We found 71082 price guide item(s) matching your search

Sir Henry Rushbury R.A. (British, 1889-1968) 'Paris', etching, signed in pencil, 24cm x 32cm.. Please see ewbanks.co.uk for condition reports and further images

Francis Russell Flint (1915-1977). Train station interior, artist signed etching, 27cm x 31cm.

Roland Ward (19th/20thC). Canada geese, artist signed etching, 20cm x 15cm, Benson, and another ducks in flight, artist signed etching, 15cm x 9cm (2).

John G. Mathieson (1918-1940). Scottish Highland scene, artist signed, etching, 22cm x 32cm and an etching of a street scene, indistinctly signed 16cm x 11cm (2).

Graham Vivian Sutherland (1903-1980). Sluice Gate, artist signed etching, 15.5cm x 14.5cm.With original receipt Ernest Brown and Phillips Ltd London 12 November 1963 -

Jackie Bett (20thC). The Interviewer, artist signed, titled, dated (19)89, number etching 1/30, 53cm x 29cm.From the estate of Alistair (ALF) Ludlam, born Grimsby 1941.

Abolitionism.- Ackermann (Rudolph) Meeting of the Society for the Extinction of the Slave Trade, & for the Civilization of Africa, aquatint and etching by Harris after Blunt, with hand-colouring on wove paper, without watermark, platemark 255 x 310 mm. (10 x 12 1/8 in), light exposure lines with toning to the sheet, some surface dirt and minor spotting, unframed, 1840.⁂ Scarce.

Americana.- War of 1812.- Charles (William) John Bull making a new Batch of Ships to send to the Lakes, etching and aquatint on laid paper with indistinct text-based watermark, platemark 255 x 335 mm. (10 x 13 1/4 in), sheet 280 x 440 mm. (11 x 17 1/4 in), carefully repaired marginal tears, some handling creases and light surface dirt, unframed, published by the artist, [Philadelphia, 1814].⁂ Satire celebrating the American naval victories of Perry and Macdonough during the War of 1812. King George III tries to replenish his navy with the "Patent Oven for Bakeing Ships," but is warned that "You had better keep both your Ships and Guns at home. If you send all you've got to the Lakes, it will only make fun for the Yankeys to take them."

NO RESERVE Asia.- Yangon.- Moore (Lt. Joseph), After. The Conflagration of Dalla, on the Rangoon River, plate 17 from 'Rangoon Views, and Combined Operations in the Birman Empire', etching and aquatint with hand-colouring on wove paper without watermark, a very good clear impression with wide margins, platemark 325 x 425 mm. (12 3/4 x 16 3/4 in), sheet 355 x 495 mm. (14 x 19 1/2 in), faint exposure line from previous mount, some light handling creases and surface dirt, unframed, Thomas Clay, 1826.

Swiss dwarf.- Mezzotints.- Gole (Jacob) Jaen Worrenberg / Hans Worrenberg, mezzotint and etching, on laid paper with indistinct watermark, sheet 250 x 185 mm. (9 7/8 x 7 1/4 in), trimmed to or just within platemark, small pin hole in the upper left, minor rubbing, unframed, [1675-1724]; together with four other mezzotints, including two by Gole portraying 'Federico III' and 'Monsieur le Mareschal de Villeroy', and a fine but slightly damaged copy of 'S. Maria Magdalena' after Charles le Brun, various sizes, all unframed, 18th century (5)

Old master prints.- Hollar (Wenceslaus, 1607-1677) A Turkish man shown half-length, etching on laid paper without watermark, sheet 82 x 65 mm. (3 1/4 x 2 1/2 in), trimmed to or just within the platemark, minor surface dirt, unframed, 1645; together with four other etchings by Hollar, including one from the series of 'Women's heads framed in roundels', possibly Mary Villiers, Duchess of Lennox and Richmond, 1622-1685, another of The Right Honoble: Robert Earle of Warwick, standnig full-length, and two impressions of the Portrait of Alexander Henderson, etchings, all but one of the 'Henderson's' on laid paper, various sizes, all unframed, circa 1641-1645 (5)Provenance:[last three mentioned] George Ambrose Cardew [L. 1134]

NO RESERVE Rosa (Salvator, 1615-1673) The death of Marcus Atilius Regulus, showing being nailed into a tub by the Carthaginians, etching, on thick laid paper with watermark of an indistinct armorial device within double-lined oval, circa 1661-62, platemark: 465 x 730 mm. (18 1/4 x 28 3/4 in), sheet: 500 x 750 mm. (19 3/4 x 29 1/2 in), some browning and staining, light surface dirt, small tear upper left corner, and puncture to margin lower left corner, unframedLiterature:Bartsch 9

Le Prince (Jean-Baptiste, 1734-1781) Le Repos, etching and aquatint printed in brown ink, platemark 445 x 350 mm. (17 1/2 x 13 3/4 in), small margins, handling creases, some spotting and browning and light damp-staining visible in margins, unframed, [Hédou 170], 1771; together with a small etching and aquatint by Jean-Claude Richard, Abbé de Saint-Non after Hubert Robert, [circa 1765] (2)

Napoleon.- Ackermann (Rudolph, publisher) Birth of Bonoparte, satire on Napoleon, illustrating two devils discussing their offspring, the male asserting his "Children [the Jacobites] destroy Altar's and Thrones", while "her Infernal Majesty" claims she has "hatched a Corsican" and that "Mine does more, he destroys whole Nations", etching with hand-colouring on wove paper without watermark, sheet 340 x 270 mm. (13 1/2 x 10 5/8 in), handling creases, some surface dirt and minor browning, unframed, 1805.⁂ Scarce. No copy recorded in the British Museum or BL, but a copy is held in the Bibliothèque nationale de France, from the Collection de Vinck.

Norman Ackroyd R.A. (British, born 1938)Pool of London Etching printed in tone, 2019, on wove, signed, titled, dated and numbered 23/90 in pencil, with full margins, 135 x 150mm (5 3/8 x 5 7/8in)(PL)

John Makepeace (born 1939) Knot Chair, a gravure etching on Velin Arches paper, printed by Paupers Press signed John Makepeace, numbered 43/100 in pencil 75.5 x 57cm (sheet)

Nathaniel Sparks (1880-1957):Purbeck Hills from Poole Harbour , etching, hand-signed to margin, impression size 24 x 37 cm; together with an engraving after a Rembrandt drawing in the Royal Collection, approx. 20 x 20 cm

WILLIAM STRANG, RA, RE (1859-1921) FRONTISPIECE TO ENGELBERG AND OTHER VERSES, NO 2 etching with margins, signed by the artist in pencil, 17.5 x 12.5cmIn apparently good condition in what is probably the original oak frame with on the reverse a partial trade label of Ponzini Hatton Garden

DAME LAURA KNIGHT, DBE, RA, RWS (1877-1970) GRECIAN DANCER NO 1 AND NO 2 (PAVLOVA) (1923)  two, etching and aquatint with margins, both signed by the artist in pencil, the first also inscribed Print 1, extra to the editions of 25, 26.5 x 19cm (2)Fine impressions in good condition, securely framed in acid free mounts and black and gilt frames

JOHN PIPER, CH (1903-1992) THE TEMPLE OF FLORA 1988 etching with margins, signed by the artist in pencil and numbered 97 of the edition of 100, CCA blindstamp, 55.5 x 74.5cmGood condition, not noticeably faded

WENCESLAUS HOLLAR (1607-1677) PLAN OF LONDON etching with margins, c1763, hand coloured, 18.5 x 29cmGood condition with slight foxing, apparently not laid down but unexamined out of frame

Percy Kelly, Limited Edition etching, "Stormy Day, Cockermouth" 21/75. Image 20 cm x 29 cm, framed (see illustration). ARR CONDITION REPORT: First class condition with no issues. No discolouration and on good quality paper. Well framed and presented.

Graf & Soret Etching; the etching entitled 'Prospectus of the Hanover Square Rooms' when Her Majesty took the private view of the 'Fancy Fair for Foreign Dignitaries' held on the 19th June, 1833 printed by Graf & Soret, approx 46.5 x 30.5 cms.

George Scharf Snr (1877-1860) Colour Etching entitled 'Westminster Election 1818' label to verso reads: George Scharfe's own copy, the title written in his hand, purchased at the sale of his son Sir George Scharf KCB effects, approx 44 x 30 cms, glazed and framed. 

Frank Henry Mason RI (1876-1965) Drypoint Etching, entitled 'HMS Ganges II at Harwich', signed and titled in the lower margin, approx 26 x 13 cms.

HERBERT THOMAS DICKSEE (1862-1942), "On Velvet", etching, signed in pencil, inscribed label to reverse, plate size 9 1/4" x 15 1/4", ebonised frame (Est. plus 21% premium inc. VAT)

HERBERT THOMAS DICKSEE (1862-1942), "Peril", etching, signed in pencil, inscribed label to reverse, plate size 11 1/2" x 21", ebonised frame (Est. plus 21% premium inc. VAT)

FRANK BRANGWYN R.A. (1867-1956), "The Balisteria Inchville", etching, signed in pencil, plate size 8" x 10", framed (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)

JASON HICKLING R.E. (b.1965), Battersea Power Station, limited edition etching 36/100, signed in pencil, plate size 6 1/4" x 10 1/2", ebonised frame (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)

WILLIAM WALCOT (1874-1943), The Mersey, Liverpool, etching, signed in pencil, plate size 5 3/4" x 14 3/4", ebonised frame (Est. plus 21% premium inc. VAT)

WILLIAM WALCOT (1874-1943), St Peter's, Rome, etching, signed in pencil, plate size 6 1/4" x 7", ebonised frame (Est. plus 21% premium inc. VAT)

WILLIAM WALCOT (1874-1943), Disappearing London, etching, signed, plate size 5 1/4" x 8", ebonised frame (Est. plus 21% premium inc. VAT)

WILLIAM WALCOT (1874-1943), "Decadence of Rome", etching, signed in pencil, plate size 7" x 9 1/4", ebonised frame (Est. plus 21% premium inc. VAT)

Winifred Austen (British, 1876-1964), Mother Goose, signed in pencil 'Winifred Austen' (in lower margin), etching, 18 x 25.5cm. May be subject to ARR

William Lionel Wyllie (1851-1931), "On the Scheldt", original etching, signed in pencil in the margins, WB Simpson inscribed label verso, plate 12.5 cm x 30 cm (see illustration).

Frederick Hans Haagensen (1897-1943) "Unloading the Catch", original dry point etching, signed and titled in pencil, plate 15 cm x 20 cm, together with a dry point etching signed Donald Crawford and four original dry point etchings signed in pencil Malcolm Patterson (6).

Henry Wilkinson (British 1921-2011), a pair of pointers in natural landscape, signed in pencil and numbered 51/150, coloured etching, the plate 25 cm x 34.5 cm.

ARCHITECTURAL ETCHING, signed colour etching "Milano Cathedral", 18" x 14"

Hamilton, RichardLondon 1922 - 2011Picasso's meninas. 1973. Aquatint etching on vellum. 57 x 49cm (76 x 57cm). Signed, numbered and titled. Propyläen Verlag, Berlin/Pantheon Presse, Rome (publisher). Number 64/90. The work offered here is from the portfolio "Hommage á Picasso" (Vol. 2) from 1973, for which more than 50 international artists created graphical contributions.Provenance:- Private collection Lower SaxonyLiterature:- Edition Hansjörg Mayer/Waddington Graphics (Eds.): Richard Hamilton - Prints, A complete catalogue of graphic works 1939-83, Stuttgart 1984, cat.rais.-no. 88, ill. Explanations to the CatalogueRichard Hamilton Post-War Art Prints 1970s Historical people Print EtchingHamilton, RichardLondon 1922 - 2011Picasso's meninas. 1973. Aquatintaradierung auf Velin. 57 x 49cm (76 x 57cm). Signiert, nummeriert und betitelt. Propyläen Verlag, Berlin/Pantheon Presse, Rom (Hrsg.). Ex. 64/90. Die hier angebotene Arbeit entstammt dem Mappenwerk "Hommage à Picasso" (Vol. 2) von 1973, für welches mehr als 50 internationale Künstler einen grafischen Beitrag schufen.Provenienz:- Privatsammlung NiedersachsenLiteratur:- Lullin, Etienne: Richard Hamilton - Prints and Multiples 1939 - 2002, Düsseldorf 2003, WVZ.-Nr. 91, Abb. Erläuterungen zum KatalogRichard Hamilton England Pop Art Nachkriegskunst Grafik 1970er Historische Personen Druckgrafik Radierung- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Rainer, Arnulf1929 Baden by ViennaSilbergraues Kreuz (Großes Kreuz V)/Violettes Kreuz (Großes Kreuz V). Mixed lot of two graphics. 1988/90. Drypoints on laid card. 115 x 49.5cm (137.5 x 68cm). Signed and numbered. Number 5/70 and 70/70. Provenance:-Private collection AustriaLiterature:- Kunstmuseum Bonn (Ed.): Arnulf Rainer - Die Radierungen, Bonn 1997, cat.rais.-no. 98/99, ill. Explanations to the CatalogueArnulf Rainer Tachism Post-War Art Prints 1980s Religious Theme Print EtchingRainer, Arnulf1929 Baden bei WienSilbergraues Kreuz (Großes Kreuz V)/Violettes Kreuz (Großes Kreuz V). Konvolut von zwei Grafiken. 1988/90. Jeweils Kaltnadelradierung auf Büttenkarton. 115 x 49,5cm (137,5 x 68cm). Signiert und nummeriert. Ex. 5/70 bzw. 70/70. Provenienz:-Privatsammlung ÖsterreichLiteratur:- Kunstmuseum Bonn (Hrsg.): Arnulf Rainer - Die Radierungen, Bonn 1997, WVZ.-Nr. 98/99, Abb.Erläuterungen zum KatalogArnulf Rainer Österreich Surrealismus Tachismus Informel Nachkriegskunst Grafik 1980er Religiöses Thema Druckgrafik Radierung- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Doig, Peter1959 EdinburghSURFER. From 100 Years Ago. 2000/01. Colour aquatint etching on vellum. 142 x 89cm (164 x 111.5cm). Signed and numbered. Paragon Press, London (publisher). Number 4/46. Framed. Provenance:- Private collection Berlin. Explanations to the CataloguePeter Doig Scotland Figurative Art Contemporary Art Prints 2000s Sea Print Colour aquatint etching HumanDoig, Peter1959 EdinburghSURFER. From 100 Years Ago. 2000/01. Farbaquatintaradierung auf Velin. 142 x 89cm (164 x 111,5cm). Signiert und nummeriert. Paragon Press, London (Hrsg.). Ex. 4/46. Rahmen. Provenienz:- Privatsammlung Berlin. Erläuterungen zum KatalogPeter Doig Schottland Figurative Kunst Zeitgenössische Kunst Grafik 2000er Meer Druckgrafik Farbaquatintaradierung Mensch- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Miró, Joan1893 Barcelona - 1983 Cala Major/MallorcaEls Gossos VIII. 1979. Etching on vellum. 115 x 73cm Signed and numbered. Maeght, Barcelona (publisher). Number 30/30. Craftman's frame. Provenance:- Private collection North Rhine-WestphaliaLiterature:- Dupin, Jacques/Lelong-Mainaud, Ariane: Miró Engraver, Volume IV, 1976-1983, Paris 2001, cat.rais.-no. 1104 (here deviating measurements: 120 x 75cm). Explanations to the CatalogueJoan Miró Spain Abstraction Modern Art Prints 1970s Abstract Print EtchingMiró, Joan1893 Barcelona - 1983 Cala Major/MallorcaEls Gossos VIII. 1979. Radierung auf Velin. 115 x 73cm Signiert und nummeriert. Maeght, Barcelona (Hrsg.). Ex. 30/30. Modellrahmen. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Dupin, Jacques/Lelong-Mainaud, Ariane: Miró Engraver, Band IV, 1976-1983, Paris 2001, WVZ.-Nr. 1104 (hier abweichende Maße: 120 x 75cm). Erläuterungen zum KatalogJoan Miró Spanien Surrealismus Abstraktion Moderne Kunst Grafik 1970er Abstrakt Druckgrafik Radierung- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Schnell, David1971 Bergisch GladbachSchnitt. 2012. Aquatint etching on laid paper. Mounted on card. 66 x 49.5cm (92 x 69cm). Signed, dated and numbered. Number 1/20. Framed. Not examined out of the frame. The work is in excellent condition. Provenance:- Galerie EIGEN + ART, Leipzig/BerlinExhibitions:- Kunsthalle Osnabrück, 2013. Erläuterungen zum KatalogDavid Schnell Germany Contemporary Art Prints 2010s Abstract Print Etching LandscapeSchnell, David1971 Bergisch GladbachSchnitt. 2012. Aquatintaradierung auf Bütten. Auf Karton montiert. 66 x 49,5cm (92 x 69cm). Signiert, datiert und nummeriert. Ex. 1/20. Rahmen. Im Rahmen beschrieben. - Das Werk befindet sich in tadellosem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/BerlinAusstellungen:- Kunsthalle Osnabrück, 2013. Erläuterungen zum KatalogDavid Schnell Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2010er Abstrakt Druckgrafik Radierung Landschaft- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Triegel, Michael1968 Erfurt"Fortuna". 1995. Line etching, aquatint etching and vernis mou on laid paper. 19.5 x 11cm (39.5 x 30.5cm). Signed, dated, titled and inscribed. Printed by Rössler (blind stamp). Number e.a. from an edition of 100 + XXV. The work is in excellent condition. Provenance:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogMichael Triegel Germany Contemporary Art Prints 1990s Woman Print Etching GreeceTriegel, Michael1968 Erfurt"Fortuna". 1995. Strichätzung, Aquatintaradierung und Vernis mou auf Bütten. 19,5 x 11cm (39,5 x 30,5cm). Signiert, datiert, betitelt und bezeichnet. Gedruckt bei Rössler (Trockenstempel). Ex. e.a. aus einer Auflage von 100 + XXV. - Das Werk befindet sich in tadellosem Zustand. Provenienz:- Galerie Schwind, Leipzig/Frankfurt am Main/Berlin. Erläuterungen zum KatalogMichael Triegel Deutschland Zeitgenössische Kunst Grafik 1990er Frau Druckgrafik Radierung Griechenland- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled (Landschaft 3). 2009. Etching on Hahnemühle (watermark). 21 x 24cm (50 x 42cm). Signed, dated and numbered. Number 1/12. Upper left corner with small crease. Otherwise the work is in very good condition. Provenance:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2000s Landscape Print Etching NatureWeischer, Matthias1973 Elte/WestfalenOhne Titel (Landschaft 3). 2009. Radierung auf Hahnemühle (Wasserzeichen). 21 x 24cm (50 x 42cm). Signiert, datiert und nummeriert. Ex. 1/12. - Die Ecke oben links mit kleiner Knickfalte. Ansonsten befindet sich das Werk in sehr gutem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2000er Landschaft Druckgrafik Radierung Natur- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled (Landschaft 4). 2009. Etching on Hahnemühle (watermark). 16.5 x 17.5cm (47.5 x 37.5cm). Signed, dated and numbered. Number 1/12. The work is in excellent condition. Provenance:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2000s Landscape Print Etching NatureWeischer, Matthias1973 Elte/WestfalenOhne Titel (Landschaft 4). 2009. Radierung auf Hahnemühle (Wasserzeichen). 16,5 x 17,5cm (47,5 x 37,5cm). Signiert, datiert und nummeriert. Ex. 1/12. - Das Werk befindet sich in tadellosem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2000er Landschaft Druckgrafik Radierung Natur- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled (Innenraum 1). 2009. Etching on Hahnemühle (watermark). 15 x 19.5cm (48.5 x 39.5cm). Signed, dated and numbered. Number 1/12. Small crease on bottom left edge. The bottom right corner with small crease. Upper right corner slightly discoloured. Otherwise the work is in good condition. Provenance:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2000s Space Print Etching InteriorWeischer, Matthias1973 Elte/WestfalenOhne Titel (Innenraum 1). 2009. Radierung auf Hahnemühle (Wasserzeichen). 15 x 19,5cm (48,5 x 39,5cm). Signiert, datiert und nummeriert. Ex. 1/12. - Unten am Rand kleine Knickfalte. Die Ecke unten rechts mit kleinem Knick. Die Ecke oben rechts leicht verfärbt. Ansonsten befindet sich das Werk in gutem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2000er Raum Druckgrafik Radierung Interieur- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Weischer, Matthias1973 Elte/WestphaliaUntitled (Innenraum 2). 2009. Etching on Hahnemühle (watermark). 20.5 x 15.5cm (50 x 37.5cm). Signed, dated and numbered. Number 1/12. Upper left corner with small crease. Otherwise the work is in very good condition. Provenance:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Germany Contemporary Art Prints 2000s Space Print Etching InteriorWeischer, Matthias1973 Elte/WestfalenOhne Titel (Innenraum 2). 2009. Radierung auf Hahnemühle (Wasserzeichen). 20,5 x 15,5cm (50 x 37,5cm). Signiert, datiert und nummeriert. Ex. 1/12. - Die Ecke oben links mit kleiner Knickfalte. Ansonsten befindet sich das Werk in sehr gutem Zustand. Provenienz:- Galerie EIGEN + ART, Leipzig/Berlin. Erläuterungen zum KatalogMatthias Weischer Deutschland Neue Leipziger Schule Zeitgenössische Kunst Grafik 2000er Raum Druckgrafik Radierung Interieur- - -19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Picasso, Pablo1881 Malaga - 1973 MouginsFemme nue à la jambe pliée. 1931. Etching on vellum. 31.3 x 22cm (45 x 33.5cm). Signed. Edition Vollard, Paris (publisher). Framed. The present work is sheet 8 from the well-known "Suite Vollard". It was published in an edition of 260 copies. The sheet is equipped with the watermark of the artist.Provenance:- Private collection North Rhine-WestphaliaLiterature: - Baer, Brigitte: Picasso Peintre-Graveur, vol. I, Catalogue Raisonné de l'oeuvre grave et lithographié et des monotypes, 1899-1931, Bern 1990, cat.rais.-no. 15, ill.- Bloch, Georges: Pablo Picasso, Catalogue de l'oeuvre gravé et lithographié, vol. 1, 1904-1967, Bern 1971, cat.rais.-no. 141, ill. Explanations to the CataloguePablo Picasso Spain Modern Art Prints 1930s Woman Print Etching Figure / FiguresPicasso, Pablo1881 Malaga - 1973 MouginsFemme nue à la jambe pliée. 1931. Radierung auf Velin. 31,3 x 22cm (45 x 33,5cm). Signiert. Edition Vollard, Paris (Hrsg.). Rahmen. Es handelt sich um Blatt 8 aus der bekannten "Suite Vollard". Es erschien innnerhalb einer Auflage von 260 Exemplaren. Das Blatt ist mit dem Wasserzeichen des Künstlers versehen.Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur: - Baer, Brigitte: Picasso Peintre-Graveur, Bd. I, Catalogue Raisonné de l'oeuvre grave et lithographié et des monotypes, 1899-1931, Bern 1990, WVZ.-Nr. 15, Abb.- Bloch, Georges: Pablo Picasso, Catalogue de l'oeuvre gravé et lithographié, Bd. 1, 1904-1967, Bern 1971, WVZ.- Nr. 141, Abb. Erläuterungen zum KatalogPablo Picasso Spanien Kubismus Surrealismus Moderne Kunst Grafik 1930er Frau Druckgrafik Radierung Figur / Figuren- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Dalí, SalvadorFigueras/Spain 1904 - 1989Tristan et Iseult. German edition. 1969. Book with 21 coloured drypoint etchings on BFK RIVES (watermark). Each: 40 x 26cm (45.5 x 64cm, central fold). Cover sheet signed and inscribed (artist's proof), all remaining sheets monogrammed. In the imprint with the copy number: A. With it is a complete suite on BFK RIVES (watermark). Each: 45 x 26cm (45 x 32cm). Inscribed (Signature and artist's proof). Suite and book (each in portfolios) in original box (49 x 37 x 8.5cm). Orangerie-Verlag, Cologne (publisher). Number artist's proof. Each sheet with the blind stamp of the publisher. The present book is one of three Hors de Commerce-copies (inscribed A-C). The numbered total edition was published with an amount of 200 copies.Provenance:- Collection Gerhard F. Reinz, CologneLiterature:- Sahli, Charles: Salvador Dalí - 257 editions originales 1964-1985, New York/Paris/Cologne/Bern 1985, cat.rais.-no. 138-158, ill.- Michler, Ralf/Löpsinger, Lutz W. (eds.): Salvador Dali - Das druckgraphische Werk 1924-1980, Oeuvrekatalog der Radierungen und Mixed-Media-Graphiken, Munich 1994, cat.rais.-no. 406-426, ill. Explanations to the CatalogueSalvador Dalí Spain Modern Art Prints 1960s Literary theme Print Drypoint etching Figure / FiguresDalí, SalvadorFigueras/Spanien 1904 - 1989Tristan et Iseult. Deutsche Ausgabe. 1969. Buch mit 21 farbigen Kaltnadelradierungen auf BFK RIVES (Wasserzeichen). Jeweils: 40 x 26cm (45,5 x 64cm, mittig gefalzt). Titelblatt signiert und bezeichnet (E.A.), alle übrigen Blätter monogrammiert. Im Impressum mit der Exemplarangabe: A. Dazu eine komplette Suite auf BFK RIVES (Wasserzeichen). Jeweils: 45 x 26cm (45 x 32cm). Bezeichnet (Namenszug und E.A). Suite und Buch (jeweils in Mappen) in originaler Kassette (49 x 37 x 8,5cm). Orangerie-Verlag, Köln (Hrsg.). Ex. E.A. Jedes Blatt ist mit dem Trockenstempel des Herausgebers versehen. Das vorliegende Buch ist eines von drei Hors de Commerce-Exemplaren (bezeichnet A-C). Die nummerierte Gesamtauflage erschien in einer Höhe von 200 Exemplaren.Provenienz:- Sammlung Gerhard F. Reinz, KölnLiteratur:- Sahli, Charles: Salvador Dalí - 257 editions originales 1964-1985, New York/Paris/Köln/Bern 1985, WVZ.-Nr. 138-158, Abb.- Michler, Ralf/Löpsinger, Lutz W. (Hrsg.): Salvador Dali - Das druckgraphische Werk 1924-1980, Oeuvrekatalog der Radierungen und Mixed-Media-Graphiken, München 1994, WVZ.-Nr. 406-426, Abb.Gerhard F. Reinz, der Herausgeber der Arbeit, liebt und schätzt Richard Wagner sehr. In Salvador Dalí findet er einen Gleichgesinnten und so hören die beiden oft während der "Signier-Stunden" im New Yorker oder Pariser Hotelzimmer die Musik des deutschen Komponisten. Wohl bei einer dieser Sitzungen entsteht die Idee zu einer Zusammenarbeit für den Radierzyklus "Tristan und Isolde". In der 21-teiligen Suite zu den Texten von André Mary gestaltet Dalí eine seiner vielen Interpretationen der populären Geschichte aus dem 12. Jahrhundert über Romantik und Tragödie. Reinz, der 1964 erstmals die Festspiele in Bayreuth besucht und dort die Familie Wagner kennenlernt, durfte zur Eröffnung der Eremitage 1969 eine Ausstellung mit Dalís Zyklus zeigen. Sie ist die erste Ausstellung von weiteren, die Reinz während der folgenden Festspiele einrichtet. Erläuterungen zum KatalogSalvador Dalí Spanien Surrealismus Moderne Kunst Grafik 1960er Literarische Themen Druckgrafik Kaltnadelradierung Figur / Figuren- - -29.00 % buyer's premium on the hammer priceVAT margin scheme, VAT included, but not indicated and not reclaimableOptional:19.00 % VAT on the hammer price25.00 % buyer's premium on the hammer price19.00 % VAT on buyer's premiumArtist resale rights:1.50 % on hammer price over 400 EUR0.50 % on hammer price over 200,000 EUR0.25 % on hammer price over 350,000 EUR0.13 % on hammer price over 500,000 EUR

Robert Greenhalf, artist's proof coloured etching, "Summer Lane", framed

Frank Standing, monochrome etching, Atlantic patrol, oak-framed

William Douglas MacLeod, signed in pencil to margin, black and white etching, Fishing boat off a jetty, 24 x 31cm

Frank Henry Mason, signed in pencil to margin, black and white etching, "Houses of Parliament, London", 9 x 15cm

J H Wiley, signed in pencil to margin, black and white etching, "Waterloo Bridge, London", 10 x 22cm

Edward di Roth, signed in pencil to margin, black and white etching, inscribed "Firenze 1912", 26 x 26cm

K Vernon, signed in pencil to margin, black and white etching, inscribed "Departing Day", 15 x 20cm

Charles Mayes Wigg, signed in pencil to margin, black and white etching, inscribed "Wherries on Breydon", 22 x 24cm

Harry Becker, signed in pencil to margin, black and white etching, Ploughing scene, 10 x 30cm, unframed

Pauline Bewick (b. 1935)"Writing a Book on a Rock," etching with watercolour, 49cms x 61cms (19" x 24") signed in pencil, an Artist's Proof. (1)* Purchased at R.H.A. Sligo, 1995, with exhibition listing/catalogue on reverse.