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Lot 155
Tzara, Tristan,"Grains et Issues, Rêve Expérimental", (Grain and Chaff, Experimental Dream), publ. by Les Editions Denoël et Steele, 19 rue Amelie 19, Paris, 1935, printed by Charles Bulens, 75 Terre-Neuve, Bruxelles, 20 February 1935, signed in black pen by the author and numbered 3 from the edition of 15 on Japon Ancien, with drypoint etching frontispiece by Salvador Dali titled Dynamiques Fines Omlettes, (M&L 55), signed in pencil, dedicated in black pen à Louis Broder, les oeufs ces poëles ces silences et l`amitié, de Tristan Tzara Dec 49, (To Louis Broder, these eggs, these pans, these silences and friendship of Tristan Tzara), bears Ex Libris for Serge Goldenberg, 19x14cm., (sheet)
Lot 156
Salvador Dali, Spanish 1904-1989, "Les Métamorphoses Érotiques", (M&L 342/F 69-15), 1969, publ. by Edita- A l`Érotitiade, Lausanne, printed by Ateliers Rigal, Fontenay-aux-Roses, with the drypoint etching frontispiece "La Chimère" (The Chimera), tondo, signed and inscribed `H.C.` in pencil, dia. 12.5cm (plate), 32x25cm., (sheet), with the Justification signed in pencil and numbered 165 from the edition of 300 on Rives, to include the 18 book plates and the suite of plates I-X, in red cloth boards, slipcase, (folio) (may be subject to Droit de Suite)
Lot 168
Breton, André, "Cours Naturel", (Natural Progression), publ 1938 by Éditions Sagittaire, 56 rue Rodier, Paris, printed by Henri Jourde, numbered 7 from the edition of 6-15 on Hollande paper, signed by the author and inscribed à Louis Broder, qui aime les livres encore plus que moi in black pen, with the frontispiece etching by Salvador Dali (M&L 58), signed within the plate, bears Ex Libris for Serge Goldenberg, black leather and inlaid binding and slip case by Thérèse Moncey, 19.5x14cm., (sheet) (book)
Lot 303
James Jacques Joseph Tissot (French 1836-1902), 'THE HAMMOCK' (Wentworth 46) Etching and drypoint, signed and dated 1880 in the plate, from an edition of approximately 100 plate 260 x 183mm The etching shows Kathleen Newton, the artist's model and mistress, reading in a hammock in his garden in St. John's Wood. A contemporary critic wrote 'this year (Tissot) tries our patience somewhat hardly, for these ladies in hammocks, showing a very unnecessary amount of petticoats and stocking, and remarkable for little save luxurious indolence and insolence, are hardly fit subjects for such elaborate painting'. Exhibited: The Leicester Galleries, ' Engravings by J J Tissot', 1972, no 15. CONDITION REPORT: Acid staining on paper around from edge. Few spots of foxing. Not viewed out of frame.
Lot 317
*Christopher Richard Wynne Nevinson ARA (1889-1946), 'THE WILLOWS (A SCENE IN SUFFOLK)' (Guichard 81) Etching, signed in pencil image 17 x 13.5cm *Artist's Resale Right may apply to this lot. CONDITION REPORT: Slight browning to paper and area of staining to right of willows. Not viewed out of frame.
Lot 669
James Jacques Joseph Tissot (French 1836-1902), 'PORTRAIT OF M.N.' - or 'LA FRILEUSE' (Wentworth 26) Etching with drypoint, signed and dated 1876 in the plate with the artist's monogram stamp in red 26 x 16.3cm CONDITION REPORT: Not viewed out of frame. Time staining. 2cm line of slightly lighter than rest of print t.l.
Lot 818
*William Roberts RA (1895-1980), SELF PORTRAIT Etching, c.1925, first state, inscribed 'First State' in margin 12.4 x 9.8cm Provenance: with Gillian Jason Gallery, London. *Artist's Resale Right may apply to this lot. CONDITION REPORT: Diagonal mark to right, above head, difficult to ascertain whether in original plate or not. No obvious major faults, not viewed out of frame.
Lot 820
Domenico Montagu after Jean Barbault (French 1705-1766), 'ARC DE JANUS' Etching from 'Vues des Plus Beaux Restes des Antiquités Romaines', published 1775 plate 29 x 24cm; and another, of Roman monuments (2) CONDITION REPORT: Debris, including thunderbugs, under glass on both. Staining, most obviously to bottom left hand margin of second engraving. Neither viewed out of frames.
Lot 821
Evelyn Gibbs (fl.1926-1939), A MARKET SCENE Etching, signed in pencil, artist's proof 17 x 20cm; Wendela Boreel (1895-1985), WINDOW SHOPPING, MOYSES STEVENS, BERKELEY SQUARE Etching, signed in pencil 12 x 9cm; Lynton Lamb (1907-1977), A SLEEPING CAT Lithograph, signed in pencil 30 x 36cm (3) CONDITION REPORT: Cat has areas of glue to left hand side. No obvious major faults to the other two. None viewed out of frame.
Lot 830
*Michael Sandle (b.1936), U-BOAT UNDER CONSTRUCTION Etching, signed and dated 76 l.r., inscribed with the title and no. 57/60 plate mark 45 x 61.5cm; and another etching, 'WESTWAY W10' Indistinctly signed and dated 92 l.r., inscribed with title 39 x 47cm (2) *Artist's Resale Right may apply to this lot. CONDITION REPORT: No obvious major faults, neither viewed out of frame.
Lot 831
*Nathaniel Sparks (1880-1957), THE ROYAL ALBERT HALL, WITH AND WITHOUT FIGURES Two etchings,1928, one signed in pencil, the other with pencil studies in the margin each 25 x 29cm (2) *Artist's Resale Right may apply to this lot. CONDITION REPORT: Light creasing to both. Bottom etching has staining, including brown marking to edges which has paler squares where tape has been. Not viewed out of frame.
Lot 834
Giovanni Battista Piranesi (Italian 1720-1778), 'DIMOSTRAZIONE IN GRANDE DI ALCUNE DELLE PARTI DEL PORTICO D'OTTAVIA' Etching from 'Le Antichità Romane' 46 x 55cm; and eight smaller etchings from the same series (9) CONDITION REPORT: Central creases. Some creases and small spots of staining but no obvious major faults. One with amphora has slight surface damage to right of plate number. Probably 19th century Paris Edition.
Lot 862
After Ferdinando Galli Bibiena (Italian 1656-1743), ARCO ANTICO Etching; nine etchings of Les Tuileries, Le Palais Royal and other French Palaces by Adam Perelle and others; two Piranesi etchings from the second edition of 'Le Antichità Romane',1784; six etchings of 'Portails d'Eglise à l'ltalienne' by Jean Lepautre; and five further prints, including breeds of dogs, all unframed (23)
Lot 723
A coloured artist`s proof etching by Richard Beer of Worcester College, signed bottom right Richard Beer and inscribed "Worcester Artist`s Proof", 45 x 60 cm in white and gilt frame, a limited edition coloured print after W H W Titcomb showing a rugby game on the close at Clifton College, 90/500, 28 x 36 cm together with a 19th century coloured engraving showing the front of Jesus College, Turl, Oxford published 1839 by J Ryman, 34 x 22 cm, both in simple black frames
Lot 1528
BARRY PITTER RBA DEAN`S YARD, WESTMINSTER etching, signed and titled in pencil 28cm x 37cm Label verso: Deighton`s Strand Gallery, London and JOSEPH SIMPSON RUSSIAN GIRL drypoint, signed 32cm x 22cm Label verso: Pearson & Wester Gaard Ltd A condition report is available by contacting departmentcontact@mctears.co.uk
Lot 1619
MARIUS ALEXANDER J. BAUER (DUTCH 1867-1932) A VISIER and UN SULTAN etchings, each signed in pencil, `Un Sultan` is titled in pencil 40cm x 55cm and 50cm x 40cm Label verso: Alex, Reid & Lefevre Ltd, Glasgow label on the reverse of `A Visier` Each framed, each unglazed. Each etching with imperfections, viewing recommended.
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71174 item(s)/page