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![Orazio Farinati (Italian 1559-circa 1616) Virgin and Child with the Infant St John Etching after Paolo Farinati, [B.4] 16.5 x](https://cdn.globalauctionplatform.com/06a08eba-c8ff-4c3a-92ec-a90500b6f13b/9ab2347e-0f7e-44c7-ea2d-2152cedb22eb/468x382.jpg)
Lot 31
Robert Sargent Austin (British 1895-1973) Cat and Mandolin Etching with drypoint, signed in pencil, lower right, numbered 2/50 10.5 x 15.5cm (4 1/8 x 6 1/8 in.) Together with 3 other signed etching revival plates, The Sheik, by Edward Julius Detmold; Farm near Sandwich, by William Palmer Robins; and The Thames Barges, by Arthur Briscoe (4) Property of the late Roger Bruno Higgins
Lot 93
λ Edmund Blampied (British 1886 - 1966) The Waiter - Tout suite! Etching with drypoint Signed in ink, lower right and numbered 59/100 lower left Signed and dated 1930 upper right in the plate 25.5 x 20cm (10 x 8in.) Together with another signed etching of a Parisian café scene by Solomon van Abbé, and lithographed French social satire by Alexandre Gabriel Decamps (3) λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Lot 124
*George (Ernest, 1839-1922). The Oxford Arms, Warwick Lane, London, watercolour on wove paper, unsigned, 26 x 17.5cm (10.25 x 7ins), mounted, framed and glazed The Oxford Arms was one of the last remaining 17th century galleried inns in London and was demolished in 1876. The same view by Ernest George was published as an etching in 1884 by the Fine Art Society and in the same work the artist wrote "I have etched it from my sketch made shortly before it's demolition". (1)
Lot 185
*AR Anderson (Stanley, 1884-1966 ). Quai Duperré, La Rochelle, 1928, drypoint etching on Milbourn British handmade pure rag paper, one of 85 published proofs, signed, plate size 20.7 x 33.9 cm (8.2 x 13.3 ins), sheet size 28.3 x 44 cm (11.2 x 17.25 ins), window-mounted Hardie 126. (1)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 186
*AR Anderson (Stanley, 1884-1966 ). A Devon barn, 1922, miniature etching on cream wove paper, the second state (of 3), before the published edition of only 12 impressions, signed, marked '2nd St.', and titled in ink, image size 23 x 38 mm (1 x 1.5 ins), sheet size 78 x 63 mm (3 x 2.5 ins), window-mounted Hardie 94. Meyrick & Heuser 144, ii/iii (listing only one impression of the second state). This minute print was commissioned for the library of Queen Mary's dolls' house, designed by Lutyens. (1)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 187
*Arms (John Taylor, 1887-1953). The Church of St. Francis and the Natizone, Cividale, 1931, etching on pale cream laid paper, from the published edition of 128 impressions, signed, dated, and inscribed in pencil 'To my friends Kerr and Frances Eby', plate size 18.8 x 25.5 cm (7.4 x 10 ins), sheet size 27.5 x 37.5 cm (10.8 x 14.75 ins), window-mounted Fletcher 238 iii/iii. Number 22 from the Italian Series. (1)
Lot 188
*Austin (Robert Sargent, 1895-1973). The Cathedral, Palma, 1927, etching on cream laid paper, a signed proof printed in brown ink, signed and dated 1928 in pencil, plate size 20.3 x 34.3 cm (8 x 13.5 ins), sheet size 26.7 x 43.5 cm (10.5 x 17.25 ins), window-mounted Campbell Dodgson, 79. Ashmolean Museum, Oxford, Robert Austin, 16 February-16 March 1980, 24. (1)
Lot 192
*Besnard (Albert, 1849-1934). Reverie, 1887, etching and aquatint on cream laid paper, the second state (of 2), printed in an edition of around 75 impressions, signed in pencil, plate size 8.4 x 14 cm (3.3 x 5.5 ins), sheet size 13.5 x 17 cm (5.3 x 6.7 ins), window-mounted, together with Brouet (Auguste, 1872-1941), Joueur d'Orgue, etching on pale blue laid paper, one of only 10 artist's proofs aside from the published edition, signed and number 8/10 in pencil, plate size 9.3 x 10.4 cm (3.7 x 4.25 ins), sheet size 20 x 25.5 cm (7.9 x 14 ins), both window-mounted Godefroy 60, ii/ii & Geffroy 198. (2)
Lot 193
*Beurdeley (Jacques, 1874-1954). Barques de peche au repos (Tamise), etching with drypoint on laid paper, from the published edition of 50, a good impression with plate tone, signed and numbered 45/50 in pencil, plate size 15 x 23 cm (5.9 x 9 ins), sheet size 17.2 x 25 cm (6.75 x 8.7 ins), mounted, together with Bracquemond (Felix, 1833-1914), La Seine au Bas-Meudon, 1868, etching on laid paper, the final state, as issued in the Gazette des Beaux Arts in 1884, light crease to lower right blank margin, plate size 15.7 x 22.8 cm (6.2 x 9 ins), sheet size 18.5 x 27.5 cm (7.25 x 10.75 ins), mounted, plus six other etchings by Edgar Chahine (St.-Germain-L'Auxerrois, 1902), Louis Legrand (Flore artificielle), Leon Lhermitte, and Auguste-Louis Lepère, each mounted Beraldi 187, iv/iv. (8)
Lot 194
*AR Bone (Sir David Muirhead, 1876-1953). The Convent of San Payo, Santiago de Compostela, Spain 1929, drypoint etching on cream laid simili Japan paper, a unique proof of the 10th state, signed in pencil, a few spots, plate size 12 3/16 x 7 ? (sheet 15 1/4 x 10 3/4), mounted Campbell Dodgson/Wright 434, x/xviii. Unique proof of the 10th state, from a total of 18 states made by the artist between 1929 and 1937. The total edition being 102 impressions. (1) NB: This lot may be subject to ARR
Lot 195
*AR Bone (Sir David Muirhead, 1876-1953). The Shot Tower, 1904, drypoint etching on cream laid paper, the 5th and final published state, printed in an edition of 35 impressions, signed and titled in pencil, plate size 17.5 x 22.5 cm (6.9 x 8.8 ins), sheet size 19.7 x 24.6 cm (7.75 x 9.75 ins), laid down on backing card, window-mounted, with printed labels of the Montclair Art Museum, New Jersey, and M. Knoedler & Co., New York Campbell Dodgson 160, 5th state. 'The Shot Tower is Bone's best study of The Thames, and indispensable to a representative collection'. (1)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 196
*AR Bone (Sir David Muirhead, 1876-1953). The East Breast, Greenock, 1900, etching with drypoint on wove paper, one of approximately 30 impressions, signed and titled in pencil, plate size 16.8 x 21.7 cm (6.6 x 8.5 ins), with margins, framed and glazed Acquired from Garton & Cooke. Campbell Dodgson 76. (1)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 197
*AR Bone (Sir David Muirhead, 1876-1953). Old Linlithgow, Scotland, 1901, etching on pale grey-brown paper, one of only two known impressions, inscribed in pencil to lower margin 'Muirhead Bone to J. McG.' and dated Sept. 1902, plate size 12.5 x 7 cm (4.9 x 2.75 ins), framed and glazed Provenance: Charles Jacob Rosenbloom (Lugt 633b). Acquired from Garton & Cooke, circa 1984 (Catalogue 29, Item 10). Dodgson records only one impression of this print which Bone kept himself. There is another impression in the Wiggin Collection of the Boston Public Library. The present work was purchased from T. & R. Annan & Sons of Glasgow in 1913 by G. Mayer. (1)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 199
*AR Brockhurst (Gerald Leslie, 1890-1978). Ranunculus, 1921, etching on cream wove paper, from the edition of 76 proofs, published September 1921, signed in pencil, plate size 201 x 152 mm (7.9 x 6 ins), sheet size 318 x 250 mm (12.5 x 9.8 ins) Wright 25, iv/iv. (1)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 20
*Lievens (Jan, 1607-1674). Bust of a man with thick lips, circa 1640, etching on laid paper, third state (of 3), with all-over cross-hatching, some marks and light waterstaining, small hole below the head of the figure, minor paper loss towards bottom of right margin, trimmed to plate margin on all four sides, 77 x 62 mm (3 x 2.5 ins), 19th century wood frame, glazed, together with another head of a bearded prophet, initialled in the plate J.S. no. 4 lower left, similar size and frame Hollstein 88, iii/iii. Bartsch 308 (as Rembrandt). Hind 353 (as Rembrandt). (2)
Lot 200
*AR Brockhurst (Gerald Leslie, 1890-1978). Phémie, 1923, etching on laid paper, one of 76 proofs published in 1924, signed in pencil, plate size 100 x 74 mm (3.9 x 2.9 ins), sheet size 270 x 200 mm (10.6 x 7.8 ins), together with Anais I, 1920, etching on laid paper, from the edition of 55 proofs published in July 1920, signed in pencil, plate size 138 x 111 mm (4.4 x 5.4 ins), sheet size 235 x 188 mm (9.25 x 7.4 ins), plus Aglaia, 1926, one of 111 proofs published April 1926, signed in pencil, and additionally signed by the artist in ink to lower left, plate size 137 x 105 mm (5.4 x 4.1 ins), sheet size 290 x 215 mm (11.4 x 8.5 ins), each in card passepartout (with Craddock & Barnard pencil annotations) Wright 42 ii/ii, 6, ii/ii, & 54 ix/ix. (3)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 201
*AR Brockhurst (Gerald Leslie, 1890-1978). Corinne, 1925, etching on cream laid paper, one of 106 proofs of the fifth state published December 1925, signed in pencil, plate size 139 x 102 mm (5.5 x 4 ins), sheet size 286 x 211 mm (11.25 x 8.3 ins), together with In The Wood, 1920, etching on wove paper, one of 111 proofs, signed in pencil, plate size 125 x 149 mm (4.9 x 5.8 ins), sheet size 223 x 274 mm (8.75 x 10.75 ins) Wright 50 v/v & 14. Fletcher 50 & 14. (2)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 202
*AR Brockhurst (Gerald Leslie, 1890-1978). The Black Silk Dress, 1927, etching on wove paper, one of 111 proofs published August 1927, signed in pencil, a fine, rich impression, remains of mount hinges to head and foot of extreme left blank margin, plate size 223 x 159 mm (8.75 x 6.25 ins), sheet size 375 x 270 mm (14.75 x 10.6 ins) Wright 58, ix/ix. Fletcher 58. (1)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 205
*Buhot (Felix, 1847-1898). Les Petites Chaumieres, 1878, etching, drypoint, aquatint and roulette on laid paper, an excellent impression, signed with the artist's red owl stamp to centre of lower blank margin (Lugt 977), plate size 10 x 13.7 cm (4 x 5.4 ins), with margins, framed and glazed Bourcard-Goodfriend 149, iv/iv. A scene of old rural cottages in Quinéville, Normandy. Provenance: Acquired from Garton & Cooke in 1988. (1)
Lot 206
*Buhot (Felix, 1847-1898). La Ronde de Nuit, 1878, etching and drypoint on wove paper, signed and inscribed 'planche detruite' by the artist in pencil, with the artist's red owl stamp to centre of lower blank margin (Lugt 977), collector's marks of Alfred Barrion and Andre-Jean Hachette to recto and verso respectively, plate size 13.2 x 14.4 cm (5.25 x 9.6 ins), with margins, framed and glazed Bourcard-Goodfriend 70, ii/iii. Provenance: Alfred Barrion (Lugt 76). Andre-Jean Hachette (Lugt 132). Acquired from Garton & Cooke in 1988. (1)
Lot 209
*Cameron (David Young, 1865-1945). The Workshop, 1905, etching and drypoint on thin laid paper, a strong contrasted impression with plate tone, short margins on all sides, signed in pencil, plate size 20.5 x 30.2 cm (8.1 x 11.9 ins), sheet size 22 x 31.5 cm (8.6 x 12.4 ins), mounted Rinder 369 ii/iv. No published edition. (1)
Lot 210
*Cameron (David Young, 1865-1945). Souvenir d'Amersterdam, 1915-30, etching and drypoint on laid paper, published in an edition of 60, a very good impression with plate tone, with margins, signed in pencil, plate size 37.5 x 26.2 cm (14.75 x 10.3 ins), sheet 41 x 29 cm (16.2 x 11.5 ins), mounted Rinder 460, iv/vi. (1)
Lot 211
*Cameron (David Young, 1865-1945). The Avenue, Gargunnock, 1905, etching with drypoint printed in very dark brown ink on simile Japan paper, the third state, a fine impression with plate tone, short margins on all sides (as desired by the artist), signed in pencil and marked 3rd State, plate size 14.5 x 15.7 cm (5.75 x 6.2 ins), sheet size 15.7 x 16.3 cm (6.2 x 6.4 ins), mounted Rinder 373 iii/iv. Exhibited at the Society of Twelve. (1)
Lot 212
*Cameron (David Young, 1865-1945). The Horse Guards, 1899, etching on white paper, printed with plate tone, the third state, signed in pencil, plate size 11.5 x 12.5 cm (4.5 x 4.9 ins), framed and glazed, together with Greendyke Street, 1891, etching, initialled and dated 1891 in the plate, signed in pencil, trimmed to margins, sheet size 10.7 x 15.2 cm (4.25 x 6 ins), framed and glazed Rinder 292 and 88. (2)
Lot 213
*Clausen (Sir George, 1852-1944). Little Meg, 1892, etching on pale blue-grey paper, margins trimmed, sheet size 12 x 8.4 cm (4.75 x 3.3 ins), mounted on thick backing paper, and inscribed to lower edge by the artist to fellow artist Mark Fisher 'For Mark & Mrs Fisher, with greetings', framed and glazed (1)
Lot 214
*Copley (John, 1875-1950). An Old Genovese, 1927, etching on pale grey paper, the second state (only impression in this state), signed in pencil, captioned to lower edge of the sheet, plate size 23.7 x 21.9 cm (9.4 x 8.65 ins), sheet size 40 x 29.6 cm (15.75 x 11.7 ins), window mounted Copley 27. (1)
Lot 216
*Anderson (Stanley, 1884-1966 ). La Lieutenance, Honfleur, 1926, drypoint etching on cream wove paper, from the published edition of 60 proofs, signed and titled in ink, plate size 19.7 x 37.7 cm (7.75 x 14.8 ins), sheet size 28 x 45 cm (11 x 17.75 ins), window-mounted, together with Bentley (Alfred, 1879-1923), Near the Braid Hills, Edinburgh, drypoint etching on cream laid paper, watermarked F J Head & Co, signed in pencil, plate size 18.5 x 23 cm (7.25 x 9 ins), sheet size 29 x 36.5 cm (11.5 x 14.3 ins), window-mounted (2)
Lot 219
*Dawson (Nelson Ethelred, 1859-1941). Campanile Tower, Venice, soft-ground etching on laid paper, signed in pencil, plate size 23.8 x 17.3 cm (9.4 x 6.8 ins), sheet size 36.5 x 26.5 cm (14.25 x 10.4 ins), together with 10 other etchings by the same artist, of which 8 are signed in pencil, including In A Gondola, A North Country Fishing Village, Three Fisherwomen from Etaples, Basilica di San Marco, Venice, etc., sheet size 33.5 x 49.5 cm (13.2 x 19.5 ins), and smaller (11)
Lot 223
*AR Evans (Merlyn Oliver, 1910-1973). Eurydice, 1956, etching with drypoint on heavy wove paper, a strong, rich impression, signed, titled and numbered 1/50, plate size 30 x 13.5 cm (11.75 x 5.3 ins), sheet size 36 x 25 cm (14.2 x 9.8 ins), mounted Provenance: Purchased by the current owner from the Redfern Gallery, London, in 1988. (1)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 225
*Forain (Jean-Louis, 1852-1931). Similitudes, 1880, etching and drypoint, a later impression on pale green wove paper, plate size 14.7 x 10 cm (5.8 x 4 ins), sheet size 25.4 x 18.2 cm (10 x 7.2 ins), together with seven other etchings by Forain including Maison Close, L'Ambulante, Les Folies Bergere, Le Bouquet, etc, all later impressions, unsigned, each window-mounted (8)
Lot 232
*Griggs (Frederick Landseer, 1876-1938). The Quay, 1916, etching on antique laid paper, the third state (of 3), from the edition of 40 published proofs, signed 'F.L. Griggs imp' in pencil lower right, plate size 16.6 x 20.3 cm (6.5 x 8 ins), sheet size 23 x 35.5 cm (9 x 14 ins), framed and glazed Comstock 15, iii/iii. (1)
Lot 237
*Haden (Francis Seymour, 1818-1910 ). Early Morning, Richmond Park, 1859, etching and drypoint on thin laid paper, the third state (of 3), as issued in Etudes a l'Eau-Forte in 1865, in an edition of approximately 180, plate size 11.4 x 27.8 cm (4.5 x 11 ins), with margins, framed and glazed Schneiderman 25, iii/iii. Provenance: Cleveland Museum of Art. Acquired from Garton & Cooke in 1985 (catalogue 31). Haden dedicated this romantic view to his wife Dasha (her name etched at the base of the large tree trunk to the right). The plate is further inscribed 'The Lark at Heaven's Gate Sings' towards the lower left margin. (1)
Lot 238
*Haden (Francis Seymour, 1818-1910 ). Penton Hook, 1864, etching on old laid paper, a rare touched proof, signed in pencil lower right, a fine impression with full margins, with pencil additions to the main tree trunks, plate size 14.8 x 23.7 cm (5.8 x 9.3 ins), framed and glazed Schneiderman 65, iii/vi. Only 30 impressions were printed, according to the Buffalo catalogue of 1891. Provenance: Acquired from Garton & Cooke. (1)
Lot 241
*Haden (Francis Seymour, 1818-1910 ). Horsley's House at Willesley, 1865, etching and drypoint on thick laid paper, a trial proof, a very good, richly printed impression, signed and inscribed 'D.88' and 'trial proof' by the artist in pencil, light mount stain, plate size 17.6 x 24.8 cm (7 x 9.75 ins), with margins, framed and glazed Schneiderman 89 i/ii. John Callcott Horsley R.A. (1817-1903) married Haden's sister Rose, and lived at Willesley House near Cranbrook in Kent. The house was remodelled in 1864-65 by the architect R. Norman Shaw, and became an artist's colony. Haden produced five etchings at this location (Schneiderman 89-93). Provenance: Acquired from Garton & Cooke in 1985 (Catalogue 31). (1)
Lot 242
*Haden (Francis Seymour, 1818-1910 ). Battersea Reach, 1863, etching with drypoint on laid paper, a good, rich impression on laid paper, the 4th state (of 12) as issued in the Gazette des Beaux Arts in 1864, inscribed in the plate 'Old Chelsea out of Whistler's window', plate size 15 x 22.5 cm (5.9 x 8.8 ins), with margins, framed and glazed Schneiderman 48 iv/xii. Provenance: Acquired from Garton & Cooke in 1985 (Catalogue 31). (1)
Lot 243
*Haden (Sir Francis Seymour, 1818-1910). Five original copper etching plates for Nine Barrow Down, Challow Farm, Wareham Bridge, The Little Boathouse & Haunt of the Mosquito, 1864-1897, together five cancelled copper etching plates, each with manufacturer's stamp to verso of Hughes & Kimber (Limited), generally heavily worn and with cancel lines across each, 15.2 x 22.8 cm (6 x 9 ins), each contained in card envelope, one with old printed label of N.W. Lott & H.J. Gerrish Ltd. Harrington 167, 175, 176, 177 and 243. (5)
Lot 250
*AR Brockhurst (Gerald Leslie, 1890-1978). Fabian, 1921, etching on cream laid paper, from the edition of 76 proofs published February 1921, signed in pencil, plate size 175 x 125 mm (6.9 x 4.9 ins), sheet size 295 x 235 mm (11.6 x 9.25 ins) Wright 23, iii/iii. Fletcher 23, iii/iii. (1)NB: This lot may be subject to ARR ("Droit De Suite")
Lot 251
*AR Brockhurst (Gerald Leslie, 1890-1978). Study for a decoration, 1923, etching on cream laid paper, from the edition of 76 proofs published 1924, signed in pencil, plate size 157 x 121 mm (6.2 x 4.75 ins), sheet size 288 x 210 mm (11.3 x 8.25 ins) Wright 46 iii/iii. Fletcher 46 iii/iii. (1)NB: This lot may be subject to ARR ("Droit De Suite")
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71174 item(s)/page