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Click here to subscribeJ** W** LUDLOW (1840-1916) CRESTED BLUE TURBITEEN COCK Signed and dated 1913, watercolour and pencil 23.5 x 18.5cm.; with a chromolithograph of similar birds after Ludlow, c.1880; a modern watercolour of pheasant rising by L. Howe-Bennett; a coloured etching of humming birds by George Edwards and sundry other unframed prints, various sizes (a lot) ++ Ludlow watercolour faded; others satisfactory
•ERIC HESKETH HUBBARD, PRBA (1892-1957) THE LONDON TRADER, HASTINGS Signed, oil (or tempera?) on card, artist's label on frame 29.5 x 60cm.; with an etching by Hubbard, `The Fair Ground`, signed, title and numbered 72/100, 20 x 29.5cm. (2) Exhibited; (oil) London, The Medici Society (`The Maine Gallery of Originals`); fragmented exhibition label verso (possibly for the R.O.I., 1954) ++ Some chipped losses near the top edge
An etching titled The Collector of Japanese prints 1/5, signed lower right, 13" x 17", a W.Merz print of a continental mountain and lake scene, an indistinctly signed etching of a male figure in rapture, 14" x 7" plus Janinet after Lavreince 18th Century coloured print L'indescretion, 15" x 11"
COLT; a small patent 1855 percussion cap five shot revolver, the octagonal barrel inscribed 'Colts PT. 1855, address Col. Colt Hartford, CT. USA', with walnut stock set with crude inscription '1850 Navy Colt 6', length 21cm. CONDITION REPORT: PLEASE NOTE: we are unable to post this lot using our own in-house packing and postal service. Please arrange your own packing/courier service. Naive etching to stock, overall good with some original finish.
Collection of caricature prints with a legal/law theme: 'A New Court of Queen's Bench', hand-coloured etching by George Cruikshank, 1849; three Vanity Fair chromolithograph portraits of judges; three early-19th century hand-coloured etchings, including one after James Gillray, 'the Friend of the People'; an etching from 'Sketches by Seymour', and six prints by Kapp for the Law Journal, 1925. (14)
[§] MERLYN EVANS (WELSH 1910-1973) THE CONQUEST OF TIME Signed and dated '34 in plate, signed and inscribed with title and numbered 6/50 in pencil to margin, etching 25cm x 20cm (9.75in x 8in) (plate size) Note: Born in Cardiff but raised in Glasgow, Evans studied at Glasgow School of Art and in 1930, exhibited at the Royal Scottish Academy. In 1931, he was awarded the Haldane Travelling Scholarship and visited Berlin, Copenhagen and Paris. Later that year he won a free place at the Royal College of Art in London. In 1934 Evans became art master at Wilson's Grammar School in Camberwell. From here, he made frequent trips to Paris where he met Mondrian, Kandinsky, Giacometti, Max Ernst and William Hayter. He also exhibited with the London Group and at the International Surrealist Exhibition during this period. Evans moved to South Africa to take up a teaching post in 1938 and enlisted in the Signals Corps in the South African Army in 1942. In 1946 he moved back to London where his artistic career developed. In 1949 he had his first one-man exhibition at the Leicester Galleries, where he exhibited in 1952, 1953 and 1955. In 1956 the Whitechapel Gallery held a retrospective of his work. He continued to exhibit regularly during the 1960s and in 1963 took a studio in St Ives for the summer, where he went annually thereafter. Evans took a post as the exchange artist in residence at the Art Institute of Chicago in 1967 which allowed him to visit New York. Here he met Mark Rothko, Barnett Newman and Robert Motherwell. On his return to London, Marlborough Fine Art held a one-man exhibition for him entitled 'Events and Abstractions'. The Welsh Arts Council commissioned a triptych of his aquatints the following year and in 1972 the Victoria and Albert Museum held an exhibition of his graphic work. This work relates to an oil painting of the same title which is held in the collection of Tate, UK. The oil is currently on loan to the Scottish National Gallery of Modern Art and features in their current exhibition, 'A New Era: Scottish Modern Art, 1900-1950'
After Robert Dighton (British, 1752-1814): 'A Group of Well Known Connoisseurs at a Sale of Pictures', soft ground etching, printed for Carington Bowles, 69, St. Paul's Church Yard, published in 1773, with pencil annotation 'Dighton' lower left margin, and legend verso, 25 by 36cm, in Hogarth frame, 36 by 47cm.
A Victorian Royal Artillery Sword, made by S. J. Pillin, Gerrard Street, Soho, London, the blade etched with field gun, and Royal Artillery Field Gun, as well as monarchs monogram VR, makers mark to the base of the blade, with brass circle within interlinked triangles and foliate etching verso, with double branched knuckle guard, wire bound shagrin grip and stepped pommel, blade length 87cm, 102cm overall, complete with with steel and leather scabbard, total length, 107cm with scabbard, leather strap with cone finial and leather soft travelling case with original labels for the P&O SS Strathnaver with passenger name Brigadier Hay.Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family.
David Hume (British, 20th century): 'Self Portrait with two Mirrors', ink drawing, monogram lower right, with legend verso, 21 by 19cm, framed, 37 by 35cm, together with a landscape, collage and gouache, 37 by 56cm, framed, 57 by 77cm , an etching of a crowded room, signed Marisa, 30 by 40cm, and a further etching of a landscape, 140 by 30cm. (4)
After Joseph Mallord William Turner RA (British, 1775-1851): 'The Temple of Minerva Medica', engraved by R. Dunkarton, from Liber Studiorum, publ. Jan.1811, Queen Ann Street West, mezzotint with etching printed in sepia, label verso, together with two similar mezzotints titled 'Marine Dabblers', engraved by W. Say, and 'From a Picture in the Possession of J.M.W. Turner R.A.', 22 by 30cm, framed, 33 by 40cm. (3)
CHARLES WILLIAM CAIN (1893-1962) "Hamans House", three female figures outside house, dry point etching, signed in pencil lower right, bears Thos Moray & Son label verso "A Basrah Creek", dry point etching, no'd 11.75 lower left, signed lower right and titled on a Thos Moray & Son label verso, together with four further dry point etchings by Charles William Cain
After Dean Wolstenholme (19th century) - set of four hunting scenes, closured etchings, 10.5" x 14.25"; seven further pictures by or after Angela Fielder, 'Daffodils', an oval watercolour on silk depicting flowers. old etching of a figure on horseback, another picture depicting a French garden, a modern reproduction of an antique print entitled 'Pheasant Shooting', three modern prints of roses, watercolour signed M. W. Woodcock and a small oil painting of sailing boats, various sizes (12)
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![[§] MERLYN EVANS (WELSH 1910-1973) THE CONQUEST OF TIME Signed and dated '34 in plate, signed and inscribed with title and](https://cdn.globalauctionplatform.com/cc6aee4a-8acc-4015-8441-a84a00d4e6c9/fee36d3e-e4d4-44f1-8a88-a3a9b0c3d065/468x382.jpg)
![[§] BERNARD MEADOWS (BRITISH 1915-2002) THE WATCHERS Signed and dated '76 in pencil to margin, numbered 3/10, etching 14c](https://cdn.globalauctionplatform.com/cc6aee4a-8acc-4015-8441-a84a00d4e6c9/ec4d1f16-3cdb-44ea-c7c8-82997ea316a5/468x382.jpg)
![[§] JOHN HOYLAND R.A. (BRITISH 1934-2011) THE SORCERER Signed and dated '89 in pencil to margin, A/P numbered 10/10, etchi](https://cdn.globalauctionplatform.com/cc6aee4a-8acc-4015-8441-a84a00d4e6c9/f6d2ce2e-ec45-4e60-851d-231ca997c504/468x382.jpg)
![[§] DAVID HOCKNEY O.M, C.H., R.A. (BRITISH B.1937) PARADE, FROM BLUE GUITAR, 1977 Signed and numbered 61/200 in pencil, or](https://cdn.globalauctionplatform.com/cc6aee4a-8acc-4015-8441-a84a00d4e6c9/02f061ee-f5df-4a3b-9fde-f592d454f54d/468x382.jpg)
![[§] DAME ELIZABETH BLACKADDER O.B.E., A.R.A., R.S.A., R.S.W., R.G.I. (SCOTTISH B.1931) PASSION FLOWER Signed and numbered](https://cdn.globalauctionplatform.com/cc6aee4a-8acc-4015-8441-a84a00d4e6c9/65282adf-4a98-4298-d84f-bec858e8a085/468x382.jpg)
