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Click here to subscribeSalvador Dalí, Spanish 1904-1989,La Porte Saint-Denis, 1963; etching with aquatint on Auvergne wove, signed and dated to the plate, signed, dated and numbered 66/100 in pencil to lower edge, together with 'The Official Catalog of the Graphic Works of Salvador Dali' by Albert Field, image: 72 x 54 cm, book: 29 x 22.3 cm, (framed) (ARR) (2)Note: Albert Field, The Official Catalog of the Graphic works, 63-2-CProvenance: Rouge Gallery, St Albans
Louise Bourgeois, French 1911-2010, Be Calm, 2005; screenprint with embroidery on linen tea towel, mounted and laid to backing board, signed in the plate, numbered 157/1000 in black pen, published by Third Drawer Down and Tate, London, with original paper packaging, sheet: 68 x 49.5 cm, (unframed) (ARR)Note: in 2005, Bourgeois created ''Be Calm'' a drypoint etching, after which this tea towel is reproduction. It was created two years prior to Louise Bourgeois's monumental exhibition at the Tate Modern, London in 2007.
Bob Dylan, American b.1941- Train Tracks (Red), 2010;giclée on Hahnemühle 350gsm Museum Etching paper, signed and numbered 281/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56cm, (framed)Note: together with a certificate of authenticity from Washington Green Fine Art
Bob Dylan, American b.1941- Train Tracks (Bright Red), 2012;giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 106/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 91.5 x 71 cm, (framed)Note: together with COA issued by Washington Green Fine Art.
Robin Tanner, British 1904-1988, Hedge Flowers, 1989; Weeds, 1989; Full Moon, 1977;(i)etching on wove, from 'Robin Tanner The Memorial Portfolio', numbered 85/100 in pencil, with portfolio blind stamp, published by Merivale Editions, image: 23 x 16.5cm, (ii)etching on wove, from 'Robin Tanner The Memorial Portfolio', numbered 85/100 in pencil, with portfolio blind stamp, published by Merivale Editions, image: 15.5 x 12.5cm, (iii)etching on wove, this lot is signed in pencil.image: 24.5 x 19cm, (all unframed)(ARR)(3)
Bob Dylan,American b.1941- Sidewalk Café, 2011; giclée print in colours on 350gsm Hahnemühle Museum Etching wove,signed and numbered 138/295 in pencil,printed by GTZ Fine Art Editions, New York,published by Washington Green Fine Art in association with Black Buffalo Artworks,sheet: 70 x 56 cm,(framed)Note: together with COA issued by Washington Green Fine Art.
David Hockney OM CH RA, British b. 1937-Rapunzel Growing in the Garden, from Illustrations from Six Fairy Tales Brothers Grimm (Scottish Arts Council 81; M.C.A. Tokyo 78), 1969; etching and aquatint on Hodgkinson handmade paper, watermarked PP, signed in pencil, and inscribed verso 'Grimm Ed. A. IX. A.P.' in ink, from book edition A, one of 20 artist's proofs aside from the numbered edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, lower and side margins have possibly been slightly cut down, sheet: 44.5 x 31 cm, (framed) (ARR)
Bob Dylan,American b. 1941- Man On A Bridge, 2011; giclée print in colours on 350gsm Hahnemühle Museum Etching wove,signed and numbered 138/295 in pencil,printed by GTZ Fine Art Editions, New York,published by Washington Green Fine Art in association with Black Buffalo Artworks,sheet: 70 x 56 cm,(framed) Note: together with COA issued by Washington Green Fine Art.
Salvador Dalí, Spanish 1904-1989, Levi, from the 12 Tribes of Israel, 1972;etching in colours on BFK Rives wove, signed in pencil and numbered 124/195, printed by Ateliers Rigal, Paris, published by Transworld Art, New York, image: 50 x 37 cm, (framed) (ARR)Note: Albert Field, The Official Catalog of the Graphic Works of Salvador Dali, 72-6, L
Henry Moore OM CH FBA, British 1898-1986, Reclining Figure 3, 1977-78; etching and aquatint on Richard de Bas paper, signed and numbered Pl.3 L15/25 in pencil, printed by Atelier Lacouriere et Frelaut, Paris, 1978, sheet: 54 x 46cm, (framed) (ARR) (2) Note: together with 'Henry Moore: The Graphic Work, 1976-1979, Volume III (Geneva, 1980)', catalogue ed. Patrick Cramer. Literature: Cramer Vol. 3, no. 474.Provenance: Clarendon Fine Art, London
Andrew Ingamells (British, b.1956) 'The Pavilion of Marylebone Cricket Club at Lord's', aqua tint copper etching, hand coloured, limited edition 150 of 195, with legend and signed in pencil on lower margin, mounted, glazed and framed, 63 x 87cm. Drawing of the famous pavilion designed by Thomas Verity in 1889, including close-up views of the terracotta heads which support the consoles on the upper Terrace. Ingamells has built an international reputation as an architectural etcher and his work can be found in the collections of the Tate Gallery, HRH the Prince of Wales, the National Trust, the Paul Mellon Centre, etc. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT. European Union’s Artist’s Resale Right Directive (adopted by the United Kingdom): An Artist's Resale Right would be applicable on this lot should the hammer price exceed the currency equivalent of 1,000 Euros (excluding buyer's premium & VAT). Under these circumstances a 4% resale royalty will be added to the buyer's invoice.
Radley College Oxfordshire cricket match, etching by FP Barraud and Fred Hunter, signed in pencil on lower margin, published by Dickinson & Foster, 1891, mounted glazed and framed, 55 x 69cm. All glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
(ar) Sir Frank Brangwyn RA (1867-1956) "The Walls of Avignon" 1913 (Les Murs d'Avignon), (Gaunt 'The Etchings of Frank Brangwyn' (225)) etching with drypoint. Signed indistinctly by the artist in pencil. Original frame and mount. Provenance:- With The Fine Art Society, London (Label Verso). 22 cm by 16 cm.
(ar) Stanley Roy Badmin (1906-1989), "Oxfordshire, Cottage", etching, signed within the plate and signed and titled in pencil to bottom margin, 10 cm x 15.5 cmA good, rich impression. Titled and signed to the margin "Oxfordshire Cottage SR Badmin" and signed with initials and dated within the plate "SRB '36". Well framed. Mounted sensitively with a good margin outside the plate. Label for modern framer verso.
(ar) Stanley Roy Badmin (1906-1989), "Burford, Oxfordshire", etching, titled within the plate and signed in pencil to bottom margin, (catalogue raisonee 25), 14 cm x 19 cmA good rich impression. Signed to the edge of the margin and the platemark. Well framed - mounted sensitively with a good margin outside the plate. Label verso for a modern framer.
Local and Wiltshire Interest - A collection of engravings, 19th century and earlier, with three etchings and two architectural studies of masonry at St Peter's Church, Windrush and St John the Baptist Church, Latton, pen and watercolour, 20 x 28 cm each; Johannes Blaeu - 17th century hand-coloured engraving of Stonehenge, 27 x 43 cm; Four engravings of Malmsbury Abbey; Engraving of Maiden Bradley Priory by Storer, in birdseye maple veneer bevelled frame, 19 x 22.5 cm; together with: P.R. Collins - 'Auricula', etching signed and numbered 9/100 in pencil below; 19th century Dutch etching of windmills, indistinctly signed in pencil below; Clive Rose - signed artist's proof etching of a seashell (11)
A collection of 19th-20th century prints, to include: George III and Victorian fashion illustrations - four framed in two pairs and ten loose sheets, hand-coloured engravings, earliest dated 1799; J. Baily after T. Whitcombe - 'Battle off Cape St. Vincent, Feb. 14th 1797, aquatint in colours, published 1816 for J.Jenkins's Naval Achievements, mounted and glazed in hogarth frame, frame dimensions: 49.5 x 42.5 cm; together with Laura Simpson - 'Onions' single edition etching, signed, titled and numbered (1/1) in pencil below, framed
Pair of 18th century engravings, engraved by W. Byrne & J. Schuman. “Morning” and “Evening”. Published July 1794 by Darling & Thompson, London. Framed. 45x56cm, 18th century engraving, “View of Wansted House in Essex, the seat of the Earl of Tylney”. Framed. 16.5x21.5cm, 18th century coloured engraving, “View of the Collegiate Church of Holy Head, a Town and Cape of the Isle of Anglesea”. Published by Alexander Hogg. Framed. 16x18cm, Victorian 19th century Wesleyan Methodist, Twentieth Century Fund certificate. Signed to Hugh H Evans, 17 Station Road, Talysarn. John Hugh Evans, 1833-1886, was a Wesleyan Minister being admitted to the ministry in 1860. In original faux grain painted frame. Overall including frame 32x40cm, Arthur Uecker-Fensloff, d.1934 etching, titled in pencil lower left and signed lower right. Early 20th century. Framed and mounted. Overall including frame 32x36cm, 19th century coloured engraving. “Battle of Inkermann, November 5th 1854, the Guards resisting the attack on the two gun redoubt”, by R Hind and T Sherratt. Framed. Overall including frame 19x26.5cm, Cecil Aldin, 1870-1930. Coloured lithograph from a drawing, a view of The Old Quadrangle at Rugby School, one of the oldest parts of the complex built by Henry Hakewill in the first decades of the 19th century. Titled “Rugby School, The Old Quad”. Published by Richard Wyman & Co, London. Mounted and framed, Overall including frame 56x59cm, Pair of decorative lithographs, military processions, “Die Thuner” and “Der Hulfszug von Uri, Schwyz und Unterwalden”. Mounted and framed. Overall including frames 35.5x59.5cm (10)
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