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Click here to subscribeWILLIAM WILSON SUTHERLAND - 1934 Etching, inscribed 'W. Wilson, imp. H.K.' in pencil to margin, inscribed ‘Sutherland’ in red pen and ‘20B’ in pencil verso plate size 30cm x 39.5cm (12in x 15.5in), unframedProvenance: William Wilson (1905-72) and thence by descent to the present owner
A SMALL QUANTITY OF PAINTINGS AND PRINTS ETC, to include four Margarita Dorrity oils and watercolours, comprising a work titled 'The Swing' exhibited at the Royal Academy in 1977, oil on board, approximate size 60cm x 39cm, 'Marguerites' oil on board, approximate size 90cm x 44cm, a watercolour abstract study 'Winter Pleasure' and 'At rest at Eventide' coastal landscape, together with a Harry L. Woods (1877-1952) watercolour landscape with female figure walking towards a church, an unsigned coastal landscape titled 'Nr Lynmouth 1886', Ronald Basil Emsley Woodhouse (1897-1987) etching 'Mermaid St , Rye', Mabel Catherine Robinson mezzotint etching depicting a continental lakeside town, an indistinctly signed etching depicting 'Patio De Leones' fountain in Spain, assorted other pictures etc
After Rembrandt van Rijn (1606-1669, Dutch), drypoint etching, 'Ermite', St Jerome Reading, signed indistinctly to the lower right, limited edition 123/360, framed and under glass, 28cm x 36cm overall, together with a 19th/20th Century school watercolour/gouache of a water mill, framed, mounted, and under glass
THE GODFATHER (1972) - Hand-Numbered Timed Edition Giclee Variant Print by Paul Mann, 2022Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. A limited edition private commission Giclee print for Francis Ford Coppola's multi-Oscar-winning masterpiece The Godfather (1972). Mann's signature brushstroke technique is wonderfully displayed in this montage design featuring all of the film's key characters with the great addition of the distinctive'puppet master' title artwork. Presented here is the timed edition Variant printed on Fotospeed Platinum Etching paper and hand-numbered #145 out of 150. It won the Expresso Beans Art of the Week 11/23/22 award.24" x 36" (61 x 91 cm)Additional Information: Hand-Numbered #145/150Condition: Near Mint+Artist: Paul Mann£200 - 400VAT Status: MClick here for our Poster Auction Grading Guide
BLADE RUNNER (1982) - Hand-Numbered Limited Edition Variant Print by Alfons Kiefer, 2023Bidding for this lot will end on Thursday 8th February. The auction will begin at 2:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. "Man Has Made His Match...Now It's His Problem". Limited edition Variant print by artist Alfons Kiefer released in 2023 for Ridley Scott's innovative sci-fi film Blade Runner (1982). Kiefer has produced arguably one of the most impressive depictions of Harrison Ford as Rick Deckard pointing his LAPD 2019 blaster pistol. This 24 x 36 Variant version was released in a very limited run of 30, with this example being hand-numbered #8. The fine art Giclee print is presented on Fotospeed Platinum Etching paper and features a screen-printed spot gloss varnish layer.24" x 36" (61 x 91 cm)Additional Information: Hand-Numbered #8/30Condition: Near Mint+Artist: Alfons Kiefer£100 - 200VAT Status: MClick here for our Poster Auction Grading Guide
Eduardo Chillida (1924-2002)Plate I, from José M. Ullán: Adoración (Koelen 77007)Etching and aquatint, 1977, signed in pencil, from the edition of 125, printed by Atelier Morsang, published by Robert & Lydie Dutrou, Paris, on Auvergne wove paper, with full margins, sheet 325 x 255mm (12 7/8 x 10in)
Eduardo Chillida (1924-2002)Plate III, from José M. Ullán: Adoración (Koelen 77009)Etching and aquatint, 1977, signed in pencil, from the edition of 125, printed by Atelier Morsang, published by Robert & Lydie Dutrou, Paris, on Auvergne wove paper, with full margins, sheet 325 x 255mm (12 7/8 x 10in)
Robyn Denny (1930-2014)Graffiti 19Etching with aquatint in colours, 1977, signed, dated and titled in pencil, numbered from the edition of 40, printed by JC Editions, London, published by Bernard Jacobson Gallery, London, on Arches wove paper, with full margins, sheet 700 x 567mm (27 1/2 x 22 3/8in)
Richard Smith (1931-2016)Untitled (Green)Etching with aquatint and embossing printed in colours, 1970, signed and dated in pencil, numbered in Roman Numerals from the proof edition of 10, aside from the edition of 50, published by 2RC Edizioni d'Arte, Rome, on wove paper, with full margins, sheet 498 x 705mm (19 5/8 x 27 3/4in);Together with Richard Smith, Chapbook, signed and dated in pencil, 1982, Lithograph printed in colours, numbered from the edition of 75, published by Bernard Jacobson Gallery, London, on wove paper, with full margins, sheet 570 x 765mm (22 1/2 x 30 1/8in) (2)
Cathie Pilkington (b.1968)Primal SceneLithograph printed in colours, 2016, signed, titled and dated in pencil, numbered from the edition of 40, on wove paper, with full margins, image 295 x 375mm (11 2/2 x 14 3/4in)Together with:Richard FozardYorkshire SceneEtching printed in colours, 1959, signed, titled, and dated in pencil, numbered from the edition of 30, on wove paper, with full margins, framed size 560 x 620mm (22 x 24 1/2in) (2)
David Hockney (b.1937)The Older Rapunzel, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 81) Etching with aquatint, 1969, signed in pencil, from the edition of 100, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, the sheet printed to the edges, each 450 x 310mm (17 5/8 x 12 1/8in)
A Group of Miscellaneous Pictures To include a signed etching and aquatint of the Maria am Gastade church in Vienna; a signed etching of a continental river town scene; an etching of The Thames at Battersea; an frame containing two signed French etchings with sepia; a print of a dog by Julie Dawson, a hand-coloured botanical engraving; and a frame containing two reproduction prints of street scenes, 32.5cm x 27cm (Largest) (7)
A group of etchings and engravings To include a hand-coloured engraving after Thomas Hosmer Sheperd (1793-1864) of Hampton Court Palace; a hand-coloured engraving after John Preston Neale (1780-1847) of The Speaker's House; a 19th century pencil signed French etching; and a hand-coloured engraving after John Powell (fl.1796-1833) of Eton College (4)
Richard Pearsall (British. 1891-) Rio Della Fava, VeniceLimited edition etchingSigned in pencil,24cm x 27cm;With a further signed etching of Calle del Vicano, Toledo, 30.5cm x 18.5cm, by the same hand signed; and an etching by Kenneth Holmes OBE (1902-1994) of Guideccca Canal, 22cm x 39cm (3)
A group of engravings and etchings To include an signed limited edition etching of Washington Headquaters in Georgetown by Don Swann Snr (1889-1954), a book plate engraving of Le Petit Chatelet, a hand-coloured engraving after William Evans of Eton (1798-1877) and a early 19th century Italian engraving of St. Georges, Venice, Largest 21.5cm x 30.5cm (4)
John ConeyFountains Abbey Yorkshireengraving and etchingsigned lower left37 x 45cmtogether with G Cuitt St Mary's York signed and dated 1834 lower left within the plate 43 x 31.5cmBoth works have foxing and spotting around the borders of the sheet; with the majority of the heavy foxing on the St Mary's engraving. While the Fountain Abbey work having creases to the sheet. There is some discolouration to both works. There are also signs of general marking and abrasians to both sheets. Additional photos have been added, please refer to these.
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