Unger, Hans (1872 Bautzen - 1936 Dresden)"Birken am Meer". Radierung, 1896. Unterhalb der Darstellung rechts in Blei signiert. Im Passepartout hinter Glas gerahmt, hier rückseitig ausführlich durch Maja Unger, der Tochter des Künstlers, bezeichnet. 29 x 16 cm (Pl), 46,5 x 31,5 cm (Ra). Wohl etwas gebräunt. WVZ 12 - eine der zeitigen Radierungen, die motivisch nach einem Aufenthalt auf der Ostseeinsel Bornholm entstanden ist. Provenienz: Schenkung durch die Tochter des Künstlers an eine Dresdner Familie, aus deren Nachlaß in eine Dresdner Privatsammlung. Birch trees at the sea. Etching, 1896. Signed in pencil below the motiv right. Farmed behind glass; on backside of framing with detailed notes by Maja Unger, the artist's daughter. A bit tanned by the sunlight.
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Thiele, Johann Alexander (1685 Erfurt - 1752 Dresden)"Prospect von dem Königl. LustSchloss Pillnitz an der Elbe und umliegenden Gegend wie sich solches gegen Mittag Presentiret" (Blick auf Schloss Pillnitz bei Dresden aus südlicher Richtung). Kupferstich/Radierung, 1726. Unten mittig in Platte signiert "JA Thiele", Stechersignatur und Datierung auf Textplatte unten rechts. Ebenda ausführlich zweisprachig in Deutsch und Französisch betitelt und mit Widmung an den Kurfürsten von Sachsen und König von Polen versehen. Im Passepartout. 36,5 x 56 cm (Pl. ges.), 37,5 x 57 cm (Bl), 48 x 67,5 cm (PP). Etwas angebräunt, rückseitig eine Hinterlegung am unteren Rand. Kleinster Eckabriß unten links. Schöner breiter Rand. View of the castle of Pillnitz from the southern direction. Copperplate engraving / etching, 1726. Signed in the plate lower margin middle. Engraver's signature and date below motiv right. Titled and dedicated in French and German. Mounted in passepartout. A bit tanned brownish, backside with one small patch. Loss of a tiny piece of the lower left corner.
Leibl, Wilhelm (1844 Köln - 1900 Würzburg)"Bildnis des Malers Josef Wopfner". Radierung, um 1874. Unsigniert. Oben links in der Platte abweichend der Initialen ligiert monogrammiert. Im Passepartout hinter Glas gerahmt. 10,8 x 8,0 (Pl), 34 x 26,5 cm (Ra). Lichtgebräunt, etwas fleckig. Das unter der Inventarnummer G 835 in der Sammlung des Lenbachhauses München befindliche Blatt weist die Initialen oben links nicht auf. Evtl. handelt es sich hier um eine Sonderauflage oder eine Wiederholung. Portrait of the painter Josef Wopfner. Etching, around 1874. Unsigned. Kind of a monogram in the plate top left corner. Framed behind glass. Tanned by the sunlight, some stains. The copy in the Lenbachhaus Munich shows no such monogram; pres. special edition or made after Leibl.
Dikenmann, Johann Rudolf (1832 Zürich - 1888 ebenda)"Genève, prise sur le pont des Bergues". (Genf, von der Bergues-Brücke aus gesehen). Aquatintaradierung, nach 1881. Unterhalb der Darstellung in der Platte betitelt und mit Künstlerbezeichnung. Im Passepartout. 17,5 x 35 cm (Pl), 20 x 38 cm (Bl), 30 x 48 cm (PP). Angestaubt und etwas berieben. Sehr detaillierte Panorama-Ansicht von der 1881 errichteten neuen Brücke über die Rhône am Genfer See mit Rousseau-Insel und Alpen im Hintergrund. View of Genève from the Bergues bridge. Etching, after 1881. Titled below the motif, also with name of artist. Mounted in passepartout. Dustay and a bit rubbed. Very detailled.
Plenkers, Stefan (1945 Ebern (Bamberg) - lebt und arbeitet in Dresden)Traurige Fische. Kolorierte Radierung, 1976. Unterhalb der Darstellung rechts in Blei signiert und datiert, links auflagenbezeichnet. Exempar 1/1 (Unikat!). Ungerahmt. 23 x 32 cm (Pl), 34,5 x 46,5 cm (Bl). Etwas berieben. Sad fishes. Coloured etching, 1976. Signed and dated below the morif. Copy 1/1 (single print). Unframed. A bit rubbed.
Täubert, Carl Gregor (1778 Dresden - 1861 ebenda)Das Jagdschloss in Moritzburg bei Dresden von Südosten über den Schlossteich gesehen, im Vordergrund eine Reitergruppe mit König Friedrich August I. von Sachsen. Lavierte Radierung nach Adrian Zingg, nach 1810. Unsigniert. Hinter Glas gerahmt. 30,0 x 42,8 cm (Bl), 47 x 60,5 cm (Ra). Stark verbräunt und stockfleckig.Ein Exemplar befindet sich in der Sammlung des Kupferstichkabinetts der Staatlichen Kunstsammlungen Dresden, Inv.-Nr. A 1995-6295.The hunting castle of Moritzburg near Dresden, view across the pont with riders accompagnying King Friedrich August I. of Saxony. Ink washed etching after Zingg, after 1810. Unsigned. Framed behind glass. Strong tanning by the sunlight, foxing.
Fischer, Otto. 1870 Leipzig - 1947 Dresden.Baumbestandene Landschaft an der Meeresküste. Radierung/ Aquatinta, sign. i. d. Platte, Druck: Otto Felsing. Battoberfläche stellenweise berieben. 24 x 31,5 cm (Einfassung), hinter Glas gerahmt. Ra. 36 x 45 cm. Coastal landscape, etching, abraisons of surface in places. Framed with glass. 36 x 45 cm incl. frame.
Orlik, Emil. 1870 Prag - 1932 Berlin.Im Hydepark. 1898. Radierung, sign., dat., betitelt und num. "L 162" (?), Blattrand beschn., gebräunt mit Lichtrand, 8 x 11,5 cm, hinter Glas gerahmt. Ra. 17 x 18 cm. View of Hydepark, 1898, etching, margins cut, signed, dated, entitled, tanned. Framed with glass. 17 x 18 cm (frame).
Körnig, Hans (1905 Flöha - 1989 Niederwinkling)"Die alte Salzgasse in Dresden". Aquatintaradierung, 1953. Unterhalb der Darstellung in Blei signiert und datiert. Im Passepartout hinter Glas in älterer Rahmung. 15,5 x 20,5 cm (Pl), 32 x 38 cm (Ra). Minimal lichtrandig. WVZ Körnig 6. Winterlicher Altstadtblick, wie er heute nicht mehr existent ist, mit tief hängender Mondsichel und der Dresdner Frauenkirche im Hintergrund. Schon 1953 war diese Szene eine Erinnerung, da das gesamte Areal im Februar 1945 zerstört wurde. Old Dresden. Etching, 1953. Signed and dated in pencil below the motif. Framed behind glass. A bit tanned by the sunlight.
Niemeyer-Holstein, Otto. 1896 Kiel - 1984 Lüttenort auf Usedom.Landschaft, 1976, Radierung/ Aquatinta auf Bütten, monogr. und dat. in Bleistift, Druckersign. Ernst Lau. 13,5 x 20,5 cm (Pl), hinter Glas mit Pp. gerahmt, Ra. 29,5 x 33 cm. Landscape, etching/ aquatint print, 1976, monogram and date, printer's signature, framed with glass and passepartout. 29,5 x 33 cm incl. frame.
Roger RAVEEL (1921-2013) 'Wegdoezelen in de kosmos'' an etching. 1982. Signed R. Raveel, 20/20Signed and dated 6-8-1990. Dimensions complete paper: 50 x 64 cm. Literature: "Roger Raveel. Het overzicht. Het grafische oeuvre: prenten en multiples" Octave Scheire, Ludion, pagina 106. According to the book above there is a by an unknown person coloured etching, this etching is possibly the one listed in the book. Condition report:- Foxing on the paper.Dimensions: (W:30,5 x H:32,5 cm)
HUGH CRONYN (BRITISH 1905-1996) INTERIOR, NAYLAND, SUFFOLKsigned, titled, numbered and dated 8/12, Interior, Hugh Cronyn / 72etching47.5 x 35cm; 18 3/4 x 13 3/4in (plate)79.5 x 56.5cm; 31 1/4 x 22 1/4in (sheet)(unframed)Using Julian Trevelyan’s press Cronyn investigated etching as a reprise of his pre-war wood engravings. The Cronyns kept connections with Suffolk by renting there. The subject of the present work is a view through a cottage kitchen looking down to the River Stour that runs through Nayland.
A Victorian 1822 Pattern Infantry Officer's Sword, the 82cm 1845 pattern single edge fullered steel blade faintly etched with Royal cypher, the gothic brass hilt pierced with Royal cypher and with wire bound fishskin grip, wtih brass scabbard, 101cm, post 1854Pitting to blade with nicks to the edge and faint etching. Part of fishskin grip is missing. Dents to the scabbard.
An Imperial German Artillery Sword by Alcoso, the 84cm plain single edge fullered steel blade with maker's logo, the plated steel stirrup hilt with wire bound black plastic grip, with black painted steel scabbard and silver bullion thread portapee, 99cm; a Victorian Rifle Regiment Officer's Sword, the 80cm single edge fullered steel blade etched with crowned VR cypher, strung bugle and a family crest, by Maynard, Harrison & Rice, London, with Proved poincon, the silver plated steel gothic hilt with wire bound fishskin grip, 94cm, lacks scabbard; an Indian Kukri, the curved blade stamped ORDEP, NEPAL, with brass bolster and pommel to the horn grip, with leather scabbard and two sharpening knives (3)1 - Some scratching to blade. Plastic grip with a crack under the pommel. Portapee strap is broken. Rust pitting and wear to the paint on the hilt. 2 - Minor rust patches to blade towards the tip, wear to the etching. Lacks scabbard.
A Victorian 1845 Pattern Staff-Sergeant's Sword, the 71cm single edge steel blade pipe backed for the last 18cm, the brass gothic hilt pierced with crowned VR cypher, the inner guard stamped 8, the quillon stamped 2 and 57, with wire bound later leather grip and associated steel mounted leather scabbard, 96cm; a Victorian 1822 Pattern Infantry Officer's Sword, the 82.5cm pipe back steel blade faintly etched with the crowned VR cypher and indistinct London maker's name, the brass gothic hilt pierced with crowned VR cypher, with hinged guard, wire bound fishskin grip and leather scabbard with brass locket and chape, 99cm af (2)1 - Grey patching and pitting to the blade which has been ground towards the tip. The fishskin grip has been replaced by leather. The scabbard is not correct for this sword; 2 - Pitting to blade with nicks to the edge, very faint etching. Part of the brass hilt is missing.
John Sell Cotman (1782-1842) The Garden House on the banks of the River Yaresigned and dated lower right 'J S Cotman 1802' pencil and sepia wash on paper25 x 19cm Provenance:Christie's, London, 5th March 1974, lot 181 for £1,365The subject of the Garden House on the banks of the River Yare was also made into an etching which Cotman published as the title page of his 'Liber Studiorum: A Series of Sketches and Studies'.Numerous fly spots under glass, mostly to the mount. Main image - wrinkling visible along the right hand edge. An old repaired tear and further old repair top right quadrant. Signature faded. Discoloured. Foxing throughout. Not examined out of frame.
Charles Turner (1774-1857) after Joseph Mallord William Turner Norham Castle on the Tweed; and The Tenth Plague of Egyptplates 57 and 61 from the Liber Studiorum, 1816, part XIIetching and mezzotinteach 17.5 x 26cm (2)Both sheets stuck down to mounts along their outer edges but original text and plate lines visible beneath mounts.Tenth Plague of Egypt overall in good, clean condition. Sheet size 27.5 x 36.5cmNorham Castle with light spotting and 7 small pinholes to the sky. Sheet size 26 x 36.5cmFramed 33 x 41cm
Rembrandt Harmensz. van Rijn (1606-1669) Christ Driving the Money Changers from the Temple (B., Holl. 69; New Holl. 139; H. 126)Etching with touches of drypoint, 1635, New Hollstein's second state (of four), unframedsheet size 14.5 x 17.5cmUnframed. Attached to a card support at the four corners (not laid down). Very slight wrinkling to corners. Few small scattered spots.
Jan Lievens (1607-1674) The Hermit (Hollstein 17)signed with initials in the plateetching, eighth state (of eight)20 x 14cmProvenance:Alan Barlow (1926-2005),Thence by descent to the present vendorOn laid paper. With watermark. Little foxing to paper. Slight wrinkling/undulations to the paper. Plate mark - 20 x 14.3cm42.5 x 32.7cm framed
AFTER RICHARD DIGHTON "Hudson Gurney", black and white engraving published April 1820, 28.5 cm x 18.5 cm, together with AFTER RICHARD DIGHTON "Is friend Rothschild on Change?", black and white etching published March 1826, 30 cm x 19 cm (2),together with a pencil sketch of "William Henry and Carwithen", dated 1831 and bearing inscription verso, 20 cm x 16 cm, together with a print of "Two boys with a dog", 24 cm x 19 cm (4)
Hunt & Son. Waterloo Cup. 1880. Honeywood, Winner of the Waterloo Cup Value of the Stakes, £500. The Property Of Lord Haddington, By Cavalier Out Of Hummingbird. - Plunger. Runner up for the Waterloo Cup Value of the Stakes, £200. The Property Of T. Hinks Esquire. By Backwoodsman Out Of Gretna. Hand-coloured etching with aquatint, 17in. (43cm) x 20.75in. (53cm). Framed and glazed. Please note there are a lot of Thrips (Thunderflies) behind the glazing
WILLIAM LIONEL WYLLIE (1851-1931) Sailing boats racing, signed in pencil in the margin lower left, etching 7 1/2" x 9 3/4", (PL) framed (Est. plus 24% premium inc. VAT)Condition Report: The etching has no visible losses or tears under the glass. One of two small spots of foxing to the paper.
Maxine Relton (20th century) Watercolour "Japanese Pot", signed lower left, framed and glazed, image size 12.5cm x 12.5cm, together with a pastel landscape by the same hand, "Snow Comes Early", initialled lower right, framed and glazed, image size 11cm x 8.5cm, and after Rosemary Farrer, etching and aquatint, "Night Azaleas", limited edition, signed, titled and numbered 45/100 in pencil within margin, framed and glazed, image size 12cm x 8.5cm (3)
Norman Ackroyd CBE RA (British b.1938) Etching and aquatint "Landscape" artist's proof, signed, titled and dated '70 in pencil within margin, framed and glazed, image size 54cm x 54.5cm Condition Report The picture appears to be in good condition with no apparent damage or fading. There is some wear to the frame.
Elisabeth Frink (1930-1993) Etching and aquatint in colours Rolling over horse, 1980, numbered 34/75, signed lower right in pencil, 59cm x 72cm Condition Report In good condition, the picture is in very good condition, the frame has some wear. There is a small indented line or crease near the tail of the horse, but this is not a tear and is visible only on close inspection.
Norman Ackroyd CBE RA, (British b.1938) Etching and aquatint "Dwarfie Stane" limited edition, signed, titled and numbered 62/75 dated 1976 in pencil within margin, framed and glazed, image size 42cm x 54.5cmCondition ReportThe picture is in good condition with no apparent damage or fading. The frame is in good condition.
An 18th Century Ketland of Birmingham made flintlock pistol. Rounded wooden butt with engraved brass pommel. Trigger guard with flower etching and acorn. Lock plate engraved Ketland. Wooden ramrod secured with brass mounts. Mechanism cocks, half cocks and dry fires. Measures approx 37cm. If this lot is required to be posted please see sale notes regarding age verification.
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71174 item(s)/page