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Lot 57
Francis Kelly (American, 1927-2012), The Ribbon, Etching 6/40, signed bottom right, mounted and framed. Measurements 32.5 x 18 cm, framed measurements 55.2 x 39.4 cm Francis Kelly (1927-2012) was an American artist from Minnesota. He studied at the University of Hawaii and also under the printmaker John Paul Jones at the UCLA, before arriving in London in the 1950s having been awarded the Fulbright Grant to undertake a diploma in etching. He had success with etchings, regularly showing his work at Editions Graphiques. Kelly also studied painting conservation at the Courtauld Institute and was commissioned to aid in the restoration of flood damaged art in Florence. Kelly is well known for his representations of the female form and landscapes inspired by his love of the Devonshire countryside.
Lot 236
Jean Solombre (France,1948 - 2005) Aquatint/Etching. Numbered (66/120) lower left. Signed and dated (78) lower right. Watermark "Arches France".Jean Solombre was an internationally respected painter, engraver, and writer. Images of Solombre paintings were also woven as tapestries at the world renowned Les Atelier Aubusson, in France. Solombre's work is romantic and mysterious in imagery, and rich in technical skill. His printmaking intaglio technique masterfully combines the techniques of aquatint and engraving. Jean Solombre's prints, watercolor paintings, and oil paintings on canvas have been shown in prestigious solo exhibitions internationally. Image Size: 12.5 x 15.75 in. Sheet Size: 19.75 x 26 in. Unframed.
Lot 554
* HARRY MAGEE (SCOTTISH CONTEMPORARY), SILENT CITY etching, signed, titled and numbered 7/50 12cm x 32cm Mounted, framed and under glass. Note: Harry Magee trained at Glasgow School of Architecture from 1960 to 1962 and then at Glasgow School of Art, 1962 to 1964. He took up printmaking when he joined Glasgow Print Studio in 1978, working in photo-etching and later in photopolymer gravure. He was elected a Professional Member of the Scottish Society of Artists in 1988 and served as Chair of Glasgow Print Studio from 1989 to1993. He has had many solo exhibitions and taken part in numerous group and selected shows. His work is held in Public, Corporate and Private Collections.
Lot 49
Norman Ackroyd CBE, RA (b.1938) ''On Blacksod Bay - Ten Etchings of West Mayo'' The complete portfolio including ten etchings ''Blacksod Rainbow'', ''Annagh Head'', ''From Corraun Point - Inishglora'', ''Atlantic Rain'', ''On Inishkea-Bailey Mór'', ''Black Rock'', ''Duvillaun More and Achill'', ''Blacksod Point'', ''Inishglora'' and ''Croagh Patrick from Achill'', each signed, inscribed and dated (20)00 and numbered 4/90, encased in the original Solander box, 32.5cm by 26cm (10) (unframed) Provenance: Private acquisition from the artist Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration In an excellent state of preservation. Never removed from the original box with the original tissue between each etching.
Lot 50
Norman Ackroyd CBE, RA (b.1938) ''The Aran Islands - Oileáin Árann'' The complete portfolio including ten etchings ''North Sound - Moon and Rainbow'', ''Cliffs Inishmore'', ''Dún Aengus'', ''The Black Fort'', ''Temple Benan'', ''Gregory's Sound - Inishmaan'', ''Dún Chonchúir - Inishmaan'', ''Galway Bay from Inishmaan'' ''Foul Sound'', ''Black Head from Inisheer'', each signed and dated (20)01, inscribed and numbered 2/90, encased in the original Solander box, the frontispiece also dedicated, 26.5cm by 42cm (10) (unframed) Provenance: Private acquisition from the artist Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration In an excellent state of preservation. Never removed from the original box with the original tissue between each etching.
Lot 349
WATERLOO INTEREST: 'The Field of Battle, Waterloo, as it appeared, July 24th, 1815', A panoramic view showing the battlefield, looking towards La Belle Alliance (2) and Hougoumont (3) from the east, etching and aquatint, 14cm x 60cm; This view, taken just over a month after the battle, shows the uneven nature of the ground, which allowed for Wellington to shield his infantry from French artillery fire. The site was a draw for tourists almost immediately after the battle. An example of this print is in the Royal Collection, probably acquired by King George IV when Prince Regent
Lot 903A
Herbert Dicksee Pencil Signed Etching 'The Old Garden' circa 1921, published by Frost & Reed of London. Lebel verso: 'An original etching by Herbert Dicksee, RE, an Artist's signed proof impression upon Japanese vellum. Price £8-8-0 net. Edition strictly limited'. Framed and Glazed Size 28'' x 21''.
Lot 235
CIRCLE OF JAMES ABBOT MCNEIL WHISTLER (1834-1903) A moustachoed man with monocle, pen and ink sketch on watermarked laid paper, possibly a design for etching and with some printing instructions, bears butterfly monogram, 29 x 18cm; together with a copy of the Daily Mail Newspaper for Thursday April 6th, 1933, both unframed (2)
Lot 63
JEAN-FRANCOIS JANINET AFTER JEAN BAPTISTE CLESINGER 'Marie-Antoinette d'Autriche, Reine de France et de Navarre, etching in colours, also with hand tinting, 19 x 14.5cm; and companion, a pair, each in decorative gilt frame with fleur-de-lys decoration to the borders and surmounted by the coat of arms of the sitter and floral swags, 34 x 25cm overall (2) With Goupil & Cie
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