil, 24.5 x 23.5cm, framed and glazed.

PAUL SANDBY (1725-1809); aquatint with etching, 'Part of Warwick Castle from the South East', 31.5 x 46.5cm, another Paul Sandby engraving 'Briton Ferry in Glamorganshire', published Sept 1775, 36.5 x 47.5cm, with a pencil and watercolour sketch of figures in a woodland in the manner of Paul Sandby, all framed (3)

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'Sitting Hare', signed lower right, dated (19)26, 14 x 19cm. Catalogue Raisonné no.29.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

† CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Kestrel', signed lower right, 1926, Catalogue Raisonné no.32, framed and glazed. Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Cattle Fair/Cattle Market, Water's Green, Cheshire', signed with faint pencil mark lower right, 1928, 20.5 x 28cm, framed and glazed, Catalogue Raisonné no.51.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, untitled, cattle in farmyard, signed lower right, date unknown, 30 x 38cm, framed and glazed.Provenance: This is omitted from the Catalogue Raisonné, but confirmed by Robert Meyrick as the first one to turn up that is omitted from the Catalogue Raisonné since publication. Also confirmed by the family.These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Wheat Field', signed lower right, titled lower left, 1927, 16 x 28cm, framed and glazed, Catalogue Raisonné no.43.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgvery minor foxing to the top portion of the image otherwise in good condition.

† CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Mowing Machine', signed lower right, titled on the mount, with PP lower left, all in pen, 1928, 16.5 x 24cm, framed and glazed, Catalogue Raisonné no.61.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgStaining round the edges from the mount otherwise appears in good condition.

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Black Angus', signed lower right, 1929, 15.5 x 23cm, framed and glazed, Catalogue Raisonné no.86.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

† CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Hovel Doorway' (titled by the artist lower left as 'The Smithy Door'), limited edition no.57/75, signed lower right, 1927, 19.5 x 25cm, framed and glazed, Catalogue Raisonné no.49.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org There is a slight crease in the bottom right hand corner, there is a 2cm mark in the top centre section of the image.

† CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Bull', signed lower right, marked 'Trial Proof' lower left, 1926, 22.5 x 28cm, framed and glazed, Catalogue Raisonné no.30.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The New Calf', unsigned, 1928, 21.5 x 30cm, framed and glazed, Catalogue Raisonné no.54, with note 'Ref Studio No. 442 Trial Proofs'.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org Slight foxing to the top section on the image otherwise good condition.

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The New Calf', unsigned, 1928, 21.5 x 30cm, unframed, Catalogue Raisonné no.54, 'Reference Studio No. 442 Trial Proofs'.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Singing Ploughman', signed lower right, 1928, 20 x 28cm, framed and glazed, Catalogue Raisonné no.71.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgAppears in fair condition.

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Sheep Doctor', signed lower right, 1928, 17.5 x 19cm, framed and glazed, Catalogue Raisonné no.59.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgAppears in fair condition.

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'A Hard Winter', signed lower right, 1928, 22.5 x 27.5cm, framed and glazed, Catalogue Raisonné no.60.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org Appears to be in fair condition.

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Milking Stool', signed lower right, 1926, 23 x 18cm, framed and glazed, Catalogue Raisonné no.34.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'The Water Trough', signed lower right, 1926, 15 x 15cm, framed and glazed, Catalogue Raisonné no.36.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

CHARLES FREDERICK TUNNICLIFFE OBE, RA (1901-1979); etching, 'Evans', a life drawing of the back of a semi-nude male, sat on chair, signed lower right, dated 1929, 11.5 x 10cm, framed and glazed, Catalogue Raisonné no.89.Provenance: These works have been consigned by the great-nephews of Charles Frederick Tunnicliffe. Many have come from the artist's studio, others have been collected by the family.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

† MARC CHAGALL (1887-1985); signed limited edition etching, 'The Birth', elderly lady washing a baby in a bucket with nude female in a bed, signed lower right, 77/770, 20 x 16cm, framed and glazed.

† LEONARD GRIFFITH BRAMMER (1906-1994); etching, 'Etruria Hall', signed lower right, 23 x 27cm, framed and glazed.

† JOHN MCNULTY; a group of three signed limited edition etchings, to include 'Meadow Bank I', 'Impressions I' and 'Impressions II', together with a limited edition signed etchinG, 'Pines', largest 34 x 30cm, all signed lower right, all unframed.

Michael Blaker R.E. born 1928, "Village Band" origianal etching with aquatint and colour wash, the plate signed in pencil No.19/125, 12.5cm x 22cm 

Leonard Russell Squirrell, pencil signed etching "The Cat House Jetty, River Orwell" pencil sign to mount, limited edition 17/50, circa 1949, 15cm x 25cm 

A framed etching signed R. W. Arthur Rouse depicting cattle and an oxford townscape (34 x 39cm), alongside a hand coloured framed print signed, A J Meyer, of a village street (40 x 33cm). Condition Report:Available upon request

2 FRAMED PRINTS BY PAUL TAVERNOR ON THE TRAIL 23/225 & COMBAT 145/225 & AN ETCHING OF A HARE BY MEYR-PUCHERELT

Samuel Henry Baker (British 19th century), Coston Hackett, study of a country church, pencils. 21x32cm approx. Together with A Watson Turnbull, uncoloured etching of a Windmill, signed in pencil. 20x27cm approx. Framed. Together with an original engraving of Swansea Post Office. 28x37cm approx. Framed. (3) (B.P. 21% + VAT)

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'Gaw End Swing Bridge' (1928),Etching on paper,Signed to lower margin,15cm x 23.5cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society.

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'The Fruit Of The Tree' (c1925),Etching on paper,Signed to lower margin,30cm x 21.5cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The work is framed under glass and has not been removed for inspection.  The paper shows the odd small fox mark to the top edge of the sheet, and the odd pin head fox mark to the printed area.  It is possible that the paper may have darkened somewhat over time.  The right side of the mount shows a hanging trim approximately 7mm long.

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'The Forest Of Macclesfield' (1929),Etching on paper,Unsigned,20cm x 30cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The print is framed under glass and has not been removed for inspection.  The printed surface appears to be in good condition, showing no obvious damage.CONDITION REPORT:The print is framed under glass and has not been removed for inspection.  The printed surface appears to be in good condition, showing no obvious damage.

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'Mowing Bullocks Meadow' (7th state, 1929),Etching on paper,Signed and inscribed "7th state" to lower margin,19.5cm x 29.5cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The work is framed under glass and has not been removed for inspection.  The printed surface appears to be in good condition, however the paper shows what appears to be the odd small fibre visible on the top half of the sheet, and on the underside of the glass at the lower left corner.   There is also a small mark to the left hand margin, and another smaller mark to the right hand margin.  It is possible that the paper may have darkened somewhat over time.

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'Sheep At Kemps Croft Farm' (1928),Etching on paper,Signed to lower margin,19.5cm x 37.5cm,Unframed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The printed surface appears to be in good condition.  Under the hinged mount, the top left and right corners show what appears to be damage caused by tape removal.  The left and right  margins  both show marks commensurate with historic handling, as does the reverse of the sheet.  It is possible that the paper may have darkened somewhat over time.

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'Virgin & Child' (1929-32),Etching on paper,Signed in the print,10.5cm x 9cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society.

After William Stott of Oldham (British, 1857–1900),"Le Passeur" [The Ferryman],Etching on paper by George Percy Jacomb-Hood (British, 1857-1929),Signed and inscribed "After Stott" to lower margin,13cm x 20cm,Framed and glazed

After Rembrandt van Rijn (Dutch, 1606-1669),Twelve prints of Rembrandt etchings, 19th century prints on laid paper,Signed in the plate, each with type set number below,The sheets 44cm x 31.5cm,Unframed (at fault),With a further unframed etching on laid paper, "Le Bossu a La Canne" [The Hunchback with a Cane] after Jacques Callot (French, 1592–1635), the sheet 24.5cm x 32.5cm (13)

Charles Frederick Tunnicliffe R.A. (British, 1901-1979),'To The Slaughter' (1925),Etching on paper,Signed to lower margin,31cm x 22cm,Framed and glazed PROVENANCE: From the personal collection of Ken Broughton, Secretary/Editor of The Charles Tunnicliffe Society. CONDITION REPORT:The print is framed under glass and has not been removed for inspection.  The printed surface appears to be in good condition, however there are signs of wear and handling to the lower right corner, with further slight discolouration extending up the lower part of the right margin.  The top margin shows some fine foxing (possibly dirt or wear) along the margin side of the plate mark, and the left margin show the odd pinhead fox mark.

Brilliant clear crystal Annual Edition, Inspiration Africa, The Lion in a sitting position. This item has its original box which measures: 7.5"L x 7"W x 7.5" H. Certificate of Authenticity included. Signed Adi Stocker and Swarovski factory etching on the bottom. Issued: 1995Dimensions: 5€L x 3.5€W x 2.75€HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Brilliant clear crystal SCS Annual Edition from the Fabulous Creatures collection, The Pegasus in flight. This item has its original box which measures: 9.5L x 5.5W x 10H. Certificate of Authenticity included. Swarovski factory etching on back left leg. Issued: 1998Dimensions: 6€L x 4.75€HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Jean Francois Millet 1814-75. Man leaning on a spade 1848, etching on cream laid paper. Plate size 3.4x2.75inches. Sheet size 5.6x4.9 inches. Frame size 50x60cm Mounted on old card. Good impression of this rare early print.

A framed etching of moored barge and low tide in a creek. Signed in pencil 57x48cm

After Robert Dighton, Derby & Joan, or The Platonic Lovers,coloured etching, framed and glazed,visible 19x24cm.Footnote:This Georgian satirical cartoon depicts Elizabeth Farren and the Earl of Derby in the audience at Drury Lane Theatre, London, 1804.

Edwin Law after Meissonier, Gentleman at a writing table, etching on silk, image 30x20cm; a print after William Hogarth, The Politican, etched by Sherwin, published 1775; a photogravure, The South Prospect of Leicester; and a county map of Lecestriae, after Christopher Sexton, handcoloured.31x39cm.Qty: 4

Louis Icart, lady with toilet mirror and blue vase,etching, signed and numbered 248, published F H Bresler & Co 1922,45x36cm.

UNIDENTIFIED ARTISTMEIJI OR LATER, 19TH OR 20TH CENTURYThree Japanese hanging scroll paintings (kakemono), ink on paper, one with the character 武 take (brave or soldier), 佛 butsu (a reference to Buddha) and 福 fuku (good fortune), each inscribed and sealed, all professionally mounted in box frames and glazed, each approx. 48.5cm x 24cm; together with an etching depicting a Chinese robe by Thai artist Vorakorn Metmanorom (b.1968), signed in pencil lower margin and numbered 68/300, also framed and glazed, 50cm x 28cm. (4) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

RYOHEI TANAKA (1933-2019)HEISEI ERA, DATED 1977A Japanese etching entitled 'Lingering Snow', numbered 47/100, signed and dated lower margin, framed and glazed, 48.5cm x 30cm.

S W Fores, Publisher - Monstrositys of 1825, etching in contemporary colour, published June 28th 1825, mounted to within image, 21 x 30cm and three other 19th c caricature and other prints (4) Various faults

Adrien Etienne Drian (1885-1961) – Woman in Fur, etching with drypoint, signed by the artist in pencil and numbered 33/100, 73 x 52cm (sheet) A good rich velvety impression, water stain extreme bottom right of sheet well clear of image

[Francesco Villamena (1564-1624) after Francesco Albani (1578-1660)] -Allegory for an Italian Cardinal, s.l., n.d., [Rome, c. 1596], unlettered early state, etching and engraving, 30 x 44.5cm, and two other Old Master engravings, (3) Two similar examples of the Italian allegory exist in the collections of The British Museum (1874,0808.1537) and The Forbes and Clark Collections, Massachusetts. However, each of the three are centered by the arms of a different cardinal, and only in ours - the only unlettered example we could trace - does the cardinal's galero have tassels. Minor creases and handling marks. Each trimmed to/just within the platemark.

Sir Muirhead Bone HRSA HRWS (1876-1953), “IWW soldiers seated in the mess”, signed, (possibly applied by a later member of Muirhead Bone’s family), charcoal drawing, 38x45cm, unframed; a landscape view with grazing cattle, pen, ink and grey wash, 25x48cm, together with “A series of studies of WWI ships” on one sheet, soft pencil, 33x66cm, unframed and further naval-related material, studies of boats, seascapes, figures on rigging, some on tinted paper, various sizes, (a collection), also After M Blake (possibly Marjorie Blake) (20th/21st century), “Back Soon”, signed artist’s proof inscribed with the title, from a limited-edition print run 10/25, black and white etching, 22.5x30cm, unframed.

Arthur Spencer, Palace of Westminster and the Thames, etching, signed in pencil, 16 x 20cm; Ed Burrow, Giggleswick School Chapel; Roland Langmaid Yachts and Fishing Boats, 29 x 22cm and William Pye, Weymouth Harbour, etchings, all signed in pencil.

Stefano Della Balla (1610-1664)/Cows/etching, 12cm x 17cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Hamerton,P.G.: Etching & Etchers. London, Macmillan 1868. Gr.8°. Mit 35 Orig.-Radierungen von und nach Appian, Callot, Daubigny, Delatre, Dujardin, Haden, Hamerton, Jongkind, Lalanne, Palmer, Rembrandt, Waterloo, etc. XXVI, 354 S. Ohldr. mit Goldpräg., Rverg. u. Goldschn. (Berieb. u. etw. best.). Seltene erste Ausgabe dieses wichtigen Werkes zur Geschichte der Radierkunst; verfaßt von dem englischen Maler-Radierer und Kunstkritiker Philip Gilbert Hamerton (1834-91). - Tls. leicht fleckig, Innengelenke gebrochen. - Exlibris.

Fontebasso, Francesco Salvatore: (1707 Venedig 1769). Baccanale. Aus d. Folge von 8 Bl. "Varii baccanali et istorie". Radierung auf Bütten 1744. Blgr. 25,9 x 38 cm. Auf Einfassung geschn. Hervorragender, schwarzzeichnender Druck. - Stellenw. etw. stock- u. schmutzfl., re. ob. an Wolke kl. Fehlst., ob. li. Eckabriss. - Baccanale. Etching on laid paper. Trimmed on border. Spotted in places with foxing and dirt, with small losses. D

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Alter Mann, von hinten gesehen. Radierung auf feinem Bütten, um 1629. Plgr. 7,2 x 4,2 cm. Stellenweise auf Plattenkante beschnitten, teils mit winzigem Rändchen. Unter Passep. mont. New Ho. 33 a VI (von VII). - Vorzüglicher zeitgenössischer Abdruck des VI. Zustands (von VII). - Verso mit Sammlerstempel. - Old man, seen from behind. Etching on laid paper. Trimmed to platemark in places, partly with tiny margins. Mounted under passepartout. Excellent contemporary impression of the VI state. With collector's stamp on verso. D

Rembrandt van Rijn, Harmensz: (1606 Leiden - Amsterdam 1669). Selbstbildnis radierend am Fenster. Radierung, Kaltnadel u. Grabstichel auf Bütten 1648. Abzug des 19. Jh. m. d. Überarb. durch Basan. Ca. 16 x 13 cm., Blgr. 17,5 x 14,8 cm. Mit d. Sign. u. Dat. in d. Pl. - BB 48-A, Modern. B. 22. - Etching, drypoint & engraving 1648. 19th c. print with the revision by Basan, 19. century. D

Rembrandt van Rijn, Harmensz.: (1606 Leiden - Amsterdam 1669). Alte Bettlerin auf einen Stock gestützt. Radierung auf Bütten, 1646. Plgr. 8,1 x 6,4, Blgr. 22,3 x 17 cm. Unter Passep. mont. New Ho. 229 V (von V). B. 170. W.-B. 170. Brillanter Abdruck des V. Zustands mit den endgültigen Überarbeitungen. - Gut erhalten. - Old beggar woman leaning on a stick. Etching on laid paper. Mounted under passepartout. Imprint of the 5th state with the final revisions. Well preserved. D

Valerie Thornton, signed limited edition etching and aquatint Lincoln Arcadian no. 49 of 60

Rembrandt Harmenszoon van Rijn Drei Frauenköpfe, eine Frau schlafend. Orig.-Radierung, in der Platte signiert und datiert. 1637. Auf Bütten. 14 : 9,3 cm, Papierformat 18,2 : 13,3 cm. - Breitrandiger, kräftiger, späterer Druck beim Basan-Workshop. Späterer Druck mit der Überarbeitung der Gesichter, der verstärkten Schatten zwischen den beiden oberen Köpfen sowie den vielen kleinen Sprenkeln - vor allem in der unteren weißen Fläche. Zudem mit der Überarbeitung des 'R' in der Rembrandt-Signatur. Die Platte wechselte nachweislich während all der Jahre mehrfach den Besitzer. LITERATUR: New Holstein 161. - Bartsch 368. - White/Boon 368 (einziger Zustand). - Wide margins, strong, later impression at the Basan workshop. Orig. etching, signed and dated on the plate. 1637. On laid paper. 14 : 9.3 cm, paper size 18.2 : 13.3 cm. - Browned and with mat burn to earlier passepartout, top corners torn off. Dieses Objekt wird regel- oder differenzbesteuert angeboten.

Ernst Ludwig Kirchner Exlibris Professor Ernst Kirchner. Holzstich oder Strichätzung nach Kirchners Entwurf. Im Druck u. re. monogrammiert. 1904. Auf Vélin. 4,3 : 6,8 cm. Blattgröße 7,7 : 10 cm. - Erstes Exlibris von Kirchner, das noch ganz dem Jugendstil unterlag. Einer der von Dube genannten 200 Abzüge. Kirchner schenkte das Exlibris seinem Vater vermutlich zum Dank für das in München verbrachte Semester, das ihn sehr gefördert hatte. Die Kirche spielt auf den Familiennamen und des Beruf des Großvaters Ernst Daniel Richter an, der Superintendent war. - PROVENIENZ: Sammlung Hermann Gerlinger, Würzburg (verso mit Sammlerstempel Lugt 6032). LITERATUR: Heinz Spielmann (Hrsg.), Die Maler der Brücke. Sammlung Hermann Gerlinger. Stuttgart 1995. S. 93, SHG Nr. 26 (mit Abb). - Hermann Gerlinger, Katja Schneider u. a. (Hrsg.), Die Maler der Brücke. Bestandskatalog der Sammlung Hermann Gerlinger. Halle (Saale) 2005. S. 285, SHG Nr. 636 (mit Abb.). - Dube H 676. - Wentzel, 1968, S. 145, Anm. 19 („Dem Vater geschenkt“). - Gercken A-1. - First bookplate by Kirchner, which was still entirely subject to Art Nouveau. One of the 200 prints mentioned by Dube. Wood engraving or line etching based on Kirchner's design. In the print at lower right monogrammed. 1904. On wove paper. 4.3 : 6.8 cm. Sheet size 7.7 : 10 cm. - Slightly browned and minimally foxed, mounted under a passe-partout in 2 places on the reverse. - From the Hermann Gerlinger Collection, Würzburg (verso with collector's stamp Lugt 6032).( Dieses Objekt wird regel- oder differenzbesteuert angeboten.

Karl Schmidt-Rottluff Exlibris Karl Schmidt-Rottluff. Strichätzung. 1947. Auf chamoisfarbenem Papier. 9,2 : 7,1 cm. Blattformat 10,5 : 8,5 cm. In rhythmischer Schriftstruktur gestaltetes rein typographisches Exlibris, das durch seine schlichte Ausstrahlung besticht. Nachdem die Berliner Wohnung und das Berliner Atelier durch Bombardierung zerstört wurde, zog sich sich Schmidt-Rottluff 1943-46 nach Chemnitz zurück. 1947 wurde er als Professor an die Hochschule für Bildende Künste in Berlin-Charlottenburg berufen. Mit dem Aufbau einer neuen häuslichen Umgebung zeichnete der Künstler das vorliegende Exlibris. - PROVENIENZ: Aus der Sammlung Hermann Gerlinger, Würzburg (verso mit Sammlerstempel Lugt 6032). LITERATUR: Heinz Spielmann (Hrsg.), Die Maler der Brücke. Sammlung Hermann Gerlinger. Stuttgart 1995. S. 420, SHG Nr. 758 und S. 42, G 47-1 (beide mit Abb). - Hermann Gerlinger, Katja Schneider u. a. (Hrsg.), Die Maler der Brücke. Bestandskatalog der Sammlung Hermann Gerlinger. Halle (Saale) 2005. S. 122, SHG Nr. 279 (mit Abb.). - A purely typographic bookplate designed in a rhythmic script structure that impresses with its simple charisma. Line etching. 1947. On chamois paper. 9.2 : 7.1 cm. Sheet format 10.5 : 8.5 cm. - Professionally mounted under passepartout in 2 places on verso. - From the Hermann Gerlinger Collection, Würzburg (verso with collector's stamp Lugt 6032). - Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.