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Lot 531

Julian Trevelyan (British, 1910-1988) Calypso, 1970 (Turner 237) from The Second Malta Suite 15/50, signed, titled and numbered in pencil (in the margin) etching and aquatint 35.2cm x 47.3cm, unframed.

Lot 532

Julian Trevelyan (British, 1910-1988) Fisherman, 1970 (Turner 238) from The Second Malta Suite 15/50, signed, titled and numbered in pencil (in the margin) etching and aquatint 47.3cm x 35.2cm, unframed.

Lot 533

Julian Trevelyan (British, 1910-1988) Singing Nuns, 1970 (Turner 239) from The Second Malta Suite 15/50, signed, titled and numbered in pencil (in the margin) etching and aquatint 35.2cm x 47.3cm, unframed.

Lot 534

Julian Trevelyan (British, 1910-1988) Stone Cutting, 1970 (Turner 240) from The Second Malta Suite 15/50, signed, titled and numbered in pencil (in the margin) etching and aquatint 35.2cm x 47.3cm, unframed.

Lot 535

Julian Trevelyan (British, 1910-1988) Valetta, 1970 (Turner 241) from The Second Malta Suite 15/50, signed, titled and numbered in pencil (in the margin) etching and aquatint 35.2cm x 47.3cm, unframed.

Lot 537

Julian Trevelyan (British, 1910-1988) Parliament Hill '83 8/25, numbered in pencil and with 'JOT' stamp (in the margin) Etching 10cm x 14.5cm.

Lot 414

Hans Bellmer (German, 1902-1975) La Céphalopode 12/100, signed and numbered in pencil (in the margin) etching 24.5cm x 22cm.

Lot 416

Jennifer Dickson (British, b.1936) 'Apocalypse', 1965 artist's proof, signed, inscribed and dated in pencil (in the margin) edition of 30 etching and aquatint 53cm x 38.5cm, unframed. Provenance: From the collection of the publishers.

Lot 417

Stanley William Hayter (British, 1901-1988) Onde Verte, 1965 E 2/5, signed, titled, dated and numbered in pencil (in the margin) etching and aquatint 58.5cm x 49.5cm

Lot 446

Margaret Kroch-Frishman (German, 1897-1972) Street & Trees and Flowers in a vase, 1965 epreuve d'artiste, each initialled, dated and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 65cm x 50cm and 45.5cm x 39.8cm, unframed (2). Provenance: From the collection of the publishers.

Lot 449

David Hockney (British, b.1937) He enquired after the quality, from Fourteen Poems from C. P. Cavafy (S.A.C. 49), 1966 14/75, signed, dated and numbered in pencil (in the margin) etching and aquatint published by Editions Alecto, London 35cm x 22cm.

Lot 450

David Hockney (British, b.1937) Gold, from Six Fairy Tales from the Brothers Grimm (S.A.C. 103) signed in pencil (in the margin) and inscribed 'Ed. B. XX A. P.' in pen (to the reverse) etching 34cm x 26cm (sheet 44.5cm x 30.7cm), unframed.

Lot 451

David Hockney (British, b.1937) Cold Water about to Hit the Prince, from Six Fairy Tales from the Brothers Grimm,1969 (S.A.C. 97) signed in pencil (in the margin) and inscribed 'Ed. B. XX A. P.' in pen (to the reverse) etching and aquatint 38.5cm x 27cm (sheet 45cm x 31cm), unframed.

Lot 459

Breon O'Casey (British, 1928-2011) The Forge, from Door into the Dark by Seasmus Heaney with etching by O'Casey 34/50, signed and numbered in pen published by Faber & Faber Limited and printed on Velin Arches blanc the etching 17cm x 28.7cm, unframed.

Lot 460

Valerie Thornton (British, 1931-1991) St. Hilda's College, Old Hall, Oxford 3/75, signed, numbered and titled in pencil (in the margin) etching and aquatint 36cm x 52cm, unframed.

Lot 462

David Hockney (British, b.1937) Kaisarion with All His Beauty, 1961 signed and dated in pencil (in the margin lower right) etching and aquatint printed in black and red from the edition of approximately 50 copies printed by Ron Fuller and Peter Matthews at The Royal College of Art, London 49.4cm x 27.3cm. Provenance: Bear Lane Gallery, Oxford, 1963.

Lot 470

Eduardo Paolozzi (British, 1924-2005) Les Chants de Maldoror, Ducasse, 1992 30/50, signed, numbered and dated in pencil (in the margin) etching with hand colouring from Six Artists: The 1992 Royal College of Art Portfolio of Prints 33.3cm x 50.7cm, unframed.

Lot 473

Paula Rego (Portuguese, b.1935) Embarkation, 1992 signed, numbered and dated in pencil (in the margin) etching and aquatint from Six Artists: The 1992 Royal College of Art Portfolio of Prints 44.5cm x 34cm, unframed.

Lot 475

Eileen Cooper (British, b.1953) Laugh Out Loud, 1996 30/100, signed, numbered, titled and dated in pencil (in the margin) etching, lithograph, woodcut and chine collé from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 60.5cm x 42.3cm, unframed.

Lot 477

John Hewitt Raft, 1996 30/100, signed, numbered, titled and dated in pencil etching from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 56.5cm x 76cm, unframed and Freya Payne (b.1968), Bruise, 30/100, signed, numbered and titled in pencil (in the margin), screenprint, lithograph and etching, 47.5cm x 69.5cm, unframed and Kate Whiteford (b.1952), In the Eye of the Beholder, screenprint, 58cm x 45.5cm (3).

Lot 489

Antoni Tapies (Spanish, 1923-2012) Untitled from El Pendulo Inmovil, 1982 V/XXX, signed and numbered in pencil (in the margin) etching and resin in colours on Auvergne Richard de Bas paper 29cm x 39cm. Provenance: Adam Gallery, Bath, 2006.

Lot 518

Julian Trevelyan (British, 1910-1988) Somnambulist II 1937, 1971 (Turner 55) from the Dream City series 1/20, signed, titled and numbered in pencil (in the margin) from the 1971 restrike for Leslie Waddington Prints Ltd. etching 15cm x 25cm.

Lot 519

Julian Trevelyan (British, 1910-1988) Valentine 1936, 1972 (Turner 49) from the Dream City series 3/25, signed, titled and numbered in pencil (in the margin) from the 1972 restrike for Leslie Waddington Prints Ltd. etching 20cm x 25cm.

Lot 520

Julian Trevelyan (British, 1910-1988) Stonehenge, 1961 (Turner 138) 32/50, signed, titled and numbered in pencil (in the margin) etching and aquatint 60cm x 46cm, unframed. Provenance: Bear Lane Gallery, Oxford, 1963.

Lot 521

Julian Trevelyan (British, 1910-1988) Towers and Oxen, 1961 (Turner 139) 7/50, signed, titled and numbered in pencil (in the margin) etching and aquatint 50cm x 39cm, unframed. Provenance: Bear Lane Gallery, Oxford, 1963.

Lot 522

Julian Trevelyan (British, 1910-1988) Florence at Night, 1965-66 (Turner 176) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 35.2cm x 47.3cm, unframed. Provenance: From the collection of the publishers.

Lot 523

Julian Trevelyan (British, 1910-1988) Florence Panorama, 1965-66 (Turner 177) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 35.2cm x 47.3cm, unframed. Provenance: From the collection of the publishers.

Lot 524

Julian Trevelyan (British, 1910-1988) Palazzo Pitti, 1965-66 (Turner 179) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 35cm x 47.3cm, unframed. Provenance: From the collection of the publishers.

Lot 525

Julian Trevelyan (British, 1910-1988) Santa Maria Novella, 1965-66 (Turner 182) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 35.2cm x 47.3cm, unframed. Provenance: From the collection of the publishers.

Lot 526

Julian Trevelyan (British, 1910-1988) Self-Portrait, 1965-66 (Turner 183) from The Florence Suite artist's proof, signed, titled and inscribed in pencil (in the margin) etching and aquatint published by Editions Alecto 47.3cm x 35cm, unframed. Provenance: From the collection of the publishers.

Lot 2436

An original etching by P. Sydney Cooper published/printed 1839, sheep in a barn

Lot 2457

Eight various etchings by N Rawlins Mills, windmills, stream and lake/tree scenes, all 19th Century together with an etching by Ellingham, all signed in pencil (9)

Lot 2497

Seymour Madon, Combe Bottom, etching, signed 11 cm x 15 cm approx. and another 'By Twickenham' 14 cm x 21 cm approx. framed (2)

Lot 1

William Lional Wyllie, ‘Battle Cruisers on The Forth in 1916’signed artist’s proof – Dry Point Etching inscribed TRIAL PROOF & Pencil signed18” x 6.¾”

Lot 10

William Lionel Wyllie,’27 – Knot Destroyers Boxer & Haroc’ signed in pencil – Dry Point Etching, label & inscription verso 7” x 10”

Lot 11

William Lionel Wyllie, 'The Last Journey, The British Cruisers, H.M.S. Natal, Leaves Portsmouth Harbour With The Body of Mr Whitelaw Reid U.S. Ambassador’ signed in pencil – Dry Point Etching – Artist’s Proof 6” x 13”

Lot 12

William Lionel Wyllie ‘Naval Action 1916, Fast Patrol Boat With Spotter Airship Above’ signed in pencil – Dry Point Etching – Artist’s Proof 9.¾” x 8”

Lot 121

Lionel T. Crawshaw ‘Leaving Whitby for the Thames’ Etching depicting H.M. Barque Endeavour, signed and inscribed in pencil 8” x 11”

Lot 127

A C19 etching with pencil signature & inscription – carthorses at work

Lot 13

William Lionel Wyllie ‘H.M.S. Dreadnought’ signed in pencil – Dry Point Etching 8” x 11”

Lot 15

William Lionel Wyllie ‘Shipping On The Clyde’ signed in pencil – Dry Point Etching 7.½” x 16”

Lot 16

William Lionel Wyllie ‘Shipping On The Tyne – Newcastle’ signed in pencil – Dry Point Etching 9.½” x 15.½”

Lot 160

Small etching of Whitby Abbey (G Weatherill 1839)

Lot 18

William Lionel Wyllie ‘Jenkins Swatchway. Thames Barges Racing in the Thames Estuary at the Turn of the Century’ signed in pencil – Dry Point Etching – Artist’s Proof 14.¼” x 9”

Lot 19

William Lionel Wyllie ‘Convoy War’ signed in pencil – Dry Point Etching 6.½” x 10.½”

Lot 2

William Lionel Wyllie, ‘The British Fleet Entering Grand Harbour Valetta, Malta’ 1916 signed in pencil – Artist’s Proof – Dry Point Etching 15” x 6.¼”

Lot 20

William Lionel Wyllie ‘Devonport’ signed in pencil – Dry Point Etching 4” x 13.½”

Lot 21

William Lionel Wyllie ‘Warships on The Thames’ signed in pencil – Dry Point Etching 4” x 13.½”

Lot 22

William Lionel Wyllie ‘Shipping – The Thames By The Tower Of London’ signed in pencil – Dry Point Etching 10.½” x 15.½”

Lot 23

William Lionel Wyllie ‘Capital Ships Proceeding To Jutland With Spotter Plane’ signed in pencil – Dry Point Etching – Artist’s Proof 7” x 17”

Lot 24

William Lionel Wyllie ‘Destroyers Off Gibraltar’ signed in pencil – Dry Point Etching 7” x 15”

Lot 25

William Lionel Wyllie ‘H.M.S. Hood and Nelson Submarine’ signed in pencil – Dry Point Etching – Artist’s Proof 4” x 12”

Lot 26

William Lionel Wyllie ‘Portsmouth Harbour’ signed in pencil – Dry Point Etching 4” x 8.½”

Lot 27

William Lionel Wyllie ‘Naval Vessels, Valetta’ signed in pencil – Dry Point Etching 7” x 15”

Lot 28

William Lionel Wyllie ‘Plymouth’ signed in pencil – Dry Point Etching 4.½” x 14”

Lot 29

William Lionel Wyllie ‘The Atlantic Fleet Coming Into Portsmouth’ signed in pencil – Dry Point Etching 8” x 14”

Lot 3

William Lionel Wyllie, ‘Destroyer & Submarine’ signed in pencil – Dry Point Etching

Lot 30

William Lionel Wyllie ‘A Destroyer, Fast Patrol Boat and Yachts, Early 1920’s’ signed in pencil – Dry Point Etching – Artist’s Proof 13.¼” x 3.¾”

Lot 31

William Lionel Wyllie ‘Naval Ships In Battle’ signed in pencil – Dry Point Etching 4.½” x 14”

Lot 32

William Lionel Wyllie ‘H.M.S. Renown With The Duchess Of York On Board Leaving Portsmouth Harbour, with Early Flying Boats Escorting’ signed in pencil – Dry Point Etching – Artist’s Proof 12.½” x 5”

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