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Lot 1027

Thomas Rowlandson (1756-1827), etching, A Charm for a Democracy, reviewed, analysed, and destroyed Jan 1 1799 to the confusion of its affiliated friends, sheet 29 x 45cm, published February 1799, together with Richard Dighton, The Principle Arch of Lambeth Palace, Henry Bunbury, The Country Club, French engraving - La Famille Anglaise a Paris, and hand coloured Cruickshank engraving Monsieur Tonson. (5)

Lot 1028

George Cruikshank (1792-1878) hand coloured etching, The Mountebanks, or Opposition Show Box, published 1812 by M Jones, together with George Cruikshank (1792-1878) hand coloured etching, Nebuchadnezzar's Dream, 1815. (2)

Lot 1030

James Gillray (1756-1815) hand coloured etching, The Injured Count S, published C. Morgan, 28 x 37cm, probably a later printCondition report: The paper is inconsistent with the other Gillray works in this sale, we assume its later, not printed to the reverse, no other distinguishing marks. Trimmed to plate on three sides,  a tear top left corner and repair to a tear lower left

Lot 1031

James Gillray (1756-1815) hand coloured etching, Pigs Meat or the Swine Flogged out of the Yard, 1851 Bonn Edition, numbered 206, 36 x 26cm

Lot 1032

William Heath (1795-1840) hand coloured etching, Dressing for the House, March 1829, published McLean 1829, plate 27 x 36cm, together with another by the same hand - The Slap up Swell Wot Dribes When Never he Likes. (2)

Lot 1034

James Gillray (1756-1815) hand coloured etching, The Triumph of Quassia, published H Humphrey 1806, 25 x 33.5cm

Lot 1036

James Gillray (1756-1815) hand coloured etching, Polonius, published H Humphrey 1795, 24 x 34cm

Lot 1038

James Gillray (1756-1815) hand coloured etching, Despair, published H Humphrey 1802, 24 x 19.5cm

Lot 1039

James Gillray (1756-1818) hand coloured etching, Le Diable Boiteux or The Devil upon two Sticks, published H. Humphrey 1806, 25 x 35cm

Lot 1040

James Gillray (1756-1815) hand coloured etching, The Cabinetical Balance, published H. Humphrey 1806, 35 x 26cm

Lot 1041

James Gillray (1756-1815) hand coloured etching, A Duet, published H Humphrey 1792, 33 x 24.5cm

Lot 1042

James Gillray (1756-1815) hand coloured etching, Political-Candour; -i.e.- Coalition-'Resolutions' of June 14th 1805, published H Humphrey 1805, 36 x 28cm

Lot 1043

James Gillray (1756-1815) hand coloured etching, The Friend of the People and his Petty New Tax-Gatherer, paying John Bull a visit, published H Humphrey, 1806, 25 x 34cm

Lot 1044

James Gillray (1756-1818) etching, Doublures of Characters, published J Wright 1798 for the Anti-Jacobin Review, 26.5 x 36cm, and another - The Zennith of French Glory, the pinnacle of Liberty, published 1793. (2)

Lot 1045

James Gillray (1756-1815) hand coloured etching, A kick at the broad bottoms, published H. Humphrey 1807, 27 x 37cm

Lot 1046

James Gillray (1756-1815) hand coloured etching, Lordly Elevation, published H. Humphrey 1802, 27 x 21cm

Lot 1047

James Gillray (1756-1815) hand coloured etching, The Genius of France nursing her Darling', published H Humphrey 1804, 34 x 26cm

Lot 1048

William Heath (1795-1840) hand coloured etching, A Sketch of the row in Parliament Street, 24.5 x 36cm, together with George Cruickshank, St James, St Giles, Dividing the Spoil. (2)

Lot 1049

James Gillray (1756-1815) hand coloured etching, A Cockney and his Wife Going to Wycombe, 26 x 37cm

Lot 1050

Attributed to James Gillray (1754-1815) etching, Aquila Habsburghiensis, 26 x 21cm

Lot 1053

Thomas Rowlandson (1756-1827) hand coloured etching, The Rival Candidates, published W. Humphrey 1784, 24 x 35cm, together with 6 other Rowlandson etchings including A Sleepy Congregation, Procession of the Cod Company from St Giles to Billingsgate, The Parody of Mother Cole and Loader, The Champion of the People and Rural life etchings. (7)

Lot 1088

English School, late 18th / early 19th century, hand coloured etching - 'A correct likeness of the notorious Jane Gibbs, published Forres, 27 x 18cm, in glazed frame

Lot 1089

James Gillray (1756-1815) hand coloured etching - Metallic Tractors, published H Humphrey 1801, 23 x 31cm, glazed frame

Lot 1090

James Gillray (1756-1815) hand coloured etching and aquatint, inspecting a volunteer Corps in Hyde Park, published by H Humphrey 1803, 23 x 19cm, glazed frame

Lot 1091

James Gillray (1756-1815) hand coloured etching - 'All Bond Street trembled as he strode', published H. Humphrey 1802, 26 x 20cm, glazed frame

Lot 1092

Thomas Rowlandson (1756-1827) hand coloured etching, Dissolution of Partnership of the industrious Mrs Clarke, 23 x 31cm glazed frame

Lot 1094

James Gillray (1756-1815) hand coloured etching and aquatint, Tatianus Redivivus, published H. Humphrey 1797, 53 x 40cm, glazed frame

Lot 1112

Rare early 19th century hand coloured etching - Gurney's New Steam Carriage, 24cm x 36cm, mounted

Lot 1116

James Gillray (1757-1815) hand coloured etching, Advantages of wearing Muslin Dresses, published Hannah Humphrey 1802, 25.5cm x 35.5cm, unframed

Lot 1120

William Heath (1795-1840) hand coloured etching, An Allegory, published T McClean, circa 1828, 24cm x 35.5cm, unframed

Lot 1155

James Hamilton Hay (1874-1916) signed etching - Old Houses and Church at Neston, together with another unsigned - Cottages Beneath the Trees, in glazed gilt frames, 15cm x 18cm and 13.5cm x 16cm (2)Provenance: Chris Beetles Ltd. London, 31st May 2018

Lot 1176

Charles Williams, early 19th century hand coloured etching - 'Skaiting - Dandies, Shewing Off', circa 1818, published by Tegg, 25.5cm x 35.5cm, in glazed gilt frame

Lot 1180

Marjorie Sherlock (1897-1973) signed etching - The Horse Guards, 20cm x 38cm, in glazed frameProvenance: The Lady Elizabeth Shakerley Collection

Lot 164

An early etching fair scene and a Malaysian watercolour signed

Lot 274

I Townsend (early 20th century British school) - Still life with fruit and blossom, watercolour and bodycolour on paper, signed, 28 x 43cm approx, together with a coloured nursery print of fairies after Molly Brett, 44 x 52.5cm, a further nursery print after Margaret Tarrant, an unusual collage picture in the form of a pair of gloves created from vintage scraps, 30.5 x 30.5cm,, a signed limited edition screen print - Two Bumble Bees, signed Rob, dated 85, further signed limited edition etching signed J Whiteford - Patterned Pebbles, etc, various sizes, all framed (8)

Lot 325

William Walcot (British 1874-1943) - View of the River Thames, signed monochrome etching on paper, 15.5 x 14cm approx visible sheet size, framed

Lot 1392

J.B Dent & Sons 1850-1900, 10ct gold watch, Roman numeral markers on face, floral etching to face, surrounding case etched with acanthus details and central cartouche inscribed 'BP', 30g gross, 35mm case in original box

Lot 286

A collection of pictures and prints including four early 20th century coloured prints of early 19th century style military subjects, a British Columbian signed print by Stan Hunt of Kwa-qudeh moon, signed black and white limited edition etching Alexander R Caroll - Sex Ed 4/20, further signed limited edition etching, black and white photographs, etc, various sizes framed and unframed

Lot 310

John McGrath (20th century school) - St Tropez, black and white signed limited edition etching, 48/200, 25.5 x 22.5cm approx, together with a framers label from David Bendann's Fine Art Rooms Baltimore, also together with a pair of sepia coloured etching after Joseph Mallord William Turner from the Liber Studiorum series showing Little Devils Bridge and Drawing of the Clyde, 29 x 40.5cm approx sheet size, both mounted and further prints and engravings including botanical subjects, etc (9)

Lot 32

F Robson, pencil signed etching "Bow Church in London"

Lot 33

F Robson, pencil signed etching "The Church Crown High Wycombe"

Lot 34

F Robson, pencil signed etching "Westminster and Big Ben"

Lot 35

Oliver Rae, pencil signed etching "the Cloisters Jesus College Cambridge"

Lot 1589

Bernard Munch, etching, 'Galets D'or', signed, 85/85, 38 x 45cm

Lot 1600

Mac Zimmermann, (German, 1912-1995), figural etching, numbered 2/100, signed and dated ‘74, overall 60 x 68cm

Lot 587

* TOM MACKENZIE (SCOTTISH 1947 - 2018), ON CIOCH coloured etching on paper, signed, titled and numbered artist's proof from an edition of 50 image size 50cm x 40cm, overall size 76cm x 66cm Mounted, framed and under glass. Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.

Lot 588

* TOM MACKENZIE (SCOTTISH 1947 - 2018), CUILLINS FROM PEINMORE coloured etching on paper, signed, titled and numbered 19/75 image size 30cm x 45cm, overall size 49cm x 62cm Mounted, framed and under glass.

Lot 697

* FRED CRAYK (SCOTTISH b. 1952), DOCKAN etching on paper, signed, titled, dated '94 and numbered artist's proof image size 25cm x 20cm, overall size 50cm x 43cm Mounted, framed and under glass. Note: Poem verso.

Lot 183

FREDERICK CLIFFORD DIXON (1902-1992) - OFF TO CHURCH Property from an Emerald Hill shophouse, the home of the interior designer behind ‘Galerie Cho Lon' Copperplate etching, late print from the original etched plates by Martin Ridgwell R.E in 2013, by permission of the artist's estate, numbered 17/50 21.5cm x 17cm without the frame Condition: No obvious condition issues

Lot 131

Julian Trevelyan (1910-1988) - 'The Well of Loneliness', signed, limited 2/50 etching with colours, 17.5 x 25 cm, framed

Lot 132

Julian Trevelyan (1910 - 1988) - 'Wings of a Dove', signed, limited 13/50 etching with colours, 30 x 25 cm, framed

Lot 133

Julian Trevelyan (1910 - 1988) - 'Pebble Mill', signed, limited 2/50 etching with colours, 15 x 26 cm, framed

Lot 134

Julian Trevelyan (1910 - 1988) - 'Thames Barge', signed, limited 35/50 etching with aquatint, 48 x 35 cm, framed

Lot 135

Julian Trevelyan (1910 - 1988) - 'Lions', signed, limited 19/125 etching with aquatint, 35 x 47 cm, framed

Lot 136

Denny Long (1944-2019) - 'Criss Cross VI', inscribed RWA label verso, etching, 57 x 39 cm, framed

Lot 95

Merlin Oliver Evans (1910-1973) - 'Tetraptych', signed, dated 1960, artists proof 2/5 black and white etching, 73 x 50cm, framed

Lot 226

Antique etching depicting foreign town cobbled alley. Signed in pencil by the artist. [Frame 42x32cm]

Lot 286

After Giovanni Battista Piranesi (1720-1778), 'Arco di Settimio' (The arch of Septimus Severus, with the church of S. Martina on the right), etching, 37.5cm x 59.3cm, stuck down on paper, unframed CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Lot 288

Three monochrome prints; J W King (act. 1855-1965), 'Broad Street Oxford', lithograph, signed and titled to lower margin, 17.3cm x 19.8cm, George Huardel-Bly, High Street, Oxford, etching, signed to margin lower right, 12.5cm x 20cm and Featherstone Robson (1818-1936), 'Brasenose Collage, Oxford', collotype, title and artist's signature to mount, 21.3cm x 13.5cm, all framed and glazed CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

Lot 289

Three coloured intaglio prints; Jean-Joseph Chabridon (19th and 20th century), Pantheon, Paris, etching, signed to lower right margin, 10cm x 6.3cm, William Renison (1866-c1940, Continental scene, figures beside a church, etching, signed to lower right margin, 45cm x 27.5cm and one other aquatint of the Matterhorn, indistinctly signed, 18.5cm x 12.5cm, all framed and glazed CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

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