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Click here to subscribeElisabeth Frink (1930-1993) The Reeves Tale, from The Canterbury Tales II Series (w.62) etching with aquatint, 1972, signed and titled in pencil, published by Leslie Waddington Prints Ltd, London, printed at White Ink, with their blindstamp, on J Barcham Green paper, with full margins, 495 x 343mm (191/2 x 131/2in)
DDS. John Hoyland (b. 1934) View, etching with aquatint printed in colours, 1979, signed and dated in pencil, numbered 22/50, published by Waddington Graphics, London, with their blindstamp, printed by Kelpra Studio, London, with their blindstamp, on wove paper, with full margins, 686 x 543mm (27 x 213/8in)
DDS. John Hoyland (b. 1934) Fly Away, etching with aquatint and carborundum, 1981, signed and dated in pencil, numbered 29/60, published by Waddington Graphics with their blindstamp, printed by Kelpra Studio, London, with their blindstamp, on wove paper, with full margins, 565 x 711mm (221/4 x 28in)
Salvador Dali (1904-1989) Portrait de Sigismund, from Calderón’s, Life is a Dream (m.& l. 524) , etching with aquatint printed in colours, signed in pencil, inscribed E.A., an artist’s proof aside from the edition of 250, on Richard de Bas paper, with full margins, 335 x 265mm (131/4 x 101/2in)
DDS. Adam Neate (b. 1978) The Bigger Picture, giclée printed in colours, 2007, signed and dated in pencil, numbered 41/75, published by Elms Lesters, London, with their blindstamp, on 310gsm Hahnemuhle German etching paper, with full margins, 520 x 1020mm (201/4 x 401/4in) Provenance: Elms Lesters, London.
CHARLES WILLIAMS (FL LATE 18TH/EARLY19TH CENTURY) ACCOMMODATION - OR A HINT TO COUNTRY GENTLEMEN HOW TO SAVE THEIR FENCES etching in fresh contemporary colour, published by Thomas M`Clean, October 1827, 26 x 36cm and various other similar humorous and decorative English and French prints (sold in portfolio, approx 20) ++Poor to good
AUGUST WEDEL (1885-1953) LANDSCAPES, STUDY OF A POLAR BEAR, A SHEET OF HAND STUDIES AND AN ETCHING OF AN OWL six, four signed, watercolour, pencil or red and black chalk on coloured paper, 45 x 37cm and smaller (6) ++Sheet of hand studies stained and with a corner tear, polar bear drawing creased
FARREN (Robert) The Fen-Lands of Cambridgeshire, Cambridge 1883, large folio, the author`s copy signed and inscribed to his daughter Jessie Farren to title, small mounted proofs on india paper, the frontispiece signed below, and 6 full page plates with guards, with an added mounted signed etching at end, cloth gilt, good
MAX BRUNNING "A lady in 1930`s dress with parasol under her arm wearing a lined fur coat and hat in a windswept setting", black and white etching, signed in pencil in the mount, J L WALL "A gamekeeper seated beside a water pump with dog at his feet in a wooded landscape", watercolour, signed and dated 1898, 19th CENTURY SCHOOL "A huntsman on a grey horse at full cry with hounds in a landscape", pencil and watercolour, unsigned and various other pictures
AFTER HENRY GEORGE RUSHBURY "Horseguards, Whitehall, 1947", black and white etching, signed in pencil in the margin, LATE 19th CENTURY SCHOOL "London street scene with figures, hansom cabs, St. Paul`s rising in the distance", black and white etching, indistinctly signed in pencil in the margin, a set of five Cries of London prints and five further furnishing prints
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