Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]
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Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Printed later. Dimensions: Overall size: 16 1/8 x 13 1/16 in. (410 x 332 mm). Image size: 9 1/8 x 7 1/8 in. (232 x 181 mm).Lot Note(s): Signed in reverse in the plate. The original edition was 114. Cream wove paper. Full margins (deckle edges four sides). Fine impression. Fine condition. Literature/catalogue raisonne: Bloch 680. Comment(s): A similar example to ours sold at an auction high of $1,880 in 2008. Image copyright © Artists Rights Society (ARS), New York. [25683-3-300]
Artist: James Rizzi (American, 1950-2011). Title: "Kiss - Kiss - Bang - Bang". Medium: Color silkscreen and lithograph. Date: Composed 1997. Dimensions: Overall size: 6 5/8 x 14 in. (168 x 356 mm). Image size: 4 x 11 5/8 in. (102 x 295 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27817-3-400]
Artist: James Rizzi (American, 1950-2011). Title: "Junk Yard". Medium: Color lithograph. Date: Composed 1995. Dimensions: Overall size: 14 3/4 x 9 5/8 in. (375 x 244 mm). Image size: 10 x 6 1/2 in. (254 x 165 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27802-3-400]
Artist: James Rizzi (American, 1950-2011). Title: "It Ain't Over Till It's Over". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Overall size: 11 11/16 x 12 in. (297 x 305 mm). Image size: 8 1/2 x 9 in. (216 x 229 mm).Lot Note(s): Bears signature in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27791-3-400]
Artist: Karima Muyaes (Mexican, b.1960). Title: "Historia del Quijote". Medium: Etching with aquatint. Date: Composed c1980s. Dimensions: Overall size: 15 x 11 1/16 in. (381 x 281 mm). Image size: 13 3/4 x 9 5/8 in. (349 x 244 mm).Lot Note(s): Signed in pencil, lower right; titled in pencil, lower center; editioned in pencil, lower left. Very good to fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [19251-0-250]
Artist: James Rizzi (American, 1950-2011). Title: "Everyone Wants to Win the World Cup". Medium: Color silkscreen and lithograph. Date: Composed 1992. Dimensions: Overall size: 11 3/4 x 12 in. (298 x 305 mm). Image size: 8 1/2 x 9 in. (216 x 229 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27787-3-400]
Artist: James Rizzi (American, 1950-2011). Title: "Drawing Attention". Medium: Color lithograph. Date: Composed 1997. Dimensions: Overall size: 29 1/4 x 10 1/8 in. (743 x 257 mm). Image size: 25 5/8 x 7 1/4 in. (651 x 184 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27755-5-600]
Artist: Henri Matisse (French, 1869 - 1954). Title: "Cite - Notre Dame". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 20 x 15 1/16 in. (508 x 383 mm). Image size: 13 1/8 x 10 1/4 in. (333 x 260 mm).Lot Note(s): Signed in reverse in the plate, lower right. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: D248. Comment(s): An example from the original printing has sold at auction for as high as $2,585 (Christie's, East [19th & 20th Century, Contemporary Prints & Multiples, Sale #8423] - 09/20/2000 - Lot #71). The original edition was 500. [17489-4-300]
Artist: Edouard Manet (French, 1832 - 1883). Title: "Chat et les Fleurs". Medium: Etching with aquatint. Date: Composed 1869. Printed later. Dimensions: Overall size: 13 x 8 1/8 in. (330 x 206 mm). Image size: 8 x 6 in. (203 x 152 mm).Lot Note(s): Signed in the plate, lower left. Cream wove paper. Very wide margins. Fine impression. Excellent condition. Literature/catalogue raisonne: Guerin 53; Harris 65. Comment(s): This print has sold as high as $863 at auction (Swann Galleries, NYC, Discovery Sale: Prints & Drawings, Sale #1993, 01/22/2004, lot #76). [2919-3-400]
Artist: Maurice de Vlaminck (French, 1876 - 1958). Title: "Rue de la Glaciere". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 5/8 x 13 in. (448 x 330 mm). Image size: 13 1/8 x 10 1/8 in. (333 x 257 mm).Lot Note(s): Signed in the plate, lower right. Edition of 500. Cream laid paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: W146. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [25686-3-200]
SIR FRANK WILLIAM BRANGWYN, RA, RWS (1867-1956) THREE PRINTS including `The Gate of the Farm` (Gaunt 90), etching, unsigned; `The Rialto, Venice` (Gaunt 72), etching, signed; and `Canadians entering Cambrai`, lithograph, signed, all unframed (3) ++ Some surface marks, foxing and time toning
§ Sir Howard Hodgkin C.H., C.B.E. (British 1932-2017) Untitled (After Lunch), 1981 initialled and dated 'HH '81', inscribed 'After Lunch, 1980, overpainted 80-81' in pencil (to reverse), oil, gouache, soft ground etching on Arches mould made paper(56.6cm x 76cm (22.25in x 30in))Footnote: Provenance: Acquired by the sculptor Jean Gibson (1927-1991) from the artist in 1981, and thence by descent. This work will be included in the forthcoming catalogue raisonné of Howard Hodgkin's work, to be edited by Dr. Marla Price and Guy Robertson. We would like to thank the Howard Hodgkin Estate for their assistance in helping to catalogue this lot.
λ Diana Armfield (British b. 1920) Gesuati on the Zattere, Venice Pencil Signed with initials lower left 21 x 13cm (8¼ x 5 in.) Provenance: From the collection of Tom CoatesTogether with an etching of The Band on San Marco Piazza, initialled in pencil and numbered 3/30, plate: 15 x 10cm. (2)
λ Henri Matisse (French 1869-1954) Tete de jeune fille aux sourcils rectangulaires (Duthuit 222) Etching, 1930 Signed in pencil and numbered 8/25 12.5 x 10cm (4¾ x 3¾ in.)Provenance: Sale, Sotheby's London, 27 March 2007, lot 92 The Collection of Jo Wood (acquired from the above) Condition Report: Sheet has slipped in its mount. Light handling creases to the framing edges. Otherwise the work appears to be in good condition. Unexamined out of glazed frame.Condition Report Disclaimer
ISRAEL; oil on board, blossoming trees, signed and dated 77, 14 x 22cm, framed, a watercolour of hens by Isabel Barbour, a black and white etching and unusual textured acrylic (4).Additional InformationThe textured acrylic is in poor condition with the damages and losses, the other three are in good order.
KEN CURRIE (Scottish, Born 1960); a black and white signed limited edition etching, 'Reprisal', numbered 37/40 lower left and signed lower right, 30.5 x 21cm, unframed. (D)Additional InformationHas a very large mount but is unframed, bears blind stamp lower right, some creases and marks to the mount, but the image itself is in good order. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
KEN CURRIE (Scottish, Born 1960); a black and white signed limited edition etching, 'War Worries', numbered 19/40 and signed in pencil lower right, 30.5 x 21cm, unframed. (D)Additional InformationBroad mount which is slightly rippled and creased in parts, bears blind stamp lower right, but the image itself is in good order. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834-1903) THE RIVA, NO. 2 Etching and drypoint(20.5cm x 30cm (8in x 11.75in))Footnote: Note: 'The Riva, No. 2' from the Second Venice Set ('A Set of Twenty-Six Etchings by James A. McN. Whistler,' 1886) is generally signed with Whistler's butterfly monogram and inscribed 'imp.' to the tab at bottom edge of sheet. In this example, the tab is present, but the signature and inscription are not visible.
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