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Click here to subscribeHerbert Thomas Dicksee RE (1862-1942)‘Study of a Tiger Eating’etching, signed in pencil, artist’s proof, edition of 100, published by Frost and Reed 1916, with blindstamp, no other state, plate destroyedimage 18.8 x 45.2cmAfter his own painting, exhibit number 259, the Royal Academy 1916.Provenance: The Bryan Steele Collection.Condition report: In good condition. Unexamined out of frame.
Herbert Thomas Dicksee RE (1862-1942)‘Roused’, lion (standing), lioness (crouching) on alertearly etching, signed in pencil, presentation proof: pencil annotation ‘to F Goulding’ (eminent printer), published by the Fine Art Society, London 1890, edition of 100image 49.5 x 69.8cmProvenance: Purchased from his grandson’s art dealer;the Bryan Steele Collection.Exhibited: Royal Academy, 1890, no.1620.Condition report: In good condition, a little time staining. Unexamined out of frame.
Herbert Thomas Dicksee RE (1862-1942)‘The Monarch Of The Desert’ recumbent lion on the rocky shoreline of a desert lakerare early etching on vellum, signed in pencil, edition of 200, published by C E Clifford & Co., London, 1893image 47 x 76cmProvenance: Yeaton Peverey Hall;the Bryan Steele Collection.Exhibited: Royal Academy 1893, no. 1399.Condition report: Some rippling to the vellum, mainly visible to the left side. Unexamined out of frame.
Herbert Thomas Dicksee RE (1862-1942)‘Dandie Pup’, portrait of a Dandie Dinmont terrier pup, sittingetching, signed in pencil, edition of 150, no other state, published by Frost & Reed 1927, FATG blindstampimage 24.8 x 35.5cmProvenance: Purchased from his grandson’s art dealer;the Bryan Steele Collection.Model for this picture was ‘Charles Edward Pilkington’ (‘Charles Edward’ for short - a Dandie belonging to the artist’s daughter Dorothy Sylvia). The dog died prematurely of distemper.
Herbert Thomas Dicksee RE (1862-1942)‘My Lady Sleeps’, the artist’s daughter Dorothy Sylvia (born 1901) asleep against a mastiffetching on vellum, signed in pencil, edition of 300, no other state, plate destroyed, published by Frost & Reed 1905, with blindstampimage 24.2 x 49.6cmProvenance: The Bryan Steele Collection.Condition report: Unexamined out of the glazed frame, some minor time staining to the sheet. There is a semi-circular raised line that is possibly a scratch from the reverse over the lower leg and lower edge of the child's dress - see illustration. Otherwise in apparently good condition and ready to hang.
Herbert Thomas Dicksee RE (1862-1942)‘Hard Times’, King Charles spaniel laying down, patiently waitingdry point etching on vellum, signed in pencil, edition of 350, no other state, plate destroyed, published by Frost & Reed 1917image 22.8 x 35cmProvenance: Purchased from the grandson’s art dealer;the Bryan Steele Collection.Condition report: Unexamined out of the glazed frame, there is a slight wave to the paper, on the right-half. There is some time staining and areas of foxing emerging to the margins, two scratches are evident in the image, each measuring approximately 2-3cm, in the top-left corner and below the nose of the spaniel - see illustration. Overall, well-presented in an oak frame and ready to hang.
Herbert Thomas Dicksee RE (1862-1942)'Where’s Master?' King Edward’s favourite dog, Caesar, a rough-haired terrier longing for its master following the King’s death in 1910, 2 January 1911etching on vellum, signed in pencil, with remarque in bottom margin, edition of 300, Queen Alexandra graciously accepted the Dedication of this Etching when it was published by Frost & Reedimage 36.2 x 56cmProvenance: The Bryan Steele Collection.Exhibited: Royal Academy 1911, no.1422.Royal Collection Trust item ref 500116 - Sandringham House.
Herbert Thomas Dicksee RE (1862-1942)'The Viking’s Daughter ‘, with her attentive Irish wolfhound, looking longingly out to sea on a windswept dayetching on vellum, signed in pencil, edition of 300, published by Arthur Tooth & Sons, London, 1909, with blindstampimage 48.9 x 60.8cmProvenance: The Bryan Steele Collection.Exhibited: 1371, Royal Academy, 1910.The model was a young Gladys Cooper, before she found considerable fame as an actress.Condition report: Unexamined out of the glazed frame, there is significant rippling and undulations to the sheet throughout, some minor time staining and surface dirt evident to the margins of the sheet with possible tiny specks of foxing emerging (although this could be dirt). However, overall, well-presented in a smart oak frame.
Herbert Thomas Dicksee RE (1862-1942)‘The First Night From Home’, puppy sleeping soundlyetching on vellum, signed in pencil, edition of 250, plate destroyed, no other state, published by The Fine Art Society, London, 1901, with blindstampimage 21 x 30cmProvenance: The Bryan Steele Collection.
Degen M 1938 für Generale der LuftwaffeFertigung von Eickhorn, Solingen, zweites Modell, vernickelte gerade Klinge mit Herstellerlogo auf der Fehlschärfe (Spitze leicht beschädigt). Die Vorderseite der Klinge mit geätzter Widmung, auf der Rückseite Titel und Unterschrift von Göring. Gefäß, Parierstange, Griffzwinge und Stichblatt vergoldet. Luftwaffenadler in Silber auf der Vorderseite des Stichblatts vernietet. Gelb-oranger Kunststoffgriff mit Diagonalwicklung aus vergoldetem Draht. Intakte Unterlegscheibe. Schwarze Lederscheide mit Goldbeschlägen. Länge ca. 91 cm.USA-Los: Versand aus den USA.Zustand: I -A Sword M 1938 for Luftwaffe General Officers Maker Eickhorn, Solingen, second model, nickel-plated, straight blade with manufacturer's logo on ricasso (slight damage to tip). Blade etching of dedication to obverse and Goring title and signature to reverse. Gilt hilt, crossguard, ferrule and clamshell. Luftwaffe eagle in silver riveted to obverse of clamshell. Yellow/orange celluloid grip with diagonal gilt wire wrap. Blade washer intact. Black leather scabbard with gold fittings. Length approx. 91 cm.USA-Lot: Shipping from the USA.Condition: I -
Seitengewehr für Schüler der NSD-Oberschule Starnberger SeeUSA-Los: Versand aus den USA.Zustand: IIA Short Bayonet KS 98 with Etching Nickel-plated hilt with riveted staghorn-grip plates. Nickel-plated blade, engraved dedication “honor, strength, freedom”. Stamped manufacturer's logo “EICKHORN”. Black lacquered scabbard and black leather frog. Early references state that this was possibly carried by members of the 271st Infantry Regiment “Feldherrnhalle”, but a later author states that it was for the NS school at Feldafing, based on an invoice found in the Eickhorn files. Length circa 35 cm.USA-Lot: Shipping from the USA.Condition: II
J Simpson, black and white etching depicting hills and a lake, pencil signed, image 31cm wide x 19cm high, housed within and glazed and ebonised frame, together with a black and white print of figures in a garden, indistinctly signed to margin, monogrammed EK? to bottom right, image 48.5cm high x 39cm high, housed within a gilt and ebonised frame (2)
Georges Braques, lithograph, 'Boat on a Beach' and Trevor Price (b. 1966), etching, 'Bottles, Pots and the Ocean II', the former signed in the plate, with Goldmark Gallery label verso and accompanying paperwork, the latter signed and inscribed in pencil and numbered 8/100 (Affordable Art Fair), 27 x 35cm & 96 x 76cm
Claudia Legge (b.1989) Empty Pool Archival pigment printed on German etching paper 80 x 60cm 90 x 70cm including frame. Float mounted in a hand-painted white box frame. Horatio's Garden will receive 50% of the hammer price. Claudia Legge is a photographer and director and underwater specialists based in London. She works and exhibits worldwide and is a qualified commercial diver. Her work has been in numerous group exhibitions including the Royal Photographic Society International photography Exhibition (2017). Taylor Wessing Photographic Portrait Prize at the National Portrait Gallery (2018), the Summer Exhibition at the Royal Academy (2019), the VIA Arts Prize at the Brazilian Embassy (2019) and The Underwater Photographer Of The Year (2021). 'Surrealist, magical and transcendentally beautiful, her work is fast becoming highly collectable.' The Gentleman's Journal 'The underwater realm she creates here is an erotically charged phantasmagoria of movement, shade, light, darkness and shadow.' The London Magazine 'Total triumph… skill of the highest order.' It's Nice That 'A young photographer taking the world by storm; one snap at a time'. MTV "Claudia's work never fails to amaze" i-D Magazine
Tom Hammick (b.1963) Island in the Moon; Dusky Island; Night is a Starry Dome Three, each signed, inscribed and dated (in pencil to mount) Each etching 44 x 54cm or 54 x 44cm. This lot is subject to VAT on the hammer price. Horatio's Garden will receive 50% of the hammer price. Tom Hammick was born in 1963. He studied Art History at The University of Manchester and later Fine Art Painting at Camberwell College of Art and NSCAD, Nova Scotia College of Art and Design in Canada. He has an MA in Printmaking, also from Camberwell, and taught Fine Art Painting and Printmaking for many years until recently at The University of Brighton. Tom is a father to three more or less grown up children and divides his time between a painting studio in East Sussex on the sea and a purpose designed print studio in South East London on the Thames. His work, held in many public and private collections, revolves around love and loss and explores what it is like to be human and is informed by a passion for poetry and music, film, wonderment for the environment and the deepest concerns around climate change. He is a season ticket holder at The Emirates Stadium and is hoping that Mikel Arteta will restore Arsenal to their former glory. Patience is required but seeing a young squad play fast paced attacking football is thrilling.
ARETZ, GERD (geb. 1930), 2 Ansichten historische Schwebebahn, 1x "Schebebahnhof Döppersburg um 1910" UND 1x "Schwebebahn Tannenbergstraße um 1910", je Aquatintaradierung/Papier, je in der Platte Künstlerbezeichnung und datiert (19)76/I und (19)76/II, je mit Bleistift von Hand num. I/X, bezeichnet 'z. T. handcoloriert', betitelt und signiert, HxB: Platte je ca. 50x64 cm, Blatt ca. 55x74 cm und 57x76 cm, Außenmaße Rahmen ca. 67x87 cm und 70x89 cm. Je leicht gebräunt. part. minim. Flecken. Je hinter Glas gerahmt. Altersspuren. | ARETZ, GERD (born 1930), 2 views of the historic suspension railway, Aquatint etching / paper, each artist's name and dated (19) 76 / I and (19) 76 / II in the plate, each numbered in pencil by hand I / X, denotes' e.g. T. handcoloriert ', titled and signed, HxW: plate approx. 50x64 cm each, sheet approx. 55x74 cm and 57x76 cm, external dimensions frame approx. 67x87 cm and 70x89 cm. The slightly browned. part. minimal Stains. Each framed behind glass. Signs of age.
Dyck, Anthonis van, nach: Zwei Porträts. a) (Gaywood, Richard nach van Dyck, Anthonis): Bildnis Peter Paul Rubens. Kupferstich, vermutl. Nachdruck von orig. Platte, 23,5 x 15,5 cm (Pl)/ 27 x 19,5 cm (PA). b) Der Drucker Paulus Pontius. Kupferstich, gestoch. Schriftrand, 24,5 x 17,8 cm (PA). Jeweils hinter Glas gerahmt, unausgerahmt katalogisiert. two copper etchings: a) Richard Gaywood after Anthonis van Dyck: portrait of Peter Paul Rubens. Copper etching, reprint (?), 23,5 x 15,5 cm (plate)/ 27 x 19,5 cm (passepartout cutout). Framed with glass. b) Paulus Pontius Calcographus Antverpiae. 24,5 x 17,8 cm (passepartout cutout). Framed with glass.
Cars, Laurent (1699-1771) nach Hyacinthe Rigaud: Bildnis des Malers Sebastien Bourdon. Kupferstich auf Bütten, Nachdruck der orig. Platte, Trockenstempel Musée du Louvre. 38,3 x 26,5 cm (Pl). Hinter Glas mit Pp. gerahmt. Laurent Cars after Hyacinthe Rigaud: portrait of the painter Sebastien Bourdon, copper etching, reprint, dry stamp ''Musée du Louvre''. 38,3 x 26,5 cm (pl). Framed with glass.
Sadeler, Aegidius (1570-1629) nach Spranger, Bartholomeus (1546-1611): Memorial-Bildnis des Malers Pieter Breughel. Kupferstich, im gestoch. Schriftrand i.d. Pl. dat. ''1606''. Schmalrandig beschn., kl. Riss im ob. Rand bis in die Darst. hinein, dort ausgedünnt. Auf Träger mont., 30 x 21,3 cm (Bl). Hinter Glas gerahmt. Aegidius Sadeler after Bartholomeus Spranger: memorial portrait of the painter Pieter Breughel, 1606, copper etching, margin trimmed, mounted on backing cardboard (?), framed with glass. Margin tear upper margin. 30 x 21,3 cm ( sheet size)
Guttenberg, Heinrich. 1749-1818 Nürnberg nach Wouverman (Wouvermans), Philips. 1619-1668 Haarlem Reitergruppe am Waldrand. Radierung, im unteren Blattrand gestoch. bez. ''Print par Wouvermans/ Desiné par Cotteau/ Gravé par H. Guttenberg''. 24 x 29,5 cm (D), hinter Glas mit Pp. gerahmt. Außenmaß 54,5 x 59,5 cm H. Guttenberg after Ph. Wouverman (1619-1668 Haarlem): Group of huntsmen and horses, etching, 24 x 29,5 cm, framed with glass (54,5 x 59,5 cm)
Langer, Theodor. 1819 Leipzig-1895 Dresden Die Tiroler Sensenschmiede vor dem Aufstand. Stahlstich nach Franz von Defregger. Kunstvereinsgabe des Sächsischen Kunstvereins 1890. Blatt angestaubt. 38 x 51 cm (Pl). Hinter Glas gerahmt. Theodor Langer (1819-1895): In the smithy in Tyrol. Etching after Franz von Defregger. Member's gift of the Saxon art association 1890. Dusty. 38 x 51 cm (pl). Framed with glass.
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