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Lot 162

Edmund Blampied RBA, RE (Jersey, 1886-1966), "I love your daughter", etching, signed in ink lower left, signed, titled and dated 1934 in the plate, framed, 11¼ x 8½in. (28.4 x 21.6cm.). *Appleby & Arnold Catalogue Raisonee No.171.

Lot 192

Chris Orr MBE, RA (British b.1943), "The Silent ABC", coloured etching, signed and dated 1990 in pencil lower right, annotations to border, titled lower centre and inscribed "working proof (lots of alterations to come)" lower left, unframed, 47.5 x 68cm.

Lot 193

Chris Orr MBE, RA (British b.1943), "Art School", coloured etching, signed and dated 1995 in pencil lower right, titled lower centre, and numbered 2/30 lower left, unframed, 49.5 x 74cm.

Lot 34

Peter Godfrey Coker RA (British, 1926-2004), Mountain Village, coloured etching, signed in pencil lower right, numbered lower left 10/20, framed, 55.7 x 37.8cm.

Lot 37

Jules Jacquet (French, 1841-1913) After Richard Caton Woodville RI ROI (British, 1856-1927), Blucher at Waterloo Signed by the artist and the printmaker, etching in an impressive parcel gilt frame, 95cm x 125cm

Lot 685

Two similar Victorian paintings, on porcelain, etching after Percy Robertson, another after Robert Walker Macbeth. (6)

Lot 410

A Sudanese ( Dongola ) dagger with a curved pommel, stacked horn constructed hilt, upturned crossguard and curved blade with ricasso etching housed in a wooden scabbard with a fabric covering. Measures approx 38cm.

Lot 421

Napoleonic War Interest - Arthur Wellesley, 1st Duke of Wellington (1769-1852) - an etching of the Duke of Wellington drawn by R. Scanlan and engraved by H. Cook mounted along side a hand written excerpt in response to a letter to Wellington (not in his hand) together with a doudle sided framed copy of The Times dated June 22nd 1815 the day that Napoleon abdicated. Measures approx 45x55cm.

Lot 178

A 19th Century Syrian Jambiya / Khanjar dagger. Weighted stacked style hilt of bone and wooden bands forming a chequered face. Curved blade with some Arabic script etching housed in a wood and metal scabbard. Measures approx 20cm.

Lot 123

A 19th Century British 1821 Pattern Royal Artillery Officer's sword. Stepped pommel with ball final, chequered grip with wire banding, strap back and a x3 bar hilt with forward facing quillon. The ricasso with proof star and blade with Royal Artillery etching. Measures approx 105cm.If this lot is required to be posted please see sale notes regarding age verification.

Lot 360

Martin Leman, British b.1934 - It's Magic, 1994; oil on board, signed and dated lower right 'Leman 94' and titled and dated to the reverse, 31.8 x 26.7 cm: together with an etching on paper by the same artist (2) (ARR) Note: Martin Leman is celebrated for his naïve and gently surrealist style reminiscent of Henri Rousseau. He is particularly known for his paintings of cats and the numerous illustrated books he has made, including 'Comic and Curious Cats' which featured a text by Angela Carter, making him a natural heir to Louis Wain. 

Lot 1

Augustus John OM RA, British 1878-1961 - Lucy, 1904;  etching on paper, state ii/ii from an edition of 25, signed in pencil lower right 'A E John', image size 12.6 x 10 cm (ARR) Provenance: with Thomas Agnew & Sons, London, no.44045 (label attached to the reverse of the frame); The Collection of Professor W. M. Ballantyne (1922-2021) and thence by descent Exhibited: The Fine Art Society, London, 'A Barrister's Collection: A Lifetime of Collecting by Professor W. M. Ballantyne', 5th-21st March 2014, cat. no.25 Literature: Campbell Dodgson, 'A Catalogue of the Etchings of Augustus John 1901-1914', London, 1920, no.70 

Lot 57

Erna Hoppe-Kinross,German/British 1875-1964 - Jouant aux sables (Playing in the sands); oil on board, signed lower left 'E Hoppe', titled to artist's label on the reverse, 21 x 19.3 cm: together with 3 other works by the same artist of a similar size and smaller, including 'Boulevard', 'St. Briac' and an etching on paper 'Breton women' (4) (ARR) Provenance:the Family of the Artists Grace English and Erna Hoppe-Kinross Note:Hoppe-Kinross lived in Paris from 1906-14, where she exhibited at the Salons and at the Societe Nationale des Beaux-Arts. The present lot has been recorded to have been exhibited at Salon in 1907. She met her husband Charles Kinross there and they married. They had a holiday home at Giverny where they befriended Claude Monet - under his influence this was to become her most important period of painting.

Lot 396

William Lee-Hankey (British, 1869 - 1952) Woman sewing Monogrammed and signed in pencil, etching, 21cm x 16.5cm, and another etching by the same hand of a Dutch market.  (2)  ARR

Lot 397

William Lee-Hankey (British, 1869 - 1952) Fisherwoman Signed in pencil, etching, 16cm x 16cm, and another two by the same hand of a young girl, and field workers, 16cm x 21cm and 24.5cm x 20cm.  (3)  ARR

Lot 403

Gerald Leslie Brockhurst (Scottish, 1890 - 1978) The Basque Boy, Cypriano Signed, drypoint etching, 16cm x 9.5cm, also an etching of The Library of St Mark's, Venice by William Walcot, 11.5cm x 17cm.  (2)  ARRCONDITION REPORT: No pitting. Subject on main picture looks fine, possibly slight fading to the Venice scene.  Damage to the frame on Basque Boy.  Minor staining/marks to both mounts.  Both glazed.

Lot 404

Charles William Cain (British, 1893 - 1962) Baghdad, Latticed Window Signed, etching, 11cm x 10cm, and another by the same hand, 24cm x 31.5cm.  (2)  ARR

Lot 395

Katharine (Kate) Cameron RSW RE (Scottish, 1874 - 1965) L'Auberge Signed, etching, 26cm x 17cm.  ARR

Lot 392

Dame Laura Knight DBE RA RWS (British, 1877 - 1970) Woman with a shawl Signed in pencil, etching, 35.5cm x 26cm.  ARR

Lot 405

William Wyllie (British, 1851 -1931) The Thames Etching, 13cm x 11cm, and three other etchings.  (4)

Lot 210

WILLIAM ASHTON (1853-1927) An Egyptian scene, etching, signed & dated 1921 in the plate, 39cm x 27cm (image), framed & glazed (56.5cm x 40cm overall).

Lot 187

VLADAMIR SUCHÁNEK (Czech, 1933-2021) Illustration for “Ace of Hearts” by Dagmar Kuldská, coloured etching, signed & numbered in pencil, 17.5cm x 10cm (image), framed & glazed. (37cm x 28.5cm over-all).

Lot 157

Thomas Bush Hardy (1842 - 1897) : Canal with Windmill Beyond, etching, with full margins, inscribed by the artist verso and dated 31 December 1884, 15 cm x 10 cm, framed.

Lot 261

Sir William Russell Flint (British, 1880-1969),Celindra's Precaution,dry point etching, LXIV, signed,plate 18.5 x 12cm.

Lot 227

After Edward Burne Jones (British, 1833-1898)Flora,etching on vellum by Eugene Gaujean, signed by artist and engraver,published 1894,plate 43x16cm.Provenance:With The Maas Gallery, acquired 2002.Condition report:We suspect that the print has been 'washed' - there is some discolouration to the paper visible top (above the copyright text) and bottom just below the signatures - the image is good, however. Modern frame. Dealer's label for Maas Gallery.

Lot 260

Sir William Russell Flint (British, 1880-1969), Bagno Della Marchesa,dry point etching, numbered XI, signed,plate 27 x 19.5cm.

Lot 256

Augustus John (British, 1878-1961),A Girl's Head,etching, signed, from an edition of 50,impression 17.2x14cm.

Lot 299

Julia Roberts (21st century), Anticipation,etching and aquatint, signed, titled and dated 24/40, COA verso,plate 22x22cm.

Lot 244

Edward Fitzgerald, Rubaiyat of Omar Khayyam, illustrated by Willy Pogany, George G Harrap & Co., London 1930, numbered edition 210 or 750 copies, signed by Pogany, twelve mounted colour plates and one signed etching, tooled leather binding in original publishers card box.

Lot 265

Andre Lambert (German 1884-1967),La Luxure, (from the set of The Seven Deadly Sins),etching with aquatint, artist's proof, signed,impression 47x35cm.

Lot 297

Assorted loose book plates and engravings, including:Willy Pogany, Lohengrin, etching, signed in pencil image 19.5x13.5cm;Patten Wilson, Rustum and Sinoorg, dated '97, 20x12cm;Frederick Hammersley Ball, Ophelia, 20x12cm;Paul Balluriau, Crepuscue, lithograph 1897, publishers blind stamp,and others

Lot 264

Andre Lambert (German 1884-1967),L'Orgueil, (from the set of The Seven Deadly Sins),etching with aquatint, artist's proof, signed,impression 47x34.5cm.

Lot 295

Edgar Chahine (French, 1874-1947),Mitsou, (woman in a robe),drypoint etching, unsigned,impression 22x16cm.

Lot 233

Arthur Turrell after John Melhuish Strudwick,A Love Story,etching, signed, published 1890 by Fishel, Adler & Schwartz, New York,impression 51x39cm.

Lot 257

Augustus John (British, 1878-1961),The Flowered Toque (A Girl's Head-H),etching, Campbell Dodgson 68, signed, from an edition of 50,impression 20x12.5cm.

Lot 254

Augustus John (British, 1878-1961),A Girl's Head - with hat,etching, signed, from an edition of 50,impression 15x10.2cm.Condition report:The paper appears to be in good condition, no tears, holes or creases, reasonable margins, signed in pencil lower right, some foxing throughout mostly to the margins and a little to the top edge. Incorrect label on the reverse of the frame.Additional images have been uploded to the lot page on our website for you to view.

Lot 294

Edouard Chimot (French 1880-1959),Young lady in a Dutch landscape,etching, impression 40x31cm, unframed;together with three other French etchings, one loose, two mounted, various sizes.Qty: 4

Lot 255

Augustus John (British, 1878-1961), A girl's head, etching, signed, from an edition of 50, impression 15x10.2cm. Condition report:Paper appears to be in good condition, no tears holes or creases, reasonable margins visble, signed in pencil lower right, some foxing, mostly to lower margin.Additional images have been uploaded to the lot page on our website for you to view.

Lot 292

After Edouard Chimot (French, 1880-1959),Les Chansons secretes de Bilitis, (reclining nudes),drypoint etching, plate 27.5x21.5cm

Lot 258

Sir William Russell Flint (British, 1880-1969) Alegro, (dancers)dry point etching, XLIX, signed,plate 12.5 x 15cm.

Lot 259

Sir William Russell Flint (British, 1880-1969)Amazons on a Breton Beach,dry point etching, numbered XXVI, signed,plate 20.5 x 34cm.

Lot 620

Wilfred R E Fairclough (1907-96) - Nuns crossing the piazza, etching, pencil signed and dated 1984 to lower right margin, 14.5 x 26 cm

Lot 617

Wilfred R E Fairclough (1907-96) - 'Venice - lunch at Torcello', etching, pencil signed and dated 1999 lower right margin, 19 x 26.5 cm

Lot 615

Wilfred R E Fairclough (1907-96) - 'Self portrait, Venice', etching, pencil signed to lower right margin and dated 1987, 18 x 12.5 cm

Lot 616

Wilfred R E Fairclough (1907-96) - Figures with umbrellas crossing a Venetian bridge, etching, pencil signed and dated 1983 to lower right hand margin, 16.5 x 22.5 cm

Lot 614

William Lionel Wyllie (1851-1931) - Two - 'Portsmouth' and 'Southampton', drypoint etching, pencil signed to margins, 9 x 34 cm (2)

Lot 613

Dimitri - Fishermen, etching, artist proof, signed to margin, 34 x 50 cm

Lot 622

Wilfred R E Fairclough (1907-96) - 'Venice, the Rose and the Writ', etching, pencil signed and dated 1999 lower right margin, 22 x 16 cm

Lot 619

Wilfred R E Fairclough (1907-96) - The fountain, Venice, etching, pencil signed and dated 1986 lower right margin, 14 x 21.5  cm

Lot 618

Wilfred R E Fairclough (1907-96) - 'Venice - Torcello afternoon', etching, pencil signed and dated 1982 lower right margin, 20.5 x 27.5 cm

Lot 558

Rosalind Whitman - 1986 'View From Sam City' coloured etching limited edition 14/75. Part of the Royal Academy Summer Exhibition. Frame, mounted and glazed, measuring approx. 65cm x 80.5cm.

Lot 105

E. Brandard after J.M.W. Turner 'The Grand Canal, Venice', etching on paper with embossed dolphin mark to the lower right.42cm x 60cm to the plate mark. The frame 90cm x 66cm.Qty: 1In good condition overall. The print a later reproduction. With dolphin blind stamp.

Lot 289

A collection of six prints The first after Godfried Schalcken (Dutch 1643-1706), a young instrument player, engraving; the second François-Bernard Lépicié (French 1698-1755) after C. D. Moore, 'Le Jeu des Échecs', engraving, c.1746; a prospect of a Paris boulevard of the Louis XVI period, hand-coloured engraving; a boy with his mother holding grapes, etching and aquatint; 18th Century Welsh School, charcoal kiln view on the River Teivy, hand-coloured aquatint, 22cm x 23cm; and an offset lithograph after an aquatint of an interior scene.Qty: 5The first with notable toning, some damage to the paper in the upper left and minor damage to the figure's face. The second with some mount burn and light foxing. The third with notable toning and foxing, particularly in the upper half. The fourth with notable foxing. The fifth with some damage and repairs to the frame, losses to the black-painted glass slip, notable toning throughout. The sixth with some worm damage.

Lot 379

Gaspard Dughet (Italian 1615-1675) Landscape with figures, etching.20cm high x 29.5cm wideQty: 1In generally good condition. Cut down to within the plate mark.

Lot 232

Julien Célos (Belgian 1884-1953) A French street scene with figures, hand-coloured etching, signed to the margin 'Julian Celos'.42cm x 58cm to the plate markQty: 1In generally good condition with light toning and some very minor foxing.

Lot 458

After Antoine-Jean Gros (French 1771-1835) ‘Napoleon on the Battlefield of Eylau’, etching, dated ‘July 1833’, with an ink stamp to the margin.57cm high x 77.5cm wide to the marginQty: 1A notable tear in the paper running from the lower left, approximately 10cm into the inked area of the picture. Slight toning. The paper appears to have been trimmed and later re-mounted to give the impression of a plate mark.

Lot 390

Campbell Mackie (Scottish 1886-1952) 'Blackthorn', etching, initialled to the print 'CM', signed and dated to the margin 'Campbell Mackie 1913'.31cm x 7.5cmQty: 1Notable foxing throughout.

Lot 270

Edward W Sharland (British 1884-1963) 'The Pantheon, Rome', etching on paper, titled and signed to the margin 'The Pantheon, Rome E Sharland'.41.5cm x 48cm to the plate markQty: 1In generally good condition. With slight mount burn. Light toning to the paper.

Lot 241

Simon Brett (British 1943-) Two prints: 'Restorative/Hobbes's Whale', etching, titled, numbered and signed to the margin 'Restorative/Hobbes's Whale 8/50 Simon Brett'; together with 'Ramsey Island', etching, titled, numbered and signed to the margin 'Ramsey Island 11/45 Simon Brett'.22cm high x 16cm wide and 19cm high x 11cm wideQty: 2In generally good condition.

Lot 265

Avril, after Jean-Jacques-François Le Barbier (French 1738-1826) 'Penelope a Ulysses', etching on paper, a later state.59cm x 74cmQty: 1Some warping to the paper notable particularly to the centre and the upper right, some water damage lower left, sun damage upper left.

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