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Lot 301
Vintage oil lamp with decorative etching to the glass shade and one other converted to electrical use. Not available for in-house P&PCondition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Lot 162
JOSEF IRAELS signed etching along with a French colour example, the former depicting a pensive woman seated on sand dunes looking out to sea, London published, printed in Amsterdam, 47 x 33cms, the latter with indistinct artist's signature depicting various cloaked figures in a dimly lit street, numbered 46 alongside Cercle Libraire Estampes blind stamp with the central initials H L N, 62 x 50cms, both etchings signed in pencil, the colour etching unframed with mount board
Lot 35
AFTER THOMAS BASTON (BRITISH, Fl.1699-1730) The Greenland Whale Fishery Printed for Carington Bowles, circa 1765 Etching with later hand colouring 10½ x 15in. (27 x 38cm.); together with an American print entitled Whale Fishery; and an untitled 18thC print of a whaling scene, annotated in pencil and dated 1764 (3)
![[CANINE]. FRANK PATON (BRITISH, 1855-1909) 'British interests', etching, indistinctly signed lower left, 20cm x 25.5cm, fra](https://cdn.globalauctionplatform.com/7b20873a-fa6d-426f-b7f6-ac6800d52fcd/2fd2c331-a092-4cc0-84b6-ac6f010ede52/468x382.jpg)
Lot 29
Yahuda Bacon (b.1929) signed hand coloured etching - Dancing Girl, 1961 provenance verso, in glazed frame, 25cm x 12cmCondition report: Overall size 44cm x 28cm. The colours and condition are good, there is a stain on the right side edge mostly on the margin (see image), the frame is in good condition.
Lot 362
Léopold Flameng (1831-1911) After John Collier, etching of Darwin, signed by both artists, published by the Fine Art Society, plate 60 x 44cm, with mount but unframedCondition report: Some age related staining to the outer edges where the paper meets the mount and also some to discolouring to the margin - see images - otherwise generally good condition with no tears or creasing. The etching was published in 1883 and is of the period, not a later print.
Lot 540
* RICHARD "TURNERAMON" TURNER A.R.C.A (BRITISH 1940 - 2013), THE DAUGHTERS OF BABYLON oil on canvas, signed 102cm x 152cm Framed Note: Richard Turner was noted post modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.
Lot 549
* ESTELLE THOMPSON (BRITISH b 1960), MOVING COLOUR III etching, signed, titled and dated '02 (edition of 15) 37cm x 26cm Framed and under glass Label verso: Abbott and Holder Ltd, 30 Museum Street, London. Note: Solo exhibitions include; Flowers Gallery, London (2016); Oriel Sycharth Gallery, Wrexham (2014); Purdy Hicks, London, (1989 - 2009); Wetterling Gallery, Stockholm, (2004); The New Gallery, Walsall (2001); Rosenberg and Kaufman Fine Art, New York (2001) and Angel Row Gallery, Nottingham (2000); Galerie Helmut Pabst, Frankfurt (1999); Fuse Paintings Usher Gallery, Lincoln; Mead Gallery, University of Warwick; South Hill Park, Bracknell (1997-98); Abbot Hall Art Gallery Kendal (1997); Galerie Helmut Pabst (1996); PHG touring to Winchester Gallery; Towner Art Gallery and Darlington Arts Centre (1993-94).
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