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Lot 206
Romano (Bartolomeo Pinelli); 'Raccolta di cinquanta Costumi li piu interessanti d elle Citta, Terre, e Paesi, in Provincie diverse del Regno di Napoli' or 'Collection of fifty costumes, the most interesting of the cities, lands, and countries, in different provinces of the Kingdom of Naples', the plates bound in cloth boards, printed Rome 1817, together with a second similar publication 'new collection of fifty picturesque costumes engraved with etching, by Bartolomeo Pinelli Romano', Rome 1817, each print size, excluding border 16.5 x 10cm (2)
Lot 277
After Samuel John Lamorna Birch (1869-1955), River landscape at sunset, print in colours, blind stamped and signed in pencil, 45cm by 53cm, framed, together with a quantity of decorative prints, including Sheila Horton 'Pen-Gwannydd' signed etching, and Louise Elisabeth Vigee Le Brun, antique etching, framed (7)
Lot 510
Winifred Austen (1876-1964)"Over the Oak Tops"Signed in pencil, a black and white etching, together with two further signed black and white etchings by the same hand to include "Curlews" and "A Decoy Pool", 23.5cm by 20.5cm, 18cm by 24.5cm and 17.5cm by 25.5cm respectively (3)Condition report: Curlews and pheasant are in comparable condition to each other in that they have a degree of time staining to the sheet. Some slight cockling in evidence and the odd tiny sporadic foxing spot. Ducks have a cluster of more pronounced foxing spots mostly within the upper right-hand corner with the odd more sporadic spot elsewhere. General staining throughout the sheet, particularly along the upper section. More pronounced cockling in general, a small u shaped pair within margin towards the upper left-hand corner. A diagonal tear towards the right, approximately 2cm to the left of signature from lower edge and approximately 2.5cm in length. Would appear to have some kind of tape or supportive repair to reverse which is visible from the front. Not examined out of the frame. Two of the examples bear the artists monogram on the print having been etched into the plate.
Lot 589
Eric Gill ARA, RDI (1882-1940)"David"Signed and numbered 9/15, etching, together with two further signed etchings and a signed woodblock print, 10.5cm by 6.5cm and various other sizes (4) Condition report: "David" has extensive cockling to the paper and the odd handling crease. Slight time staining to paper with the odd minor foxing spot. Slight time staining to the mount with some light surface dirt and debris trapped under the glass. Not examined out of the frame.The other three works are in a similar condition to the former with less cockling. The two etchings have more sporadic tiny sized foxing throughout. Not examined out of the frames.
Lot 37
Quilter (Harry). Preferences in Art, Life, and Literature, 1st edition, number 169 of 280 copies signed by the author, London: Swan Sonnenschein, 1892. 4to, original vellum gilt, top edge gilt, others untrimmed, plates,Gibb (William). Naval and Military Trophies and Personal Relics of British Heroes. A Series of Water Colour Drawings, the Descriptive Notes by Richard R. Holmes, London: John C. Nimmo, 1896. Large 4to, original red pictorial cloth gilt, chromolithographic plates, Vierge (Daniel, illustrator). Pablo de Segovia. The Spanish Sharper. Translated from the Original of Francisco de Quevedo-Villegas, London: by Unwin Brothers at the Gresham Press for T. Fisher Unwin, 1892. Large 4to, original vellum, top edge gilt, others untrimmed, wood-engraved plates, McEvoy (Ambose). The Work of Ambrose McEvoy. [Born August 12th, 1878]. Compiled by Wigs, 1st edition, number 404 of 1500 copies only, London: Colour Magazine, 1923. 4to, original cloth-backed boards, Herkomer (Hubert). Etching and Mezzotint Engraving. Lectures delivered at Oxford, 1st edition, London: Macmillan and Co, 1892. 4to, original cloth, and 7 others similar, 4to and folio, the lot not fully collated and sold as seen (qty: 12)
Lot 292
Caricatures.- Rowlandson (Thomas) St. Valentine's Day or John Bull intercepting a Letter to his Wife, etching with hand-colouring, on laid paper with watermark 'Edmeades & Pine', platemark 345 x 245 mm (13 1/2 x 9 5/8 in), sheet 370 x 270 mm (14 1/2 x 10 1/2 in), several tears and nicks to edges, with old repair to upper left corner reinforced verso, unframed, [Not in BM Satires], Thomas Tegg, 1809; together with a mixed group of caricatures by various hands, including a reverse copy after Rowlandson's 'Macassar Oil!!', 3 relating to Queen Caroline, each contemporary hand-coloured etched copies after George Cruikshank, a set of four etched contemporary copies after Gillray's 'Easing the Toothache', 'Breathing a Vein', 'Gentle Emetic', and Charming well-again', and nine other coloured lithographs by John 'HB' Doyle and others, various sizes, all unframed, early 19th century (18)
Lot 293
Caricatures.- Phillips (Watts) A Suggestion! The Leviathan, What to do with her now you've got her off, satire on the paddlesteamer "Great Eastern", previously named the "Leviathan" in its planning stages, designed by Isambard Kingdom Brunel and was at the time the largest ship ever built, lithograph with hand-colouring, sheet 335 x 505 mm (13 1/8 x 19 7/8 in), some light toning and minor surface dirt, handling creases, unframed, Day & Son, 1858; together with Gillray's Doublûres of characters; _ or _ striking resemblances in phisiognomy..., 1798, and a mixed group of 16 other caricatures, including Cruikshank's 'The Bottle, in eight plates', an anonymous etching 'The Steward', showing Gabriel Powell, the Recorder of Swansea, standing in front of 'Swansea Theatre', William Heath's 'The Contractor and the Contracted or 195 more than 186', 1810, and others, various sizes, all unframed, [early 19th century] (18)Literature:BM Satires 9261
Lot 294
Fan design.- English School (18th century) Unmounted fan-leaf, with Chinese vignettes and decoration, etching on laid paper with large watermark of rosary beads, platemark 270 x 515 mm (10 3/4 x 20 1/4 in), sheet 375 x 555 mm (14 3/4 x 21 3/4 in), spotting and surface dirt, rough edges with nicks and tears, handling creases, unframed, [circa 1750 or slightly later]
Lot 298
NO RESERVE Old master prints.- Vaillant (Wallerant) Portrait of the artist, Jacob van der Does (1623-1673), mezzotint, proof impression before letters in published state, brown ink inscription 'Le Piper' over pencil, on laid paper without watermark, sheet 170 x 135 mm (6 3/4 x 5 1/4 in), thread margins, some spotting and browning, some minor re-touching to rubbing and surface loss in the plate, unframed, [circa 1660-1675]; together with 7 others, including two engravings by Jan Sadeler, Italia and Germania, after Hans von Aachen, from the series 'Four European Countries', [cf. New Hollstein 48-51], Munich, [c. 1594], two engravings of Biblical subjects by other members of the Sadeler family after de Vos, an etching by Van Ostade of 'Peasants dancing outside an Inn' [Hollstein 47], all unframed, 16th to 19th century (6)
Lot 260
A collection of prints of include, a 19th century Victorian print of nursery scene, a coloured reproduction print of Wycombe Abbey, William Renison (1893-1938), The John Knox House, 1917, etching, Florence M. Leicester, Cheney Court, Winchester, etching, three etchings of gun dogs and four sporting prints
Lot 261
A collection of prints to include, John F. Greenwood (1885-1954) three wood engravings of Ely Cathedral from A Short History of Ely Cathedral (1954), Old Court, King’s College, Cambridge, etching, View of Part of the Village of Barnwell near Cambridge, etching, Magdalene College Library, aquatint
Lot 546
along with five glass decanters of different styles mainly of magnum or near magnum size, one with etching inscribed 'Brandy' within central cartouche66 x 43 x 32cmCondition report: Surface of top is worn with dry cracking, some small areas of loss to edges. Scratch to front panel and with other wear commensurate with age.
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