BROWNE, Alexander. Ars Pictoria: Or an Academy Treating of Drawing, Painting, Limning, Etching. London: J. Redmayne, 1669. Folio (311 x 196mm.) Title, engraved portrait frontispiece, 28 engraved plates mostly after Arnold de Jode, extra-illustrated with 17 engraved plates mounted verso original plates. (Lacking 2 original plates, frontispiece with marginal loss, leaves before A1 detached and twenty plates to rear loose, some with loss to margins.) Disbound. Note: Alexander Browne was a versatile figure in the London art world of the late 17th century. He was a printmaker, an auctioneer, a dealer, an artist and art tutor, and he also played a role in the commercial development of the mezzotint in London. [Wing 5097.] – And a further two volumes (including George Brown’s ‘Arithmetica Infinita, or The Accurate Accountant’s Best Companion’, 1717-1718, oblong 32mo) (3).
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![TYNDALE, Walter. An Artist in Italy. [London:] Hodder and Stoughton, [1913.] Limited edition, this being number 18 of 250 cop](https://cdn.globalauctionplatform.com/da5bde03-ce55-4c83-b135-b14c00ddf16d/71920fd0-d893-493d-bf55-b150011bcc12/468x382.jpg)
TYNDALE, Walter. An Artist in Italy. [London:] Hodder and Stoughton, [1913.] Limited edition, this being number 18 of 250 copies signed by Walter Tyndale, folio (283 x 217mm.) 26 tipped-in colour plates with captioned tissue-guards. (Mild toning.) Original full vellum, decorative gilt to covers and spine, t.e.g., original ties. – And a further two illustrated volumes (including No. 31 of ‘Modern Masters of Etching, C.R.W. Nevinson’, 1932, oblong 4to) (3).
AFTER JACQUES CALLOT (FRENCH CIRCA 1592 - 1635) THE CAPTAIN Etching and engraving 24 x 15cm (9¼ x 5¾ in.)Together with three further works After Jacques Callot (French circa 1592 - 1635), comprising: Teatro fatto in Firenze nella festa a cavallo per la ventua del Serenissimo Principe d'Urbino; Funerary display for a Tuscan Grandduke; Primo Intermedio della Veglia della Liberatione di Tirreno, Various sizes, (4)
JACQUES CALLOT (1592-1635) Primo Intermedio della veglia della liberatione di tirreno fatta nella sala delle comdie del Ser.mo Etching,1616 28.5 x 20.5cm (11 x 8 in.) SALEROOM NOTICE: Please note this lot does not contain a later engraving by Andrea Mante as previously mentioned in the description. It only contains one etching. Condition Report: The sheet has been stuck down at the four corners and a small tab of tape is visible lower right. The sheet has also been cut down (see online images). Otherwise the work appears to be in good condition commensurate with age. Unexamined out of glazed frame.Condition Report Disclaimer
ÆŸ FRED TOMASELLI (B.1956)RICK MOODY. PHRASE BOOKThe book, 2000, comprising, one etching, three relief prints and five offset lithographs printed in colours, with title-page, text and justification, this copy signed in pencil by the artist and author, numbered from the edition of 150, published by the Whitney Museum of American Art, New York, on wove paper, bound as published in the original black linen covered boards, housed in a printed epoxy covered slipcase with original hanging brackets verso overall size 370 x 27.5cm
AFTER ROWLAND LANGMAID "Escorting the Royal vessel" black and white etching, signed in pencil lower right 18 cm x 32 cm together with another by the same hand depicting sailing ships and two figures in a rowing boat foreground, 18 cm x 32 cm and EDWARD J CHERRY "The Shambles" black and white etching, signed lower left in pencil, 17 cm x 12 cm (3)
Third Reich Hitler Youth Knife 5 1/2 inch, single edged blade. Blade with faint RZM etching. Plated, turn up quillon crossguard. Plated pommel. Black composite, checkered slab grips. Motif absent and some damage. Contained in its blackened steel scabbard. Leather belt loop with grip retaining strap. PAYMENT ON RECEIPT OF INVOICE PLEASE. BACS ONLY - NO CARDS ACCEPTED
A COLLECTION OF RIFLE BAYONETS AND SWORDS, to include three French Chassepot, a fencing sword, a curved sword and two others, the French bayonets each come with their scabbard, the blades appear to be in good condition and only have age related wear but the cross guards and scabbards have surface rust and are in need of a clean, the curved sword is fully rusted, another sword is missing its handle, the last one is missing its scabbard and the blade is rubbed but there are still some etching with coat of arms and a military badge, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
Adrianus Dirk (Ad) Blok van der Velden (1913-)Velden Blok van der, Adrianus Dirk (Ad) (Dordrecht 1913-1980) "View of a farm in Witten near Assen", signed in full bottom right and 1945, watercolor/paper, h 25 x w 34 cm. Here is an etching by Martin van Waning (1889-1972), h 18 x w 11.5 cm, to. 2x.
Bob Dylan, American b.1941- Train Tracks (White), 2010;giclée on Hahnemühle 350gsm Museum Etching paper,signed and numbered 281/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56cm, (framed)Note: together with a certificate of authenticity from Washington Green Fine Art
Bob Dylan,American b.1941-Wilton Iowa Farmyard, 2016;giclée in colours on Hahnemühle 350gsm Museum Etching paper,signed and numbered 220/295 in pencil,printed by GTZ Fine Art Editions, New York,published by Washington Green Fine Art in association with Black Buffalo Artworks,sheet: 26 x 58.5cm,(framed)Note: together with a certificate of authenticity from Washington Green Fine Art
Bob Dylan, American b.1941-Fisherman, 2009;giclée on Hahnemühle 350gsm Museum Etching Paper, signed and numbered 214/295 in pencil,printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56cm,(framed)Note: together with a certificate of authenticity from Washington Green Fine Art
William Tillyer, British b.1938-The Garden Fence, c.1970; The Large Bird House, 1971; (i) screenprint in colours on wove, signed and numbered 25/100 in pencil, sheet: 71.2 x 91.8 cm, (ii) etching on wove, signed, titled, dated and inscribed 'AP' in pencil, plate: 47.4 x 35.9 cm, (unframed) (ARR) (2)
John Hoyland RA, British 1934-2011, Mahi, 1986; etching with aquatint in colours on wove, signed, dated and numbered 30/40 in pencil, from the English Etchings series, printed by Kelpra Studio, London, with their blind stamp, published by Waddington Graphics, London, with their blind stamp, sheet: 60.5 x 50.5 cm, (unframed) (ARR)
A BOX AND LOOSE MAPS AND PRINTS ETC, maps include a map of Massachusetts, Connecticut and Rhode Island published 1832, approximate size 20cm x 26cm, various 18th & 19th century Staffordshire including Meeting places of the Hoar-Cross Hunt, Thomas Gardner road maps Bristol to West Chester and Oakham to Richmond, John Ogilby road map London to Holy Head, with John Carey maps of Hampshire and Dorsetshire dated 1818, C.S. Smith maps of Northumberland, Cumberland and Westmoreland dated 1801, pictures include an architectural study of bridge houses by Joseph Moussa, watercolour on paper, approximate size 16cm x 23cm, a limited edition print depicting Timoleague Friary by Nevil Swinchatt, an etching of a street in Hong Kong, Indian painting on fabric depicting three elephants, reproduction cigarette cards etc. (1 BOX + loose)
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