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William Lionel Wyllie RA (1851-1931)'Trafalgar 21 October 1805'Issued in 1905 by the Art Union of LondonPrinted by F Goulding39cm x 73.5cmFramed and glazed CONDITION REPORT: Drypoint etching mounted on wove paper. The paper has browned and is heavily foxed. There is a water stain to the lower right and three distinct lines of browning where the print has been more exposed to the air by the backing boards. Measurements of plate mark on the wove paper are 47cm x 78cm
Norman AckroydAt Flatford Milletching 21/9022.5 x 36.5cmNorman Ackroyd, CBE, RA (b.1938) is an English artist known primarily for his aquatint work. He is based in Bermondsey, London and travels the length and breadth of the British Isles in pursuit of his subjects. This plein air etching was created at Flatford, East Bergholt, a landscape immortalised by John Constable in his painting, The Haywain
Richard BawdenThe Victorian Traywatercolour35.5 x 49cm (56.5 x 68.5cm framed)Richard Bawden RWS NEAC RE (b 1936), is the son of a well-known artist, Edward Bawden. He is a painter, printmaker and designer working predominantly in lino, etching and watercolour. His work has a graphic, linear quality and a strong sense of craftmanship. Richard is a former Chairman of the Gainsborough House Print Workshop in Sudbury
Percy Westwood etching of narrow street scene, 'York', signed in pencil lower-right, together with another similar; George Butler RWS (1904-1999), pair of watercolours, 'New Hassop' and 'Roadside Oak Letheringsett', both signed; pair of drawings indistinctly signed (Jenkinson?), one dated 1969 and depicting 'Mayfield Valley'; large hand-coloured lithograph of Sheffield, and an abstract watercolour of Corsica by D F Smith, 1962. (8)
after: Pablo Picasso Spanish (1881-1973) Etching/Print "Four Girls Dancing" Bears Signature in Pencil Lower Left and Signed in Plate as well as Dated Lower Right. Good to Very Good Condition. Image Measures 13-1/2 Inches by 10 Inches, Frame Measures 26 Inches by 20 Inches. Shipping $95.00 (estimate $50-$100)
A PAIR OF ANTIQUE ETCHINGSComprising:a) Rozzo e il mio suon, ma pur alletta, e piace, etching on paper, 34.5 x 43 cm (13 5/8 x 17 in.) [sight], signed in plate lower right App. G. Wagner Venezia C.P.E.S., titled lower center; b) View of Nuneilam, from the Wood, etching with hand coloring on paper, 20.7 x 31.5 cm (8 1/3 x 12 1/2 in.) [plate], signed in plate lower left J. Farington, titled lower center PROVENANCEProperty of a Private Collector, New Jersey
A collection of 18th and 19th century engravings. Including a French pen and ink garden plan by Lake Como dated 1803. Three mezzotints after Kneller, eight garden designs and plans of various sizes, a portrait after Van Eyck by Soutman and 'Le Couche de La Mariee' etching after Moreau. Largest 38 x 46cm (13)
CARICATURES: Boxes of Bangor or Messengers of Peace, etching with contemporary hand-colour, published by S.W. Fores, Aug 6, 1796 (BM Satires 8882), good condition; The Modern Janus, or the true reason why the Christian Religion suffers more from its pretended friends, then (sic) real Enemies, by Isaac Robert Cruikshank, etching with contemporary hand-colour, published by S.W. Fores, Dec., 1819 (BM Satires 13282), good condition; and This ere pair of left off Vellingtons to be sold wery cheap, a piracy, published by W. Gans, Southampton Street, of the etching by William Heath published by T. McLean, 1830 (see BM Satires 16345) (3)
EUGÈNE DELÂTRE (1864-1938) Portrait of the novelist Joris-Karl Huysmans (1848-1907), author of À Rebours, 1884. Etching and aquatint in colours, signed in blue crayon and numbered from the edition of 100 published by André Marty in L'Estampe originale, Album VI, 1894. With the blindstamp of L'Estampe originale, lower left. Plate 320 x 239mm; the sheet 595 x 427mm. The image area somewhat light-stained from framing

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78408 item(s)/page