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Click here to subscribeAfter Preston Cribb (1876-1937, British), etching, 'The Talbot, Chaddersley Corbett', framed, mounted, and under glass, measuring 15cm x 22cm, & 30cm x 37cm overall, together with two other etchings depicting 'The Star Inn, Alfriston' and 'Petersgate, York', and a coloured engraving of Halton Hall near Lancaster (4)
This intricately detailed set of eleven crystal drinking glasses features a lovely etched floral orchid design. The etching elegantly displays orchid flowers, often alternating with bows, within a framework of vines and small blossoms. Heisey marking. Each glass measures: 8"H x 3.5" dia. Issued: c. 1940Dimensions: See DescriptionManufacturer: Heisey & Co. Country of Origin: USACondition: Age related wear.
A whimsical framed etching by renowned Bolivian artist Graciela Rodo Boulanger, depicting a playful child sitting atop a richly detailed elephant balancing on a colorful circus ball. Known for her charming and imaginative compositions, this piece features textured details and a dreamy background. Signed in pencil lower right, with E.A. (Epreuve d'Artiste) notation on the lower left, marking it as an artist's proof. Housed in a wooden frame with a gray mat. Sight size: 8"L x 11"H. Frame dimensions: 16.5"L x 1.5"W x 19.5"H. Artwork can be unframed and rolled for shipment. Artist: Graciela Rodo Boulanger (Bolivian, b. 1935)Issued: Mid 20th centuryDimensions: See DescriptionCondition: Age related wear.
VICTOR PASMORE (BRITISH, B. 1908-1998) - UNTITLED, 1981 Etching on paper, limited edition number 13 of 35, signed and dated lower right 28.8 x 30 cm Ownership Statement: This item is offered for sale in the name of the owner, Chin Bee Ong. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
ABDUL LATIFF MOHIDIN (MALAYSIAN, B. 1941) - UNTITLED, 1968 Etching, signed and dated lower right, edition 2 of 4 37.5 x 22.5 cm Ownership Statement: This item is offered for sale in the name of the owner, Chin Bee Ong. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Ca. 400 BC.A gold signet ring with a thin, round-section hoop leading to a large, oval-shaped bezel. The bezel is engraved with Athena Nikephoros seated in a draped garment, wearing her characteristic helmet. A shield rests beside her, and a spear leans to one side. Her extended right hand supports a winged Nike, holding a wreath aloft. Fine etching details accentuate the textures of her attire.Size: D:17.93mm / US: 7 3/4 / UK: P; Weight: 10g.Provenance: Private UK collection; previously acquired on the German art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by full authentication report by Sami Fortune, ancient jewellery specialist.
Nicolas Pitau the Elder (1632-1671), after Raphael, The Holy Family with John the Baptist and St Elizabeth (Madonna del Divino Amore). The Virgin sits at left looking at the Christ child who sits on her lap and blesses a kneeling St John the Baptist. Joseph stands in the background, etching and engraving (trimmed), corners laid on card, circa 1656-1671, 32x41cm (plate) 41x53cm (full card size), unframed.
A group of pictures, to include: TATTON WINTER, coloured etching, "The Close Gate Salisbury", 39 x 26 cm, Caroline Buchanan, "Newstead Village", watercolour, Scottish School, "Loch Hourn" and Loch Tarbet", Fiona Mackenzie, mice on a sofa, watercolour, and Leesa Sandy's-Lumsdaine, limited edition print, (6).
DALI, SALVADOR (1904-1989), "Vénus au joueur d'Orgue (Venus und Orgelspieler)", 1971, Farbradierung/Japan, u.re. mit Bleistift von Hand signiert und u.li. mit Bleistift num. 76/120, HxB: Platte ca. 39x58 cm, Blatt ca. 55x74 cm, Außenmaße Rahmen ca. 58x77 cm. Altersspuren, leicht gebräunt. Mit verglastem Rahmen. VERSO Etikett Kunsthaus Paul Reim, Heilbronn mit Bezeichnung. LITERATUR: Ralf Michler & Lutz W. Löpsinger, Salvador Dali, Das druckgraphische Werk I, 1995, WVZ-Nr. 484b.| DALI, SALVADOR (1904-1989), ‘Vénus au joueur d'Orgue (Venus and organ player)’, 1971, colour etching/Japan, signed by hand in pencil lower right and numbered 76/120 in pencil lower left, HxW: plate approx. 39x58 cm, sheet approx. 55x74 cm, outer frame dimensions approx. 58x77 cm. Signs of age, slightly browned. With glazed frame. VERSO label Kunsthaus Paul Reim, Heilbronn with inscription. LITERATURE: Ralf Michler & Lutz W. Löpsinger, Salvador Dali, Das druckgraphische Werk I, 1995, WVZ no. 484b.
KÜNSTLER DES XVIII JH. "Hochzeitszug" 1749 Radierung, HxB: ca. 98/75 cm. Rahmen, HxB: 104/83cm. Normale Alters-und Gebrauchsspuren.Provinienz: Andreas Henn-Kunsthandel-Stuttgart.1744 wurde Herzog Carl Eugen mit 16 Jahren mündig gesprochen und mit der 12jährigen Elisabeth Sophie Friederike Markgräfin von Bayreuth-Brandenburg verlobt, die Voltaire als »sicherlich schönstes Kind in Europa« bezeichnete. 1748 fand in Bayreuth die Hochzeit statt. Anlässlich des Einzuges des Brautpaares in Ludwigsburg wurde am 9. Oktober ein opulentes Feuerwerk vor Schloss Favorite mit 3.600 Raketen abgehalten, »... und zwar ware die ganze Gegend des Fasanen-Gartens durch viele tausend Ampeln beleuchtet«, wie Wilhelm Friedrich Schönhaar in »Ausführliche Beschreibung des zu Bayreuth im September 1748 vorgegangenen Fürstlichen Beylagers Carls Herzog zu Württemberg und Elisabethe Friderice Sophie, geb. Marg-Gräfin zu Brandenburg« 1749 vermerkt. Der Publikation war die Radierung mit dem »Hochzeitszug« beigelegt, den oben eine Ansicht von Stuttgart sowie die Porträts des Herzogs und seiner jungen Frau zieren. Auch sind in der Bezeichnung verschiedene Gebäude benannt - unter anderem das seit 1746 in Bau befindliche Neue Schloss - sowie links oben »24 Canonen so auf der Gans haide gepflantzt waren zum Salutiren«.| ARTIST OF THE XVIII TH CENTURY ‘Wedding procession’ 1749Etching, HxW: 104/83 cm. (with frame) Normal signs of age and wear.Provenance: Andreas Henn-Kunsthandel-Stuttgart.In 1744 Duke Carl Eugen came of age at the age of 16 and was betrothed to the 12-year-old Elisabeth Sophie Friederike Margravine of Bayreuth-Brandenburg, whom Voltaire described as ‘certainly the most beautiful child in Europe’. The wedding took place in Bayreuth in 1748. To mark the bride and groom's entry into Ludwigsburg, opulent fireworks were held in front of Favorite Palace on 9 October with 3,600 rockets, ‘... and the whole area of the Pheasant Garden was illuminated by many thousands of traffic lights’, as Wilhelm Friedrich Schönhaar noted in ‘Ausführliche Beschreibung des zu Bayreuth im September 1748 vorgegangenen Fürstlichen Beylagers Carls Herzog zu Württemberg und Elisabethe Friderice Sophie, geb. Marg-Gräfin zu Brandenburg’ in 1749. The publication was accompanied by the etching with the ‘wedding procession’, which is adorned at the top with a view of Stuttgart and the portraits of the Duke and his young wife. The inscription also names various buildings - including the New Palace, which had been under construction since 1746 - as well as ‘24 canons planted on the Gans haide for saluting’ at the top left.
BARGHEER, EDUARD (1901-1979), 3 Landschaftskompositionen, 1.) Aquatintaradierung/Bütten, in der Platte signiert, darunter mit Bleistift von Hand signiert, datiert (19)72 und num. 95/100, HxB: Platte ca. 31x42,5 cm, Blatt ca. 43x65,5 cm; 2.) Aquatintaradierung/Bütten, in der Platte signiert und undeutl. dat., darunter mit Bleistift von Hand signiert und num. 103/175, HxB: Platte ca. 20x15 cm, Blatt ca. 26x20,5 cm; 3.) Farblithographie/Papier, in der Platte signiert und datiert (19)66, darunter mit Bleistift von Hand signiert und num. 3/120, HxB:Platte ca. 35x50 cm, Je Altersspuren, part. leichte Knickspuren und gebräunt. Die Blätter 2 und 3 mit verglastem Rahmen (Außenmaße bis 50x67,5 cm).| BARGHEER, EDUARD (1901-1979), 3 landscape compositions, 1.) aquatint etching/handmade paper, signed in the plate, below signed in pencil by hand, dated (19)72 and numbered 95/100, HxW: plate approx. 31x42.5 cm, sheet approx. 43x65.5 cm; 2.) aquatint etching/handmade paper, signed and indistinctly dated in the plate, signed and numbered 103/175 in pencil below, HxW: plate approx. 20x15 cm, sheet approx. 26x20.5 cm; 3.) colour lithograph/paper, signed and dated (19)66 in the plate, signed and numbered 3/120 in pencil below, HxW: plate approx. 35x50 cm, each with traces of age, some slight creases and browning. The sheets 2 and 3 with glazed frame (outer dimensions up to 50x67.5 cm).
STUTTGART "Ansicht der Haupt und ersten Residenz Stadt Stuttgart von der Morgenseite" kolorierte Radierung/Aquatinta von Carl Ebner, 1815, Gesamtansicht von Süd-Osten (etwa heutiger Eugensplatz) HxB: ca. 50/72 cm.Rahmen, HxB: 56/77 cm. Provinenz: Andreas Henn, Kunsthandel-Galerie.| STUTTGART “View of the capital and first residence city of Stuttgart from the morning side” General view from south-east (approximately today's Eugensplatz), colored etching/aquatint by Carl Ebner, 1815, HxW: 56/77 cm. (with frame) Provenance: Andreas Henn-Kunsthandel-Galerie.
BRÜNING, MAX (1887-1968) "Kabarett mit Affen" Farbradierung, handsigniert unten rechts und bez. "Original Radierung" HxB: 42,5/31,5 cm. Rahmen, HxB: 77/60 cm. | BRÜNING, MAX (1887-1968) ‘Cabaret with monkeys’Colour etching, signed lower right and inscribed ‘Original Radierung’ HxW: 42.5/31.5 cm. Frame, HxW: 77/60 cm.
STUTTGART VON DER ABENDSEITE Wilhelm Nilson, kolorierte Radierung/Aquatinta, Verlag Ebner um 1810, HxB: ca, 56/70 cm. Rahmen, HxB: ca. 62/77 cm. Lit.: Schefold, Max: Alte Ansichten aus Württemberg Stuttgart, Kohlhammer 1957. Dort Verzeichnet unter Nr. 7838 Provinenz: Andreas Henn - Kunsthandel-Galerie.| STUTTGART FROM THE EVENING SIDEWilhelm Nilson, colored etching/aquatint, published by Ebner around 1810, HxW: 62/77 cm. (with frame)Cf.: Schefold, Max: Alte Ansichten aus Württemberg Stuttgart, Kohlhammer 1957, listed there under no. 7838 Provenance: Andreas Henn - Kunsthandel-Galerie.
HELNWEIN, GOTTFRIED (1948), aus der Serie "Edgar Allen Poe", Aquatintaradierung/Papier, unsigniert, HxB: Platte ca. 31x21 cm, Passepartoutausschnitt ca. 33x22,5 cm, Außenmaße Rahmen ca. 59x47 cm. Altersspuren, leicht gewellt. Im Passepartout hinter Glas gerahmt. | HELNWEIN, GOTTFRIED (1948), from the series ‘Edgar Allen Poe’, aquatint etching/paper, unsigned, HxW: plate approx. 31x21 cm, mat cut-out approx. 33x22.5 cm, outer frame dimensions approx. 59x47 cm. Traces of age, slightly wavy. Framed behind glass in passepartout.
VOGELER, HEINRICH (1872-1942), "Liebe", grüntonige Radierung/beigegrünes Papier, in der Platte u.re. monogrammiert, darunter rechts mit Bleistift von Hand signiert, betitelt und gewidmet 'Herrn Alf. Hoennicke zu Eigen', u.li. mit Bleistift bezeichnet 'O. Felsing, Berlin gedr.', HxB: Platte ca. 35x37,5 cm, Passepartoutausschnitt ca. 39x39 cm, Außenmaße Rahmen ca. 53x53 cm. Altersspuren, leicht gebräunt und gewellt. Im Passepartout hinter Glas gerahmt. VERSO Etikett: Galerie BOISSERÉE, Köln. LITERATUR: Heinrich Vogeler, Das graphische Werk, bearb. u. hrsg. von Hans-Hermann Rief, 1974, Nr. 18.| VOGELER, HEINRICH (1872-1942), ‘Liebe’, green-toned etching/beige-green paper, monogrammed in the plate lower right, signed, titled and dedicated ‘Herrn Alf. Hoennicke zu Eigen', inscribed in pencil lower left ’O. Felsing, Berlin gedr.', HxW: plate approx. 35x37,5 cm, mat opening approx. 39x39 cm, outer frame dimensions approx. 53x53 cm. Signs of age, slightly browned and wavy. Framed behind glass in passepartout. VERSO label: Galerie BOISSERÉE, Köln. LITERATURE: Heinrich Vogeler, Das graphische Werk, bearb. u. hrsg. von Hans-Hermann Rief, 1974, Nr. 18.
DALI, SALVADOR (1904-1989), "Urteil des Paris" aus der Folge "Mythologie", 1963-65, Radierung, Heliogravure und Kaltnadel/Papier, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num . 61/150, HxB: Platte ca. 50x40 cm, Passepartoutausschnitt ca. 73x53 cm, Außenmaße Rahmen ca. 98x76 cm. Altersspuren, leicht gebräunt. Im Passepartout hinter Glas gerahmt. LITERATUR: Ralf Michler & Lutz W. Löpsinger, Das druckgraphische Werk I, WVZ-Nr. 123 a. ANBEI Zertifikat und Ausstellungskatalog der Galerie de la colombe, Vallauris (Frankreich) von 1984.| DALI, SALVADOR (1904-1989), ‘Urteil des Paris’ from the series ‘Mythologie’, 1963-65, etching, heliogravure and drypoint/paper, signed by hand in pencil lower right, numbered in pencil lower left . 61/150, HxW: plate approx. 50x40 cm, mat cut-out approx. 73x53 cm, outer frame dimensions approx. 98x76 cm. Signs of age, slightly browned. Framed behind glass in passepartout. LITERATURE: Ralf Michler & Lutz W. Löpsinger, Das druckgraphische Werk I, WVZ no. 123 a. INCL. certificate and exhibition catalogue of the Galerie de la colombe, Vallauris (France) from 1984.
This elegant set of clear crystal features an intricate design with clusters of grapes and flowers etching. The lower proportion of the glass presents classic diamond-shaped facets, reflecting the light beautifully. Each measure: 7''H x 2.5''dia. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
British School (20th century)Design for a marquetry panel in a music room, depicting a violin and a harp on a bracketWatercolour, 42.5cm by 28cm; together with a collection of decorative works including: a contemporary unframed abstract oil on canvas by Mark Burton; an etching by R.T.Cowern titled "Brook near Abinger", signed, inscribed and numbered 21/50; a 19th century unframed watercolour of Beaugency sur Loire; another watercolour depicting a Wood Warbler, initialled J.H.H; etc. (Qty)
An original etching on Rives paper by Otto J. Schneider, depicting the portrait of a woman wearing a pearl necklace, long earrings and a hat. Signature in graphite on lower right side. Rives paper blindstamp on lower left. Artist: Otto J. Schneider (American, 1875-1946)Dimensions: 10.75"L x 13.75"HCondition: Age related wear. Sporadic foxing. Some soiling around margin. Two small spots on upper right side.
An original etching on wove paper by Otto J. Schneider, depicting American businessman Jacob M. Loeb looking out a window with a cigarette in hand. Signature in graphite on lower right side. Illegible text in graphite on lower left side. Artist: Otto J. Schneider (American, 1875-1946)Issued: 20th centuryDimensions: 9.75"L x 14.5"HCondition: Age related wear. Some soiling around margin. Two small pieces of tape on upper margin.
This stunning gold and silver colored etching on black paper is after the brass memorial to Sir Hugh Hastings in a church in Elsing, Norfolk, dating back to 1347. Small sheet with text on verso. Housed in a leaf-patterned frame with a white mat. Sight size: 13"L x 13"H. Frame dimensions: 23.75"L x 1"W x 23.75"H. Dimensions: See DescriptionCondition: Age related wear.
Mary Louise Coulouris (American-British, 1939-2011), six prints with Scottish and ecology themes: 1) Picasso Fish (1995), lithograph, signed, titled and numbered 1/1 in pencil to margin, image size 44 x 61cm ; 2) Tulips (1995), lithograph, signed, titled, dated and numbered 1/1 in pencil to margin, image size 49 x 69cm; 3) Fisher Lassie (1994), linocut, signed, titled, dated and numbered 5/75 in pencil to margin, image size 101 x 76.5cm; 4) Ecology Triptych 2 (1997), linocut, signed, titled, dated and numbered 3/6 in pencil to margin, image size 72 x 62cm; 5) Ecology Triptych I (1997), linocut, signed, titled, dated, and numbered 3/7 in pencil to margin, image size 67 x 47cm; 6) 'Charity' (1996), etching and mixed media, signed, titled, dated and numbered 4/7 in pencil to margin, framed, image size 10 x 11cm. (6), Some as found with minor tears and abrasions to the margins, particularly the 'Fisher Lassie'.Provenance: from a relative of the artist. Mary Louise Coulouris worked in a range of media during her prolific career, with studios in London (1962-1976), Scotland (1976-1999) and Hydra, Greece (2000-2011). Of partly Greek heritage, born in New York and growing up in Hampstead, she trained at Chelsea College of Art in the late 1950s and then Slade to 1960, specialising in printmaking under the tutorship of Anthony Gross and William Coldstream. Alongside her work in printmaking sit watercolour still lives and oil and acrylic works on canvas and board showing Scottish landscapes and cityscapes. Coulouris exhibited widely in her lifetime and examples of her work can be found in major public and private collections.
Pogany (Willy).- Rolleston (T. W.) The Tale of Lohengrin, one of 525 copies with additional etching signed by Pogany, 8 tipped-in plates and illustrations (many full-page) by Pogany, light spotting to endpapers, original vellum, light spotting and lightly splayed as usual, housed in modern slipcase, 4to, [1913].
BELA SZIKLAY (1878-1949) "Milan Cathedral" coloured etching, 20.5 cm x 28 cm, BELA SZIKLAY (1878-1949) "Domed building with tree in foreground" pen and ink etching, signed lower left, 20.5 cm x 28 cm together with BELA SZIKLAY (1878-1949) "Fortress building with bridge in foreground", black and white etching, signed lower left, 20.5 cm x 28 cm (3)
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![Antique fine line coloured etching titled ''S. S St Rognvald''[50 x70cm]](https://cdn.globalauctionplatform.com/50764956-90e0-41db-ae79-b26801019441/a8a4e438-3c45-45d5-a595-b26a00cee41f/468x382.jpg)
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