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Lot 29

James Gillray (British, 1756-1815)Presages of the Millenium (BM 8655) Etching with hand-colouring, 1795, on wove, published by H. Humphrey, London, with trimmed margins, 325 x 385mm (12 3/4 x 15in)(SH)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 30

James Gillray (British, 1756-1815)The Giant-Factotum amusing himself (BM 8980) Etching with hand-colouring, 1797, on laid, published by H. Humphrey, London, with full margins, 355 x 252mm (14 x 9 7/8in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 31

James Gillray (British, 1756-1815)Lady Godina's Rout; _or_ Peeping-Tom spying out Pope-Joan (BM 8899) Etching with hand colouring, 1796, on wove, published by H. Humphrey, London, with margins, 255 x 355mm (10 1/8 x 14in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 32

James Gillray (British, 1756-1815)Search-Night; _or_ State Watchmen, mistaking Honest-Men for Conspirators (BM 9189) Etching with hand colouring, 1798, on wove, published by H. Humphrey, London, with margins, 256 x 358mm (10 x 14in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 33

James Gillray (British, 1756-1815)Duke William's Ghost (BM 9381) Etching with hand-colouring, 1799, on wove, published by H. Humphrey, London, with margins, 265 x 365mm (10 3/8 x 14 3/8in)(PL); together with Charles Williams' The Evacuation of Hanover (2)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 34

James Gillray (British, 1756-1815)The Union-Club (BM 9699) Etching with hand-colouring, 1801, on wove, published by H. Humphrey, London, with trimmed margins, 297 x 443mm (11 3/4 x 17 1/2in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 36

James Gillray (British, 1756-1815)The King of Brobdingnag, and Gulliver. -Vide. Swift's Gulliver: Voyage to Brobdingnag (BM 10019) Etching and aquatint with hand-colouring, 1803, on wove, published by H. Humphrey, London, trimmed and laid down, 315 x 255mm (12 1/2 x 10in)(SH)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 38

James Gillray (British, 1756-1815)Ci-Devant Occupations -or- Madame Talian and the Empress Josephine dancing Naked Before Barrass in the Winter of 1797.-A Fact! (BM 10369) Etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with margins, 305 x 448mm (12 x 17 5/8in)(I)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 39

James Gillray (British, 1756-1815)Uncorking Old-Sherry (BM 10375) Etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with margins, 358 x 255mm (14 1/8 x 10in)(PL) This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 41

James Gillray (British, 1756-1815)Tiddy-Doll the great French Gingerbread-Baker, drawing out a new Batch of Kings:- his Man Hopping Talley, mixing up the Dough (BM 10518) Etching with hand colouring, 1806, on wove, published by H. Humphrey, London, with full margins, 257 x 378mm (10 1/8 x 14 3/4in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 42

James Gillray (British, 1756-1815)Disciples Catching the Mantle - The Spirit of Darkness Overshadowing the Priests of Baal (BM 10992) Etching with engraving and hand colouring, 1808, on wove, published by H. Humphrey, London, with margins, 397 x 341mm (15 7/8 x 13 3/8in)(PL)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 44

James Gillray (British, 1756-1815)Tentanda via est qua me quoque possim Tollere humo - He Steers his flight Aloft, incumbent on the dusky air (BM 11570) Etching with hand-colouring, 1810, on wove, published by H. Humphrey, London, with trimmed margins, 510 × 390mm (20 x 15 1/2in)(SH)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 47

James Gillray (British, 1756-1815)The Guardian-Angel (BM 10389) Etching and aquatint with hand-colouring, 1805, on wove, published by H. Humphrey, London, with trimmed margins, 371 x 262mm (14 5/8 x 10 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 48

James Gillray (British, 1757-1815)A Man of Importance (BM 9386) Etching with hand-colouring, 1799, on wove, published by H. Humphrey, London, with narrow margins, 360 x 255mm (14 1/8 x 10)(SH)(unframed)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 49

James Gillray (British, 1757-1815)The Wounded Lion (BM 10421) Etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with margins, 260 x 362mm (10 1/4 x 14 1/4in)(PL)(unframed)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 50

James Gillray (British, 1757-1815)Hackney Meeting (BM 8782) Etching with hand-colouring, 1796, on wove, published by H. Humphrey, with trimmed margins, 247 x 248mm (9 3/4 x 9 3/4in)(PL)(unframed)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 51

James Gillray (British, 1757-1815)The Fall of Icarus (BM 10721) Etching with hand-colouring, 1807, on wove, published by H. Humphrey, London, with margins, 366 x 243mm (14 3/8 x 9 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 57

Graham Sutherland O.M. (British, 1903-1980)The Village (Tassi 20) Etching, 1925, on laid, signed in pencil, printed by the artist, published by the Twenty-One Gallery, London, with margins, 75 x 225mm (7 x 9in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 65

Sir Terry Frost R.A. (British, 1915-2003)Black for Lorca (Kemp 123) Etching and lithograph with hand-colouring, 1992, on Somerset wove, signed and inscribed 'Hand wkd' in pencil, printed by Hugh Stoneman and Alan Cox at the Print Centre, London, published by the artist, Newlyn, the full sheet, 580 x 420mm (22 7/8 x 16 1/2in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 66

Bryan Ingham (British, 1936-1997)Morning Etching, 1978, on Hahnemühle, signed, titled, dated and numbered 25/75 in pencil, with full margins, 490 x 635mm (19 1/4 x 25in)(PL)(unframed) This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 71

Dame Elisabeth Frink R.A. (British, 1930-1993)Long-Eared Owl, from 'Six Owls' Series (Wiseman 118) Etching with aquatint printed in colours, 1977, on BFK Rives, signed and numbered 10/75 in pencil, printed by White Ink Ltd., London, published by Leslie Waddington Prints Ltd., London, with full margins, 535 x 455mm (21 1/8 x 17 7/8in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 72

Dame Elisabeth Frink R.A. (British, 1930-1993)Barn Owl, from 'Six Owls' Series (Wiseman 117) Etching with aquatint printed in colours, 1977, on BFK Rives, signed and numbered 10/75 in pencil, printed by White Ink Ltd., London, published by Leslie Waddington Prints Ltd., London, with full margins, 535 x 455mm (21 1/8 x 17 7/8in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 77

Henry Moore O.M., C.H. (British, 1898-1986)Plate XXVIII, from 'Mother and Child' (Cramer 698) Etching and aquatint with roulette printed in colours, 1983, on wove, signed, numbered 34/65 and inscribed 'Plate XXVIII' in pencil, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full margins, 350 x 272mm (13 3/4 x 10 3/4in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 78

Henry Moore O.M., C.H. (British, 1898-1986)Plate IV, from 'Mother and Child' (Cramer 674) Etching and aquatint with roulette printed in colours, 1983, on wove, signed and inscribed 'B.A.T.' in pencil, a bon à tirer impression before the numbered edition of 65, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, with full margins, 318 x 244mm (12 1/2 x 9 5/8in)(PL)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 98

Victor Pasmore R.A. (British, 1908-1998)Senza Titolo 9 (Lynton 61) Etching and aquatint printed in colours, 1989, on wove, signed, dated and numbered 85/90 in pencil, printed by Vigna Antoniniana Stamperia d'Arte, Rome, published by Stamperia d'Arte 2RC, Rome, with their blindstamps, 2160 x 1228mm (85 x 43 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 99

Victor Pasmore R.A. (British, 1908-1998)The Space Within Etching and aquatint printed in colours, 1982, on Magnani, signed with the initials, dated numbered V/XV in pencil, one of 15 artist's proof aside from the numbered edition 90, printed by Vigna Antoniniana, Rome, co-published by 2RC Edizioni d'Arte, Rome and Marlborough Fine Art Ltd., London, with the printer's and publisher's blindstamp, with full margins, 1190 x 2475mm (46 7/8 x 97 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR PAR Goods subject to Artists Resale Right Additional Premium.P This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com

Lot 1125

George Edward Horton - "Winter: North Shields, Clive Street", signed and inscribed in pencil, etching, 22 x 14.5cms (plate size), in frame.

Lot 1140

William Walcot - "Forum of Minerva", signed in pencil, etching, 24 x 28.3cms (plate size), in frame.

Lot 1148

George Edward Horton - "Winter", signed and inscribed with title in pencil, etching, 21.5 x 30cms, in frame.

Lot 1168

Hedley Fitton - "Interior of St. Etienne du Mont, Paris: winding stairway", signed in pencil and dated Oct. 19th 1912 in pencil, with inscription on a label verso, etching, 61.4 x 41cms, in frame.

Lot 464

Brenda Hastill - limited edition coloured etching 'Siesta', 131/200, signed and dated '88, 39cm x 29cm, framed and glazed

Lot 509

Indistinctly signed limited edition print of a hat shop, No.154/175, and a monochrome etching - Chalet des Ormonds, both framed and glazed

Lot 2053

A 1763 map of the Cape of Good Hope, hand coloured along with an etching of Ashbourne Church

Lot 2271

Collection of early-19th century and later prints, including four caricatures after Rowlandson, Gillray, Dighton, HB; an etching of Lord Lovat after Hogarth; four chromolithographs of sporting scenes (such as otter spearing) after Henry Alken; an aquatint of Camel (racehorse) after Herring, and an etching of a Suffolk church, some restrikes, all framed (11)

Lot 502

A hand coloured soft tone etching after Bunbury: "Me and My Wife", 24 x 20 cm; 2 other 19th century prints

Lot 42

A quantity of hardback books to include three copies of Little Lord Fauntleroy, illus, pub. Warne & Co and The Deserted Village by Oliver Goldsmith, illus by the etching club, pub. London 1862, Berkshire. Historical, Biographical and Pictorial, Ed. John Grant, illus, pub. The London and Provincial Publishing Co Ltd

Lot 376

Spare, Austin Osman, editor Form: A Quarterly of the Arts London: John Lane, April 1916. No.1, Vol.1, folio, original wrappers, with an enclosed ALS from Osman Spare thanking Norman Stuourock Esq. for his subscription including a receipt for the subscription, signed by Spare, also with a loose etching by Frederick Carter and a loose letter from S. Gayle[?] at the New Statesman declaring that he is, "...in no way responsible for the contents of no.2", dated 1917; [Idem] No.2, Vol.1, April 1917; No.1, Vol.1 [New Series], October 1921; No.2 Vol.1, November & December 1921; No.3 Vol.1, January 1922; all in original wrappers, a little foxing, slight tears and chipping to initial volume (5)

Lot 9

Hamerton, Philip Gilbert Etching & Etchers London: Macmillan & Co., 1880. Third edition, 4to, woodcut portrait of Rembrandt to title-page and 48 plates after Rembrandt, Ostade, Bergham, Potter, du Jardin, A. Vandevelde, Ruysdael, Vandyke, Zeeman, Primaticcio, Israels, Unger, Beyer, Claude, Méryon, Lalanne, Jacquemart, Jacque, Appian, Lalauze, Martial, Veyrassat, Soumy, Legros, Billet, Turner, Whistler, Haden, Palmer, Chattock, George, Herkomer, Hole & Rajon, contemporary brown quarter morocco, spine peeling a little, occasional slight offsetting

Lot 3046

O. Murray-Dixon (1885-1917), Ducks in flight, pencil, signed, 21cm x 25.5cm.; together with an etching of wading birds by another hand.(2)

Lot 256

Glynn Thomas etching, Tollesbury no. 4 of 100, mounted in glazed frame

Lot 392

Michael Carlo , signed linocut 'Hatfield Forest' and signed etching 'stile' (2)

Lot 506

Herbert Dicksee - etching in glazed frame - Dogs sleeping, together with an antique Lois Wain lithograph

Lot 14

A collection of prints of Tudor figures after Hans Holbein, a landscape etching after C Murray, three 20th century rural landscapes and other items to include a small Japanese carved hardwood screen / divider.

Lot 4

Francis Dodd (1874-1949), Seated Gentleman, signed in pencil in the margin, signed and dated in the plate 1911, etching, 25 x 18cm (PL), together with an etching of an elderly lady by the same hand (2)

Lot 5

Frank Short (1857-1945), Coastal View 'Ferry over the Blyth', signed in pencil, etching, 15 x 20cm (PL)

Lot 79

British school, early 20th century, Fisherman on a lake, oil on canvas, 29 x 38cm together with an oil on panel landscape, a watercolour of a french shop by Francis Taylor, an etching of a castle, watercolour of a country house and an etching of a lady.

Lot 8

Charles John Watson (1846-1927), Marsh Farm, signed and dated in the plate 1915, etching, 14.5 x 20cm (SH), together with an etching of a chruch interior signed in pencil by the same hand (2)

Lot 1003

After Rembrandt, etching, 3 heads, 4" x 3.5", framedVery good condition, trimmed to edge of plate

Lot 1023

Jack Cardiff OBE, chiaroscuro on German etching paper, Audrey Hepburn, Icons collection, signed and numbered 7/10, image 10" x 14", framed, with certificate of authenticityPerfect condition

Lot 1024

Jack Cardiff OBE, chiaroscuro on German etching paper, Audrey Hepburn "halo", no. 22/25, signed, image 14.5" x 12.5", framed, with certificate of authenticityPerfect condition

Lot 1177

Jean Messagier (1920 - 1999), etching with aquatint, abstract, circa 1960, signed and titled in pencil, no. 231/300, sheet size 26" x 19", unframedSlight paper discolouration, no foxing or tears

Lot 1283

Viola Paterson (1899 - 1981), proof etching, standing figure, image 6" x 4", unframedVery good condition

Lot 1285

Anthony Gross, etching, Continental landscape, signed in the plate, no. 274/500, plate size 6" x 9", unframedSeveral very faint fox marks in the margin, generally good

Lot 57

Alison Neville (1945) - Wigmore Street, limited edition etching, signed and dated 78 in pencil, 80 x 15cm.

Lot 550

Charles Turner 'Morpeth' from the 'Liber Studiorum', etching an mezzotint, c1809; together with an antique hand-coloured aquatint of biblical scene in gilt frame.

Lot 82

Drypoint etching, signed and numbered LIV (Dimensions: 23.5cm x 35.5cm (9.25in x 14in))

Lot 83

Etching, signed in pencil to margin (Dimensions: 18in x 34.5cm (7in x 13.5in)) Exhibited: 'Summer 1985,' Calton Gallery, Edinburgh

Lot 84

Etching and drypoint (Dimensions: 12.5cm x 20cm (5in x 8in)) Note: From the Thames Set ("A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects" 1871)

Lot 94

Etching with aquatint, 18/50, signed and numbered in pencil to margin (Dimensions: 74cm x 55cm (29.5in x 21.5in)) Note: From the Bellany Sextet

Lot 95

Etching with aquatint, 18/50, signed and numbered in pencil to margin (Dimensions: 74cm x 55cm (29.5in x 21.5in)) Note: From the Bellany Sextet

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