AMENDMENT: REVISED ESTIMATE £200-250: After Rembrandt Van Rijn, Dutch 1606-1669- The Strolling Musicians; etching on wove, 14x11.6cm: After Rembrandt Van Rijn, Dutch 1606-1669- Three Oriental Figures (possibly Jacob & Laban); etching on wove, reverse signature within plate, bears a corner of a stamp on top right edge, 14.7x11.5cm: After Johannes II Lutma, Dutch 1624-1685/89- `Ioannes Lutma Aurifecx. Portrait de Vaters` 1656; etching and roulette, 23.4x19.6cm, (3) (mounted, unframed)
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Stanley Anderson RA RE, British 1884-1966- `Toledo Cathedral` 1928; etching, drypoint, from the edition of 80 proofs, signed within the plate, signed and titled in ink, 24.5x30cm: Sir Francis Seymour-Haden PRE, British 1818-1910- `The Complete Angler` 1877; etching, drypoint, signed in pencil, 13.5x20cm: Sir Francis Seymour-Haden PRE, British 1818-1910- `Shepperton` 1864; etching on laid, signed in pencil and bears inscription, 14x12cm: Alphonse Legros RE, French 1837-1911- Rain shower; etching, drypoint, signed in pencil, 17.5x24cm: Alphonse Legros RE, French 1837-1911- Trees in rural landscape; etching, drypoint, signed in pencil, 29x22.5cm: Henry Macbeth-Raeburn RA RE, Scottish 1860-1947- `The Bridge of Alcántara, Toldeo` 1889; etching, drypoint printed in sepia, signed and titled in pencil, 17.3x25.1cm: Sir Charles Holroyd RE, British 1861-1917- Man kneeling at the altar; drypoint etching, signed and dedicated to John Murray, 22.5x20cm, (7) (mounted, unframed) (may be subject to Droit de Suite)
Sir Frank Brangwyn RA RWS RBA, British 1867-1956- `Pelago`; etching, drypoint, signed, 35x40cm: Henry Macbeth-Raeburn RA RE, British 1860-1947- `Cannon St. Station, Low Tide`; etching on vellum, signed in pencil, 20x35.4cm: Frank Harding, British exh 1885-1890- `St. Michael`s Mount`; etching, signed and titled in pencil, 16x25cm: Jacques Beurdeley, French 1874-1954- `La Cabane de Pêcheur`; etching, signed and numbered 15/50 in pencil, blindstamp `Ed Sagot Editeur, Paris`, 20x25.2cm., (4) (mounted, unframed) (may be subject to Droit de Suite)
Bernard Howell Leach, British 1887-1979 exh 1925-1927- "St Luke`s Chelsea/The Gothic Spire"; etching, signed with initials and titled in pencil, 28.5x22cm, (may be subject to Droit de Suite) Provenance: with The Chenil Gallery, London, according to label attached to the reverse of the frame, Note: The label on the reverse of this picture is inscribed with the artist`s address being 32 Rue St Cloud, Clamait Seine, Paris
Michael Fell, British b.1939- "People and Pilgrimages"; etchings with aquatint, 26 on a shared sheet, signed, titled and inscribed `A/P`, ea. 7.6x4.7cm and one 14x13.7cm: together with a quantity of other etchings with aquatints, some in colours, by the same artist, depicting figural and social commentary subjects and religious themes, various sizes, all signed, titled and inscribed `A/P` in pencil: Yves Brayer, French 1907-1990- Les Chevaux; lithograph printed in colours, signed and numbered 423/500, 36.5x26.6cm: After Josef Israels, Dutch 1824-1911- A family eating dinner around a table in an interior scene; etching, 23x27cm: together with a quantity of further, etchings and aquatints and prints by various hands (a lot) (unframed) (may be subject to Droit de Suite) Note: Michael Fell studied at St Martins and the City and Guilds School of Art. He has held one man shows at the Mall Gallery and Jordan Gallery, London. In 1972 his etchings were selected for the Modern Prints and Drawings exhibition at the British Museum and several remain in the permanent collection.
Anthony Benjamin, British 1931-2002- "After the Rain"; etching with aquatint printed in colours, signed, dated `77, titled and numbered 3/20 in pencil, 41x59cm: together with six further etchings with aquatint printed in colours by the same hand entitled, "Omen", "Sphere", "Rope", "Tyne Cott", "Chain", "Crete", all signed, titled, numbered in pencil, various sizes, (7) (unframed) (may be subject to Droit de Suite)
Richard Bawden RE, British b.1936- "Felines"; etching with aquatint printed in colours, signed, titled and numbered 10/85 in pencil, 41.5x58cm: together with two other etchings with aquatint by the same artist entitled "Midnight Visitor" and "Nightwatch", both signed, titled and numbered in pencil, 40x57cm and 42x30cm respectively: Louise Bawden, British late 20th century- "Atom"; etching with aquatint, signed, titled and numbered 21/40 in pencil, 20.6x16.4cm, (4), (unframed), (may be subject to Droit de Suite)
After Eugene Meissonier, black and white etching, two 17th century duellists being held back by compatriots with an upturned table with cards scattered across the floor, published by C E Clifford, London 1903, signed by the engraver, 64x77cm, framed and glazed, also a late 19th century etching depicting a young girl playing an organ with her young man looking lovingly at her, indistinctly signed, dated 1879, 41x24cm, framed and glazed, E Burrow-`The Chapel from Brew House Yard, Eton`, signed E Burrow 81, 25cmx20cm, framed and glazed (3)
*Printing Press. An ÔArt Equipment` Model 4824 Etching Press, of steel construction, with solid steel top roller (115mm diameter) and bottom roller (100mm diameter), heavy spoked operating wheel with double width wooden handle, plank dimensions 122 x 60cm (48 x 24ins), overall dimensions 130 x 112 x 122cm (51 x 44 x 48ins, height x width x length), includes three felt printing blankets In excellent condition. (1)
Walcot (William, 1874-1943). St. Paul`s, London, uncol. etching, signed in pencil by the artist, image size 15 x 22 cm, framed and glazed, together with Knight (Charles, editor), Virtue`s Imperial Shakespeare, orig. parts (complete), n.d., c. 1870s, numerous stee-eng. plts. (two engs. now extracted and separately framed and glazed), orig. printed wrappers, folio, with other late Victorian/early 20th-c. magazines and periodicals, including The Magazine of Art, The Bookman, Picture Post, Life, etc. (4 cartons)
Storer (James Sargant). Views in North Britain, illustrative of the Works of Robert Burns, [1805], engraved title, frontis. and eighteen engraved Scottish views after Storer and John Greig, light foxing, orig. boards, crude reback, 4to, together with [Peabody, Ephraim], Slavery in the United States: its Evils, Allevations, and Remedies, pub. Boston, 1851, 36 pp., remains of orig. printed wrappers, together with two other copies of the same pamphlet, plus Rowlandson (Thomas), The Guards and Lessons of the Highland Broadsword, pub. 20 Jan, 1799, orginal etching showing various positions for holding a sword, light foxing and one or two short edge tears, 30 x 36 cm, plus Bacon (G.W. & Co.), Bacon`s Gem Map of London and Suburbs, c.1900, folding colour printed map with 32 pp. index, orig. red cloth covers, together with a large collection of other books and ephemera including printed and manuscript music, six volumes of Scots Musical Museum, political posters, 19th century corresponence, newspapers, passports, pamphlets, greetings cards, etc. (a carton)
Bernard Leach (1897-1979) Bird of Peace, a soft ground etching on paper, framed signed in the print, numbered in pencil 13/25 image 14 x 11.5cm. Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, Farnham, page 91 plate 64 for a comparable version of this print, originally conceived in 1918.
Eli Marsden Wilson (1877-): `Low-tide Margate Harbour` etching made for the Queen`s Doll`s House signed 2.5cms x 4cm (with copies of the 3 letters from the Royal Family) and a portfolio collection Bookplate, Insects and Figurative etchings by the same artist Provenance: Artist`s family descent
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71174 item(s)/page