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Click here to subscribeDonald Judd [Untitled] etching, 1978, on wove paper, signed and dated in pencil, numbered 19/75, published by Styria Studio, with margins, two repaired splits in the upper right margin, a short abrasion running through the signature, a little soft creasing, otherwise generally in good condition, framed P. 560 x 685mm., S. 760 x 885mm.
Leon Kossoff Fidelma and Eoin etching printed with tone, 1988, on wove paper, signed and dated in pencil, inscribed 'A/P', with margins, four hard creases in the right margin, other soft creasing, unexamined out of the frame P. 505 x 460mm., S. 770 x 580mm.; with another etching and aquatint, 1978, signed and dated in pencil, inscribed 'T/P' (2)
Roberto Matta (1911-2002) Seven plates, from Les Oh! Tomobiles (Ferrari 60 - 69) etching and aquatints in colours, 1973, on japon nacre, each signed in pencil, numbered 66/100 (there were also 25 hors commerce copies), published by G. Visat, Paris, with full margins, the upper sheet corners glued to the backing on the reverse, the occasional fox mark in the margins, otherwise generally in good condition P. 420 x 558mm., S. 515 x 660mm.; and a lithograph in colours, signed in pencil, numbered 89/180 (8)
Victor Pasmore Untitled (Lynton page 140) etching and aquatint in brown and black, 1974, on wove paper, signed in pencil, inscribed A/P, one of twenty proofs aside from the edition of 55, published by Marlborough Gallery Inc, New York, with full margins, overall pale scattered foxing, staining and discoloration to the upper and lower sheet edges, other minor blemishes P. 375 x 375mm., S. 608 x 718mm; with Spiral Motif, etching and aquatint in brown, signed in pencil, inscribed A/P (2)
Victor Pasmore Two plates, from Metamorphosis (Linear Motifs) - A Suite of Eight Images (B&L. 57.1-2) two etching and aquatints in colours, 1971, on wove paper, each signed in pencil, proofs aside from the numbered edition of 55, published by Marlborough Graphics, London, with full margins, a little minor surface dirt and discoloration in the margins, otherwise in very good condition P. 292 x 374mm., S. 610 x 712mm. P. 273 x 371mm., S. 610 x 712mm. (2)
Victor Pasmore Blue Development (B&L. 44) etching and screenprint in blue and black, 1974, on wove paper, signed in pencil, a proof aside from the numbered edition of 60, published by Marlborough Graphics, with full margins, a pale band of discoloration to the extreme right sheet edge, a few very pale fox marks in the lower margin, otherwise in good condition P. 705 x 606mm., S. 375 x 375mm.
Victor Pasmore Senza Titolo IV (L. 57) etching and aquatint in colours, 1989, on Fabriano paper, signed and dated in pencil, numbered 77/90 (there were also fifteen artist's proofs), published by Marlborough Graphics Ltd, London, with full margins, a few scattered fox marks in the left margin, otherwise apparently in good condition, unexamined out of the frame P., 495 x 995mm, S. 700 x 1400mm
Victor Pasmore Blue Mandala (B&L. 66) etching and aquatint in colours, 1978, on wove paper, signed and dated in pencil, numbered 83/90, published by 2RC Workshop, Rome, with full margins, hard creases to the upper left and lower right sheet corners, general creasing to the printed surface and in the margins, a fox mark in the lower left corner of the image, otherwise generally in good condition P. 520 x 520mm., S. 750 x 991mm
Antoni Tapies Les Quatre Coins (G. 232) etching and aquatint in black and grey, 1970, on wove paper, signed in pencil, numbered 15/75, published by Maeght Editeur, Paris, with full margins, a little soft creasing at the upper sheet edge, otherwise in good condition P. 350 x 500mm., S. 580 x 775mm.
Antoni Tapies Jean Fremon, Equation, Daniel Lelong, 1987 the set of five aquatints in colours, on Arches, with title, text and justification, the first and last etching signed in pencil, number 8 from the edition of 25 (there was also an edition of 50 and 20 hors commerce copies), printed to the edges of the full sheets, in very good condition, loose in paper covers, within brown paper-covered boards and slipcase, in very good condition(portfolio)S. 315 x 250mm. (overall)
Joe Tilson Air Mantra (V.A.G. 50) etching and aquatint in colours with collage, 1979, on wove paper, signed and dated in pencil, numbered 37/75, published by Waddington Graphics, London, with margins, a tiny tear at the right sheet edge, a little soft creasing in the margins, otherwise apparently in good condition, unexamined out of the frame P. 745 x 835mm.
Joe Tilson Eye Mantra (V.A.G. 51) etching and aquatint in colours with collage, 1979, on wove paper, signed and dated in pencil, numbered 70/75, published by Waddington Graphics, London, with margins, a short hard crease in the upper left margin, soft creasing at the sheet edges, otherwise apparently in good condition, unexamined out of the frame P. 745 x 835mm.
David Wurtzel Dante's Inferno, published by the artist, Florence, 1976 the set of eight etching and aquatints in colours, on Arches, with handwritten justification, each signed and titled in pencil, numbered 11/25, with full margins, in very good condition, loose in a beige solander folder P. 330 x 400mm., S. 495 x 640mm.
Damien Hirst (b. 1965) Global-a-go-go (for Joe), from In a spin, the action of the world on things: Volume I etching and aquatint in colours, 2002, on wove paper, signed in pencil, from the edition of 68, published by C. Booth-Clibborn and the Paragon Press, London, the full sheet, in very good condition, framed Image: 27 x 26in. (70.5 x 67cm.), Sheet: 36 x 28in. (91.5 x 71cm.)
Damien Hirst (b. 1965) My Way, from In a spin, the action of the world on things: Volume I etching and aquatint in colours, 2002, on wove paper, signed in pencil, from the edition of 68, published by C. Booth-Clibborn and the Paragon Press, London, the full sheet, in very good condition, framed Image: 23 x 15in. (60 x 40cm.), Sheet: 36 x 28in. (91.5 x 71cm.)
A Georgian naval officer's dirk, diamond section blade 8" with floral, laurel wreath, flags and drums etching, ivory grip with swollen ribbed centre section, short crosspiece with ball shaped finials, in its gilt heavily embossed sheath with lion's head supporting shield with trophy of arms, fouled anchor and foliate decoration for its entire length, two hanging rings. Good Condition (two hair line cracks to hilt) (Please see lot 61 for image)
Loading...![Donald Judd [Untitled] etching, 1978, on wove paper, signed and dated in pencil, numbered 19/75, published by Styria Studi](http://lot-images.atgmedia.com/SR/10058/2307177/365-6-10058_468x382.jpg)
