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Lot 718

AMENDMENT: REVISED ESTIMATE £200-250: After Rembrandt Van Rijn, Dutch 1606-1669- The Strolling Musicians; etching on wove, 14x11.6cm: After Rembrandt Van Rijn, Dutch 1606-1669- Three Oriental Figures (possibly Jacob & Laban); etching on wove, reverse signature within plate, bears a corner of a stamp on top right edge, 14.7x11.5cm: After Johannes II Lutma, Dutch 1624-1685/89- `Ioannes Lutma Aurifecx. Portrait de Vaters` 1656; etching and roulette, 23.4x19.6cm, (3) (mounted, unframed)

Lot 719

Stanley Anderson RA RE, British 1884-1966- `Toledo Cathedral` 1928; etching, drypoint, from the edition of 80 proofs, signed within the plate, signed and titled in ink, 24.5x30cm: Sir Francis Seymour-Haden PRE, British 1818-1910- `The Complete Angler` 1877; etching, drypoint, signed in pencil, 13.5x20cm: Sir Francis Seymour-Haden PRE, British 1818-1910- `Shepperton` 1864; etching on laid, signed in pencil and bears inscription, 14x12cm: Alphonse Legros RE, French 1837-1911- Rain shower; etching, drypoint, signed in pencil, 17.5x24cm: Alphonse Legros RE, French 1837-1911- Trees in rural landscape; etching, drypoint, signed in pencil, 29x22.5cm: Henry Macbeth-Raeburn RA RE, Scottish 1860-1947- `The Bridge of Alcántara, Toldeo` 1889; etching, drypoint printed in sepia, signed and titled in pencil, 17.3x25.1cm: Sir Charles Holroyd RE, British 1861-1917- Man kneeling at the altar; drypoint etching, signed and dedicated to John Murray, 22.5x20cm, (7) (mounted, unframed) (may be subject to Droit de Suite)

Lot 720

Sir Frank Brangwyn RA RWS RBA, British 1867-1956- `Pelago`; etching, drypoint, signed, 35x40cm: Henry Macbeth-Raeburn RA RE, British 1860-1947- `Cannon St. Station, Low Tide`; etching on vellum, signed in pencil, 20x35.4cm: Frank Harding, British exh 1885-1890- `St. Michael`s Mount`; etching, signed and titled in pencil, 16x25cm: Jacques Beurdeley, French 1874-1954- `La Cabane de Pêcheur`; etching, signed and numbered 15/50 in pencil, blindstamp `Ed Sagot Editeur, Paris`, 20x25.2cm., (4) (mounted, unframed) (may be subject to Droit de Suite)

Lot 729

Bernard Howell Leach, British 1887-1979 exh 1925-1927- "St Luke`s Chelsea/The Gothic Spire"; etching, signed with initials and titled in pencil, 28.5x22cm, (may be subject to Droit de Suite) Provenance: with The Chenil Gallery, London, according to label attached to the reverse of the frame, Note: The label on the reverse of this picture is inscribed with the artist`s address being 32 Rue St Cloud, Clamait Seine, Paris

Lot 731

Michael Fell, British b.1939- "People and Pilgrimages"; etchings with aquatint, 26 on a shared sheet, signed, titled and inscribed `A/P`, ea. 7.6x4.7cm and one 14x13.7cm: together with a quantity of other etchings with aquatints, some in colours, by the same artist, depicting figural and social commentary subjects and religious themes, various sizes, all signed, titled and inscribed `A/P` in pencil: Yves Brayer, French 1907-1990- Les Chevaux; lithograph printed in colours, signed and numbered 423/500, 36.5x26.6cm: After Josef Israels, Dutch 1824-1911- A family eating dinner around a table in an interior scene; etching, 23x27cm: together with a quantity of further, etchings and aquatints and prints by various hands (a lot) (unframed) (may be subject to Droit de Suite) Note: Michael Fell studied at St Martins and the City and Guilds School of Art. He has held one man shows at the Mall Gallery and Jordan Gallery, London. In 1972 his etchings were selected for the Modern Prints and Drawings exhibition at the British Museum and several remain in the permanent collection.

Lot 873

Anthony Benjamin, British 1931-2002- "After the Rain"; etching with aquatint printed in colours, signed, dated `77, titled and numbered 3/20 in pencil, 41x59cm: together with six further etchings with aquatint printed in colours by the same hand entitled, "Omen", "Sphere", "Rope", "Tyne Cott", "Chain", "Crete", all signed, titled, numbered in pencil, various sizes, (7) (unframed) (may be subject to Droit de Suite)

Lot 874

Richard Bawden RE, British b.1936- "Felines"; etching with aquatint printed in colours, signed, titled and numbered 10/85 in pencil, 41.5x58cm: together with two other etchings with aquatint by the same artist entitled "Midnight Visitor" and "Nightwatch", both signed, titled and numbered in pencil, 40x57cm and 42x30cm respectively: Louise Bawden, British late 20th century- "Atom"; etching with aquatint, signed, titled and numbered 21/40 in pencil, 20.6x16.4cm, (4), (unframed), (may be subject to Droit de Suite)

Lot 876

Max Papart, French 1911-1994- "L`Oiseau"; etching with aquatint printed in colours, signed and numbered 45/125 in colour, 43x61.5cm (unframed) (may be subject to Droit de Suite)

Lot 275

After Eugene Meissonier, black and white etching, two 17th century duellists being held back by compatriots with an upturned table with cards scattered across the floor, published by C E Clifford, London 1903, signed by the engraver, 64x77cm, framed and glazed, also a late 19th century etching depicting a young girl playing an organ with her young man looking lovingly at her, indistinctly signed, dated 1879, 41x24cm, framed and glazed, E Burrow-`The Chapel from Brew House Yard, Eton`, signed E Burrow 81, 25cmx20cm, framed and glazed (3)

Lot 641

William L. Wyllie, Dry Point Etching - View of Valletta, Malta, with Boats, pencil signed, 7ins x 15ins, mounted, glazed and framed, (illustrated).

Lot 21

A 19th Century gilt framed etching of a medical diagram female form showing womb

Lot 81

A framed coloured etching, Michael Chaplin 118/150

Lot 2053

A Late C19th etching of peaceful river scene with settlement & trees in background, glazed in old reeded wooden frame with gilt slip

Lot 2148

Four Prints: an Etching of a Church by Lucien Gauthier, colour print of Italian Lake, etching `Miss Mary Anderson by Percy Thima, 1884 and an etching `Robert Lees Workshop` by D.Y Cameron

Lot 577

"Victorian woolwork picture in maple frame, a later watercolour Paris river scene etching, and two others "

Lot 443

ARR LUIGI KASIMIR (Austrian 1881-1962) Continental architectural study of snow covered house and ruins, signed etching partially printed in colour, 31/57, plate size 58cm x 41cm

Lot 2008

After Joseph F. Russin. Dry point etching of Boston, published by the Warwick Galleries Artists proof, framed and glazed.

Lot 246

*London. A collection of five etched views in London, 20th century, etchings, all signed in pencil by artist below image, including examples by Josset, Hampton and Lambert, various sizes (7) Please note: The quantity in the lot is now 7 items, including an etching by Henry Rushbury

Lot 252

*Piranesi (Francesco). Veduta della Piazza del Popolo, pub. Paris, c.1810, uncoloured etching on laid, 405 x 550 mm. Luigi Ficacci, Piranesi The Complete Etchings, no. 879. (1)

Lot 493

*Hayter (Stanley William, 1901-88). Nageuse, 1958, etching with aquatint in colours, printed on BFK Rives by Atelier 17, signed, titled and numbered 5/50, plate size 40.5 x 33 cm (16 x 13 ins), sheet size 68 x 51 cm (26.75 x 20 ins) Black & Moorhead 241. (1)

Lot 538

*Printing Press. An ÔArt Equipment` Model 4824 Etching Press, of steel construction, with solid steel top roller (115mm diameter) and bottom roller (100mm diameter), heavy spoked operating wheel with double width wooden handle, plank dimensions 122 x 60cm (48 x 24ins), overall dimensions 130 x 112 x 122cm (51 x 44 x 48ins, height x width x length), includes three felt printing blankets In excellent condition. (1)

Lot 592

Walcot (William, 1874-1943). St. Paul`s, London, uncol. etching, signed in pencil by the artist, image size 15 x 22 cm, framed and glazed, together with Knight (Charles, editor), Virtue`s Imperial Shakespeare, orig. parts (complete), n.d., c. 1870s, numerous stee-eng. plts. (two engs. now extracted and separately framed and glazed), orig. printed wrappers, folio, with other late Victorian/early 20th-c. magazines and periodicals, including The Magazine of Art, The Bookman, Picture Post, Life, etc. (4 cartons)

Lot 596

Storer (James Sargant). Views in North Britain, illustrative of the Works of Robert Burns, [1805], engraved title, frontis. and eighteen engraved Scottish views after Storer and John Greig, light foxing, orig. boards, crude reback, 4to, together with [Peabody, Ephraim], Slavery in the United States: its Evils, Allevations, and Remedies, pub. Boston, 1851, 36 pp., remains of orig. printed wrappers, together with two other copies of the same pamphlet, plus Rowlandson (Thomas), The Guards and Lessons of the Highland Broadsword, pub. 20 Jan, 1799, orginal etching showing various positions for holding a sword, light foxing and one or two short edge tears, 30 x 36 cm, plus Bacon (G.W. & Co.), Bacon`s Gem Map of London and Suburbs, c.1900, folding colour printed map with 32 pp. index, orig. red cloth covers, together with a large collection of other books and ephemera including printed and manuscript music, six volumes of Scots Musical Museum, political posters, 19th century corresponence, newspapers, passports, pamphlets, greetings cards, etc. (a carton)

Lot 1095

Bernard Leach (1897-1979) Bird of Peace, a soft ground etching on paper, framed signed in the print, numbered in pencil 13/25 image 14 x 11.5cm. Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre, Farnham, page 91 plate 64 for a comparable version of this print, originally conceived in 1918.

Lot 1214

`The Studio` volumes 54-61 (7 volumes), The Studio volumes 22 and 23, `Etching` by Julian Trevelyan a studio handbook, Textiles by Anthony Hunt, `International Fine Arts Exhibition Rome 1911` a souvenir of the British Section, and seven various loose Studio journals

Lot 1181

After S.N. Litten. `Bury, Sussex`, a signed dry point etching, circa 1920, 17cm x 22cm.

Lot 12

Frank Martin (1921-2005): `Norma Talmadge`, limited edition etching signed titled and numbered 33/100, blind stamp `Seen Editions London` 45cm x 30cm

Lot 105

Eli Marsden Wilson (1877-): `Low-tide Margate Harbour` etching made for the Queen`s Doll`s House signed 2.5cms x 4cm (with copies of the 3 letters from the Royal Family) and a portfolio collection Bookplate, Insects and Figurative etchings by the same artist Provenance: Artist`s family descent

Lot 302

RA Forrest Finches Hand coloured etching, signed in pencil, 14cm high x 21cm wide

Lot 364

John Martin KLB The Crucifixion To his Grace the Lord Archbishop of Canterbury, the President, and to the other members of the society for prominating Christian knowledge, published 1834 Etching print in elaborate gilt frame, 54 x 77cm

Lot 365

F Webster RA Henry Lemon Punch & Judy Show Etching print, printed by McQueen, 64 x 120cm

Lot 374

William Strang ARA Church at Regnavillia Etching, signed in pencil; and another, 20 x 18cm (2)

Lot 419

W Hogarth The Committer, Hudibras, Triumphant, Skimmington Etching, 55 x 33cm (3)

Lot 394

AFTER THOMAS CAMPBELL HOGARTH, "JAMES STUART, AGED 115", etching from the original sketch, stuck down onto card, unframed. 28cm by 22cm

Lot 49

George Vernon Stokes - Black Labrador retrieving a pheasant, coloured dry point etching, signed limited edition, 2/75, 27cm by 31cm; and Black Labrador retrieving a mallard duck, coloured dry point etching, signed limited edition, 28/75, 20cm by 30cm (2 - framed as a pair)

Lot 99

HERBERT DICKSEE. Signed in pencil, etching on paper, a lion and lioness watching Joseph, Mary and Jesus from a rocky outcrop 17 1/4" x 27".

Lot 413

A black and white etching of Hampton Court Palace, 1922, together with six other works.

Lot 226

Collection of pictures and prints including reproduction panoramic Plymouth, Philip West signed `Red arrows` print, R. King etching `Glasgow University`, Plymouth scene, and various other prints (7)

Lot 567

Bim Giadelli, "Vienna", watercolours & an indistinctly signed watercolour, cottages in landscape together with coloured etching The Shambles York, all framed (3).

Lot 64

ALLAN (Robert) artist: a coll’n of 9 signed etchings, mostly coastal scenes; & a signed etching by James Hess. (10)

Lot 71

BLAMPIED (Edmund) [Seaweed gatherer with Horse & Cart], etching, signed in pencil, 5 x 7 inches [I.], loosely mounted. (1)

Lot 72

MARRIOTT (F.) “Ravello, Italy,” etching, signed & titled in pencil, 8 x 10 ins [I.], ; SOPER (George) [Horses drinking], wood-engraving, signed in pencil; & another etching. (3)

Lot 74

LEE HANKEY (William) “Condolence”, colour-printed etching with aquatint, signed, titled in another hand, 12.5 x 10 inches [I.]; & 2 other colour-printed etchings with aquatint by the same artist. (3)

Lot 75

LONG (Nat) “Low Tide”, etching, signed & titled in pencil, 8 x 10 inches; & another “The Beach Ball,” printed in colours. (2)

Lot 510

SEYMOUR HADEN (F.) About Etching, 4to, etched frontis & 15 plates, quarter morocco, Fine Art Society, 1879.

Lot 186

SUE HERCER - "Vic", etching, limited edition, signed titled and numbered, 32cms x 25cms

Lot 197

HILDA MARY PEMBERTON (exh.1897-1940) - Landscape with brook and Withies, etching, signed in pencil and with Raphael Tuck blind stamp, 19.5cms x 14.5cms

Lot 201

After GEORGE CRUIKSHANK - Grandpapa Going To His Party, etching, 11.5cms x 16cms ++discoloured

Lot 62

Hardy Wilson (1881-1955) St Clair Cottage, Goulburn, NSW Monochrome etching Signed and dated ’21 in the plate 32 x 24cm Illustrated online at www.mossgreen.com.au

Lot 70

John Olsen (Born 1928) Hopping Mouse No. 1 Sepia etching Signed, titled, dated ’78 and numbered 5/25 in pencil to margin Plate size 60 x 50cm Provenance Barry Stern Gallery Sydney

Lot 72

John Olsen (Born 1928) Laughing frog Monotone etching Signed titled and dated ’77 and numbered 61/90 in pencil to margin Plate size 64 x 50cm Provenance Barry Stern Gallery Sydney

Lot 75

David Boyd (1924-2011) Untitled - Angel Tinted artist proof etching Signed and dated 1977 in pencil to margin 19 x 14.5cm Provenance Barry Stern Gallery Sydney Illustrated online at www.mossgreen.com.au

Lot 92

Graeme Townsend (Born 1954) Boxed Toucan Coloured Etching Signed titled and dated ’89 to margin Paper size 62 x 51cm Provenance Barry Stern Gallery Sydney Illustrated online at www.mossgreen.com.au

Lot 42

R F KING - Brixham Trawlers, etching, signed and inscribed in pencil in the margin, 7 1/4" x 10 1/2" (unframed)

Lot 218

J* PAUL BRINSON (? - 1927) - `A Grey Evening`, signed, watercolour, 10" x 13 3/4"; and Robert Walker Macbeth after Frederick Walker `Harbour of Refuge`, etching, 19" x 31 1/2" (2)

Lot 291

A 20TH CENTURY BRITISH SCHOOL ETCHING A river scene, indistinctly signed bottom left, 23" x 14 3/4"

Lot 211

Eug Bejot 1912. Le Manzamares Madrid-black & white etching, signed together with other prints.

Lot 608

Modern Masters of Etching W Russell Flint 1931

Lot 407

A framed and glazed coloured etching after Gillray, The Fall of Icarus. 35cm x 24cm.

Lot 252

William Lionel Wyllie (1851-1931) - Portsmouth Harbour with submarines in foreground - 8.5x33cm etching - signed bottom left.

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