We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Lot 113
19th Century School, A Portrait of Robert Burns in his Masonic Regalia, after the etching by Charles Ewart possibly based on portraits of the artist by Alexander Nasmyth and William Stewart Watson, inscribed top left "Depute Master of St James' Lodge, Tarbolton Lodge, No. 135", oil on canvas, in a gilt-composition frame moulded with flowers and foliage. 74cm by 62cm
Lot 127
Framed etching depicting south view of Denefawr Castle, Caermarthen, inscribed ‘To George Rice Esq. this prospect is humbly inscribed by his most obliged servants Sam & Nath. Buck’, 26.5cm x 44cm. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £15 (inc. VAT) applies to this lot to cover postage to registered UK only address.
Lot 134
GORDON MILES limited edition (2/100) monocolour etching - titled in pencil 'Welsh Cob', signed, 20 x 29cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84 Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 135
DAVID CARPANINI limited edition (5/50) etching - portrait of Sir Kyffin Williams in flat-cap and raincoat, signed, 32 x 31cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 137
SIR FRANK BRANGWYN RA 1911 etching - entitled 'The Beggar Musician' signed in pencil, 24 x 18cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 142
EDGAR HOLLOWAY limited edition (24/50) etching - titled in pencil 'Capel-y-Ffin', signed, 20 x 27cms Provenance: private collection, Powys Presentation & Condition: neatly framed, glazed, no problemsPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 148
SIR FRANK BRANGWYN RA drypoint etching - entitled 'Fish Market Bruges', signed in pencil, 42 x 32cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 150
DAVID CARPANINI limited edition (3/50) etching - wooded valley at dawn, entitled verso on Attic Gallery label 'Dawn in the Vallombrosa', signed in pencil, 32 x 20cms Provenance: private collection Kent Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 86
DAVID CARPANINI artist's proof etching - portrait of Sir Kyffin Williams in flat-cap and raincoat, entitled verso on Attic Gallery Swansea 'Kyffin IX' signed, 32 x 31cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84 Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 88
IOLA SPAFFORD limited edition (9/75) coloured etching - title in pencil to margin 'Suffolk Farm', signed, 25 x 31cms Provenance: from the collection of the late Rev John O Wilstead B.D FRSA, thence by descent, see Lot 84 Presentation & Condition: discolouration to paper with age, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 313
* Girelli (Pietro Paolo, circa 1685-circa 1750). Prospetto interno ed esterno dell antico tempio Romano detto Pantheon, oggi Chiesa della Rotonda, Rome, Carlo Losi, 1773, etching with engraving on pale cream laid paper, after Giuseppe Tiburzio Vergelli, a good, strong impression, some light toning (generally in very good condition), plate size 46 x 68 cm (18 x 26.75 ins), sheet size 525 x 740 mm (20.75 x 29.2 ins), together with: Antiquum Amphiteatrum una cum Triumphali Arco Flavium Romae erectum, Rome, Carlo Losi, 1773, etching and engraving on laid paper, after Giuseppe Tiburzio Vergelli, depicting the Colosseum and the Arch of Constantine, some toning, plate size 43 x 67.5 cm (17 x 26.5 ins), sheet size 50.5 x 74.5 (19.8 x 29.25 ins), matching modern gilt frames, glazedQty: (2)NOTESThe view of the interior and the exterior of the Pantheon, here published by Carlo Losi in 1773, and dedicated to Carlo Borromeo, is based on an engraving first published by Matteo de Rossi in 1692.
Lot 315
* Vasi (Giuseppe, 1710-1782). Il Prospetto principale del Tempio e Piazza di S. Pietro in Vaticano, e Palazzo Pontificio, 1774, fine etching with engraving on two conjoined sheets of laid paper, a very good impression, plate size 705 x 975 mm (27.75 x 38.4 ins), sheet size 730 x 1005 mm (28.75 x 39.5 ins), black and gilt frame, glazedQty: (1)
![* Stubbs (George). [A Horse Affrighted by a Lion] Geo. Stubbs, No. 24 Somerset Street, Portman Square, London, 25th September](https://cdn.globalauctionplatform.com/e8e6edcd-02d6-4e65-9693-ad5d00e5fe7a/13dcb526-dbfc-43a8-bc6a-ad6000c7c10c/468x382.jpg)
Lot 318
* Stubbs (George). [A Horse Affrighted by a Lion] Geo. Stubbs, No. 24 Somerset Street, Portman Square, London, 25th September 1777, uncoloured etching, small margins, slight mount staining, margins neatly re-enforced on verso, plate size 37 x 48 cm, sheet size 39.5 x 49.5 cmQty: (1)NOTESC. Lennox Boyd. George Stubbs. The Complete engraved works, no. 59, state IV. Stubbs's first separately published print. A good dark impression with strong contrast.
Lot 394
* Turner (Joseph Mallord William, 1775-1851). The Source of the Arveron in the Valley of Chamouni, Savoy, 1816, etching and mezzotint on pale cream laid paper, by Turner and Henry Dawe (1790-1848), a proof with strong, dark contrasts, trimmed to the image, without the engraved title and publication line, sheet size 185 x 262 mm (7.25 x 10.3 ins), tab-mounted in large card window-mount (65 x 51 cm, together with: Lake of Thun, Swiss (Liber Studiorum, part III, plate 15), published June 10, 1808, etching and mezzotint by J.M.W. Turner and Charles Turner (1774-1857), printed in brown ink, an engraver's proof on pale cream laid paper, a fine clean impression, trimmed to image, without the printed title and publication line below, sheet size 180 x 260 mm (7.1 x 10.25 ins), tab-mounted in large pale cream card window-mount (65 x 51 cm)Qty: (2)NOTESFrom the Liber Studiorum [1807-1819], Part XII, Plate 60 and part III, plate 15, respectively. Turner distilled his ideas about landscape in his Liber Studiorum, a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe a Swiss mountain lake agitated by an approaching storm, with a distant lightning strike causing figures in the foreground to hurry for cover.
Lot 396
* Palmer (Samuel, 1805-1881). The Herdsman’s Cottage or Sunset, 1850, etching, a fine, atmospheric impression of the second (final) state, after the plate was reduced and with the addition of the artist’s initials, published as Sunrise in The Portfolio, November, 1872, on firm laid paper, with full margins at left, right and bottom, with some light and mount-staining mostly around the platemark and at the upper and extreme right sheet edges, a few foxmarks in the upper margin, minor abrasion to the left sheet edge due to removal of old tape, otherwise generally in good condition, plate size 124 x 102 mm, sheet size 306 x 218 mmQty: (1)NOTESProvenance: Collection of Oliver Hoare (1945-2018). Lister E3.
Lot 397
* Palmer (Samuel, 1805-1881). The Early Ploughman or The Morning Spread upon the Mountains, 1861, etching, a fine, atmospheric impression of the fifth state (of nine), printing with rich contrasts, before the re-biting of the sixth state, on firm laid paper with a partial watermark upper left, with margins, slightly unevenly trimmed within the platemark, etched surface, 128 x198 mm, sheet size 160 x 250 mmNOTESProvenance: Collection of Oliver Hoare (1945-2018). Lister E9.
Lot 398
* Palmer (Samuel, 1805-1881). The Skylark, 1850, etching, a fine, atmospheric impression of the sixth state (of eight), before the plate was cut down in the seventh state, printing with clarity and contrasts, on Chine collé on thick wove paper, pale mount-staining to the wove support sheet, generally in very good condition, unframed, plate size 125 x 115 mm (etched surface 100 x 73 mm), Chine collé 118 x 110 mm, sheet size 282 x 210 mmQty: (1)NOTESProvenance: Collection of Oliver Hoare (1945-2018). Sold at Swann 8 May 2008 for approx. £2,200. Lister E2.
Loading...-
71174 item(s)/page