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![Norman Alfred William Lindsay [1879-1969] Thieves Kitchen etching and engraving signed and inscribed with title in pencil in](http://lot-images.atgmedia.com/SR/35909/2870765/444-201327155748_468x382.jpg)
Lot 464
PIRANESI, Giovanni Battista: (1720-1778), `Veduta, nella Via del Corso, Del Palazzo Dell Accademia`, etching, 62 x 40 cms, Watermark: Fleur-de-lys in double circle, light foxing, signed within the plate mark, c1750 (or later). With ... `Veduta degli avazi del Foro di Nerva`, etching, 61 x 40 cms, faint watermark, slight stain. With ... `Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta`, etching, 61 x 40 cms, light foxing small hole repaired. With one other (some damage). (4)
![William Walcot [1874-1943]: Cathedral archway etching, signed in pencil in the margin, image size 64 x 50.5cm.](http://lot-images.atgmedia.com/SR/35909/2870765/476-201327155915_468x382.jpg)
![William Walcot [1874-1943]: Fountain in a cathedral interior etching, signed in pencil in the margin, inscribed and dated to](http://lot-images.atgmedia.com/SR/35909/2870765/477-201327155918_468x382.jpg)
Lot 192
A Minton porcelain shaped oval presentation dish, decorated in sepia with a vignette of two oxen, inscribed verso Etching on Porcelain after Karl Du Jardin, finished for & presented to Thomas Baring Esq. MP. and October 1868, within a `jewelled` and gilt band border, 31cm in length, GWJ monogram, Minton impressed marks. Thomas Baring, (1799-1873) was a partner of Barings Bank from 1828 until his death. He inherited Norman Court in Hampshire and was the Tory Member for Great Yarmouth (1835-7) and Huntingdon (1844-73). He was in addition Chairman of Lloyd`s, a Director of the Bank of England and a Commissioner for the Great Exhibition of 1851. It is speculation, but the monogram is in the style and form of that of George Jones who often bought Minton and Wedgwood ceramics among others for retail both here and abroad.
Lot 428
AFTER THOMAS LANDSEER "The Orang-Outang", coloured etching, published by G & W B Whittaker, AFTER S DANIEL "The Gnoo of South Africa", black and white engraving by McGahey, another titled "The African Rhinoceros" and 19TH CENTURY ENGLISH SCHOOL "Trtior Castle in Brecknockshire", black and white engraving by Carey, two Transvaal black and white etchings and a quantity of assorted pictures and prints CONDITION REPORTS All with wear and scuffs, various stains and foxing, some damage and losses.
Lot 429
AFTER FRED MORGAN R.I. "Ring a Roses", coloured etching by Murray, published by Clifford & Co., AFTER FRED MORGAN "Mother's birthday", coloured engraving by M Cormack, AFTER FRED MORGAN "Study of a young girl with butterfly resting upon her hand", coloured engraving, published by C Clifford, London, AFTER JULIO "St. Francisco di Paula", coloured engraving by Bishop and 20TH CENTURY SCHOOL "Study of red roses in a glass", limited edition coloured print, No'd. 24/25, indistinctly signed in the margin (5)
Lot 430
AFTER T J GREENWOOD "Andalucian horses and egrets", limited edition etching No'd. 25/50, signed in pencil in the margin, bearing "Henry Brett Galleries" label verso, AFTER JOHN BEER "The Grand National - At the post", coloured print, CARLE VERNET "Cavalry Officer on horseback", coloured lithograph, published by Dickinson New Bond Street (3)
Lot 459
AFTER ALBANY HOWARTH "Continental street scene with Gothic archway", black and white drypoint etching, signed in pencil in margin, AFTER R.B. HARRADEN "This view of Kings College Chapel, Cambridge", coloured engraving by R. Havell & Son, AFTER WILLIAM BURGESS "Ely Cathedral", coloured engraving by H. Burgess, published 1810, and IN THE MANNER OF THOMAS ROWLANDSON - a colour print CONDITION REPORTS All in worn condition, with some dirt and scuffs, some discolouration, staining, etc. Signed print very browned and yellowed, and with foxing. "Ely Cathedral" print appears to be a later copy.
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78391 item(s)/page