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Lot 140
Henry Mortikar (Mortecai) Rosenberg (1858 - 1947) "Two Nudes in Field" Signed and dated (39-40) lower left. Oil on Canvas. Henry Rosenberg was an American painter and print maker during the end of the 19th C. and beginning of the 20th C. He was recognized as an impressionist, a tonalist and a symbolist painter. His artistic training started in Chicago where he was to become an early member of the Academy of design. He then went to Munich to study under Frank Duveneck at the Royal Academy. He then studied in Florence and Venice, Ital where he learned the art of etching from none other than James Abbott McNeil in 1880. They boarded and worked together. He painted and learned from William Merritt Chase in Venice. He was strongly influenced in Venice by his artist friend Arnold Bocklin. For 10 years he was a recognized painter at Pont-Aven, Brittany. Here he painted alongside Paul Gauguin in 1886 with whom he befriended. He studied or worked with many important artist of his day. Henry Rosenberg was a principal of the Victoria school of art in Halifax, Nova Scotia, from 1898 to 1910. He also was an honorary president of the Nova Scotia Museum of Fine Arts. He lived in Alabama towards the end of his life for health reasons. After his death in 1947 the Museum of Mobile, Alabama. Was granted the Rosenberg estate, consisting of his life?s collection of paintings and prints. Making this the Mobile Museum of Arts first acquisition. Provenance: Deaccessioned from Museum to benefit their collections, care and acquisition fund. Sight Size: 16 x 20.25 in. Overall Framed Size: 20 x 24 in.
Lot 141
Henry Mortikar (Mortecai) Rosenberg (1858 - 1947) "Couple in Field" Signed and dated lower left. Oil on Canvas. Henry Rosenberg was an American painter and print maker during the end of the 19th C. and beginning of the 20th C. He was recognized as an impressionist, a tonalist and a symbolist painter. His artistic training started in Chicago where he was to become an early member of the Academy of design. He then went to Munich to study under Frank Duveneck at the Royal Academy. He then studied in Florence and Venice, Ital where he learned the art of etching from none other than James Abbott McNeil in 1880. They boarded and worked together. He painted and learned from William Merritt Chase in Venice. He was strongly influenced in Venice by his artist friend Arnold Bocklin. For 10 years he was a recognized painter at Pont-Aven, Brittany. Here he painted alongside Paul Gauguin in 1886 with whom he befriended. He studied or worked with many important artist of his day. Henry Rosenberg was a principal of the Victoria school of art in Halifax, Nova Scotia, from 1898 to 1910. He also was an honorary president of the Nova Scotia Museum of Fine Arts. He lived in Alabama towards the end of his life for health reasons. After his death in 1947 the Museum of Mobile, Alabama. Was granted the Rosenberg estate, consisting of his life?s collection of paintings and prints. Making this the Mobile Museum of Arts first acquisition. Provenance: Deaccessioned from Museum to benefit their collections, care and acquisition fund. Sight Size: 16 x 20 in. Overall Framed Size: 21 x 25.25 in.
Lot 3002
LA VERRE FRANCAIS-TISCHLAMPE Frankreich, 20.Jh., farbloses Glas mit Pulverein- und -aufschmelzungen in Rot und Blau, auf der Fußoberseite in Nadelätzung sign., Gestell mit Blättern verziert, H. 46 cm. Leichte Altersspuren.| LA VERRE FRANCAIS TABLE LAMPFrance, 20th century, colourless glass with powder fusions in red and blue, signed in needle etching on the top of the foot, frame decorated with leaves, h. 46 cm. Slight signs of age.
Lot 362
Etching of an Italian city market square scene, numbered 82, signed, artist unknown, 21 x 17cm; bronze tile after the tiles in the door portal in the Basilica of San Zeno Maggiore, Verona, on a pine presentation plaque, 17.3 x 15.8cm; and a framed white metal engraving depicting a scene in Verona, with a similar presentation plaque, both stamped 800, 10.8 x 16.7cm
Lot 368
Hubert Furse (XX) kitchen scene, watercolour, signed and dated "'44", 36 x 25cm; R. A. Dawson, 'Autumn in Cheshire (Baguley)', oil on board, signed and dated "'30'; Roseann Madden (XX) religious scene in a cathedral, watercolour, signed, 27.5 x 34.5cm; Paul Helm (XX) 'Savonarola', etching and cartograph, signed, 29.5 x 29.5cm, and 4 other limited edition prints by Paul Helm (8)
Lot 35
*ARTHUR MERIC BLOOMFIELD BOYD (1920-1999) 'Bride and the Beast's Head' signed, dated '59 and numbered 3/25 in pencil to the margin, etching, the image 35cm x 40cm Literature: 'Arthur Boyd' Philipp, Franz, pub;. Thames and Hudson, 1967, plate 114, listed as 'Falling Figure with Beast's Head'Provenance: The Collection of Bournemouth & Poole College.
Lot 201
*MARC CHAGALL (1887-1985) 'Sobakévitch' an illustration for Nicolas Gogol's 'The Dead Souls', signed in plate, apparently from the edition of 368, etching, commissioned in 1927 by Vollard and published in 1948 by Tériade, the image 27.5cm x 21cmFrom the collection of an International Designer
Lot 269
*DAME ELISABETH FRINK (1930-1993) 'Vizsla A' (Wiseman 124), 1980, signed and numbered 13/75 in pencil to the margin, etching and aquatint printed in colours on wove, printed by Kelpra Studio, London, published by Waddington Graphics, London, with their blindstamps, with full margins, the sheet 68cm x 91cm
Lot 639
AN ETCHED AND ENAMELED GLASS 'WINTER LANDSCAPE' SNUFF BOTTLE, BY DAUM NANCY, EARLY 20TH CENTURYOpinion: The present lot, with its classic round form and short everted neck, is without a doubt a snuff bottle, as opposed to the more common perfume bottles which are always larger in size, typically varying between 12 and 18 cm. This means that the present lot was specifically designed as an export article for the Chinese market and thus must be considered extremely rare.France, circa 1910. Of flattened globular form, superbly painted in bright enamels to depict a winter landscape with bare trees and bushes against a reddish-orange ground suggestive of the evening sky. The swirled opaque glass with orange and yellow streaks, edged, cut, and finely polished. The base with an enameled mark Daum Nancy with the cross of Lorraine.Provenance: From the private collection of Tuyet Nguyet and Stephen Markbreiter. The base inscribed 'Daum & Nancy'. Tuyet Nguyet was the founder and chief editor of Arts of Asia. She married Stephen Markbreiter, an English architect, in 1959 and moved to Hong Kong to work as a journalist. Arts of Asia's first regular edition appeared in 1971. In the magazine, Nguyet sought to combine authoritative content from major experts with detailed coverage of the Asian art market. Tuyet Nguyet was an early member of The International Chinese Snuff Bottle Society, attending her first convention in 1973, and was later elected as an honorary member. Condition: Very good condition with minor old wear and possibly very light retouching to the mouth rim.Stopper: Pearl stopper with silver mountingWeight: 23.4 g Dimensions: Height 52 mm. Diameter neck 11 mm and mouth 6 mmDaum was created in 1892 by Auguste Daum (1853-1909) and Antonin Daum (1864-1930) in the French town Nancy. They developed the Art Nouveau style for which they received the 'Grand Prix' medal at the world exhibition in 1900. Daum glass works are known for their motifs of scenery and nature with mostly plants or flowers. Daum formed the Ecole de Nancy (Nancy School) together with other glass and furniture factories operating in the French city of Nancy. Acid etching was often combined with carving, enameling, and engraving on a single piece of glass to produce creative glass masterpieces. Auction result comparison:Type: RelatedAuction: Christie's New York, 23 July 2010, lot 217Price: USD 20,000 or approx. EUR 25,500 converted and adjusted for inflation at the time of writingDescription: A French etched and enameled glass 'winter landscape' vase, signed in enamel 'Daum Nancy' and with cross of Lorraine, circa 1910Expert remark: Compare the closely related decoration, the color, and the signature. Note the size of the vase (8 cm). 二十世紀初DAUM NANCY派蝕刻琺琅彩冬景鼻烟壺法國，約1910年。扁平圓形，明亮的琺瑯，描繪了一幅秀麗的冬日夕陽圖，夕陽下掉光了樹葉的樹和灌木叢以及雪地。帶有橙色和黃色條紋的漩渦狀不透明玻璃，經過磨邊、切割和精細拋光。帶有洛林十字架的琺瑯標記和 Daum Nancy款的底座。 專家注釋：本拍品具有經典的圓形、短頸和弦唇，毫無疑問是一個鼻烟壺，而不是香水瓶，後者的尺寸總是更大，通常在 12 到 18 厘米之間變化。這意味著本拍品是專門為中國市場設計的外銷商品，極為罕見。 來源：Tuyet Nguyet 和 Stephen Markbreiter 的私人收藏。底座上標注 'Daum & Nancy'。Tuyet Nguyet 是《Arts of Asia》的創始人和主編。1959 年，她與英國建築師Stephen Markbreiter結婚，並移居香港擔任記者。《Arts of Asia》第一期普通版於 1971 年問世。在該雜誌中，Nguyet 致力於將專家的權威內容與亞洲藝術市場的詳細報導相結合。Tuyet Nguyet 是國際中國鼻烟壺協會的早期會員，1973 年參加了協會的第一次大會，後來當選爲名譽會員。 品相：品相極好，有輕微的磨損，壺口有輕微修飾。 壺蓋：珍珠，鑲銀 重量：23.4 克 尺寸：高 52 毫米，頸部直徑11 毫米 及瓶口直徑6 毫米 Daum 於 1892 年由 Auguste Daum (1853-1909) 和 Antonin Daum (1864-1930) 在法國小鎮Nancy創建。他們創立了新藝術運動風格，並因此在 1900 年世界博覽會上獲得大獎。Daum 玻璃作品以其風景和自然的主題而聞名，主要是植物花卉。Daum 與在法國Nancy市運營的其他玻璃和家具工坊一起成立了 Ecole de Nancy（Nancy派）。酸蝕通常與在一塊玻璃上的雕刻和上釉相結合，以製作出富有創意的玻璃作品。
Lot 148
English landscape.- Newbery (William, artist and friend of John Constable, 1787-1838) Two albums containing 40 drawings and watercolours, and 6 etchings, including many landscapes of Sussex, views of the environs of the artist's home at of Heathfield Park, views in Oxford, Walthamstow, Lewes, some maritime scenes, a few studies after drawings by Crotch, a mezzotint with etching of Tivoli with inscription underneath that reads 'done in mezzotint [?] an etching by W. Newbery about 1838/ from a sketch by [?] PGS/ from one by J. Malchair/ probably from some Italian drawing...', and others similar, all neatly presented on album leaves, many leaves missing, some pages cut, of those that remain many with ink inscriptions and annotations underneath that are likely by William Crotch, various sizes, surface dirt, vol. 1 with manuscript note to front pastedown that reads 'Bequeathed to W. Crotch Kennington 1838/ by my dear friend W. Newbery/ by whom/ these were drawn', half calf, marbled boards, spines gilt, Cambridge Binding Guild stamps to inside covers, rubbed and worn, large 4to, mainly circa 1800-1820Provenance: William Crotch (English composer and organist, 1775-1847);Dawson Turner (patron of John Sell Cotman, 1775-1858);Sale. Sotheby's, London 1991⁂ Newbery was a friend of Dr. William Crotch, whom the present albums were originally bequeathed to, as well as John Constable. He was also a pupil of John Malchair and lived in Heathfield, Sussex. Newbery was well connected with the artistic circles of his day, and was a member of 'The Great Society' of Oxford and is likely to have known J.M.W Turner who also painted views of Heathfield Park, while the Newbery's lived there. The present album includes a landscape of Heathfield Park dated 'Aug. 19 1809', and shows a wooded landscape with two men, one of whom appears to be seated drawing.
![Nonesuch Press.- Dickens (Charles) [The Works], 24 vol., edited by Arthur Waugh, Hugh Walpole and others, one of 877 sets, be](https://cdn.globalauctionplatform.com/7f555423-35bb-47ba-900e-af0400c3d8cc/7d2fc420-fcbd-480e-8f78-af07011ee09d/468x382.jpg)
Lot 222
Nonesuch Press.- Dickens (Charles) [The Works], 24 vol., edited by Arthur Waugh, Hugh Walpole and others, one of 877 sets, beautifully bound in various coloured morocco by Sangorski & Sutcliffe to match the original buckram bindings, ruled in gilt, author's signature in gilt on covers, spines with raised bands and black morocco labels, t.e.g., others uncut, a few spines, especially Barnaby Rudge and Pickwick Papers slightly discoloured, otherwise in fine condition, [Dreyfus 108], 8vo, Nonesuch Press, 1937-38.⁂ A visually even more stunning set than the original variously coloured buckram bindings, which are so prone to fading. The original steel plate for this set is "Traddles makes a figure in parliament and I report him" from David Copperfield, p.540, and the mounted etching is slightly creased. Without 'Nonesuch Dickensiana' which sometimes accompanies the set.
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