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Lot 1035
William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931) Steamers off Tyneside, signed in pencil, a black and white etching, together with two further signed etchings by the artist depicting beached fishing boats and another of tall sailed ships, 16cm by 37cm, 16cm by 37cm and 10cm by 32.5cm respectively (3)
Lot 1089
William Lionel Wyllie RA RBA RE RI NEAC (1851-1931) Figures approaching a lighthouse, signed in pencil, a black and white etching, together with a further signed example by the same artist depicting a beached fishing boat beside a pier and a signed Harold Wyllie etching of shipping in a calm, 16cm by 37cm and 8.5cm by 29.5cm respectively (3)
Lot 1092
Italian School (17th century) Standing classical figure with cupid and cherubs, brown pen and ink, together with a further Continental ink drawing of the deposition from the cross, a reverse engraving after Lucas van Leyden of a young man holding a skull, (Bartsch 174), a further reversed copy engraving by the same artist of Saint Jerome in the Desert, (Bartsch 113), a tondo engraving of a fisherman, and a further etching after G A Sirani ''Bacchanale d' Enfants'' , 7.5cm by 8cm, 8.5cm by 16.5cm respectively and various other sizes (6 unframed)
Lot 1098
After Rembrandt van Rijn (1606-1669) ''Joseph's Coat brought to Jacob'', black and white etching, together with a small collection of engravings and etchings including ''Femme nue Couchee, tournee a droit'' after Renoir, ''The infant Christ and St John with three Angels after Hollar'', Hollar after Holbein ''Anne Boleyn'', Hollar after Van Dyck, ''Charles II'', Angels and Cupid after Bartolozzi and a group of modern colour lithographs depicting works after Da Vinci, F. Guardi and Rembrandt, etc, 10.8cm by 8.2cm and various other sizes (a collection)
Lot 355
Norman Alfred Williams Lindsay (Australian, 1879-1969) Dayan (No. 514); The Butterfly (No. 514); The Bauble; (no. 514) and Bangam (No. 514) all signed lower right "Norman Lindsay" and with blindstamp facsimile etchings with certificate of authenticity (4) 17 x 13cm (7 x 5in) Norman Lindsay (1879-1969), artist, cartoonist, and writer, came from a family that produced five artists. Lindsay left home when he was sixteen to live with his brother in Melbourne. In 1901 he moved north to make his permanent home in the Blue Mountains, working for the Bulletin in an association that lasted almost to his death. His first novel was published in 1913, and by the 1920s he was both proficient and prolific in pen and ink drawing, etching, woodcuts, watercolours and sculpture. Lindsay rejected Christianity, and his art depicts Bohemianism and Arcadian pantheism madly mixed in a fantasy world. Some browning around the edges with some slight fading to the paper. The Bauble is missing its glass.
Lot 358
§ Anders Zorn (Swedish, 1860-1920) Shallow dated 1913 and signed lower right in pencil etching 34 x 23cm (13 x 9in) Exhibited: Arthur H. Harlow & Co. Rare Etchings and Engravings, 712 Fifth Avenue, New York (old label verso) Some fading to the paper. Paper has some horizontal wrinkling. A small scratch to the paper in the border, on the lower right hand side
Lot 367
§ Henry Trivick (British, 1908-1982) London street after bombing, NW1, Second World War signed lower right "Henry Trivick", numbered 3/12 and inscribed with title "London, NW1, Jan. 1941" soft ground etching 42 x 33cm (16 x 13in) Provenance: A gift from the artist to the vendor's mother and by descent. Some browning and creasing to the paper.
Lot 368
§ Henry Trivick (British, 1908-1982) St James's Church, Piccadilly, London, after bombing, with workmen removing debris soft ground etching 39 x 55cm (15 x 21in) Provenance: A gift from the artist to the vendor's mother and by descent. Unframed. Spots of foxing along the lower edge. Creasng to the paper all over. Water (?) spots in the sky ? One diagonal crease through the tower.
Lot 369
§ Valerie Thornton (British, 1931–1991) A collection of church interiors and studies, to include Sangüesa, 1982; St. Euphania, Spoleto, 1985; Norwich, 1985; Tewkesbury, 1986, Southwold, 1984 and one other etching and aquatint in colours, on wove paper, printer's proofs, printed by Studio Prints, London, unframed (6) all signed, numbered, inscribed with title and annotated "PP" in pencil apart from one, sheet size approx 78 x 57 cm Condition is good - a few creases to the edge of the sheets, but images are clear and good.
Lot 378
§ Dame Laura Knight RA (British, 1877-1970) 'Susie' signed lower right "Laura Knight" and numbered 22/40 etching 1928 27 x 37cm (11 x 14in) Exhibited: Leigh Underhill Gallery, 100 Islington High Street, London, N1 Susie was a fisherman's daughter from Mousehole in Cornwall and appears in several of Dame Laura Knight's works, such as 'Susie and The Washbasin', 1929
Lot 366
Patterson (Frank). The Patterson Book: 150 Line Drawings, 1st edition paperback, Temple Press, Summer, 1948, covers worn, pages browning with age, otherwise clean and sound; The Second Patterson Book, First Edition hardback in board covers, Temple Press, November 1952, lacks the dust-jacket, vertical tear to the half-title, the first and last few leaves foxed, but otherwise sound, a very good copy of The Patterson School of Etching, a 16-page cord-tied illustrated pamphlet with brown card covers, together with its original dispatch envelope, and a box and lid, measuring approximately 18 x 15 x 1 ins, and containing 20 copies of a large format Patterson print entitled 'The Record Man' from a print run limited to 250 copies, a large quantity of a smaller format Patterson print with the title "Good Luck!", a small selection of other Patterson prints, and other miscellaneous colour prints, mainly of hobby horse subjects (with duplicates) (a quantity)
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71174 item(s)/page