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Lot 4119
Henry George Walker (British 1876-1932): The Village Inn, etching with hand colouring; English School (Early 20th Century): Whitby Boats, watercolour unsigned; Hubert Ernest Bulmer (British 1874-1963): 'The Lodge - North Stainley Hall Nr Ripon', watercolour signed titled and dated 1948; John Cartmel Crossley (British 1933-?): 'The Road to Eglingham', watercolour signed, titled verso max 24cm x 34cm (4)
Lot 286
18th Century etching after Claude le Lorrain (1604-1682), print maker Richard Earlom, entitled Harbour Scene, published April 25th 1774 by John Boydell (1719-1804), from the original drawing in the collection of the Duke of Devonshire, approx 26 x 21 cms, unframed. (*cr)Condition ReportSome general staining, light foxing, a couple of tears to the edges and a small tear to the middle stair (see image).
Lot 30
London views of the Thames, a collection of six prints. New London Bridge, coloured engraving by S Rogers after Pugin, 1831, 25 x 48cm (plate)The New London Bridge.., 1831, etching by R Laurie, 30 x 45cmLondon Improvements, coloured lithograph for Jardine & Co 1827, 55 x 42cmEast Side of London Bridge, 1827, lithograph by R Martin, 33.5 x 52cmLondon Bridge, sepia etching by J C Stadler, 1795, 23 x 33.5cmFauxbourd de St Octave sur la Thamise, coloured engraving by Huquier Fils, 26 x 42cm
Lot 17
Wenceslaus Hollar (1607-1677) View of the Porcelain Pagoda (Da Bao'en Si), at Nanjing, engraving, signed in the plate with initials, circa 1800, 20.5 x 31cm, [an illustration to Johannes Nieuhof's 'An Embassy from the East-India Company of the United Provinces, to the Grand Tartar Cham Emperor of China']; and a small size etching by Piranesi of the Arch Of Drusus (2)
Lot 27
William Hogarth (1697-1764) David Garrick in the Character of Richard IIIetching and engraving by Charles Grignion, published 174641 x 51cm;together with Strolling Actresses Dressing in a Barnetching and engraving, 1738, 44 x 56cm;and two additional smaller prints after Hogarth (4)Provenance:The collection of Alan Barlow (1926-2005), thence by descentStrolling Actresses is on laid paper. Richard III has no discernible feature to the paper; the two other smaller prints are later impressions.
Lot 34
James Gillray (1756-1815) John Bull and the Alarmistetching with aquatint and hand-colouringpublished by Hannah Humphrey, September 1st, 180332 x 34 cm;together with Thomas Rowlandson (1756-1827)A Cat in Pattenssigned in the plate and dated 1812etching with hand-colouring32 x 23cm (2)Provenance:The collection of Alan Barlow (1926-2005), thence by descent
Lot 350
A folder of prints and ephemera, Arthur Walker, 'A Happy New Year', pipe player, pen and ink dated 1928, 18 x 11cm (mounted); Edmund J Sullivan, 'Who is my Neighbour?', etching, signed and inscribed below, 20 x 25cm (plate; loose); English Coronation procession of figures with captions, engraving, early 18th century, laid down; a frontispiece to the Bishops' Bible of 1568, trimmed and laid down; with various other mainly 19th small prints and studies
Lot 234
A George V, British 1897 Pattern Infantry Officers Sword by Wilkinson, makers mark and etching to blade, number to top of blade 59680, hilt with brown leather knot , complete with brown leather and metal scabbard with part belt straps and a copy of provenance from 1923 Wilkinson Register of Proof
Lot 360
Vivian Stanshall (1943-1995) British, founding member of the Bonze Do Doo-Dah Band, 'Couple by Number', etching, signed beneath the plate, 14.5 cm x 11 cm, together with a pen and ink portrait of a man, signed, 15 cm x 10 cm, and his 'Certificate of Membership' of the British Printing Society, dated April 1982, each framed and glazed. This lot, along with all others in the sale, has been consigned for sale by Vivian's son, Rupert. Please see the following article on our website for further background.https://www.dawsonsauctions.co.uk/news-item/dawsons-announce-sale-of-selected-items-from-the-collection-of-vivian-stanshall/?pc=16https://en.wikipedia.org/wiki/Vivian_Stanshall
Lot 580
John Sell Cotman (British,1782-1842), 'Part of East Barsham House', etching from 'A Series of Etchings illustrative of the Architectural Antiquities of Norfolk', un-numbered plate (60), plate dated 1817, published 1818, 23x35cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman)Willingham Auctions, 2007.Conservation: Ellison, 2008.
Lot 545
John Sell Cotman (1782-1842), 'North Side, South Gate, Yarmouth, Norfolk', etching from 'Specimens of Norman and Gothic Architecture in the County of Norfolk', published 1817, 22x27cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman)Willingham Auctions, 2007.Conservation: Ellison, 2008.
Lot 531
John Sell Cotman (1782-1842), 'Collegiate Church of St Hildebert at Gournay, West front', etching, from 'Architectural Antiquities of Normandy', plate 38, plate dated 1820, 35x50cm, unframed, mounted.Conservation: Trumpington Gallery. From the Cotman collection belonging to Dr Henry Lowe and wife Judy (nee Cotman).Yesteryear Prints, approx 2001.
Lot 523
Vincent Brooks after John Sell Cotman, 'Ferriers, near Domfront', lithograph, after Cotman's etching in his 'Architectural Antiquities of Normandy' (1822), 23x40cm, unframed, mounted in light fast, acid free board.From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).
Lot 526
John Sell Cotman (1782-1842), 'Walsoken Church, Norfolk', etching, published in 'A series of Etchings illustrative of the Architectural Antiquities of Norfolk', 1818, from Bohn's reprint, 1838, plate dated 1818, 21x29cm, unframed, mounted. From the Cotman collection belonging to Dr Henry Lowe and wife Judy (nee Cotman).Yesteryear Prints approx 2000.
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71174 item(s)/page