We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Lot 67
Three framed and glazed 19th century etchings. One after Rembrandt van Rijn, of an old woman's head, signed in plate, 63. An etching of Monnow Bridge by John Sell Cotman (1782-1842), inscribed verso and an etching of a J.F. Millet sitting outside his house, Barbizon, 1870, label verso. H.32 W.43cm
Lot 115
Clement Haupers (American, 1900-1982). Etching on paper titled "Rainy Day" depicting a line of figures with umbrellas crossing a street. Pencil signed and dated 1938 along the lower right; titled along the lower center; and editioned 75 along the lower left.Sight; Height: 8 in x width: 11 1/2 in. Framed; Height: 14 1/4 in x width: 18 1/4 in.
Lot 158
Harmony Hammond (American, b. 1944). Group of five prints. Includes the "Dance of the Ladder" Suite, four color lithographs with screen printing on paper, all pencil signed, dated 1981, and numbered A.P. 8/10 along the lower right. With "Fan Lady Meets Cactus Lady," color lithograph, screenprint, etching, and collage on black paper; pencil signed, dated 1981, and numbered 47/48 along the lower right.Height ranges from 20 1/4 in to 29 1/2 in; width ranges from 29 1/2 in to 41 1/4 in.
Lot 86
Adolf (Adolfo) Felix Muller-Ury (Swiss/American, 1862-1947). Copper plate etching of a portrait of James J. Hill. Included is an etching on paper from the copper plate housed in a red folio. The copper plate is signed in plate along the lower left corner, mirrored in the etching on paper in the lower right corner.Provenance: Collection of the James J. Hill Reference Library.Certain individuals are prohibited by law to purchase items in this auction. Descendants of James J. Hill within three generations (Great Grandchildren and closer) are not allowed to purchase items. Additionally, board members of the foundation and their families (spouses, children, spouses of children, grandchildren) are also prohibited from purchasing items.(Copper Plate) height: 19 1/4 in x width: 15 in. Framed; height: 23 1/2 in x width: 19 1/2 in. (Etching) height: 19 1/4 in x width: 15 1/4 in. (Folio) height: 21 1/4 in x width: 16 in.
Lot 93
George Mikan bronze sculpture and etching hand signed and dated by George Mikan. The sculpture is numbered 7/20 and was given to Rod and Julie Wallace during the unveiling of the nine foot statue that is in the lobby of the Target Center in Minneapolis, MN on April 8, 2001. George Mikan was nicknamed "Mr. Basketball" and won several titles and MVP awards. An etching of George Mikan that is signed and numbered accompanies this lot.Provenance: From the collection of Rodney Sanford and Julie Wallace, MinnesotaBronze; Height: 16 in x width: 12 in x depth: 6 3/4 in. Etching; Height: 24 in x width: 18 in.
Lot 382
* PABLO PICASSO (SPANISH 1881 - 1973)MODEL AND SCULPTOR WITH HIS SCULPTURE (FROM THE VOLLARD SUITE) etching on paper, signed and numbered 280/300image size 26cm x 19cm, sheet size 45cm x 32cm overall size 57cm x 45cm Mounted, framed and under glass.Note: certificate of authenticity is included with this lot.
Lot 383
* PABLO PICASSO (SPANISH 1881 - 1973)BULLFIGHT: WOUNDED TORERO (FROM THE VOLLARD SUITE) etching on paper, signed and numbered 227/300image size 19cm x 27cm, sheet size 32cm x 45cm overall size 45cm x 57cm Mounted, framed and under glass.Note: certificate of authenticity is included with this lot.
Lot 385
* PABLO PICASSO (SPANISH 1881 - 1973)PORTRAIT OF VOLLARD I (FROM THE VOLLARD SUITE) etching on paper, signed and numbered 197/300image size 35cm x 25cm, sheet size 45cm x 32cm overall size 57cm x 45cm Mounted, framed and under glass.Note: certificate of authenticity is included with this lot.
Lot 123
Northern European School of the 18th century."Saint Cecilia".Etching on vellum illuminated by hand.Measurements: 19 x 15.5 cm; 23 x 18 cm.A beautiful and subtle border of flowers in the purest Baroque style holds the engraved image, and later illuminated by hand, of Saint Cecilia, the most popular of the Roman martyrs together with Saint Agnes. A young patrician from the Caecilian family, she was forced by her parents to marry, although in the bridal chamber she converted her husband to the ideal of Christian chastity. The young husband had himself and his brother baptised, and both were condemned to death. Because Cecilia refused to offer sacrifices to the gods, she was condemned to die by drowning in the steam of an overheated cauldron, but a heavenly dew cooled her. She was then ordered to be beheaded, but her executioner struck three blows without managing to separate her head from her body. As Roman law forbade further beating of the condemned after these three attempts, Cecilia survived for three days. She died in the presence of Pope Urban and was buried in the cemetery of Callixtus. Since the 15th century, Saint Cecilia has been the patron saint of musicians, singers and organists, as well as organ and string instrument makers. Originally, Saint Cecilia, like most martyrs, did not wear any identifying attribute. It was only at the end of the 15th century, when she became the patron saint of musicians, that she received a musical instrument, a portable or fixed organ, as an attribute.
Lot 127
Northern European School of the 18th century."Saint Sebastian".Etching on vellum with hand-illuminated border.Slight damp stains.Measurements: 18,5 x 15 cm.A beautiful and subtle border of flowers in the purest baroque style frames an etching engraved composition. It is a scene starring Saint Sebastian. Born in Gaul and raised in Milan, Sebastian was a centurion of the first cohort in the time of Emperor Diocletian (late 3rd - early 4th century). Denounced because he exhorted his friends Mark and Marcellinus to remain steadfast in their faith, by order of the emperor he was tied to a post in the centre of the Field of Mars, and served as a live target for the archers who shot him. But he did not die for it. The widow Irene, who wanted to raise his body for burial, noticed that he was still breathing, bandaged his wounds and saved his life. After he was cured, he reappeared before Diocletian to reproach him for his cruelty towards the Christians. He was then scourged, beaten to death in the circus and his corpse was thrown into the Maximian sewer. Shortly afterwards, Saint Sebastian appeared to Saint Lucila in her sleep to reveal to her the location of his remains, and asked her to bury him in the catacombs.
Lot 129
Northern European School of the 18th century."Saint Francis of Borgia".Etching on vellum with hand-illuminated border.Measurements: 17,5 x 14 cm.During his mandate as viceroy of Catalonia (1539-1543), Francisco de Borja strengthened the region against piracy, banditry and the French threat. On this occasion, the saint is shown praying and gazing at a pair of winged angels holding a chalice with the body of Christ. The scene is framed by a striking border of flowers in the purest Baroque style. Saint Francis Borgia (1510-1572), General of the Society of Jesus, Duke of Gandia and Marquis of Lombay, Grand Duke of Spain and Viceroy of Catalonia, was a descendant of the kings of Navarre and the Crown of Aragon, great-grandson of Pope Alexander VI and great-great-nephew of Pope Callixtus III. He was canonised in 1671 by Pope Clement X. His figure began to be depicted in art very early on, almost shortly after his death. His most distinctive iconographic elements are the skull (sometimes crowned), a reminder of his horror and the reason for his change of life when he discovered the decomposition of the Empress Isabella of Portugal on his way to deliver her body in Granada; the ducal crowns on the ground, a sign of his renunciation of all earthly things; and the cardinal's mitres and hoods, also rejected by him. He is also usually depicted with a serene, deeply expressive face, a reflection of his inner self. Another element typical of his iconography is the monstrance, which represents his defence of the Eucharist.
Lot 130
Northern European School of the 18th century."Virgin and Child, the dove of the Holy Spirit and angels".Etching on vellum with hand-illuminated border. Golden haloes.Measurements: 9,5 x 12,5 cm.A striking border of flowers in the purest Baroque style frames an etched composition. It is a scene with the Virgin, the Child Jesus, the dove of the Holy Spirit and a group of winged angels offering her baskets with fruit and flowers. The brightly coloured border is reminiscent of Baroque works in which the beautiful, highly developed garlands competed for prominence with the subject itself.
Lot 1
After Pieter Bruegel the Elder (1525-1569) by Frans Huys (1522-1562)Fleet of Galleys escorted by a Caravel, from 'Sailing Vessels' (Bastelaer 107) Etching and engraving, circa 1565, on laid, a good impression of the first state before the address of Theodoor Galle, published by Hieronymus Cock, trimmed to the platemark, 223 x 290mm (8 3/4 x 11 3/8in)(PL)For further information on this lot please visit Bonhams.com
Lot 10
Walter Richard Sickert A.R.A. (British, 1860-1942)The Old Bedford (The Large Plate) (Bromberg 130) Etching, drypoint and engraving, 1915-16, on thin laid, fourth state of twelve, a proof (publication line for Carfax & Co., London, was added in the third state, but the plate was never published), with margins, 265 x 156mm (10 3/8 x 6 1/8in)(PL)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Lot 101
Pablo Picasso (Spanish, 1881-1973)Antipodistes observés par une Paysanne et sa Petite Fille, from 'El Entierro del Conde de Orgaz' (Bloch 1473; Baer 1384; Cramer books 146) Etching, 1966, on wove, an impression from the unsigned book edition of 263 (there was also a suite of 12 signed impressions on japon nacré), with the 'Conde Orgaz' watermark after a drawing by Picasso, printed by Gustavo Gili S.A., Barcelona, published by Ediciones de la Cometa, Barcelona, with full margins, 218 x 320mm (8 1/2 x 12 1/2in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 102
Pablo Picasso (Spanish, 1881-1973)Plaisanterie autour du bain turc, jeux, musique et gateaux, from 'Series 156' (Bloch 1974; Baer 1983.B.a.) Etching, 1971, on wove, with the artist's stamped signature, numbered 36/50 in pencil, printed by Atelier Crommelynck, Paris, published by Galerie Louise Leiris, Paris, 1978, with full margins, 503 x 656mm (19 3/4 x 25 3/4in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 111
Eduardo Chillida (Spanish, 1924-2002)Levitation II (Koelen 66002) Etching printed with plate tone, 1966, on wove, signed and numbered 5/50 in pencil, printed by Impremerie Arte, Paris, published by Maeght Éditeur, Paris, with full margins, 379 x 283mm (15 x 11 1/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 112
Eduardo Chillida (Spanish, 1924-2002)Hommage à Picasso (Koelen 72016) Etching and aquatint printed in tone, 1973, chine collé on Arches, signed and numbered 87/90 in pencil, printed by Arte Adrien Maeght, Paris, published by Propyläen-Verlag, Berlin, with full margins, 760 x 565mm (29 7/8 x 22 1/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 116
Rufino Tamayo (Mexican, 1899-1991)Hombre en Rosa, from 'Rufino Tamayo 8 aguafuertes' Etching printed in colours, 1984, on Guarro, signed and numbered 50/99 in black crayon, published by Polígrafa, Barcelona, the full sheet printed to the edges, 756 x 556mm (29 3/4 x 21 7/8in)(SH)For further information on this lot please visit Bonhams.com
Lot 117
Marino Marini (Italian, 1901-1980)La Sorpresa II, from 'Personaggi' (Guastalla A169) Etching and aquatint printed in colours, 1973, on wove, signed and numbered 13/25 in pencil, printed by Il Cigno, Rome, published by Albra, Turin, with full margins, 643 x 485mm (25 1/4 x 19 1/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 126
Man Ray (American, 1890-1976)Monocopter; Kiki (Abselmino 7; 19) Etching and aquatint printed in colours, 1971, on Arches, signed and numbered 25/100 in pencil, with full margins, 660 x 503mm (26 x 19 7/8in)(SH); together with 'Kiki', etching and aquatint printed in colours, 1971, on Arches, signed and numbered 23/100 in pencil, 657 x 502mm (25 7/8 x 19 3/4in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com
Lot 127
Man Ray (American, 1890-1976)Letter A (L'A); Magie de L'image Etching and aquatint printed in colours, 1971, on Arches, signed and numbered 14/100 in pencil, with full margins, 502 x 604mm (19 3/4 x 23 3/4in)(SH); together with 'Magie de L'image', etching and aquatint printed in colours, 1971, on Arches, signed and numbered 13/100 in pencil, with full margins, 662 x 505mm (26 1/8 x 19 7/8in)(SH)(unframed)(2)For further information on this lot please visit Bonhams.com
Lot 13
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946)La Cité, Paris (Black 114) Etching, circa 1930, on J.Whatman wove, signed in pencil, with an inscription by Katherine Nevinson in pencil on a label affixed verso, the full sheet, 255 x 392mm (10 x 15 3/8in)(SH)Footnotes:ProvenanceGifted to the present owner in 1969 by Nevinson's widow, Katherine.For further information on this lot please visit Bonhams.com
Lot 138
Sam Francis (American, 1923-1994)Salmon (Lembark I.9; SFE-4B) Etching and aquatint printed in colours, 1973, on wove, signed and inscribed 'AP 8/11' in pencil, one of eleven artist's proofs aside from the numbered edition of 45, printed by Stamperia 2RC, Rome, published by 2RC Edizioni d'Arte, Rome, with their blindstamp, with full margins, 635 x 890mm (25 x 35in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 139
Frank Stella (American, born 1936)Riallaro, from 'Imaginary Places' Etching, aquatint, collagraph, lithograph and screenprint in colours, 1995, on handmade wove, signed, dated and inscribed 'A.P. 8.' in pencil, one of ten artist's proofs aside from the numbered edition of 24, published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet printed to the edges, 1182 x 825mm (46 1/2 x 33 1/2in)(SH)For further information on this lot please visit Bonhams.com
Lot 141
David Hockney R.A. (British, born 1937)The Sexton Disguised as a Ghost, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 86; Scottish Arts Council 89) Etching and aquatint, 1969, on Hodgkinson handmade wove, signed and numbered 21/100 in pencil, inscribed 'G Portfolio' in sepia ink verso, printed by the Print Shop, Amsterdam, published by Petersburg Press, London, with full margins, 620 x 445mm (24 3/8 x 17 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 142
David Hockney R.A. (British, born 1937)French Shop (MCA Tokyo 112; Scottish Arts Council 122) Etching and aquatint printed in black and red, 1971, on wove, signed, dated and numbered 69/500 in pencil, printed by the Print Shop, Amsterdam, published by the Observer, London, with full margins, 626 x 536mm (24 5/8 x 21 1/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 144
David Hockney R.A. (British, born 1937)Homage to Michelangelo, from 'Omaggio a Michelangelo' (MCA Tokyo 162; Scottish Arts Council 173) Etching and aquatint printed in black and red, 1975, on BFK Rives, signed, dated and inscribed 'h.c.' in pencil, an hors commerce impression aside from the numbered edition of 200, printed by Atelier Crommelynck, Paris, published by Studio Bruckmann, Munich, with full margins, 595 x 793mm (23 3/8 x 31 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 149
Gillian Ayres C.B.E., R.A. (British, 1930-2018)Sikar II Etching with aquatint and carborundum printed in colours, with extensive hand-painting, 1993, on wove, signed, dated and numbered 74/100 in pencil, printed by Jack Shirreff at 107 Workshop, Wiltshire, with full margins, 1087 x 1068mm (42 3/4 x 42in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 158
Tracey Emin (British, born 1963)Sitting with You Etching printed in blue, 2013, on wove, signed, titled, dated and numbered 73/200 in pencil, published by Counter Editions, London, the full sheet, 299 x 224mm (11 3/4 x 8 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 181
Damien Hirst (British, born 1965)Providence, 2009 Etching and aquatint printed in colours, 2009, on wove, signed and numbered 17/45 in pencil, published by Other Criteria, London, with the artist's inkstamp, with full margins, 473 x 391mm (18 5/8 x 15 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 21
Ben Nicholson O.M. (British, 1894-1982)Palaestra (Lafranca 28) Etching printed with tone, 1966, on wove, inscribed 'bon a tirer BN' in pencil, a bon à tirer impression before the numbered edition of 50, printed by François Lafranca, co-published by Ganymed Original Editions and Marlborough Fine Art, London, with the Lafranca blindstamp, with full margins, 323 x 372mm (12 5/8 x 14 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 22
Wilhelmina Barns-Graham C.B.E. (British, 1912-2004)Six Lines Etching printed in sanguine, 2002, on wove, signed, dated and numbered 06/70 in pencil, printed by Graal Press, Edinburgh, with margins, 193 x 265mm (7 5/8 x 10 3/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 249
Leon Kossoff (British, 1926-2019)Chaim Etching, drypoint and aquatint printed with plate tone, 1990, on wove, signed, titled, dated and inscribed 'A/P' in pencil, an artist's proof, with margins, 133 x 95mm (5 1/4 x 3 3/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 266
Walton Ford (American, born 1960)Limed Blossoms (Deluxe Edition) Etching and aquatint printed in colours, 2007, on wove, signed, dated and numbered 65/100 in pencil, from the deluxe edition, printed by Wingate Studio, New Hampshire, published by Taschen, New York, with the printer's blindstamp, with full margins, loose as issued, housed in the original brown cloth-covered slipcase, 468 x 354mm (18 3/8 x 14in)(SH); together with the accompanying book 'Walton Ford: Pancha Tantra', additionally stamp-numbered '0065' and signed in black ink on the title page, all housed in the original brown cloth-covered solander box, overall size 552 x 425 x 85mm (21 3/4 x 16 3/4 x 3 3/8in)(Folio)(2)For further information on this lot please visit Bonhams.com
Lot 3
Jan van der Velde II (Dutch, 1593-1641)River landscape with travellers on a road Etching after Gerrit van der Horst, 1628, a strong impression, with the address of C.Visscher, on laid, with watermark of Fleur-de-lys on a crest (M.122), with margins, with ink inscription in the lower plate, plate 200 x 292mm; together with Jan van Londerseel after David Vickboons Parable of the owner of the vineyard (H.22), on laid, trimmed inside the plate, with made-up red ink border around the image, sheet 428 x 528mm (16.85 x 20.78 inches)(unframed)(2)For further information on this lot please visit Bonhams.com
Lot 30
Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figure: Point (Cramer 425) Etching and aquatint printed in colours, 1976, on wove, signed and numbered 40/100 in pencil, printed and published by Il Bisonte, Florence, with full margins, 168 x 245mm (6 5/8 x 9 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 37
Henry Moore O.M., C.H. (British, 1898-1986)Four Mother and Child Studies (Cramer 442) Etching and aquatint printed in colours, 1976, on wove, signed and numbered 52/100 in pencil, printed and published by Il Bisonte, Florence, with margins, 329 x 245mm (13 x 9 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Loading...-
71174 item(s)/page