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•JOHN REGINALD BRUNSDON (1933-2014) OFF CHESIL BEACH Colour etching, signed an dated 1976, titled and numbered 73/150 22 x 30cm.; with a print from Eric Gill's book `25 Nudes`; and a wood engraving of `Little Owl` by James T. A. Osborne, 12 x 8.5cm. (3) ++ Brunsdon has light/mat staining; the others good.
REMBRANDT VAN RIJN (1606-1669) Beggars receiving Alms at the door of a house Signed on plate and dated Rembrandt f, 1648. Etching and Dry point, 16.5cm x 13cm Provenance, The Open Eye Gallery Cat Ref Bartsch 176, Hind 233 Biorklund 48-C, Halstein 176, (White and Boon) CONDITION REPORT: Paper is dirtied, marks not unlike water staining throughout, this is evident from images. Piece is float mounted, edge is untidy, in modern frame and glazed. Cream mounted and modern gilt frame.
AUGUSTUS JOHN (1878-1961) Girl with a Curl Signed, etching, 12.5cm x10cm *ARR* Provenance, The Open Eye Gallery CONDITION REPORT: Pencil signed, overall darkish cream colour, slight yellowing from mount. Signed John in reverse on plate. SLightly wavy, fairly good overall condition.FramedSee images
GERALD LESLIE BROCKHURST (1890-1979) The West of Ireland Signed to plate and in pencil, etching, 1928, 12.5 cm x 16cmRef F61, State II/VIIIProvenance, Collection of C J Rosenbloom CONDITION REPORT: Yellow staining from mount. Plate area clean, good impression, pencil signed. Cannot see any crop flies, signed backwards to plate.FramedSee images
The Tower Of London; A collection of antique publications relating to The Tower Of London. Comprising; ' The Tower - A Series Of Etchings With Vignettes ' by CRB Barrett, pub. Catty & Dobson 1889. First edition, in stiff red cloth boards, featuring 13 full page tissue guarded etchings, each of which is followed by a page or more of text. Along with ' Authorised Guide To The Tower Of London,' by WJ Loftie, London, 1894 - second revised edition in soft paper covers with illustrations and plans, 'Authorised Guide To The Tower Of London,' 1937 and a Tower Of London etching print signed by the artist HG Hampton (1889-1943). Largest measures 38.5 cm.
Hollar (Wencesalus, 1607-1677) Portrait of Alathea Talbot, Countess of Arundel, after Anthony Van Dyck, from the series 'Icones Principum Virorum', etching and engraving, a good impression of the lettered state with wear to publishers name lower right, before the name 'Iacobus de Man' added, platemark 270 x 200 mm. (10 3/4 x 7 7/8 in), good margins, under glass, Antwerp, 1646.
Hollar (Wenceslaus, 1607-1677) Portrait of a woman traditionally identified as Marie de Medici, bust-length, in profile, etching, an excellent impression, on laid paper without watermark, sheet 75 x 51 mm. (3 x 2 in), trimmed just within, and in places on, the platemark, unframed, 1648.Provenance:Reverend J. Burleigh James (19th century) [Lugt 1425];Indistinct collector's signature in brown ink [not found in Lugt]Literature:New Hollstein 1022
Piranesi (Francesco, 1758-1810) Veduta della porta e peristilio del Tempio di Vesta detto volgarm della Sibilla in Tivoli, from 'Raccolta di Tempi Antichi', etching, well inked, on thick laid paper without watermark, platemark 672 x 476 mm. (26 1/2 x 18 3/4 in), sheet 715 x 510 mm. (28 1/4 x 20 1/8 in), central horizontal crease, even browning, minor handling creases, unframed, [1778].Provenance:Sammlung Hamburgensien-Meyer [not in Lugt]
Rossini (Luigi, 1790-1857) Veduta del' Avanzi della Casa Aurea di Nerone, sul Monte Palatino, from 'Le Antichita Romane', etching, on wove paper, platemark 395 x 540 mm. (15 1/2 x 21 1/4 in), sheet 530 x 735 mm. (20 7/8 x 28 7/8 in), minor nicks and tears to extremities, some spotting and light surface dirt, unframed, 1823.
Bourdin (Sébastien, 1616-1671), After. Persée les mains teintes encore du sang du monstre dont il vient de délivrer Andromède..., etching and engraving, on laid paper without watermark, platemark 365 x 445 mm. (14 3/8 x 17 1/2 in), sheet 405 x 487 mm. (16 x 19 1/4 in), two small damp-stains lower right, light surface dirt, unframed, published by François Basan, [circa 1738-1754].
America.- Bodmer (Karl, 1809-1893) Massika (Saki Indian) - Wakusasse (Musquake Indian) [Tab.3], etching and aquatint with fine original hand-colouring, heightened with gum arabic, by Hurlimann after Bodmer, on cream wove paper without watermark, tiled in French, German, and English, platemark 395 x 495 mm. (15 1/2 x 19 1/2 in), sheet 445 x 620 mm. (17 1/2 x 24 1/4 in), with C. Bodmer blindstamp, some spotting and browning, minor nicks to extremities, unframed, Ackermann & Co., [1839-1844].
America.- Bodmer (Karl, 1809-1893) Mehkskeme-Sukahs (Blackfoot chief) - Tatsicki-Stomick (Piekann chief) [Tab. 45], etching and aquatint with fine original hand-colouring, heightened with gum arabic, by Allais after Bodmer, on cream wove paper without watermark, tiled in French, German, and English, platemark 350 x 460 mm. (13 3/4 x 18 1/8 in), sheet 460 x 625 mm. (18 1/8 x 24 1/2 in), with C. Bodmer blindstamp, some spotting and browning, minor nicks to extremities, unframed, Ackermann & Co., [1839-1844].
Russia.- Oberkogler (Georg, 1774-1856) Vue des montagnes de glace pendant le Carnevale à Moscou, after Gérard de La Barthe, view in Moscow in winter with wooden slides erected onto the river, [?]proof lacking publisher's details, from a series of twelve views, etching and engraving, sheet 438 x 695 mm. (17 1/4 x 27 3/8 in), thin margins, surface dirt, with mark across right side, light spotting, light handling creases, unframed, published by Jean Walser, [1799].
PHILIP GREENWOOD (BRITISH B.1943), Lakeshore, a colour etching, limited edition No.140/180, titled, numbered and signed in pencil, approximately 25cm x 28.5cm, together with Joan Bates, 'Polydorns, Backyard', a colour print, limited edition No.8/75, titled, numbered and signed in pencil, approximately 23cm x 33.5cm (2)
*** Pablo Picasso (1881-1973) - Etching - "Le Repos du Sculpteur II", from "La Suite Vollard", 1933, on laid paper with Vollard watermark, from the edition of 260, published by A. Vollard, Paris 1939, plate 7.5ins x 10.375ins, sheet 13.25ins x 17.75ins, signed in pencil to margin (mounted but unframed) Provenance: Sold in 1938 through The Bragaglia Galerie, Rome to collector Arturo Tonnarelli Gracetti, and thence by family descent to his Grandson.
*** Pablo Picasso (1881-1973) - Etching - "Femme Assise Au Chapeau et Femme Debout Drapee", from "La Suite Vollard", etching 1934, on laid paper, with Vollard watermark, signed in pencil from the edition of 260, published by A. Vollard, Paris 1939, plate 10.75ins x 7.75ins, sheet 17.5ins x 13.25ins (mounted but unframed) Provenance: Sold in 1938 through The Bragaglia Galerie, Rome to collector Arturo Tonnarelli Gracetti, and thence by family descent to his Grandson.
A Watteau Fan' from the painting by Dudley Hardy, printed on canvas (30x45cm), together with collection of Fan inspired artwork including a framed etching by A. Riera after an illustration by Alessandro Zezzos (36x48cm), a framed print by Dorothy Lovett Fowler, signed (63x91cm) and two framed etchings by Jenny Tapping (23x26cm) (5)
Two Hallmarked Silver condiment fork and scraper. Sheffield by Henry Wigfull 1904 and 1951. Both in the same floral pattern and etching to bowl of each. Along with a Caddy style Spoon, Sheffield 1917, Hallmarked Silver condiment spoon, Exeter 1870 by Thomas Hart Stone. Pair of hallmarked silver sugar nips, Birmingham 1906. Hallmarked silver mustard spoon and one other. Total approx weight - 95.1g
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71174 item(s)/page