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Lot 40
Marcel Armand Rencoule, early 20th century drypoint etching of an elderly woman, signed in pencil and numbered 2/35, label verso states the image is inscribed below the mount 'Exhibited Paris Salon, Glasgow Institute of the Fine Arts Aberdeen Artists Society 1923', framed under glass, 21 x 26cm
Lot 392
Four Pictures - Rodger McPhail (British 1953 ..) Signed Limited Edition Print of Grouse, no. 276/500, image 53cms x 31cms, Mick Causton Signed Limited Edition Print of a Springer Spaniel, no. 127/850, Limited Edition Etching monogrammed signature PB ' After Stubbs, Horse and Lioness ' no. 4/35 and a Print of an Eagle
Lot 81
BERNARD LEACH (1887-1979); 'The White Mustang', a soft ground etching, 1918, Leach-Redgrave edition posthumously printed from steel plate, 'Bernard Leach 1918' etched into plate, numbered in pencil 4/25, 16.4 x 23.1cm, unframed. Literature: 'The Etchings of Bernard Leach' by Simon Olding (Crafts Study Centre, Farnham, 2010, no. 62). Provenance: Purchased from New Craftsman Gallery, St Ives, 1990, and sold with original receipt.Additional InformationAppears good with no obvious signs of faults, damage or restoration.
Lot 20
1/6, numbered in pencil in the margin (lower right), etching on paper17.5cm x 25cm (6.9in x 9.8in)Footnote: Literature: Alan Cristea Gallery, Ben Nicholson: Prints 1928-1968, Alan Cristea Gallery London, 2007, cat. no. 17. (another example from the edition). Barns-Graham bought this etching in a series of instalments stating in a letter to Nicholson: 'Dear Ben, I have chosen the Drypoint titled "Terendine" - from those we took away on Sunday. I enclose £2 & will send another £2 next month if that really is alright with you. How grateful I am."
Lot 49
7/25, signed, dated and numbered in pencil in the margin (lower right), inscribed 'Descending Forms / etching / series of 25 / 4'2gns / Robert Adams' in pencil (to reverse), etching30cm x 10cm (11.75in x 4in)Footnote: Exhibited: Gimpel Fils, London, 1955, (another example from the edition). Literature:Grieve, Alastair, The Sculpture of Robert Adams, The Henry Moore Foundation & Lund Humpries, London, 1992 (described as an engraving), p.66. (another example from the edition).Grieve, Alastair, Robert Adams 1917-1984 A Sculptor’s Record, Tate Gallery, 1992 (described as an engraving), p.36. (another example from the edition).
Lot 21
6/20, signed, numbered and inscribed 'for Willy / Xmas 53' in pencil in the margin, drypoint etching on paper24.75cm x 19.5cm (9.75in x 7.5in)Provenance:In Barns-Graham's notes about her collection she states she was gifted three etchings and prints by Ben Nicholson: 'he gave me all'.Footnote: Exhibited: St Ives: Movements in Art and Life, 14 March - 19 September 2020, Royal West of England Academy, Bristol, (another example from the edition).Literature:Alan Cristea Gallery, Ben Nicholson: Prints 1928-1968, Alan Cristea Gallery London, 2007, cat. no. 19. (another example from the edition).Inscribed on backboard 'W. Barns-Graham or Lewis / 1 Barnaloft / St Ives / Cornwall / Ben Nicholson silver point / personal gift 1953 Xmas'
Lot 26
12/20, numbered in pencil (lower left), etching on paper42.5cm x 42.5cm (16.75in x 16.75in)Footnote: Anthony Benjamin is regarded as a talented polymath; a painter, sculptor and printmaker. Having studied in Paris under Fernand Leger, Benjamin came to St Ives in the late 1950s as a rebellious young artist. Using a small legacy, he purchased a cottage which previously belonged to Sven Berlin. Here, he found encouragement from the likes of Peter Lanyon, accepting his suggestion to join the Newlyn Society of Artists. He had his first one-man exhibition there in 1958. His work developed rapidly here, and he was apparently well supported and encouraged by significant figures in the art world, including Henry Moore and Francis Bacon who gave him canvases. Originally rooted in a more 'kitchen-sink' aesthetic, in Cornwall Benjamin's work became more Abstract Expressionist in concept.
Lot 128
'Ich Orpheus'Markus Lüpertz, 1995, Karlsruhe, Herausgeber Comatype n-house music, 89 SS., 21 Farboffsets nach Zeichnungen von Markus Lüpertz, 1 von 200 Vorzugausgaben, anbei Musik-CD, 'Orpheus mit Lyra', u.a. gesprochen von Markus Lüpertz, dazu eine handkolorierte Radierung, 30 cm x 30 cm Blattmaß, signiert'Ich Orpheus'Markus Lüpertz, 1995, Karlsruhe, Comatype n-house music, 89 pgs., 21 offset prints on colours after drawings by Markus Lüpertz, 1st edition, signed, includes music CD 'Orpheus mit Lyra', Markus Lüpertz, hand tinted etching, 30 cm x 30 cm sheet size, signed
Lot 1015
§ Gerald Leslie Brockhurst (British, 1890-1978). 'Anais', etching on wove paper. Signed in pencil to margin. Framed and glazed. Image size 14 x 11cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information.
Lot 1043
Caroline King, 'Sleeping Tiger', linocut, signed, titled and dated '97 in pencil, numbered 4/60, sheet size 29 x 56cm, together with an etching by E Newman, 'Bluebell Sett Badgers', signed, titled, dated December 1995 in pencil, numbered 82/200, image size 12 x 16cm, and a lithograph by J Wasilewski, 'Quiet Summer Day', signed in pen to margin, numbered 22/400, with certificate of authenticity, unframed, rolled, images size 50.5 x 50.5cm (3)
Lot 1059
§ Julian Trevelyan RA (British, 1910-1988). 'Westminster', soft ground etching on wove paper, 1969. Signed, titled, and numbered 39/75 in pencil. One of the twelve Thames Suite images, printed by Geoffrey Beardsall and Dorothea Wight, London and published by London Graphics. Image size: 35 x 48cm. Sheet size: 59 x 77cm. Please note that Artists Resale Right maybe additionally payable on top of the sale price only where sold above the threshold, up to a maximum of 4% of the hammer price. Visit www.dacs.org for more information on ARR.
Lot 1080
Mixed collection of prints, to include framed lithograph by Claude Hemeret (French, b.1929), 'Les Iris', colour lithograph E.A., signed lower right, label for The Mark Gallery, image size 55 x 71cm, framed etching of a Venice canal scene, indistinctly signed in pencil, numbered, image size 16.5 x 21.5cm, an etching by Anapia Antonini (Swiss, b.1942), 'L'air du Large', signed and titled in pencil, E/A II/XX, unframed, image size 29.5 x 24.5cm, a colour etching by Marie Arbaratez (French b.1942), 'l'Exploration de sa Maman', signed and titled in pencil, numbered 25/100, unframed, image size 46 x 58cm, and a lithograph by Francoise Deberdt (French, b.1934), Shepherd, unframed, image size 41 x 51cm (5)
Lot 182
NO RESERVE Jones (Shirley, Welsh artist and founder of Red Hen Press) Llangors from Llangasty, Etched in Autumn, mezzotint and etching, printed in colours on Somerset wove paper, signed, inscribed and numbered in pencil, from an edition of 70, platemark 305 x 240 mm (12 x 9 1/2 in), sheet 455 x 360 mm (17 7/8 x 14 1/4 in), full margins with deckle edge, unframed, 1997.
Lot 196
Derby.- Hutton (William) The History of Derby, first edition, folding engraved frontispiece 'East Prospect of Derby', folding engraved plan and 17 plates, errata/advertisement leaf, extra-illustrated with c.60 additional prints and drawings, mostly engraved but including a few watercolours, one or two folding, some portraits, some bound in, others trimmed and mounted on blank leaves, occasional spotting, contemporary sheep-backed boards, worn, broken and loose, 8vo, J.Nichols, 1791.⁂ The additional items include a folding engraved pictorial perspective map of Derbyshire north from London by G.Bickham, 1753, 3 watercolour views of a man and a donkey sliding down a rope from a church tower as described in the text (pp.245-250), an etching and a watercolour version of Patrick O'Brien the Irish Giant, and an engraving and a watercolour of Thomas Topham the Strong Man.
Lot 346
§ § Anthony Gross CBE, RA (British 1905-1984) Dryadssigned 'anthony gross' (lower right); numbered 11/50 (lower left)etching37.5 x 52cmCondition report: Not examined out of the frame. The surface with overall toning and discolouration, deeper in colour in the plate than in the margins. Some very light scattered foxing visible in the plate and margins, and some slight undulation of the surface, otherwise in good condition.
Lot 345
§ § Anthony Gross CBE, RA (British 1905-1984) The Old Royal Observatory, Greenwichsigned 'anthony gross' (lower right); numbered 22/75 (lower left)etching30 x 36.5cmCondition report: Not examined out of the frame. The plate appears slightly dirty, but this does not extend to the margins so appears to be part of the print itself. Overall in good condition.
Lot 514
§ § Sir Eduardo Paolozzi CBE (Scottish 1924-2005) Standing Mansigned and dated 'Eduardo Paolozzi / 1987' (lower right); numbered 80/100 (lower left)etching24 x 13cmCondition report: Not examined out of the frame. Some very minor and isolated foxing spots, and some very light toning of the paper. Otherwise in good condition.
Lot 512
§ § Victor Pasmore CH, CBE (British 1908-1998) Am I the object which I see? Am I the eyes that look at me?signed and dated 'VP / 74' (lower right); numbered 24/60 (lower left)etching and aquatint41 x 40cm Footnote: Provenance: With Galerie Royale, Alberta, CanadaCondition report: Not examined out of the frame. With slight toning throughout, though this is even and uniform. The surface with very slight undulation. Otherwise in good, clean condition.
Lot 513
§ § Pablo Picasso (Spanish 1881-1973) Femme en Buste, Une Main au Visage. Souvenir de Dora Maardrypoint etching on wove Marais paper, from an edition of 275 etched at Golfe Juan, printed by the Atelier Lacourière, Paris, February 194838 x 28.5cm Provenance:With William Weston Gallery, LondonCondition report: The surface uniformly toned, with deeper discolouration at the outer edges of the sheet. Two very small blemishes to the right hand side of the figure's head and a further minute spot on her chest. Sheet appears to be mounted to the backboard at each corner and the surface with some very minor undulation.
Lot 393
Edgar Degas (French 1834-1917) Danseuse mettant son chausson, 1892etching 17 x 12cmCondition report: Plate measures 17.5 x 11cm, visible sheet size when framed is 20.5 x 14cm. The mount is a little foxed along the top and left hand edge and is slightly toned throughout. The surface of the image is lightly and uniformly toned, but in generally good, clean condition. Framed dimensions 33.5 x 26cm
Lot 509
§ § Victor Pasmore CH, CBE (British 1908-1998) 'Deep inside I looked / but of a soul / I could find no sign !'signed and dated 'VP / 74' (lower right); numbered 33/60 (lower left)etching and aquatint71.5 x 61cmCondition report: Would benefit from reframing as the left hand edge of the frame is missing. The print is bonded to the backboard at each corner. Where attached with tape to the backboard, each corner has a brown stain. The surface is slightly toned, bears some scattered foxing marks, and with some minor undulation. Otherwise in good condition. Comes via a private collection.
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71174 item(s)/page