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Lot 173

After Pierre Bonnard (1867-1947), Lady with a dove, etching on paper, signed with monogram in the plate, image 11.5cm by 17cm, frame 30 x 38cm

Lot 2169

A Robert Hardie Condie (Scottish) etching of a house and landscape, pencil signed.

Lot 307

After Herbert Dicksee - 'Lions before the temple ruins', etching, pub Frost & Reed, 1909, pencil signed to margin, 47 x 67 cm

Lot 302

R W A Rouse (1867-1951) - 'Old Mill, Brill, Bucks', etching, signed and titled in ink to margin, 15 x 22 cm to/w an unfamed etching of the same view, pencil signed and dated 1951, 15 x 23 cm and an unframed pen and ink sketch of the same view, 14 x 16.5 cm (3) Prov - The artist's family thence by descent

Lot 303

R W A Rouse (1867-1951) attrib - 'Bisham Church, Berkshire', unframed watercolour, 17.5 x 22.5 cm; etching of cattle in a landscape, pencil signed and dated 1946 to margin, 12.5 x 19.5 cm and 'Thame', etching, 14.5 x 18.5 cm (3) Prov - The artist's family thence by descent

Lot 306

R W A Rouse (1867-1951) - Thames view with Tower Bridge, London, etching, pencil signed to margin, 15 x 25 cm to/w another etching 'Pool of London', of a river scene with boats, signed to margin, 10 x 17 cm (2) Prov - The artist's family thence by descent

Lot 334

Mixed pictures to include Joseph Bawden etching, M C Robinson etching, views, portraits of Mark Heaton Robinson etc, large landscape print and 'Amelia' naval engraving etc (10)

Lot 320

H M Harvey - Portrait of a young girl with pigtail, etching numbered 28/50, pencil signed, 26 x 17.5 cm

Lot 301

R W A Rouse (1867-1951) - A winter view of Haddenham Bucks, watercolour, signed, 8.7 x 13.7 cm with artist information to reverse to/w Haddenham Mill etching dated 1924, pen signed to margin, 7 x 11 cm and a view On the Oxford Road, Thame Oxon, etching, 12.5 x 18.5 cm (3) Prov - The artist's family thence by descent

Lot 304

R W A Rouse (1867-1951) - Sketch of street in Blidah, Algiers, watercolour, signed, 13 x 8 cm  to/w an etching of street view, 17.5 x 10 cm; etching of cottage, pencil signed and dated 1946, 20 x 12.5 cm and another unframed etching of the same (4) Prov - The artist's family thence by descent

Lot 19

GEORGES BARBIER (1882 -1932) "THEATRE" HAND-COLOURED ETCHING ON WOVE c.1912 ARTIST PROOF  10.5 X 15 cm / MOUNTED 24 X 30 cm 

Lot 20

GEORGES BARBIER (1882 -1932) "THEATRE" HAND-COLOURED ETCHING ON WOVE c.1912 ARTIST PROOF  10 X 15 cm / MOUNTED 24 X 30 cm 

Lot 242

Louis IcartColoured etching titled "Orange Seller" Signed by the artist. Copyright 1929. [Frame- 67x55cm]

Lot 127

Swedish School circa 1930, Architectural Study, possibly the Royal Palace, Stockholm, signed "Folke B" and further inscribed "Till Ragnar Estberg" (To Ragnar Estberg), etching framed (11cmx11cm) Note : Ragnar Estberg was prominent Swedish Architect of the late 19thc and early 20thc. His most famous work was the Stockholm City Hall.

Lot 97

A collection of various loose works comprising, David Young Cameron, Arran, drypoint etching (14.5cmx27cm), Early Morning print, printed by Douglas Cameron (32cmx50cm) and Holmon Hunt, One the Hill Side print. (33.5cmx41cm) (3)

Lot 1142

G Hayes, Mercery Lane, Canterbury, dry point etching, signed in pencil, 32 x 18 cm, John Bairstow, rowing on the Thames, watercolour, 26 x 18 cm, another, 18 x 18 cm, and a 20th century painted picture frame, 100 x 88 cm (4)

Lot 1065

Staffordshire Pottery Spaniels, pair blue mountain pottery rearing stallions, military water bottle in canvas bag, plated dish, D M Durston signed artist proof print 'The Victoria Grand' etching:- Two Boxes.

Lot 691

After George Morland 'Logging Wagon' monochrome etching, signed within the print and dated 1805, 18cm x 25cm, in Hogarth frame and a continental monochrome etching (2)

Lot 1259

Paul Drury (1903 - 1987)A head and shoulders portrait of a woman wearing a simple peasant blouse, sitting in quiet contemplation, drypoint etching, signed in graphite, 1930, unframed, 26 cm x 20 cm

Lot 1255

George Vernon Stokes (1873–1954)A study of two hunting dogs halted beside their haul of pheasants and a hare, watercolour tinted drypoint etching, signed in graphite, in card mount and ebonised frame under glass, 47 cm x 47 cm overall[Stokes was born in London and became recognised for his paintings, prints and illustrations of animal subjects and hunting scenes. His career involved illustrating children's books, countryside magazines, and books on dogs, with much of his work now held at The Carlisle Art Gallery and Museum. He also exhibited at The Royal Academy, The Royal Institute of Painters, and The Fine Arts Society.]

Lot 318

‡ KEITH ANDREW (b.1947) ink & wash - entitled verso, 'River Moon, Study for Etching' on Oriel Tegfryn Gallery label, signed and dated 2006, 15 x 19.5cmsprovenance: private collection South WalesComments: framed, glazed

Lot 106

GOLDEN COCKEREL PRESS: The Illustrators. Signed by Christoper Sandford & Lettice Sandford, number 26 of only 75 copies, 1980, printed card covers, containing 4 prints by Eric Gill, Gertrude Hermes, Paul Nash, and John O'Connor, the frontispiece etching by Lettice Sandford, the border and cockerel on the cover by Mark Severin, deckle edge, 4to.Provenance: private collection NetherlandsAuctioneers Notes: An illustration to the exhibition at The Mayor's Parlour Gallery, Hereford, sponsored by The Friends of the Herefordshire Museum & Arts, April 19th- May 10th 1980. Frontispiece by Lettice Sandford originally cut for The Golden Cockerel Greek Anthology 1937. Border and cockerel on jacket by Mark Severin. This Book was handset in Baskervilkle & Perpetua & handprinted on BFK, Rives mould-made paper during March & April 1980 by Glenn Storhaug at FIVE SEASONS PRESS, Madley, Hereford in a limited edition of seventy-five signed copies, each with a frontispiece printed by Reg Boulton from a metal engraving cut by Lettice Stanford.Comments: minor crease to upper cover at hinge, a rare booklet.

Lot 110

ACKROYD (NORMAN) & HOOKER (JEREMY). Itchen Water, poems 1982, Winchester School of Art Press, 4to., limited edition no. 11 of 100 copies signed by the poet and the artist, additionally dated by the artist '82, comprising ten tipped-in reproductions of the original plates and one initialled etching (loose), deckle edge, original khaki cloth boards with printed paper label, gilt spine.Provenance: private collection Vale of Glamorgan.Comments: excellent condition.

Lot 1186

Rowland Langmaid, J-class yachts, signed in pencil, etching, pl.14.5 x 19cm.

Lot 1183

William Lionel Wyllie, 'Sunshine Off The Solent', signed in pencil, etching, pl.17.5 x 22.5cm.

Lot 1182

William Lionel Wyllie, 'St. Mary's Island Lighthouse, Whitley Bay', signed in pencil, etching, pl.16 x 37.5cm.

Lot 1181

William Lionel Wyllie, 'HMS Victory', signed in pencil, inscribed on old label verso, etching, pl.21.5 x 31.5cm.

Lot 89

Outrageously irreverent original hand-colored etching on paper entitled Business Cats. It depicts a group of anthropomorphic cats waiting on line to use a public restroom as one naughty young cat relieves himself against a tree. Signature in graphite on lower left: illegible. Housed in a metallic pink frame with a pink mat. Sight size: 20.25"L x 9.25"H. Frame dimensions: 24.75"L x 13.75"H x 1"W. Artwork can be unframed and rolled for shipment. Issued: c. 1960Dimensions: See DescriptionCondition: Age related wear.

Lot 74

Beautifully preserved antique hand-colored etching by Italian artist Giuseppe Zocchi featuring the Piazza Santa Trinita with view of the Bridge and the Church of S. Trinita, and the Column erected by Cosimo I in 1754. This is the 14th plate from 24 engravings from Zocchi's original drawings published in Florence in three editions between 1744 and 1757. Housed in a gilded wood frame with a caramel color mat. Sight size: 26"L x 19"H. Frame dimensions: 37.50"L x 30.25"H x 1.25"W. Artwork can be unframed and rolled for shipment. Artist: Giuseppe Zocchi (Italian 1711-1767)Issued: c. 1755Dimensions: See DescriptionCountry of Origin: ItalyCondition: Age related wear.

Lot 73

Elephas & Others is a large etching on beige paper made in a spatter technique by American artist Carol Jablonsky. She creates a whimsical sight of the Heavens with abstracted animals amongst full and half moons. Signature in graphite on lower right: Jablonsky. Edition on lower left: 283/300. Housed in a silver marbleized frame with a brown linen mat. Sight dimensions: 19"L x 28"H. Frame size: 26.25"L x 35"H x 1.25"W. Artwork can be unframed and rolled for shipment. Artist: Carol Jablonsky (American 1939-1992)Issued: c. 1980Dimensions: See DescriptionEdition Number: 283 of 300 Country of Origin: United StatesCondition: Age related wear.

Lot 205

Milford 'Mel' Hunter (1927-2004), 'In Our Birch Grove', 1976, limited edition colour lithograph, numbered in pencil 92/200 20 APs' bottom left, titled in pencil bottom centre, and signed by the artist in pencil bottom right, mounted framed and glazed, aperture 49.9cm wide, 41.7cm high, frame 68cm wide, 69.7cm wide.FOOTNOTE: Mel Hunter was a successful American science fiction and technical illustrator, producing illustrations for authors such as Isaac Asimov and Robert A. Heinlein, as well as being a technical and scientific illustrator for clients such as The Pentagon, Hayden Planetarium, and the Massachusetts Audubon Society.Artist's Resale Right fees will also apply to this lot if it sells for a hammer price of £1,000 or over.Condition: Etching appears to be undamaged, but the mount may possibly cover part of the printed surface at the sides and top. Colours bright, but the paper appears to be very slightly ambered/darkened. Unexamined out of frame or mount.Packing & Shipping Let us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent with a minimum of a tracked service. We do not use any other service such as Royal Mail. Please see below for cost estimates, including packing:UK (Guaranteed Price): £27.11 USA (Estimated Price): £71.70 EU (Estimated Price): £32.50 R.O.W. (Estimated Price): £101.10All above quoted packing and shipping prices will have VAT added at 20%. Unless otherwise indicated above, these are estimates only but we aim to be as accurate as possible. To request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email requesting packing and shipping for your lot(s). The actual packing and shipping cost will then be added to your invoice and your invoice will be resent to you for payment.IMPORTANT When you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.INSURANCE The above quotes do not include insurance. If you require insurance, please request this when you request your lots to be packed and shipped. We can only know the cost of insurance after the hammer falls as it is only then that we will know the value to be insured.MULTIPLE PURCHASES The estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered for any loss or damage. Lots must be paid for in full before they will be released.

Lot 193

Evelyn Ortlieb (French 1925-2008), 'Untitled', 1969, mixed media on card, indistinctly signed OrtXXXX', bottom left float mounted on grey-painted canvas covered board, box framed and glazed, with handwritten label for the Anthony Dawson Collection to back of frame, artwork c30.5cm high c23.5cm wide, frame 48.5cm high x 41cm w, together with an unsigned coloured etching with dense light green diagonal 'scribbles' and near horizontal violet thin wavy lines, mounted, glazed and framed, frame 53.5cm h x 52cm w. (2)Artist's Resale Right fees will also apply to this lot if it sells for a hammer price of £1,000 or over.Condition: Ortlieb seemingly in excellent condition but unopened, so unexamined out of frame. Green and violet etching with light signs of foxing to mount, frame in need of a clean to remove brown spots presumably caused by damp. Unopened, so unexamined out of frame.Packing & Shipping Let us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent with a minimum of a tracked service. We do not use any other service such as Royal Mail. Please see below for cost estimates, including packing:UK (Guaranteed Price): £25.52 USA (Estimated Price): £85.00 EU (Estimated Price): £30.00 R.O.W. (Estimated Price): £69.00All above quoted packing and shipping prices will have VAT added at 20%. Unless otherwise indicated above, these are estimates only but we aim to be as accurate as possible. To request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email requesting packing and shipping for your lot(s). The actual packing and shipping cost will then be added to your invoice and your invoice will be resent to you for payment.IMPORTANT When you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.INSURANCE The above quotes do not include insurance. If you require insurance, please request this when you request your lots to be packed and shipped. We can only know the cost of insurance after the hammer falls as it is only then that we will know the value to be insured.MULTIPLE PURCHASES The estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered for any loss or damage. Lots must be paid for in full before they will be released.

Lot 440

Matilda Harrison, fantasy illustration, etching, signed in pencil, dated '88, no. 20/100, printed on Zerkall paper by Hope Sufferance Studios, sheet 29.5cm x 21cm, unframedGood condition

Lot 433

Stanley William Hayter, Matines, etching, 1984, signed in pencil, no. 29/100, plate 26cm x 17.5cm, mountedGood condition

Lot 439

Charles Cain (1893 - 1952), Pulling Up Water, etching with drypoint, signed in pencil, plate 10.5cm x 21cm, mountedGood condition

Lot 492

Claude Monet, Pecheurs A La Ligne, etching, plate 17cm x 23cm, framedPaper discolouration

Lot 427

Two 1920s pochoir prints one portrait and one abstract, plus a 1960s etching by Madelaine Vesserean (1915-2000), largest 27cm x 18cm, all framed and glazed. (3 items).

Lot 357

Paul Drury (1903 - 1987), Penultimate Swansong, etching, signed with monogram in the plate, Paul Drury Memorial Portfolio blind stamp in margin, plate no. 5 edition A16/25, plate 17cm x 21cm, framedVery good condition

Lot 139

Fashion satire.- Gillray (James) Modern-Elegance, A Portrait, etching with original hand-colouring, on wove paper without watermark, platemark 353 x 245 mm (13 7/8 x 9 5/8 in), small margins, repaired tear to the right edge just below centre, handling creases, unframed, [BM Satires 8719], published by Hannah Humphrey, 1795; together with three further Gillray satirical prints, including 'Les Invisibles' [BM 11612], 'La Walse.| Le Bon Genre' [BM 11613], and 'A spencer & a thread-paper' [BM 8192], etchings, with original hand-colouring, between 260 x 210 mm (10 1/4 x 8 1/4 in) and 255 x 330 mm (10 x 13 in), occasional minor surface dirt and light browning, unframed, 1792-1810 (4)

Lot 42

Cruikshank (George, graphic artist, 1792-1878) Archive of material by and relating to Cruikshank, collection comprises c. 60 drawings, sketches, letters and notes by Cruikshank (drawings and sketches in black ink and pencil, many sketches on random notes), letters, including: draft of a letter to John B. Gough, temperance lecturer, ("I am going to write something abt. you in a little book I am about to publish"); notes, including: ("The Worship of Bacchus or The Drinking Customs of Society"; "22 India Proofs of the Etchings of Proofs of the work - The Omnibus & also 80 India Proofs of the wood cuts..."; "Quarrels over the Social Glass"); [list of accounts], together c. 150 items, letters to Cruikshank on a variety of subjects, including: Charles Rogers (1825-90, Church of Scotland minister and historian); W. Hopburn, William Essing, Abraham Jones Lebras, W. Malthouse, Thomas Tunbridge, John ?Ferdred ("I addressed a note to you on an Invention connected with Etching... it is by the Gentleman who engraves all the present Bank of England notes..."); Robert Hurst (forwarding some scenes in West Cornwall and hoping that Cruikshank will favour them with 2 of his pictures); Maria Louisa Parkman (asking Cruikshank for money); Mary Ann Phillipps (grateful acknowledgement in recommending her petition to the Artists General Benevolent Institution), Colnaghi ("Mr Colnaghi's compliments to Mr Cruikshank and begs to know for how much he would dispose of the drawings of the comfortables, reserving... the right of publishing them himself" and a reply at head saying that the drawings have not yet gone to headquarters), most invitations from various committees (including: King Robert the Bruce Monument,  The Grampian Club, National Temperance League, The Waterloo Band of Hope etc.), invitations to meet, to preside over various meetings, to give lectures etc., large pencil signature of Cruikshank and a printed memorial card for Cruikshank, 1878; also ephemera, including: printed titles and preliminaries from Dickens' Oliver Twist and Harrison Ainsworth's Guy Fawkes and Jack Sheppard, all "Extracted from Bentley's Miscellany", 1837-9, 1839 & 1841 etc., Queen's Concert Rooms, Hanover Square, printed handbill, 1862, arranged partly chronologically and partly transcribed. organized into three folders, v.s., v.d., 1843-78 (c. 150).

Lot 141

Gillray (James) Tiddy-doll, the great French-Gingerbread-Baker; drawing out a new Batch of Kings, etching with original hand-colouring, on wove paper without watermark, platemark 258 x 380 mm (10 1/8 x 15 in) , sheet 286 x 405 mm (11 1/4 x 15 3/4 in), small but good margins, some toning and minor browning, unframed, published by Hannah Humphrey, unframed, 1806; together with five further unframed miscellaneous prints, 18th and 19th century (6)Literature:BM Satires 10581*** Satire on Napoleonic imperialism after The Battle of Austerlitz, following which Austria renounced all further rights over Bavaria, Würtemberg, and Baden, whose princes were vassal-allies of France. Napoleon is depicted as a London street seller of gingerbread cakes, with all Sovereigns and countries humiliated by him having been swept into the 'Ash-Hole'.

Lot 140

Fashion satire.- Cruikshank (Isaac) The Graces of 1794, three young ladies parade the latest fashions of the period, etching, with original hand-colouring, on wove paper without watermark, sheet 390 x 330 mm (15 1/2 x 13 in), trimmed to or just within the platemark, central horizontal crease, minor spotting and surface dirt, unframed, [BM Satires 8571], S.W. Fores, July 1794; together with 3 others similar, including Thomas McLean's 'A snug birth in a shower' and 'Since I Saw You Last...', and another, etchings with hand-colouring, between approx. 240 x 350 mm (9 1/2 x 13 3/4 in), all unframed, early 19th century (4) 

Lot 126

JOHN CROME I (1768-1821) 'Near Hingham' 1813, signed, titled and dated in the plate, etching, the plate 16.5cm x 16.5cm; together with another similar print after Charles François Daubigny (1817-1878) 'Les bords du Cousin (The banks of the Cousin)', the image 14.5cm x 12cm (2)Provenance: The collection of the late John Hubbard (1931-2017) and Caryl Hubbard CBE (1933-2021), Chilcombe House, Dorset.

Lot 124

AFTER REMBRANDT VAN RIJN (1606-1669) 'Abraham caressing Isaac' signed in plate lower left, etching, the image 11.3cm x 8.7cmProvenance: The collection of the late John Hubbard (1931-2017) and Caryl Hubbard CBE (1933-2021), Chilcombe House, Dorset.

Lot 123

AFTER REMBRANDT VAN RIJN (1606-1669) 'Christ Disputing with the Doctors: Small Plate' etching, the image 8.8cm x 6.6cmProvenance: The collection of the late John Hubbard (1931-2017) and Caryl Hubbard CBE (1933-2021), Chilcombe House, Dorset.

Lot 127

EDOUARD MANET (1832-1883) 'Charles Baudelaire de Face III (Portrait of Charles Baudelaire, Full Face)' after a photograph by Nadar, 1868, etching on thin laid paper, with printed inscription to lower margin of the image "Peint et Gravé par Manet 1865" and "Imp. A. Salmon", plate size 9.5cm x 8.2cmProvenance: The collection of the late John Hubbard (1931-2017) and Caryl Hubbard CBE (1933-2021), Chilcombe House, Dorset.

Lot 122

AEGIDIUS SADELER II (1570-1524) AFTER PIETER STEVENS II (c.1567-1624) 'Mensis XII Anni Solaris'the months of the year, each plate showing figures in seasonal pursuits, below the appropriate Zodiac symbol, January and the title plate lacking, engravings with hand-colouring, each approximately 21.5cm x 29cm; together with a similarly presented print 'The Fall of Icarus' after Hans Bol, etching, 19.5cm x 25.5cm (12)

Lot 125

AFTER REMBRANDT VAN RIJN (1606-1669) 'Christ crucified between Two Thieves: Oval Plate' etching and drypoint, the sheet 14cm x 10.2cmProvenance: The collection of the late John Hubbard (1931-2017) and Caryl Hubbard CBE (1933-2021), Chilcombe House, Dorset.

Lot 398

Coloured etching after Henry G Walker, boating scene, signed lower right, 22cm x 26cm, with two others, including 'September Night Mediterranean', coloured engraving, indistinctly signed lower right, 31cm x 13cm, and a 20th century watercolour landscape, unsigned, 18cm x 25cm, all framed under glass (3)

Lot 108

Original watercolour "Flowers of The Garden" by Anita Tomlinson and a coloured etching of Abbot Holme Bridge

Lot 240

Sir Terry FROST (1915-2003) Madonna (2003) Etching, signed and dated '03, numbered 6/30, plate size 22 x 26cm, 53 x 50cm framed.

Lot 70

Karl WESCHKE (1925-2005) Two Camels (1994) Etching, signed and inscribed, numbered 11/50, plate size 23 x 27cm, 50 x 52.5cm framed.

Lot 13

Peter LANYON (1918-1964) Levant Mine Ruins (1963), 2010 Etching, published by the Peter Lanyon estate 2010, blind stamp lower right, numbered 44/150, 35.5 x 25cm, sheet 52.5 x 41cmThe Estate of Sir Geoffrey & Lady HollandThis etching has never been framed. It is in mint condition.

Lot 79

Bryan PEARCE (1929-2006) Harbour (1990) Etching, signed, inscribed and dated '90, numbered 16/75, plate size 20 x 15cm, 43 x 37.5cm framed.

Lot 220

Breon O'CASEY (1928-2011) Bird (2009) Etching, signed and dated '09, numbered 6/15, plate size 19 x 29.5cm, sheet size 33 x 42cm, 45 x 53cm framed. Together with 'Breon O'Casey 1928-2011, Retrospective', published 2009 by Duibhne Gough and Ruth Guilding, numbered 87/100.

Lot 273

Sir Terry FROST (1915-2003) Madonna (2003) Etching, signed and dated '03, numbered 6/30, plate size 29 x 22cm, 55 x 50.5cm framedNew Craftsman gallery label to verso

Lot 317

Anthony CURRELL (1942-2022) Mother & Child Etching, signed, artist's proof, plate size 60 x 45cm, sheet size 76 x 56cm

Lot 185

Richard Hayley LEVER (1876-1958) Coal Schooner, St Ives Etching, signed and inscribed, plate size 16 x 20cm, 28 x 32cm mounted.

Lot 326

Anthony CURRELL (1942-2022) Plane (1975) Etching, signed and dated '75, artist's proof, plate size 44 x 60cm, sheet size 56 x 71cm.

Lot 325

Salvador DALI (1904-1989) L"Academie de Paris Etching, signed, numered 109/250, plate size 42 x 59cm, 68 x 89cm framed.

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