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Lot 8381

WILLIAM WYLLIE RA (1851-1931) 'The Iron Duke In Action During The Battle Of Jutland'. Signed framed and glazed etching, Wyllie Gallery label verso. 28.5cm x 52cm

Lot 8383

WILLIAM WYLLIE RA (1851-1931) 'Dumbarton Rock (from the tail of the bank)'. Signed framed and glazed etching, Gallery label verso. 22cm x 51cm

Lot 129

John Gould (1804-1881)'Chlamydera Guttata'; 'Artichia Rufescens'; 'Eustephanus Pernandensis' and othersseven lithographs in colourslargest 550 x 365mm,together with George Vernon Stokes (1873-1954), Northern Lapwing, signed 'G Vernon Stokes' in pencil, etching in colours, 305 x 390cm (8)Condition ReportLargest framed size: 80 x 61cmLargest one has come loose from frame, all unexamined out of the frames, foxing emerging, generally appear to be fine, please refer to images.

Lot 676

Philip Keppel (1901-1981), 'Repairs', artists proof etching, signed in pencil lower right and label inscribed: ''Repairs', an original artist proof etching by Philip Keppel, Edition limited, proof state only, plate destroyed', 16 x 14 cm, framed and glazed

Lot 772

'A Monograph on the Genus Camellia', 1960's soft back reprint with five coloured prints, originally printed 1819, together with a large collection of engravings and sketches (19th Century and earlier) to include: 6 pen and pencil sketches mostly of Boulogne and one of Cannes; A single leaf of John Whitgift, Defence published in 1574; 'Rougemonth Castle, Exeter, Devonshire' Published in 1772; 10 engravings French/Belgian c.1830/40 laid on rice paper; 'Happy Young Shepherds' by P&P.Gally, hand coloured; 'Bath Mechanic Institution' c.1840; 'Dedicated to the Commissioners of the Court of Bankrupts', W.Heath, published 1831; 'Fishing boats coming in from the sea' four etchings by G.S. Ferrier; 12 hand-coloured prints of Switzerland with others; 10 engravings from Newcombe Bible, 1704; hand coloured engraving by Robert Sayer c.1750, 'Horse Guards, Whitehall, London; aquatint etching 'Sir Rhys Thomas Knight Banneret; 'Prospect of the Ruins of Glaftonbury Abby, in Somersetshire' hand coloured engraving; Wilton House Garden, c1740, hand coloured engraving; 'Holinshed (1577) with a fine wood cut' book page; 'Old Metamorphisis (1632, witches, book page; 'Les Marionnettes A L.Exposition de 1937'; Sir Walter Raleigh 'History of the World' (1614), book page; Heywood (1635), 'Familiar Spirits'; Seldon (1652), 'Empire of the British Sea'; together with Monograph on the Genus Camellia - Samuel Curtis after drawings by Clara Maria Pope, originally published J & A Arch 1819 (facsimile), republished by Charles W Traylen, contains five coloured prints approximate sheet size 68.5 x 48 cm, approximately, unframed etc

Lot 365

JACKSON SIMPSON? - an etching entitled 'The Turnip Cart' - framed and glazed, together with a reproduction restaurant sign

Lot 268

A QUANTITY OF PAINTINGS AND PRINTS ETC, to include Martin Caulkin watercolour 'Rain Over the Malverns' approximate size 17cm x 26cm, Sue Read watercolour 'Eggs on a Shelf', Roger Morris watercolour 'The Lygon Arms Broadway', watercolour depicting Lichfield Cathedral indistinctly signed, still life oil on board depicting flowers, indistinctly signed, Roger St Barbe aquatint etching 'Colyton', signed limited edition print by Daniel Lester 'Taffy Apple' depicting a steam train, Anthony Gibbs monochrome print of a tiger, framed Will's flower cigarette cards, together with other assorted prints etc (2 boxes and loose)

Lot 291

VALERIE DANIEL (20TH CENTURY) 'PEPPERS AND LEEKS', a limited edition etching with colours, signed, titled and numbered 1/50 to lower margin, mounted framed and glazed, approximate size 38cm x 53cm including margins

Lot 617

A COLLECTION OF LATER 20TH CENTURY PAINTINGS AND PRINTS ETC, to include E Richardson 'Ardington Village Berkshire' a view of houses in the village with figures walking on the pavement, signed and dated 1967, oil on board, approximate size 49cm x 64cm, C. Witham 'Lauriston Forest Kirkcudbright' river landscape, signed and dated 1969, oil on board, an abstract view of houses across a river?, attributed to Adam Barsby verso, mixed media on fragmented paper (some segments are lifting), three W. Richardson watercolour landscapes, J Carrick watercolour of wild daisies, Susan Steel artist proof aquatint etching numbered A/P I, unframed abstract study signed R.R. Blumenfeld, Derek? Mynott pastel coastal landscape - smudged due to glass missing from frame, Charles Walch Cock print, Lowry open edition print 'At The Seaside' and Claude Monet 'The Magpie' open edition print etc

Lot 1619

Herbert Thomas Dicksee (1862-1942), etching on vellum, 'On Velvet', signed in pencil, 26 x 41cm

Lot 1661

Herbert Thomas Dicksee (1862-1942), etching, 'The Watcher on the Hill', initialled in the plate, 47 x 70cm

Lot 1666

Herbert Thomas Dicksee (1862-1942), etching, 'The Dying Lion', 25 x 47cm with full margins, unframed

Lot 102

Valerie Thornton (1931-1991) etching and aquatint, Minories edition - Old Houses Maidenburgh Street, signed and dated '76, numbered 62/80, image 54cm x 34cm in glazed frame (77cm x 58cm overall)

Lot 112

*Sir Frank Brangwyn (1867-1956) etching, 'Albi', signed and dated '26, signed, 35 x 55cm, glazed frame Provenance: Removed from The Garden House, HampsteadTwo areas of foxing as seen in images, some slight browning to the outer margins otherwise good presentable condition.

Lot 117

Max Sauvage, contemporary, signed limited edition etching, "La Baigneuse a Hyeres les Palmieres", 29/50, dated 2000, 50cm x 35cm, unframed, presented in original folder

Lot 118

Continental school, early 20th century etching - figures before town buildings, indistinctly signed in pencil below, 45.5cm x 51.5cm unframed

Lot 137

Richard Beer (1928 - 2017) coloured etching, The New Stock Exchange, signed, numbered 103/250, plate 43 x 33cm, glazed frame

Lot 146

Sylvia Morgan, 1929, etching, signed titled 'Roadside Shanties' and numbered from an edition of 50, Label to back reading: 'This etching of a roadside shanty in Australia was presented to Admiral Sir Dudley De Chair, during his term of office as Governor of New South Wales, Australia, in 1929', plate 17 x 37cm, glazed frame

Lot 151

After Raphael, 18th century mezzotint etching - The Miraculous Draught of Fishes, published by Carrington Bowles, 27.5cm x 39.5cm, in glazed frame

Lot 152

Margaret Kemp-Welch (1874-1968) etching - signed, image 18cm x 18cm in glazed frame

Lot 198

Leonard Squirrell (1893-1979) signed etching, Carters Mill, Wrentham, 17.5cm x 25cm, in glazed frame

Lot 209

Eric Gill (1882-1940) etching - Gordian G, 30cm x 24cm, unframed

Lot 212

Salvador Dali (1904-198), black and white etching - Don Quixote, plate size 17.5cm x 12cm, sheet size 26cm x 20cm, unframed

Lot 238

Attributed to Carl Bloch (1837-1890) pen and ink sketch of a child dated Rome 1862, 16cm x 8cm and a Carl Bloch etching of a lady feeding birds, 21cm x 14cm, both in glazed frames (2)

Lot 241

Frank Henry Mason (1876-1965) Signed black and white etching - The Edystone Lighthouse, 36cm x 60cm, in glazed frame

Lot 42

Frank Mason (1876-1965) signed black and white etching - shipping and other craft, 38cm x 45cm, mounted

Lot 156

‡ DAVID CARPANINI (b.1946) limited edition (7/20) etching - entitled 'Station Road', signed fully in pencil, framed and glazed, 11 x 11cms Provenance: private collection Ceredigion

Lot 179

‡ DIANA ARMFIELD (b.1920) limited edition (3/3) etching - entitled in margin 'The Band on S Marco Piazza', signed with initials, 17 x 13cms Provenance: private collection Ynys Mon (Anglesey)Condition Report:framed and glazed, no problems

Lot 152

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941),ELEGY TO CAPTAIN FERGUSON, FROM A NIGHT OF ISLANDS, 1991colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' image size 75cm x 53cm, overall size 90cm x 68cm Mounted, framed and under glass.Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.Note: Will Maclean RSA, Professor of Painting in the University of Dundee, is one of the outstanding Scottish artists of his generation. He was born in Inverness where his father, a former sailor, was harbour master, and he spent his childhood between Inverness and Skye. His art is rooted in his knowledge of the Highlands, the Highland people and their history and in his own early associations with sailors and the sea. These things make it relevant and immediately accessible, yet it remains uncompromisingly modern in its forms and in its concerns.

Lot 155

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941),THE LAND coloured etching on paper, titled label versoimage size 49cm x 62cm, overall size 55cm x 69cm Mounted, framed and under glass. Handwritten label verso.

Lot 158

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941),THE WAITINGcoloured etching on paper, titled label versoimage size 49cm x 62cm, overall size 55cm x 69cm Mounted, framed and under glass. Handwritten label verso.

Lot 161

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941),THE DEPARTUREcoloured etching on paper, titled label versoimage size 49cm x 62cm, overall size 55cm x 69cm Mounted, framed and under glass. Handwritten label verso.Note: Will Maclean RSA, Professor of Painting in the University of Dundee, is one of the outstanding Scottish artists of his generation. He was born in Inverness where his father, a former sailor, was harbour master, and he spent his childhood between Inverness and Skye. His art is rooted in his knowledge of the Highlands, the Highland people and their history and in his own early associations with sailors and the sea. These things make it relevant and immediately accessible, yet it remains uncompromisingly modern in its forms and in its concerns.

Lot 103

An original Renoir Etching of children on the beach

Lot 104

An original Cezanne etching 'Scenery'

Lot 1107

Five wooden/gilt picture frames measuring 20.5 cm h x 16.5cm w (3), and one 19.5cm h x 16.5cm w, and one 19cm h x 15cm w. Two cross stretcher oak picture frames and a framed etching etc.Condition ReportFive frames all with wear and one with chips and one with gilt loss. Oak cross stretcher frames have loose backs.

Lot 1059

Reproductions of Prints in the British Museum, 3rd series, Part II, Specimens of Etching by Italian Masters 1525-1550, published by order of the Trustees 1908, bound folio (1)

Lot 1066

E H Lockhead - Birsemohr, etching, signed and titled in pencil to the margin, 14 x 17.5cm

Lot 545

Mad dog in a coffee house, colour etching.

Lot 1045

Willy KissmerNude studySigned and numbered 40/250, etching, 59cm by 23cm

Lot 1065

John Degnan (20th century) ''Farm Track'' Limited edition 10/50, etching, signed in pencil; together with various others by the same artists including ''Meeting of the Waters'' and ''Moor Lane Cottages, Reeth'', etc (7)

Lot 238

A Kravjansky Mikulas limited edition etching , titled "Oriental Princess 3"  signed by the artist Number 39/200 , certificate on the back . Print size 67cm x 49cm

Lot 240

A Kravjansky Mikulas limited edition etching , titled "Oriental Princess"  signed by the artist Number 39/200 , certificate on the back . Print size 67cm x 49cm

Lot 169

Timothy Greenwood, Snowy Owls, etching number 9/150, signed bottom right, framed, measures 32cm x 24cm

Lot 170

Cornish School, Harbour Town with figures and boats, etching, signed bottom right, measures 27cm x 38cm

Lot 172

Robert Rivers, American Contemporary, Hospital print, Cortona (Italy), etching, signed and dated 1976, limited edition 2/10, framed, plate measures 48cm x 64cm, note Rivers served as a visiting lecturer at the Edinburgh College of Art and has exhibited widely including at a number of Scottish galleries

Lot 214

A 1930's etching, Running In, number 66/100, signed bottom right, measures 13cm x 17cm

Lot 216

Two 19thc William Daniell engravings, including Dunrobin Castle from the North East Southerland Shore, and Berrydale Caithness both dated 1821, measure 24cm x 32cm, a coloured 19thc print by W H Bartlett, The Lighthouse Aberdeen, and Jackson Simpson, Somme Hayboat, etching, signed bottom right (4)

Lot 357

Alfred Bentley, 1879-1923, hill pastures, signed in pencil to the margin, drypoint etching, 21 x 26cm, together with three other etchings and a prospect of Sheffield (5)

Lot 50

Valerie Thornton, NDD, RE, 1931-1991, Clare, signed in pencil to the margin and numbered 52/70, coloured etching, 44 x 65cm

Lot 63

ARR William Lionel Wyllie, RA, 1851-1931, Submarines In Portsmouth Harbour, signed in pencil to the margin, etching, 24 x 38cm, together with another, the Jenkin (2)Sumbarines: paper is discoloured, in a later frame which has suffered from damp. Jenkin: paper is discoloured and heavily marked from damp, mostly towards the top, has a 3cm tear on the left side, in a later frame which has damp marks. Recently inherited

Lot 88

Kenneth Steel, 1906-1970, cathedral, signed in pencil to the margin, drypoint etching, 36 x 29cm, together with David Donals, after William Tatton Winter, Ave maria, signed in pencil, drypoint etching, 32 x 26cm (2)

Lot 425

R. KENT THOMASGlasgow in the 18th century, etching, 28cm x 69cm

Lot 450

AFTER STEWART WATSONThe Inauguration Of Robert Burns, etching, 41cm x 51.5cm

Lot 1

δ Pierre Alechinsky (b. 1927)UntitledEtching, 1960, signed and dated in pencil, numbered from the edition of 60, published by Galleria Schwarz, Milan, on wove paper, with full margins, sheet 267 x 192mm (10 ½ x 7 5/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 142

Bruce Nauman (b. 1941)Use Me (Cordes 59)Etching, 1988, signed and dated in pencil, numbered from the edition of 35, published by Brooke Alexander Editions, New York, on Somerset Satin wove paper, with full margins, sheet 392 x 452mm (15 3/8 x 17 3/4in) 

Lot 19

δ Marc Chagall (1887-1985)Der Akrobat mit der Geige (Kornfeld 40 III B)Etching with drypoint printed in dark brown, 1924, from the unsigned edition of 150, published by Edition Vollard, Paris, on wove paper, with full margins, sheet 577 x 455mm (22 3/4 x 17 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 33

δ Salvador Dali (1904-1989)King John, from Shakespeare II (Field 71-1-O; M & L 396b)Etching printed in colours, 1979, signed and numbered from the edition of 250 in pencil, printed by Ateliers Rigal, published by Editions Graphiques Internationales, Paris, on Japon, the full sheet, sheet 449 x 313mm (17 5/8 x 12 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 35

δ Salvador Dalí (1904-1989)Le Jugement de Paris, from Hommage à Albrect Durer (Field 71-8 F; see M&L 485)Etching with pochoir in colours, 1971, signed in pencil, annotated 'E.A.', an artist's proof aside from the edition of 270, published by Vision Nouvelle, Paris, on BFK Rives wove paper, with full margins, sheet 755 x 565mm (29 3/4 x 22 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 36

δ Salvador Dalí (1904-1989)Tête d'épines (Les Tranchée), from 'Poemes Secrets' by Guillaume Apollinaire (Field 67-10 D; M&L 192f)Etching extensively heightened with watercolour, 1967, signed in pencil, numbered from the edition of 145 in Roman numerals, published by Éditions Argillet, Paris, on Japon paper, with the Dali blindstamp, with full margins, sheet 380 x 283mm (15 x 11 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 37

δ Salvador Dalí (1904-1989)Fontaine fantastique, from Aranella (Field 74-16 B; see M&L 721a)Etching with engraving printed in colours, 1974, signed in pencil, numbered from the edition of 150, published by Aranella Le Bourg, France, on BFK Rives paper, with full margins, sheet 675 x 510mm (26 1/2 x 20in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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