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Lot 214
Maurice de Vlaminck (French, 1876 - 1958). "Rue de la Glaciere". Etching. 1937. Printed later. Signed in the plate, lower right. Edition of 500. Cream laid paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: W146. Overall size: 17 5/8 x 13 in. (448 x 330 mm). Image size: 13 1/8 x 10 1/8 in. (333 x 257 mm). Image copyright © Artists Rights Society (ARS), New York. [25686-3-200]
Lot 392
Edouard Vuillard (French, 1868 - 1940). "Le Square Vintimille". Etching & drypoint. 1937. Printed later. Signed in the plate, lower right. Edition of 500. Cream wove paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: RM66. Overall size: 19 1/2 x 13 5/8 in. (495 x 346 mm). Image size: 13 1/4 x 10 1/16 in. (337 x 256 mm). According to 'Gordon's Art Reference' the auction record for this print is $1,546 (Bassenge, Germany, 2006). Image copyright © Artists Rights Society (ARS), New York. [25689-3-400]
Lot 525
Pierre-Auguste Renoir (French, 1841 - 1919). "Femme nue assise". Etching & Softground. 1906. Printed later from the original plate. Cream wove paper. Full margins, deckle edges. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 12. Overall size: 14 7/8 x 11 1/8 in. (378 x 283 mm). Image size: 7 3/8 x 5 9/16 in. (187 x 141 mm). Earlier impressions of this print regularly sell at auction for well over $1,000. [25684-3-300]
Lot 189
Isaiah Zagar (American, b.1939). "She Lives a Paintful Life". Etching. 1984. Signed, dated, titled in pencil. An artist proof from an unknown, presumed small, edition. Cream wove watermarked Arches paper. Full margins. Fine impression. Good to very good condition. Overall size: 29 7/8 x 17 9/16 in. (759 x 446 mm). Image size: 23 5/8 x 22 in. (600 x 559 mm). Image copyright © Isaiah Zagar. [26892-5-300]
Lot 149
Pierre-Auguste Renoir (French, 1841 - 1919). "Sur la plage, a berneval". Original etching. c1892. Printed later. Signed in the plate, lower right. Cream wove paper. Full margins (deckle edges). Fine impresson. Fine condition. Literature/catalogue raisonne: Delteil 5iii. Overall size: 11 1/8 x 10 in. (283 x 254 mm). Image size: 5 3/8 x 3 5/8 in. (137 x 92 mm). Image copyright © Artists Rights Society (ARS), New York. [1398-2-300]
![Paul Klee (Swiss/German, 1879 - 1940). "Drohendes Haupt ["Head of Menace"]". Lithograph after the original etching. 1905. Pri](https://cdn.globalauctionplatform.com/f7a43212-9ad3-4467-a5b7-a9bb0171f2f2/470d7e18-7567-41d0-a016-aac60133a47d/468x382.jpg)
Lot 565
Paul Klee (Swiss/German, 1879 - 1940). "Drohendes Haupt ["Head of Menace"]". Lithograph after the original etching. 1905. Printed later. Signed and titled in the plate; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Wide margins. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Overall size: 10 3/8 x 8 1/2 in. (264 x 216 mm). Please note that the original image was created as an etching by Klee in 1905. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29304-2-225]
Lot 623
Henri Matisse (French, 1869 - 1954). "Cite - Notre Dame". Original etching. 1937. Printed later. Signed in reverse in the plate, lower right. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: D248. Overall size: 20 x 15 1/16 in. (508 x 383 mm). Image size: 13 1/8 x 10 1/4 in. (333 x 260 mm). An example from the original printing has sold at auction for as high as $2,585 (Christie's, East [19th & 20th Century, Contemporary Prints & Multiples, Sale #8423] - 09/20/2000 - Lot #71). The original edition was 500. [17489-4-300]
Lot 114
Collection of Valentines and associated ephemera, comprising: four mid-Victorian hand-coloured lithographic Valentines with paper lace borders; a handmade card on paper (folded) with handwritten romantic verse and central applied watercolour flower; an early novelty postcard with applied silk bows, 'From a "Beau" who loves you', inscribed in pencil from 'George' to 'Emily' and apologising for not being able to travel to Warwick tomorrow; 'General Heartsease', hand-coloured botanical etching with comic text explaining how this illustration represents 'correct likenesses' of the Prince Regent, Duke of Wellington, Emperor of Austria and others, published in London by G. Smeeton, 13 May 1815; a novelty banknote, 'Bank of Love, Temple of Hymen, 14 February 1847'; 'Copy of a Curious Love Letter', c.1850 pamphlet printed on very fine paper, appears abusive but the secret code is explained by the (anonymous) publisher: read every second line to get the true message of love; a novelty "trade card" for Cupid, 'Manufacturer & Promoter of Marriages', c.1850 (10)
Lot 166
Late-Georgian keepsake box (possibly for a Valentine) constructed from card and pink paper, oblong octagonal form with drawer, mirrored top featuring inset hand-coloured etching depicting lady with two children and dog ('La Petite Jalouse'), applied embossed paper borders, lined with lilac and pastel pink paper. The box contains a quantity of fans, 19th century and later, including a mechanical greetings card in the form of a fan, 'The Language of Flowers - Happy New Year'
Lot 93
Valentine Interest. A 19th-century watercolour depiction of a lady holding a love letter, a spaniel at her feet and cupid seated atop a plinth, presented in verre eglomise frame, 25cm by 19cm, together with a pair of 18th-century oval stipple engravings in gilt frames with titles/publisher pasted to verso ('Love' and 'Harmony', W. Palmer, 14 February 1782), and a hand-coloured etching depicting cupid grinding arrows (4)
Lot 96
Victoria (Queen).- Fores' Correct Representation of The State Procession on the Occasion of the August Ceremony of Her Majesty's Coronation June 28th 1838, 60-foot-long panorama, etching and aquatint with original hand-colouring heightened with gum arabic, approx. 105 x 17200 mm (4 1/8 x 675 in), folding concertina-style, split into three parts, a very little staining and soiling, parts loose in original cloth binding, boards and backstrip detached, boards stamped in gilt and blind and with both parts of original iron clasp, publisher's original paper labels to pastedowns, oblong 8vo, 1838.
Lot 31
§ JAMES MCBEY (SCOTTISH 1883-1959) XMAS, 1932 Signed, inscribed 'Greetings from 1 Holland Park Avenue, London' and dated 'Xmas, 1932' to margin, ink on paper, unframed (Dimensions: 12.5cm x 20.25cm (5in x 8in) and another etching by the same hand, framed (2)) (Qty: 2)(12.5cm x 20.25cm (5in x 8in) and another etching by the same hand, framed (2))Condition report: ENKELUISEN, Signed and inscribed XXXIV to margin, etching and drypoint, framed Dimensions: 16cm x 20cm ( 6.25in x 8in )
Lot 79
§ IAN FLEMING R.S.A., R.S.W., R.G.I., L.L.D (SCOTTISH 1906-1990) GILSHOCHILL, GLASGOW Signed in pencil, etching, unframed (Dimensions: 26cm x 32.5cm (10.25in x 12.75in) and another etching by the same artist 'Botanic Gardens, 1838' (2))(26cm x 32.5cm (10.25in x 12.75in) and another etching by the same artist 'Botanic Gardens, 1838' (2))
Lot 88
§ WILLIAM WILSON O.B.E., R.S.A., R.S.W. (SCOTTISH 1905-1972) RONDA Signed and inscribed with title in pencil to margin, etching, unframed (Dimensions: 22cm x 25cm (8.75in x 10in) and another etching by the same artist (2))(22cm x 25cm (8.75in x 10in) and another etching by the same artist (2))
Lot 30
§ JAMES MCBEY (SCOTTISH 1883-1959) A DESERTED OASIS Signed, numbered XV to margin, etching and drypoint, unframed (Dimensions: 16cm x 26cm (6.25in x 10.25in) and two further etchings by the same hand, framed (3)) (Qty: 3)(16cm x 26cm (6.25in x 10.25in) and two further etchings by the same hand, framed (3))
Lot 716
Anthony Gross (1905-1984) - 'Wheatfield', signed artist proof limited edition etching 30/50, also titled, black and white intaglio print on paper, 12" x 14.5" (pl); together with a further artist signed proof by a different hand, depicting marbles with a spider on its web, indistinctly signed and numbered 22/50, 13" x 8.25" (pl) (2) - *There is an example of the 'Wheatfield' at Tate Britain that was purchased in 1978
Lot 249
CHARLES-ALBERT WALTNER (1846-1925) AFTER SIR EDWARD COLEY BURNE-JONES (1833-1898) 'The Cumaean Sibyl' signed in pencil to the margin by both Waltner and Burne-Jones, Printseller's Association blindstamp lower left marked 'FP', published by Thos. Agnew and Sons, November 1st 1882, etching and drypoint, apparently from an edition of 250, the image 43.6cm x 17.4cm
Lot 96
δ Salvador Dali (1904-1989)As you like it (Field 68-7H; M&L 274b)Etching printed in colours, 1968, signed and numbered from the edition of XCV in pencil, on Japon nacré paper, as included in 'Shakespeare I', printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, plate 175 x 125mm (6 7/8 x 4 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 11
Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching, 1634, a good impression of New Hollstein's third state (of four) on laid paper without watermark, well inked with little sign of wear and before further rework, sheet 96 x 117mm (3 3/4 x 4 5/8in) (unframed)Literature:Hind 118; New Hollstein 128 iii/iv
Lot 60
δ Ben Nicholson (1894-1982)Mug & Goblet (Cristea 111)Etching with aquatint, 1968, signed, dated and numbered from the edition of 50 in pencil, on watermarked BFK Rives paper, published by Leslie Waddington Prints, London, with their blindstamp, the full sheet, 438 x 374mm (17 1/4 x 14 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 17
Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, a good early Basan-era impression of New Hollstein's sixth state (of eight) before the address of Lamoureux, on laid paper with text-based watermark, evenly printed with only slight signs of wear, sheet 524 x 403mm (20 5/8 x 15 3/4in), trimmed on or just within platemark, but with thread margin to image (unframed)Literature:Hind 103; New Hollstein 119 vi/viii
Lot 256
Jim Dine (b.1935)From 'Ten Hand-Colored Winter Tools II' (Carpenter 32.3)Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23 3/4 x 17 3/4in) (unframed)
Lot 255
Jim Dine (b.1935)From 'Ten Hand-Colored Winter Tools II' (Carpenter 32.1)Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23 3/4 x 17 3/4in) (unframed)
Lot 23
Francisco Goya (1746-1828)Quien se pondrá cascabel al gato? (Otras Leyes por el Pueblo), from 'Los Proverbios'Etching with aquatint, circa 1824, but a slightly later impression on cream 'Michallet' watermarked laid paper with faint text, published in L'Art, wide margins, platemark 245 x 350mm (9 5/8 x 13 3/4in) (unframed) Literature:Delteil 222; Harris 268
Lot 116
δ Salvador Dali (1904-1989)Blanchefleur (Field 72-8H; M&L 559h)Etching printed in colours, 1972, signed and numbered from the edition of 150 in pencil, on Johannot wove paper, as included in the Swedish edition of 'Le Décameron', printed by Ateliers Rigal, published by Börjeson, with margins, plate 170 x 130mm (6 3/4 x 5 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 106
δ Salvador Dali (1904-1989)Portrait de Calderón (from Calderón: La Vie est un songe) (Field 73-1-D; M&L 515a)Etching with aquatint printed in colours, 1971, signed numbered from the edition of 250 in pencil, on Richard de Bas wove paper, as included in 'Calderón: La Vie est un songe', printed by Ateliers Rigal, with full margins, plate 340 x 250mm (13 3/8 x 9 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 16
Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, on fine wove paper without watermark, New Hollstein's third state (of four), some fine tears and loss restored with careful facsimile, sheet 105 x 93mm (4 1/8 x 3 5/8in) (unframed)Literature:Hind 144; New Hollstein 158 iii/iv
Lot 253
Jim Dine (b.1935)From 'Ten Hand-Colored Winter Tools II' (Carpenter 32.5)Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23 3/4 x 17 3/4in) (unframed)
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71174 item(s)/page