James Abbott McNeill Whistler (1834-1903)The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with the butterfly and inscribed 'imp' in pencil on the tab, published in 1880 by the Fine Art Society, London, with narrow to thread margins, in good condition, framedPlate 202 x 298mm. (8 x 11 3/4in.); Sheet 206 x 300mm. (8 1/4 x 11 3/4in.)Footnotes:ProvenanceHenry Harper Benedict (Lugt 1298, 2936).The Fine Art Society, London (with their label).Acquired directly from the above by the current owner, 11 May 2001.LiteratureThe Fine Art Society, Mr Whistler's Etchings of Venice, The First Venice Set, 1880.For further information on this lot please visit Bonhams.com
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After Marc Chagall (1887-1985) By Charles SorlierLe Coq et l'Horloge (Sorlier 49) Etching and aquatint in colours, circa 1950, on Rives BFK wove paper, signed and numbered 64/300 in pencil, published by Maeght Éditeur, Paris, the full sheet with deckle edges on three sides, with a few short tears from the deckle edges, in generally good condition, the colours strong and vibrant, framedPlate 311 x 232mm. (12 1/4 x 9 1/8in.); Sheet 556 x 380mm. (21 7/8 x 14 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Marc Chagall (1887-1985)Granada from Paroles Peintes I (Kornfeld 121) Etching and aquatint in colours, 1962, on BFK Rives wove paper, signed and inscribed Épreuve d'artiste in pencil, an artist's proof aside from the numbered edition of 183, published in Paroles Peintes, the full sheet, with pale time staining, in overall good condition, framedPlate 330 x 240mm. (13 x 9 3/8in.); Sheet 382 x 281mm. (15 x 11in.)Footnotes:ProvenanceBerggruen & Cie, Paris.Acquired from the above by the current owner, 1997.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
James Jacques Joseph Tissot (1836-1902)Le Dimanche Matin (Wentworth 72) Etching and drypoint, 1883, on laid paper, with the artist's red ink stamp (Lugt 1545), from the edition of 100-200 impressions, printed by Delâtre, Paris, with wide margins, mount staining, generally in good condition, framedPlate 400 x 190mm. (15 3/4 x 7 1/2in.); Sheet 557 x 322mm. (21 7/8 x 12 5/8in.)Footnotes:ProvenanceChristopher Wood Gallery, London (with their label).Acquired directly from the above by the current owner, 7 December 1995.For further information on this lot please visit Bonhams.com
Marc Chagall (1887-1985)Le Vagabond (Cramer 20) Etching, 1967, on Japan paper, signed and numbered 34/35 in pencil, the full sheet, with a deckle edge at right, with pale mount and time staining, a short scratch to the upper right margin, in overall good condition Plate 309 x 236mm. (12 1/8 x 9 1/4in.); Sheet 515 x 387mm. (20 1/4 x 15 1/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Marc Chagall (1887-1985)Acrobate et Violoniste (Cramer 64) Etching and aquatint in colours, 1968, on wove paper, with Hand and Branch watermark, signed and numbered 26/50 in pencil, the full sheet with deckle edges at left and right, with very pale light-staining, the colours slightly attenuated but still strong, in good conditionPlate 350 x 400mm. (15 3/4 x 13 3/4in.); Sheet 499 x 577mm. (19 5/8 x 22 3/4in.)Footnotes:ProvenanceSotheby's, Old Master, Modern & Contemporary Prints, London, 6 December 2001, lot 128.Acquired from the above sale by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Marc Chagall (1887-1985)Le Violiniste, from Songes (Cramer books 112) Etching in colours, 1981, on wove paper, signed and numbered 41/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with deckle edges on three sides, with pale light-staining, the colours slightly attenuated but still good, in good conditionPlate 305 x 236mm. (12 x 9 3/8in.); Sheet 521 x 380mm. (20 1/2 x 14 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Marc Chagall (1887-1985)Musique, from Songes (Cramer books 112) Etching and aquatint in colours, 1981, on wove paper, signed and numbered 41/50, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light-staining, the red slightly attenuated but the colours still strong, in good condition Plate 302 x 235mm. (11 7/8 x 9 1/4in.); Sheet 520 x 380mm. (20 1/2 x 14 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Marc Chagall (1887-1985)Le Retour de l'Enfant Prodigue, from Songes (Cramer books 112) Etching and aquatint in colours, 1981, on wove paper, signed and numbered 49/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light staining, the colours strong, in good conditionPlate 305 x 240mm. (12 x 9 3/8in.); Sheet 521 x 377mm. (20 1/2 x 14 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Marc Chagall (1887-1985)Portrait au Bouquet, from Songes (Cramer books 112) Etching and aquatint in colours, 1981, on wove paper, signed and numbered 41/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light-staining, the red slightly attenuated but the colours still strong, in good conditionPlate 305 x 236 (12 x 9 1/4in.); Sheet 521 x 375mm. (20 1/2 x 14 3/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)L'Adorateur du Soleil (Dupin 483) Etching and aquatint in colours with carborundum, 1969, on wove paper, signed and numbered 14/75 in pencil, published by Maeght Éditeur, Paris, the full sheet with a deckle edge above, in good condition, the colours bright and fresh, framedSheet 1056 x 679mm. (41 1/2 x 26 3/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Joan Miró (1893-1983)Rupestres V (Dupin 1039) Etching and aquatint in colours, 1979, on Arches wove paper, signed and numbered 15/30 in pencil, published by Maeght, Barcelona, printed to the edges of the full sheet, with deckle edges on all four sides, authenticated by Rosa Maria Malet in pencil verso, Fundació Joan Miró, Barcelona, in very good conditionSheet 760 x 560mm. (29 7/8 x 22in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Giorgio Morandi (1890-1964)Natura morta con il panneggio a sinistra (Vitali 31; Cordaro p.35) Etching, 1927, on wove paper, the second, final state, signed, dated and numbered 32/40 in pencil, with wide margins, in good condition, framedPlate 246 x 350mm. (9 3/4 x 13 3/4in.); Sheet 330 x 435mm. (13 x 17 1/8in.)Footnotes:ProvenancePrivate Collection, Italy (acquired circa 1960-1970)Thence by descent from the above to the present ownerOne of Morandi's finest etched works, Natura morta con il panneggio a sinistra, was produced in 1927 and reproduces the subject painted by the artist twice that same year (Vitali 1977, cat. 115-116). Morandi generally worked directly from his subjects and etched everything on a plate at one time. So there are a few states of his prints. Only two states were made of this subject, with a limited edition of forty impressions and some artist's proofs. The present impression is part of the second state, in which Morandi added oblique signs on the bottom left of the neck of the central bottle.His methodical use of the etched line to create shapes, volume and density of his marks, by hatching and cross-hatching alone without a descriptive outline, is clearly inspired by the great old master etchers Rembrandt and Goya, whom he profoundly admired.Natura morta con il panneggio a sinistra is one of his most accomplished large compositions of his celebrated still-lifes etchings. The gradual intensity of the etched line shaded surfaces is contrasted with areas completely untouched by the needle, creating a highly atmospheric chiaroscuro effect which Morandi named bianco assoluto (absolute white).Giorgio Morandi is considered the most outstanding Italian printmaker of the twentieth century. Unlike many other artists, his practice as a printmaker was not just a supplement to painting or an additional means of income. Etching had played a significant part of his artistic practice since the beginning of his career. He made his first etching in 1912, having taught himself the technique by reading a treatise of 1660 by another Bolognese artist Odoardo Fialetti. Morandi made very few prints until the 1920s, and only a total of 138 in all. Eighty of his prints were made in the short period between 1927-1933 and only a small number after the Second World War.Morandi held the Chair in Printmaking at the Academy of Fine Arts in Bologna from 1930 until 1956.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Robert Motherwell (1915-1991)Mexican Night II (Belknap 318; Engberg & Banach 348) Etching and aquatint in colours, 1984, on Whatman paper, signed and annotated 'AP IV/X' in pencil, an artist's proof aside from the edition of 70, printed by Catherine Mousley, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in overall very good conditionSheet 635 x 609mm. (25 x 24in.)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Richard Serra (born 1939)Iceland (Gemini 1547) Etching, 1991, on Konzo and Meirat Velasquez paper, signed, dated and numbered 18/46 in pencil, published by Gemini G.E.L., Los Angeles, with their blindstamp and their inkstamp on the reverse, the full sheet, in overall very good condition, in the original Gemini frameSheet 892 x 1409mm. (35 1/4 x 55 1/2in.)Footnotes:ProvenanceAcquired directly by the current owner from the publisher Gemini G.E.L, Los Angeles.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Francis Bacon (1909-1992)Seated Figure (Sabatier 5) Etching and aquatint in colours, 1983, on Guarro wove paper, signed, numbered 'A.P 2/15' and dedicated To Giovanni Petretti in pencil, one of 15 artist's proofs aside from the edition of 99, printed and published by Poligrafa, Barcelona, the full sheet, with light-staining, the colours slightly attenuated but still strong, in overall good condition, framedPlate 729 x 540mm. (28 3/4 x 21 1/4in.); Sheet 1015 x 709mm. (39 7/8 x 27 7/8in.)Footnotes:ProvenanceGifted by the artist to lawyer Giovanni Petretti.Then, by descent to the current owner.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lucian Freud (1922-2011)Girl Holding Her Foot (Hartley 25) Etching, 1985, on wove paper, signed with initials and numbered 44/50 in pencil (there were also 15 artist proofs), published by James Kirkman, London, and Brooke Alexander, New York, 1986, the full sheet, in very good condition, framedPlate 695 x 546mm. (27 3/8 x 21 1/2in.); Sheet 883 x 712mm. (34 3/4 x 28in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lucian Freud (1922-2011)Girl Sitting (Hartley 33) Etching, 1987, on Somerset wove paper, signed and numbered 35/50 in pencil (there were also ten artist's proofs), published by James Kirkman, London, and Brooke Alexander, New York, the full sheet, in very good condition, framedPlate 520 x 695mm. (20 1/2 x 27 3/8in.); Sheet 605 x 771mm. (23 7/8 x 30 3/8in.)Footnotes:ProvenanceChristie's, Post-War and Contemporary Art, London, 17 October 2006, lot 485 (with their label.)Timothy Taylor Gallery, London (with their label.)Private Collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Pablo Picasso (1881-1973)Etreinte I (Bloch 1110; Baer 1103 V.B.b) Etching with drypoint, 1963, on BFK Rives wove paper, signed and numbered 37/50 in pencil, published by Galerie L. Leiris, Paris, 1967, the full sheet, in good condition, framedPlate 426 x 570mm. (16 3/4 x 22 3/8in.); Sheet 586 x 765mm. (23 x 30 1/8in.)Footnotes:ProvenanceGalleria del Milione, Milano (inv. no. 10Z58)Galleria del Girasole, Udine (inv. no. I797)Private Collection, Italy (acquired from the above, circa 1963-1970)Thence by descent from the above to the present owner.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lynette Yiadom-Boakye (born 1977)The World for a Wilderness Etching, 2020, on Somerset wove paper, signed, dated, titled and numbered 16/50 in pencil, published by Tate, London, the full sheet, in very good, original condition, within the original wrappingPlate 332 x 300mm. (13 1/8 x 11 3/4in.); Sheet 506 x 461mm. (19 7/8 x 18 1/8in.)Footnotes:I've never liked being told who I am, how I should speak, what to think and how to think it... But the idea of infinity, of a life and a world of infinite possibilities, where anything is possible for you, unconstrained by the nightmare fantasies of others, to have the presence of mind to walk as wildly as you will, that's what I think about most. Lynette Yiadom-BoakyeThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A VICTORIAN OFFICER~S SWORD AND ANOTHER, 19TH CENTURYof regulation type the first with etched blade including scrolling foliage and the royal cypher ~VR~ crowned (worn), triple-bar iron hilt, wire-bound fishskin-covered grip, in its iron scabbard (pitted); the second with curved blade with traces of etching, iron triple-bar hilt (grip with losses)the first: 90.0 cm; 35 ½ in blade(2)
ËœA MAMELUKE-HILTED SWORD FOR A LORD LIEUTENANT, POST 1902with curved blade double-edged towards the point with traces of etching on each face at the forte, gilt-brass mameluke hilt including langets decorated with a crossed sword and baton, ivory grips (one cracked), in its leather scabbard (stitching worn, lower section open) with brass mounts comprising chape decorated with a chevron pattern, middle-band and locket each cast with a band of acorns and oak foliage, and the latter two each with a ring for suspension76.5 cm; 30 1/8 in blade
A RIFLE COMPANY OFFICER~S SWORD; AN 1897 PATTERN INFANTRY OFFICER~S SWORD BY HENRY WILKINSON, NO 33963 FOR 1896, A GEORGE V 1897 PATTERN INFANTRY OFFICER~S SWORD; AND AN EPÉE; of regulation type, the first struck with a proof mark on the forte, hilt with strung bugle, in its steel scabbard; the second with traces of etching on the blade, in its field service scabbard, with its knot; the third with etched blade, in its field service scabbard, with its knot; and the fourth with tapering blade and figure-of-eight shaped guard; the first: 83.2 cm; 32 ¾ in blade; (4)
Two antiquarian prints'Front view of the Theatre Royal, Drury Lane', etching, published by James Whittle and James R H Laurie, 31cm x 45.5cm and 'A view of the Royal Hospital at Greenwich in Kent' etching, 27cm x 40.5cm (2)Foxing and some marks. Hand colouring is later. Overall scuffs and some marks/display wear to the frames.
Otto Goetze (1868-1931) 'An interesting page', etching, signed in pencil lower left, old paper labels to the back of the frame, 32cm x 26cmAt present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
K. F. BARKER (Fl. circa 1920-1940), "Otter Hunting (Yoi Over Over)", Drypoint etching on paper, Signed and titled in pencil, Fine Art Trade Guild blind stamp to lower margin, 26cm x 32cm, Framed and glazed, With five further signed otter hunting prints by E. G. Hester (signed, 32cm x 39.5cm), Tom Carr (signed, 35cm x 47cm), Alfred Strutt (unsigned, 35cm x 46.5cm), Lionel Edwards (unsigned, 34cm x 45cm), and Maud Earl (unsigned, 24.5cm x 33cm), all framed and glazed (6)
A COLLECTION WITH 132 !! TIBETAN AGATE DZI BEADSTibet, 19th to 20th century. Comprising 132 beads of different shapes made from etched agate, some decorated with 1 to 3 eyes. Dzi beads are considered to provide positive spiritual benefit. They are mostly worn as protective amulets, sometimes ground into a powder to be used in traditional Tibetan medicine. Artisans who made the dzi embellished the beads lines and shapes using ancient methods such as darkening with plant sugars and heat, bleaching and white line etching with natron and protecting certain areas with grease, clay, wax or a similar substances.Condition: Good condition with traces of use and wear. Provenance: Ex-Collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 400 g in total Dimensions: Length 0.5 to 3.6 cm
David Belilios : Aydon say, etching, 3/25, signed, 19 cm x 6 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
David Belilios : High Borrans, etching, signed, 20 cm x 15 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
David Belilios : Kielder Dam, etching, signed, 27 cm x 26 cm. CONDITION REPORT: David Belilios was born in 1943. He studied Fine Art at Kingston University London. He was head of the art department at George Stephenson High School where he taught for 30 years before retiring. The last 30 years have been spent at his art studio in Northumberland working on photography, prints, paintings, etchings, pottery and sculpture. He had three exhibitions at the Moot Hall Newcastle and regular on Northumberland open studios and exhibitions.
William Lionel Wyllie (1851-1931) signed etching - Tower Bridge, 32cm x 55cm, in glazed frame The work has not been removed from the frame and therefore it is not possible to state whether it has been stuck down or not. There are a number of scratches and scuffs to the surface, as seen in the images.
John Crome (1768-1821) etching, 'At Woodrising' circa 1812 on chine collé laid to wove support published 1834 edition 60, image size 6cm x 19cm, unframedSome browning and spotting to the mount, as seen in the images, crease to the paper lower right. No sign that it has been stuck down previously. No tears or holes to the paper. Sheet size 12.5cm x 24.5cm.
John Crome (1768-1821) soft-ground etching, Tree study, on chine collé laid to wove support, published 1834 edition of 60, image size 23c x 18cm, unframed Some browning/staining to the paper as seen in the images. No sign that it has been stuc down previously. No tears or holes to the paper. Unevenly cut margins. Sheet size 30cm x 23.5cm.
John Crome (1768-1821) etching, Back of the Mills, on chine collé laid to wove support, image size 23cm x 18cm, unframed Some browning/staining to the paper and the odd spot to the mount, as seen in the images. No sign that it has been stuck down previously. No tears or holes to the paper. Unevenly cut margins. Sheet size 30cm x 24.5cm.
Attributed to Pietro Testa (1611-1650), etching - family group in landscape, 30.5cm x 22cm, in decorative gilt frame Please see images of the lot removed from the frame illustrating the condition. The work has been stuck down on all four sides. Bottom left corner is torn and missing.Provenance- private local client.
Alphonse Legros RA (1837-1911) Nude studysanguine chalk on papersigned and inscribed in pencil, 41.5 x 24cm and an etching, Self portrait, signed in the plate, 21 x 16cm.Sanguine chalk on paper, the image is feint, and the ground paper perhaps slightly discoloured, paper showing undulation throughout so not laid down, a number of small scattered dirt marks throughout, signed at 6 o'clock in the same sanguine chalk inscribed in pencil'Ecole Francais XIXESE lower left, old card mount and slim gilt frame, Leicester Galleries 1961 Exhibition label verso with purchasers Sir Geoffrey Hutchinson, Fine Art Society 1980 label and Abbott & Holder label along with a Christie's stencil mark.Etching with acid stains around the mount. Clean oak frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Legros RA (1837-1911), Alphonse
Samuel L. Margolies (American, 1897-1974) Bridge to Babylon, c.1940aquatint and etchingfrom the edition of approximately 200. Signed and titled in pencil, lower margin. Published by the Miniature Print Society.6.4 x 7.6cmVery good clean condition, a slight outward bulge of the paper but no real faults noted, housed in a stepped card mount and silvered wood frame, with attribution label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 6.4 x 7.6cmMargolies (American, 1897-1974), Samuel L.
Man Ray (American, 1890-1976) 'Concert', from Ballarde de Dames Hors du Temps, 1970,etching and aquatint on papersigned in pencil and marked H.C. (hors catalogue), 1/V, total edition of 100 (Anselmino, 60D)overall 51 x 67cmPaper in a floating mount showing some slight surface undulation and some scattered fox marks, otherwise in good order, stained black frame with some chipping around the edges, no labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. overall 51 x 67cmRay (American, 1890-1976), Man
§ § Sir Terry Frost R.A. (1915-2003) Lament for Ignacio Sanches Mejias from the Lorca Suite (Kemp 98)etching and aquatintsigned in pencil, 18/7556 x 37.5cmTabbed down with a floating mount so some undulation of the paper, some fine scattered dirt specks most of which are on the glass rather than the print itself, plain card mount and slim ebonised frame, glass has been broken and will be removed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 56 x 37.5cmFrost R.A. (1915-2003), Sir Terry
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71082 item(s)/page