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Lot 815

LINDA RICHARDSON, Hares, coloured etching, numbered 3/50, framed and glazed

Lot 489

EDWARD HILL LACEY Walter Widdopp as Siegfried, signed, etching, 33 x 17cm Condition Report: Available upon request

Lot 461

KATHRINE CAMERON R.S.W The Mountain Fern, signed, etching, 46 x 22cm Condition Report: Available upon request

Lot 481

REGINALD GREEN Loch Lomond and in Glencoe, signed, etching, 23 x 19cm, J.S.C.SIMPSON John Knox House, signed, etching, 32 x 17cm, JOHN WOOD Suna, signed, etching, 26 x 18cm, JACKSON SIMPSON Kings College, Aberdeen, signed, etching, 25 x 15cm (5) Condition Report: Available upon request

Lot 158

After Frith, 'An English Merry Making in the Olden Times', etching, 61cm x 94cm

Lot 385

JAMES PRIDDEY. Framed, glazed, signed in pencil to margin etching titled St, Phillips, Birmingham Cathedral, 45cm x 53cm.

Lot 196

Framed Etching of Perth Bridge by Sir David Young Cameron RA:The gallery label on the back of the frame is dated 1921?

Lot 368

GEOFFREY WEDGWOOD, ARCA, RE (1900-1977) - 'Bernini Colonnade', etching, signed in pencil and dated '41, framed, 8cm x 12cm, frame size 40cm x 33cm.

Lot 440

Led Zeppelin - A collection of LPs, to include 'Led Zeppelin II' 588198, red/maroon label, second pressing, Killing floor credit, 'Led Zeppelin III' K50002, reissue green/orange label, 'Led Zeppelin IV' 2401012 (four symbols), first pressing, red/maroon etching, pecko duck and porky etched to dead wax, 'Led Zeppelin' K40031, re-pressing, 'The Song Remains the Same, the Soundtrack from the Film' SSK89402, 'Physical Grafitti', SSK89400, first pressing, 'Presence', SSK59402 (without sticker). (7)

Lot 1086

William Lionel Wyllie (1851-1931) Battle cruisers and sail ships, pencil, signed etching, 22cm by 38.5cm (unframed)

Lot 1097

After Neil Simone, ''Full circle'', signed, inscribed and numbered 415/475; together with a quantity of further pictures and prints to include a signed etching by George Taylor; and two railway station scenes by D S Prudehoe

Lot 464

A. SIMES, AULD BRIG O DOON, AYR etching, signed 17cm x 21cm Mounted, framed and under glass, along with a pair of coloured etchings and two other prints

Lot 377

ETCHING BY D.Y. CAMERON, signed, 27.5cm x 18.5cm, mounted, framed and under glass

Lot 91

* CYNTHIA TAYLOR, PRIMORDIAL ICONS etching, signed, titled and numbered 14/100 8cm x 49cm Mounted, framed and under glass

Lot 249

G Vernon Stokes Hand Coloured Etching of Two Pekingese Dogs, signed in pencil 31cm x 27.

Lot 216

Margaret Hird, Etching 'Haddon Hall', 17.5 x 21.5cm, signed lower right margin, three English Soldier engravings. (4)

Lot 1380

David Hockney, 'The Boy Hidden in a Fish', unsigned, etching, aquatint and drypoint, pl.23.5 x 27.5cm. 

Lot 1382

*Aggs, bull's head, indistinctly signed and numbered 4/35, etching, pl.24.5 x 29.5cm.

Lot 1378

B Righetti, Italian scenes, a set of three, each signed, watercolour, 27.5 x 15cm; together with a pencil signed etching of a puppy by Lucy Dawson and four other prints after Vernon Stokes. (8)

Lot 194

William Lionel Wyllie (1851-1931) 'Fishing Boats at Sea' etching, signed in pencil lower left, 17cm x 38cm

Lot 411

Etching of Bristol Cathedral, another of St Augustine's Gateway, Bristol and St Peters Hospital, and one other of a seated monk, all framed and glazed

Lot 543

KARL CHRISTIAN LUDWIG HOFER OR CARL HOFER (GERMAN, 1878-1955) Female nude, undated, drypoint etching, numbered 'Rath 62' verso upper right and '107' verso lower right, with 'NACHLASS KARL HOFER' stamp and signed by Elisabeth Hofer verso lower left, 31.5cm x 22cm overall (image approximately 13.5cm x 9.5cm), unframed. Provenance: The family of the artist, by descent. *This lot may be subject to Droit de Suite (Artist's Resale Right)

Lot 539

KARL CHRISTIAN LUDWIG HOFER OR CARL HOFER (GERMAN, 1878-1955) 'Weiblicher halbakt' - Female nude, undated, drypoint etching, titled verso lower centre, further inscribed verso, numbered 'Rath 54' verso upper right, with 'NACHLASS KARL HOFER' stamp and signed by Elisabeth Hofer verso lower left, 35.5cm x 26cm overall (image approximately 13.5cm x 9.5cm), unframed. Provenance: The family of the artist, by descent. *This lot may be subject to Droit de Suite (Artist's Resale Right)

Lot 982

Frank Dicksee Pencil Signed Etching on Vellum Paper, Signed 1888 - Titled ' Love Locked Out ' Published by Thomas Agnew London. 20.5 x 14.5 Inches, with Blind Stamp.

Lot 980

W. Rerrison Etching Street Scene with Figures, France Pencil Signed to the Margins. Published by W.R. Howell June 1917, Unframed. Size 22 x 16 Inches.

Lot 903

Herbert Dicksee Pencil Signed Etching 'The Old Garden' circa 1921, published by Frost & Reed of London. Lebel verso: 'An original etching by Herbert Dicksee, RE, an Artist's signed proof impression upon Japanese vellum. Price £8-8-0 net. Edition strictly limited'. Framed and Glazed Size 28" x 21".

Lot 953

Samuel Ireland - John Hamilton Mortimer Print/Etching 'The Anatomy Lesson'. The two anatomists hovering over the head of the corpse with birds of prey shown pecking at it. The bespectacled anatomist as Dr. William Hunter who was know as Dr. Ibis. The owl perches on the figure's head is a symbol of wisdom, while the rooster on that of his companion is Aesculapius attribute and a symbol of medicine. Unframed. Size 11" x 9".

Lot 938

Alophonse Legros (1837-1911) Etching. An original plate entitled 'A Woodland Study'. Unframed. Print size 9.5" x 13.5".

Lot 983

Axel H. Haig Etching Pencil Signed Published In 1917 by W.R. Howell, London. Titled ' A Street Scene In Lisierix ' Normandy, Unframed. 23 x 17 Inches.

Lot 350

A mixed lot to include a pair of stylised horn birds, four rectangular wooden boxes, one depicting a cherub riding a goat drawn chariot, a small Thai oval wooden box with laser etching of elephants, a papier mache lidded pot with floral design, an EPNS posy vase, a letter opener, a small white metal trinket pot with floral design, a Hmong embroidered charm, white metal pin badge of a young girl, a white metal buckle/brooch depicting a long boat, marked 'Siam Silver' to back, and two boxed Hotelympia medals

Lot 435

A mixed lot to include an original etching of Liverpool cathedral, a share certificate, and various correspondence from the 1930s in connection with Portland Island British Columbia and the Rogers Building Ltd; together with various black and white photographs

Lot 561

John Kay (1742-1826), an etching depicting an 18th century auction in progress

Lot 476

1796 Pattern Infantry Officer's Sword30 3/4 inch, single edged blade with large fuller. Faint traces of etching and crowned "GR" cypher. Gilt brass, double shell guard with folding rear section. Gilt brass knuckle bow and quillon with floral decoration. Gilt brass urn pommel with floral decoration. Replacement grip wire binding. Some pitting to blade.

Lot 614

19th Century Indo Persian Kardsingle edged, T shape blade. Faint floral etching, white metal floral engraved ferrule, blade spine and grip edges. Polished bone, bird beak slab grips retained by four dome head rivets. Contained in its red tooled, leather covered, wooden scabbard.

Lot 513

Victorian Royal Navy Warrant Officer's Sword31 1/4 inch, single edged blade with large fuller. Traces of scroll and Naval etching. The forte with retailer "Caffin & Son Sheerness & Chatham". Brass guard with Victorian crowned anchor cartouche. Plain brass backstrap. Shagreen covered grip. Top nut absent. Complete in its brass mounted leather scabbard. Lower chape absent.

Lot 500

Mid 19th Century Continental Officer's Sword30 inch, double edged, narrow blade. Traces of foliage scroll etching. Gilt brass double shell guard. The front fixed shell cast with wreath border and central rampant lion set over six standards. The rear folding shell cast with a stand of arms and armour over a laurel leaf spray. D shape knuckle bow with oak leaf decorated panels. Gilt brass pommel with lightening bolt winged decoration. Ribbed horn grip with twist wire binding. Contained in its leather scabbard with gilt oak leaf decorated throat. Lower chape absent. Some pitting patches to blade.

Lot 511

American 1860 Staff Officer's Militia/ Society Sword30 1/4 inch, double edged, narrow blade. Foliage etching and "U.R.R.M." within a panel. Named "A.H. Ellison" within a panel. Forte with maker "Pettibone Bros". Gilt brass, double shell guard decorated with US eagle and flags with stand of arms. Foliage decorated knuckle bow. Gilt brass binding. Contained in its plated scabbard with gilt brass decorative mounts. Complete with gilt brass decorative hanging chain.

Lot 468

Raymond Ray-Jones (1886-1942) 'Wellington Arch, Constitution Hill' Original drypoint etching, signed and dated '1923' in pencil, 26 x 32cm

Lot 460

Annibale Carracci 1560-1609 The Holy Family With St John The Baptist, etching, 162x217mm

Lot 468

HERBERT DICKSEE, THE WATCHER ON THE HILL, SIGNED WITH INITIALS, ETCHING, PUBLISHED  BY FROST AND REED, 49 X 71CM

Lot 328

Hedley Fitton (1859-1929) - 'The Advocates Close Edinburgh', drypoint etching, pencil signed to lower right margin, 43.5 x 26 cm to/w 'The Smithfield Gateway', proof etching, pencil signed, 30 x 18 cm and D S Macnanghlan (1876-1938) - 'Canal of the Little Saint', etching, pencil signed to margin, 21 x 29 cm; Francis Dodd (1874-1949) - Interlaken, etching, pencil signed to lower right margin, 20 x 31 cm (4)

Lot 377

Henry Moore (1898-1986) - 'Trees IV: tortured roots', etching, 1979, signed in pencil to lower right, and numbered Pl I, 11/50 lower left, 24 x 18 cm c/w receipt of purchase from Fischer Fine Art Limited, LondonNote: An example of this is in the Tate Collection no PO2692ARR may be applicableSome discolouration to edge of paper 

Lot 379

Frank Auerbach (b 1931) - Head, etching, 18 x 14 cmARR may be applicableNo visible signature, John Jones framer label on back of frame, paper wrinkled beneath glass, no visible edition number

Lot 397

Wilfred R E Fairclough (1907-1996) - 'Christchurch, Oxford', etching, 1961, 27 x 27 cm and 'Magdalen College, Oxford', 1st version, 1990, pencil signed to lower margin, 40 x 47 cm (2)ARR may be applicableGood clean condition, card mounts tight to marigns

Lot 318

Folio containing Francis Dodd (1874-1949) - Verona etching, pencil signed to lower right margin, 26.5 x 21 cm and Greenwich print, pencil signed to/w Rudolf Mather pencil signed etching, Harold Wyllie pencil signed etching and others Images clean but some damage, tears and creases to margins on Verona, Mather;  Angelus with score marks on right hand side

Lot 330

Jason Hicklin (b 1965) - 'Ramsey Island', ltd ed etching 3/30, inscribed, signed and dated '03, 19.5 x 21 cm

Lot 27

British school, 20th century, Prospect from the south side of the river, Southwark bridge, 1933, etching with hand colouring, 12 x 27cm (PL)

Lot 28

Charles Edward Holloway , Tower of London, signed, etching, 36 x 53cm (PL)

Lot 905

Gilbert Browne, etching, Kilchurn Castle, signed in pencil, image 17" x 13.5", framed

Lot 942

Glen Mingham, coloured etching, florette, signed in pencil, no. 16/100, plate size 7" x 5.5", framed

Lot 267

after Pierre Bonnard (French, 1867-1947) Le Chat, etching on wove paper, signed with initials to plate, 6¾ x 4½in. (17.2 x 11.5cm.). * Provenance: C & L Fine Arts, Bohemia, New York *Condition: Very good with no faults.

Lot 640

EIIR Royal Naval Officers Dress Sword by Wilkinson Sword, fine example of a regulation pattern officers dress sword of the Royal Navy. Dish guard with crowned anchor to the cartouche, lion head pommel and fishskin grip with wire binding. Bullion officers dress portepee to the grip. Housed in leather covered scabbard with brass mounts. Mint condition blade with standard pattern etching and Wilkinson Sword London makers mark. Blade is numbered 296601 to the spine. Blade measures 78 ½ cms, overall 96cms.

Lot 627

Victorian Royal Navy Officers Dress Sword by Wilkinson’s Attributed to Admiral of the Fleet Sir Charles Frederick Hotham GCB GCVO, gilt guard with folding back lock, crowned anchor to the centre. Lion head pommel and fish skin grip having wire binding. Original small pattern officers sword knot attached. Slender blade with Henry Wilkinson Pall Mall London to the forte and numbered 21176 to the back edge. To the lower part of the blade is etched monogram and initials “C F HOTHAM”. Blade with the remains of the standard crown over anchor etching. Complete with top scabbard fitting only. Staining and wear to the blade. Measures 92cms overall, blade 79cms. Sir Charles Frederick Hotham was born in York on 20th March 1843. He enlisted in the Royal Navy in 1856 and was promoted to Lieutenant on 17th February 1863, first serving on the frigate HMS Curacoa, flagship of the Commodore commanding the Royal Navy’s Australia station. His first major engagement came in the invasion of the Waikato in New Zealand, as part of the naval brigade which fought the Maori warriors at the battle of Rangiriri, 20th to 21st November 1863. He was also engaged in other actions during the campaign in New Zealand. For his conduct during the New Zealand campaign, he was promoted to the rank of commander on 19th April 1865. After a brief stay in England, Hotham was given command of the gunboat HMS Jaseur on the West Coast of Africa Station in August 1867 and remained with HMS Jaseur when she joined the Mediterranean Fleet in Summer 1869. Promoted to captain on 29 December 1871, he became commanding officer of the corvette HMS Charybdis on the China Station in February 1877 and was briefly commanding officer of the battleship HMS Thunderer before becoming flag captain to the Commander-in-Chief, Mediterranean Fleet in the battleship HMS Alexandra in November 1881. He took part in the bombardment of Alexandria in July 1882 during the Anglo-Egyptian War and then went ashore as Chief of Staff of the naval brigade, formed under Admiral Sir Beauchamp Seymour, which was dispatched to restore the authority of Khedive Tewfik Pasha in the face of Ahmed ‘Urabi's nationalist uprising against the administration. Hotham was appointed a Companion of the Order of the Bath on 14 August 1882. Hotham became senior officer on the South East Coast of America Station in April 1885: his fleet consisted of the corvette HMS Ruby and three gunboats. He went on to be assistant to the Admiral Superintendent of Reserves at the Admiralty in January 1886 and was appointed a naval aide-de-camp to the Queen on 18 January 1886. Promoted to rear admiral on 6 January 1888, Hotham became Junior Naval Lord later that month and then went on to be Commander-in-Chief, Pacific Station, with his flag in the armoured cruiser HMS Warspite, in February 1890. He sought to intervene in the Chilean Civil War in February 1891 by arranging a peace agreement between the forces of President José Manuel Balmaceda and those of the National Congress of Chile who opposed the President. Unfortunately Hotham was shot at while going ashore, no agreement was signed and the Civil War rumbled on until August 1892 when a much larger international peace-keeping force arrived to restore order. Promoted to vice admiral on 1 September 1893, he was advanced to Knight Commander of the Order of the Bath on 25 May 1895. Hotham became Commander-in-Chief, The Nore in December 1897 and, having been promoted to full admiral on 13 January 1899, he became Commander-in-Chief, Portsmouth in October 1900. He was appointed a Knight Grand Cross of the Royal Victorian Order (GCVO) on 8 March 1901, in recognition of directing the naval ceremonial events at the funeral of Queen Victoria. Following the coronation of King Edward VII the following year, Hotham was in command of the fleet review held at Spithead on 16 August 1902, his flagship HMS Royal Sovereign. For his service he was advanced to Knight Grand Cross of the Order of the Bath (GCB) in the November 1902 Birthday Honours list. He was promoted to Admiral of the Fleet on 30 August 1903. He retired in March 1913 and died in London on 23 May 1925.

Lot 517

William Lionel Wyllie (1851-1931) dry point etching, 'St. Katherines Wharf', verso with gallery label, signed in pencil 'W. L. Wyllie' (lower left), 19.5cm x 25cm, framed and glazed

Lot 267

John Henry Dowd, Thee Children, etching, 15cm x 19cm.

Lot 489

Harold Walsby (1911-1973) coloured etching, Rydal Water', signed (lower right) 'Harold Walsby', 19cm x 22.5cm, together with print of a rural landscape scene, 27.5cm x 35.5cm, both framed and glazed (2)

Lot 1331

Joseph Simpson, signed etching, portrait of an elderly gentleman, possibly Frank Brangwyn, 12in x 8.5ins, unframed

Lot 1488

Small engraving of Tower Bridge, indistinctly signed in the plate, 3ins x 5ins, together with an etching of various boats, after Wyllie, 4ins x 11ins

Lot 1400

William Walcot, signed etching of Piccadilly, together with another small signed etching, view of the Houses of Parliament and a small antique framed map of Sussex

Lot 144A

SAMUEL IRELAND ETCHING BASED ON A WORK BY JOHN HAMILTON MORTIMER FROM 1790s

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