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James Abbot McNeill Whistler (1834-1903), 'Annie Standing', etching, 1857/8, 11.7 cm x 7.7 cm, the top corners tipped into loose mounted card.

STARGATE SG-1 (T.V. SERIES, 1998) - Screen-Matched Battle-Damaged Death Glider Model Miniature - A screen-matched, battle-damaged Death Glider model miniature from the sci-fi television show Stargate SG-1. Death Gliders were Goa'uld space superiority fighters, deployed against multiple space targets. This model was screen-matched to Season 2's "The Serpent's Lair," where SG-1 and Bra'tac escaped Apophis' Ha'tak mothership in two Gliders damaged during that ship's subsequent destruction.The miniature's body is lightweight rigid foam covered in a rigid skin, painted metallic blue, silver-color, and purple with gold-color paint inlaid in etching, and is assembled in three parts, forming the fuselage and heavily curved wings. The resin and clear acrylic canopy features spider-crack damage, showing the dual-seat cockpit and decal control surfaces. Paint markings suggest the cockpit replaced an earlier canopy. Two resin staff cannons are slung underwing. The surface is painted metallic blue and purple, and etched with curved, gold-color painted lines. There are battle damage marks representing laser blasts, and gray paint depicts smoke and burn damage. It exhibits small chips to the paint and hot glue residue at assembly points. Dimensions: 41" x 21" x 11" (105 cm x 53.5 cm x 28 cm)Special shipping required; see notice in the Buyer's Guide.Estimate: $8,000 - 16,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

ALIEN (1979) - Hand-Drawn John Mollo Concept Sketches, Notes, and Production Photos - Hand-drawn John Mollo concept sketches, notes, and production photos from Ridley Scott's sci-fi-horror film Alien. Hand-drawn by costume designer John Mollo, this lot consists of four sketches and doodles of a cap, sneakers, belts, pouches, a jacket, and a Nostromo crew shirt with a patch on the sleeve. Included in the lot are two photocopy pages of lists of actors' measurements, costume pieces needed, one page of spacesuit armor etching examples with illegible notes along the edge, and four black-and-white production photos of the cast and Kane's (John Hurt) spacesuit. This lot exhibits folds from production and major discoloration from age. Dimensions: 8.5" x 13" (21.75 cm x 33 cm)Sold without copyright; see notice in the Buyers Guide.Estimate: $2,500 - 5,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.

BLADE RUNNER (1982) - Set of Four Los Angeles Cityscape Etching Masters - A set of four Los Angeles cityscape etching masters from Ridley Scott's sci-fi classic Blade Runner. The film's depiction of 2019 Los Angeles was brought to life through compositing model-miniatures, matte paintings, and sets.This lot consists of four pairs of clear plastic sheets with printed black designs. They feature varied informational labels including "Photo Pairs" for "Blade Runner," "Return to Customer" labels, and labels for "Stetson Visual Services," an offshoot of model maker Mark Stetson's Entertainment Effects Group (EEG). This lot exhibits some mild discoloration. Dimensions: (each) 24.5" x 13.5" (62.25 cm x 34 cm)Estimate: $3,000 - 6,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.

PABLO PICASSO (1881-1973)Vénus et L'Amour signéeau-forte et aquatinte sur vélin filigrané Richard de BasExécuté en 1965. Epreuve en dehors de l'édition à 50 exemplaires Edité par Galerie Louise Leiris, Paris.signedetching and aquatint on watermarked Richard de Bas paperExecuted in 1965. A proof aside from the edition of 50Published by Galerie Louise Leiris, Paris.43 x 51 cm.16 15/16 x 20 1/16 in.Footnotes:ProvenanceEx-collection Marina Picasso, avec son tampon au versoBibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1971 (Bl.1214)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume V, 1959-1965, Berne, 1989 (B.1196.B.b.2)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Le Bain, La Suite des Saltimbanques eau-forte et pointe-sèche sur vélin Van Gelder ZonenExecuté en 1905 dans une édition de 250 exemplairesEdité par Ambroise Vollard, Paris, 1913.etching and drypoint on Van Gelder Zonen wove paperExecuted in 1905 and from the edition of 250Published by Ambroise Vollard, Paris, 1913.53,5 x 47,2 cm. 21 1/8 x 18 5/8 in.Footnotes:ProvenanceCollection Peter Farley (1954-1922), scénographe de théâtre, curateur, auteur et enseignantBibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.12)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume I, 1899-1931, Berne, 1990 (B.14.b.2)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Les dames de Mougins signé et inscrit épreuve d'artisteeau-forte sur vélin Exécuté en 1963. Epreuve d'artiste en dehors l'édition de 150 exemplairesEdité par Cercle d'Art, Parissigned and inscribed épreuve d'artisteetching on wove paperExecuted in 1963. An artist's proof aside from the edition of 150Published by Cercle d'Art, Paris30 x 28,7 cm.11 13/16 x 11 in.Footnotes:ProvenanceAnglim Gilbert gallery, San FranciscoAcquis auprès de celle-ci par le propriétaire actuelBibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume II, 1904-1967, Berne, 1971 (Bl.1131).Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume VI, 1966-1968, Berne, 1989 (B.1128)Patrick Cramer, Pablo Picasso: The Illustrated Books Catalogue Raisonné, Geneva, 1983 (CR.120)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Le peintre et son modèle, Dans l'Atelier signé et inscrit épreuve d'artisteeau-forte sur vélin filigrané Richard de BasExécuté en 1963. Epreuve d'artiste en dehors l'édition de 150 exemplairesEdité par Cercle d'Art, Parissigned and inscribed épreuve d'artisteetching on watermarked Richard de Bas paperExecuted in 1963. An artist's proof aside from the edition of 150Published by Cercle d'Art, Paris30,5 x 28,2 cm.11 13/16 x 11 in.Footnotes:ProvenanceAnglim Gilbert gallery, San FranciscoAcquis auprès de celle-ci par le propriétaire actuelBibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume II, 1904-1967, Berne, 1971 (Bl.1139).Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume VI, 1966-1968, Berne, 1989 (B.1136)Patrick Cramer, Pablo Picasso: The Illustrated Books Catalogue Raisonné, Geneva, 1983 (CR.123)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Orage, Enlèvement, Poursuite, Série 347 signé et numéroté 11/50eau-forte et pointe-sèche Exécuté en 1968 dans une édition de 50 exemplaires Edité par la Galerie Louise Leiris, Paris, 1978. signed and numbered 11/50etching and drypointExecuted in 1968 and from the edition of 50 Published by Galerie Louise Leiris, Paris, 1978.36,4 x 47,4 cm.14 3/16 x 18 1/2 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume II, 1904-1967, Berne, 1971 (Bl.1585)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume VI, 1966-1968, Berne, 1994 (B.1601.II.B.b.1)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Peintre ramassant son Pinceau, Le Chef-d'OEuvre Inconnu signé et numéroté 24/99 eau-forte sur vélin filigrané Van GelderExécuté en 1927 dans une édition de 99 exemplairesEdité par Ambroise Vollard, Paris, 1934.signed and numbered 24/99etching on watermarked Van Gelder wove paperExecuted in 1927 and from the edition of 99Published by Ambroise Vollard, Paris, 1934.38,5 x 50,2 cm.14 15/16 x 19 11/16 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.88)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume I, 1899-1931, Berne, 1990 (B.129.2a)Patrick Cramer, Pablo Picasso: The Illustrated Books Catalogue Raisonné, Geneva, 1983 (C.20)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Gentilhomme, Femme honteuse et Reître, Série 347 singé et numéroté 37/50eau-forte sur vélin filigrané BFK RivesExécuté en 1968 dans une édition de 50 exemplaires Edité par Galerie L. Leiris, Paris.signed and numbered 37/50etching on BFK Rives wove paperExecuted in 1968 and from the edition of 50Published by Galerie L. Leiris, Paris.28 x 36,4cm.11 x 14 5/16in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume II, 1966-1969, Berne, 1971 (Bl.1699)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume VI, 1966-1968, Berne, 1990 (B.1715 Bb1)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Petit Vieux flatté, la Célestine, Série 347 signé et numéroté 37/50eau-forte et aquatinteExécuté en 1968 dans une édition de 50 exemplaires Edité par Atelier Crommelynck, Paris. signed and numbered 37/50etching and aquatint on wove paperExecuted in 1968 and from the edition of 50 Published by Atelier Crommelynck, Paris.25 x 32,6 cm.9 13/16 x 12 13/16 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume II, 1966-1969, Berne, 1971 (Bl.1630)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume VI, 1966-1968, Berne, 1990 (B.1646 Bb1)Patrick Cramer, Pablo Picasso: The Illustrated Books Catalogue Raisonné, Geneva, 1983 (C.149)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Gamin se glissant dans un Hammam un Jour réservé aux Femmes, Série 347 signé et numéroté 30/50eau-forte et pointe-sèche sur vélin filigrané BFK RivesExécuté en 1968 dans une édition de 50 exemplairesEdité par Galerie Louise Leiris, Paris.signed and numbered 30/50etching and drypoint on watermarked BFK Rives paperExecuted in 1968 and from the edition of 50Published by Galerie Louise Leiris, Paris.62,8 x 80,5 cm.24 7/16 x 31 1/2 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume II, 1966-1969, Berne, 1971 (Bl.1667)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume VI, 1966-1968, Berne, 1990 (B.1683 Bb1)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Femme nue se couronnant de fleurs, La Suite Vollard eau-forte sur vélin Montval avec filigrane VollardExécuté en 1933 dans une édition de 260 exemplairesEdité par Ambroise Vollard, Paris, 1939etching on Montval laid paper with watermark VollardExecuted in 1933 and from the edition of 260 Published by Ambroise Vollard, Paris, 193945 x 34,2 cm. 17 11/16 x 13 3/8 in.Footnotes:ProvenanceAvec le cachet de Henri Marie Petiet (Lugt 5462) et son numéro de référence '195' rectoBibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume II, 1904-1967, Berne, 1971 (Bl.135)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'œuvre gravé, Volume VI, 1966-1968, Berne, 1994 (B.195)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)L'Age de Soleil (Pour Roby) eau-forteExécuté en 1950 dans une édition de 114 exemplaires Edité par Robert Godet, Paris.etchingExecuted in 1950 and from the edition of 114Published by Robert Godet, Paris.31,8 x 25,3 cm.12 3/16 x 9 13/16 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.680)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume I, 1899-1931, Berne, 1990 (B.690)Patrick Cramer, Pablo Picasso: The Illustrated Books Catalogue Raisonné, Geneva, 1983 (C.57)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Minotaure aveugle guidé par une petite Fille au pigeon, La Suite Vollard signéeau-forte, aquatinte et pointe-séche sur vélin Montval avec filigrane PicassoExécuté en 1934 dans une édition de 260 exemplairesEdité par Ambroise Vollard, Paris, 1939.signedetching with aquatint and drypoint, 1934, on watermarked Picasso Montval laid paperExecuted in 1934 and from the edition of 260Published by Ambroise Vollard, Paris, 1939.33,5 x 44,5 cm. 13 x 17 5/16 in.Footnotes:ProvenanceVente: Christie's, Londres, Old Master, Modern and Contemporary Prints, 20 juin 2000, lot 356Acquis dans cette vente par le propriétaire actuelBibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.224).Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume II, 1932-1934, Berne, 1992 (B. 436 IV.B.d).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Femme assise et têtes barbues, La Suite Vollard signéeau-forte et aquatinte sur vélin de Montval avec filigrane VollardExecuté en 1934 dans une édition de 260 exemplairesEdité par Ambroise Vollard, Paris, 1939.signed in penciletching and aquatint on Montval laid paper with Vollard watermarkExecuted in 1934 and from the edition of 260Published by Ambroise Vollard, Paris, 1939.34 x 43 cm. 13 3/8 x 16 7/8 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.216).Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume II, 1932-1934, Berne, 1992 (B.416.VI.B.d).This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Sculpteur Songeant, modèle aux cheveux noirs et bol avec trois anémones, La Suite Vollard signéeau-forte sur vélin de Montval avec filigrane VollardExecuté en 1933 dans une édition de 260 exemplaires Edité par Ambroise Vollard, Paris, 1939.signed etching on Montval laid paper with watermark VollardExecuted in 1933 and from the edition of 260 Published by Ambroise Vollard, Paris, 1939.44.5 x 34cm 17 1/2 x 13 3/8 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1971 (Bl.177)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume II, 1932-1934, Berne, 1992 (B.330.B.d)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

AFTER PABLO PICASSOThree dancers Etching, 27.5 x 19cm (image size); 47.5 approx (partially turned under the backboard) x 34.5cm (sheet size)Signed Print after the edition of 14 copper engravings published as part of the book Grâce et Mouvement, Louis Groscalude, Zurich, 1943. This example is larger in size to the those original engravings 

BRIAN O'DOHERTY (PATRICK IRELAND) (1928-2022)The Red Corpuscles of the Blue Blooded Doctor, 2004Two-plate etching, 65 x 54cm Signed, numbered 18/20 and dated (20)'04

PAMELA LEONARD (B.1940)Spring MorningEtching, 32.5 x 44.5cm (sheet size)Signed, titled and no. 6/19

PAMELA LEONARD (B.1940)Summer MeadowEtching, 37 x 47cm (sheet size)Signed, titled and no. 4/30

MARY A. FITZGERALDShrine Mouth- 5 Etching, edition 13/15, 22 x 14.5cmSigned and inscribed

‡ A COMPOSITE NORTH ITALIAN CAP-A-PIE ARMOUR WITH ETCHED DECORATION, LATE 16TH CENTURY comprising morion in the ‘Spanish’ fashion, with one-piece almond-shaped crown rising at its apex to a vestigial backward-directed 'stalk', and slightly down-turned narrow integral brim projecting to an obtuse ‘point’ front and rear, its edge formed with a file-roped inward turn accompanied by a narrow groove with later brass rivets, fitted at the nape with a later brass plume-holder, and the base of the crown encircled by fourteen brass-capped lining-rivets with brass rosette-washers; collar of a deep main plate front and rear surmounted in each case by a restored upper extension-lame; breastplate formed of a main plate of deep 'peascod' fashion, fitted at its arm-openings with fixed gussets (restored) and flanged outwards at its lower edge to receive a pair of pendent tassets attached in each case by three modern straps, and formed of nine simulated lames (cracked and patched across the width in two places); backplate formed in one piece and flanged outwards at its base; two large symmetrical pauldron (not a pair) formed of seven lames overlapping outwards from the third and largest, the lower four extending inwards only to the armpit; a pair of fully articulated tubular vambraces, each fitted at its upper end with a turner of one lame, and at its elbow with a winged bracelet couter of three lames; two gauntlets (not a pair) each formed of a flared and round-ended tubular cuff, four metacarpal-plates, and a shaped knuckle-plate (thumb-plate and finger-scales restored and partly lost); a pair of cuisses (restored) each formed of a gutter-shaped main plate rising to a convex upper edge and fitted at its lower edge with a poleyn of four lames formed at the outer end of its second with a small medially-puckered oval side-wing, both cuisses engraved in a panel on the inside ‘jambière fait en Suisse 1914 gravé par R. Bartel 1916. 1 cotté de molette ancient, 2 grèves fait R. Bartel 1916’; and a pair of greaves (restored) each open at the rear and formed of two plates joined by hinges, the rear plate of the right greave painted in red ‘ancient part’ and a pair of toe-caps each engraved on the inside ‘piece fait en Suisse 1914 gravé par R. Bartel 1916’; the main edges of the armour formed almost throughout with file-roped inward turns, and its surfaces decorated in bands and borders with etching on a stippled and blackened ground, that of the morion consisting of four warriors in strapwork cartouches, divided by trophies-of-arms within cabled borders, the remaining surfaces with bands of warriors, fabulous beasts, birds and trophies of arms within cabled borders framed by plain lines, and the breastplate, backplate and pauldrons with volutes filled with portrait profiles (the pauldrons, vambraces and gauntlets with restorations and showing extensive wear, the cuisses and greaves restored, the etching with restorations); all on a wooden stand with base Provenance Bashford DeanThe Cleveland Museum of Art, sold: Arms and Armor mainly removed from a Midwestern Educational Institution, Parke-Bernet Galleries Inc., 30th March 1961, lot 205 ($325 to Kindig)Joe Kindig Jr. (1898-1971), thence by descent LiteratureHelen Ives Gilchrist, A Catalogue of the Collection of Arms and Armor presented to the Cleveland Museum of Art, Cleveland 1924, pp. 31-32 no. A10. Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.

‡ A COMPOSITE NORTH ITALIAN CORSLET WITH ETCHED DECORATION PARTLY BY THE 'MASTER OF THE CASTLE' OF MILAN, LATE 16TH CENTURY comprising morion in the ‘Spanish’ fashion, with one-piece almond-shaped crown rising at its apex to a vestigial backward-directed 'stalk' (pierced with a small later hole at its rear), and slightly down-turned narrow integral brim, its edge formed with a file-roped inward turn accompanied by a narrow groove with later rivets, the base of the crown encircled by fourteen later lining-rivets with brass rosette-washers; collar of a single deep plate front and rear; breastplate formed of a main plate of deep 'peascod' fashion, flanged outwards at its lower edge to receive a pair of associated pendent tassets each of four lames (altered to match and partly disarticulated); well-matched backplate flanged outwards at its base; two large symmetrical pauldrons (not a pair), each formed of seven lames of which the lowest four extend inwards only to the armpit (both partly disarticulated), two large symmetrical pauldrons (not a pair), each formed of seven lames of which the lowest four extend inwards only to the armpit (the uppermost two of each associated), a pair of fully articulated tubular vambraces, each fitted at its upper end with a turner of one lame, and at its elbow with a winged bracelet couter of three lames; and a pair of gauntlets each formed of a flared tubular pointed cuff (the right with small rust perforations), four metacarpal-plates (the third of the left cracked and patched at its inner end), a shaped knuckle-plate, and hinged thumb-plate (finger and thumb-scales missing); the main edges of the armour formed almost throughout with file-roped inward turns, the vambraces and gauntlets with file-roped secondary borders and its surfaces decorated with etching on a stippled and blackened ground, that of the morion consisting of eight radiating bands of trophies of arms framed by cabling within plain lines, and the brim with stylised acanthus foliage (areas of wear), and that of the remainder consisting of bands and borders of trophies of arms generally enclosed by narrow bands of cabling and enclosing in the interspaces and volutes on the fronts and rears of the pauldrons, busts and full-length figures of classical warriors, and involving at the neck-opening of the breastplate the device of a two-towered castle; on a wooden stand with base Provenance Joe Kindig Jr. (1898-1971), thence by descent The device of a castle etched at the neck-opening of the breastplate represents the signature of one of the most important Milanese armourers of the late 16th century, know to scholars today as the 'Master of the Castle'. It is possible that he, like his contemporary, Pompeo della Chiesa, was privileged to work in the Castello Sforzesco, residence of the Dukes of Milan. Other extant works bearing his signature include the fine garniture made for Wolf Dietrich von Raitenau, Prince Bishop of Salzburg, probably after 1587, and now divided between the Bayerisches Nationalmuseum, Munich, the Wallace Collection, London, and the Hermitage Museum, St Petersburg, as well as various armours preserved in the Museo Civico L. Marzoli, Brescia, the Real Armeria, Turin, the Real Armeria, Madrid, the Musée de l'Armée, Paris, and the Wallace Collection, London. See Beard 1924, pp. 11-12; Norman 1986, pp. 29, 32-3 & 36-7; and LaRocca 2000, pp. 181-97. A composite North Italian etched corselet with the same mark, formerly in the John Woodman Higgins Armoury Collection, Worcester Massachusetts, was sold in this room 7th May 2014, lot 138. Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.

‡ A NORTH ITALIAN CUIRASS WITH ETCHED DECORATION, PROBABLY MILANESE, CIRCA 1590-1600 comprising breastplate with heavy main plate of late 'peascod' fashion, formed with shallow neck and arm-openings, flanged outwards at its base, etched in borders around its neck and arm-openings and in seven diverging vertical bands with bands of interlacing strapwork, enclosed in each case by narrower bands of guilloche and engrailing, and involving oval cartouches enclosing classical subjects, fantastic animals and large overlapping crossover knots, fitted at the arm-openings with associated roped gussets, and matching one-piece backplate (extensive patination and wear throughout, the etching partly obscured), 46.0 cm high (2) Provenance Joe Kindig Jr. (1898-1971), thence by descent The etched decoration of the cuirass is of a pattern employed by several Milanese armourers of the late 16th century, including one who signed himself with the initials IFP on a half armour in the Art Institute, Chicago, (Acc. No. 1982.2194), another who signed himself with a triple-towered castle on a visor and bevor in the same collection (Acc. No. 1982.2493) and most particularly with Pompeo della Chiesa, recorded 1571-93, who had his workshop in the Castello Sforzesco, Milan (see Norman 1986, p. 31). The knot device is employed by the ducal family of Savoy and features on the armour of Carl Emanuel I, Duke of Savoy (1562-1630) as well as other, unrelated armours of this period. See Bertlolotto et al 1982, pp. 39-40. Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.

After William Hogarth, 18th century The Four Times of the Day (Morning, Noon, Evening & Night)a set of four hand-coloured engravings on laid paper35.5 x 25cm (Pl.), in period frames;together with New London Cries or All the Talents Making Themselves Useful!, published by E. Walkercoloured etching 1807, 33 x 47cm

§ IAN FLEMING R.S.A., R.S.W., R.G.I., L.L.D. (SCOTTISH 1906-1990) GLASGOW SCHOOL OF ART Etching, 3/25, signed, numbered and inscribed to margin;and a companion, 'Botanic Gardens' Etching, 5/25, signed, numbered and inscribed to marginDimensions:the image 25cm x 17.25cm (9.75in x 6.75in); the image 21.25cm x 27.5cm (8.5in x 10.75in)

§ GERALD LESLIE BROCKHURST (BRITISH 1890-1978) ANAÏS NO.2 - 1930 Etching, signed in pencil to margin lower left, signed to plate lower right and dated to plate lower left, with further indistinct signature to plate upper-rightDimensions:the image 24.25cm x 19.25cm (9.75in x 7.5in)

§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) FORTUNE TELLER, KYOTO - 1990 Etching, 29/30, signed and numbered in pencil to margin, published by Glasgow Print Studio, with their blindstampDimensions:plate size 25cm x 35.5cm (9.75in x 14in)

§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) RED STILL-LIFE - 1989 Etching and aquatint, Artist's Proof, aside from the edition of 50, signed and inscribed in pencil to marginDimensions:the sheet 35.5cm x 40.5cm (14in x 16in)

B. Kelly (Contemporary) 'Untitled figure', etching, numbered 7/40, signed in pencil lower right, 16cm x 18cmProvenance: Bears Rowley Gallery label to the reverse.The collection of Paul Whitfield (1942–2018)Overall minimal display wear as expected, otherwise seems ok.

John Shapland (1865-1929) and Walter Henry Sweet (1889-1943) 'Santa Maria Della Salute, Venice', etching, signed in pencil lower left and right, 32cm x 22cm, another scene of Venice by the same artists, etching and aquatint, signed in pencil lower left and right, 32cm x 22cm and one other by another artist 'Untitled view of Exeter', signed in pencil lower right, 38cm x 26cm (3)Overall foxing, wear and losses to the frames. No major holes, tears or damage to the pictures themselves. Frames and back boards are not original.

Group of three picturesincluding 'The Interior of Court Barn' and 'Court Barn', limited edition engraving, signed in pencil on the mount WN 10/100 and 23/100, 18cm x 24cm and 16cm x 10cm, an etching signed Kathleen G Jefferies, 16cm x 24cm, and a contemporary watercolour and gouache study 'Blue Road in the Valley', signed with initials K P, 22cm x 29cmProvenance:The collection of Paul Whitfield (1942–2018)All three are in good condition.

Francesco Bartolozzi RA (Italian, 1727-1815) after Giovanni Francesco Barbieri (Italian, 1591-1666),A mother, child and two old men,Etching on paper,Unsigned,21cm x 13.5cm,Framed and glazed

TREVOR FRANKLAND (British 1931-2011). Etching. Edition of 75 copies. This one is 38/75 and printed on high quality heavy paper. Signed lower right.

Charles Tunnicliffe, OBE, RA (1901 – 1979) and others. H.61.5 W.51cm (largest) Wood-engraving of a bird. Signed in pencil by Tunnicliffe. Four small prints by Eric Hebborn (1934 – 1996) English painter and famous art forger. Includes two Van Gogh and one Gainsborough image. Signed in the plate by Hebborn. Carel Weight poster titled ‘Garden of Eden’ hand signed in pencil. Claire Dalby (November 1944) British. Signed wood-engraving. Paul Howdon etching on heavy stock paper signed. Artists’ proof copy. Provenance: from the Tevor Frankland collection.

TREVOR FRANKLAND (British 1931-2011). Etching print. Edition of 75 copies. This one is 31/75 and printed on high quality heavy paper. Signed lower right.

TREVOR FRANKLAND (British 1931-2011). Etching. Edition of 75 copies. This one is marked 'A.P' (artists proof copy) and printed on high quality heavy paper. Signed lower right.

TREVOR FRANKLAND (British 1931-2011). Etching print. Edition of 75 copies. This one is 33/75 and printed on high quality heavy paper. Signed lower right.

TREVOR FRANKLAND (British 1931-2011). Etching along with a hand written note on the ‘The creation of art works’ with water based paint. H.23.5 W.40cm

TREVOR FRANKLAND (British 1931-2011). Mixed media containing two signed linocuts, pen and ink drawings, and a signed etching. H.50 W.70.5cm (largest)

TREVOR FRANKLAND (British 1931-2011). 27 studies some dated 1952. Including drawings from life classes. One etching of an animal skull, pencil portraits and other drawings. H.40 W.23cm (largest)

Salvador Dalí (1904-1989)"Pardon de Sigismund"From "Calderón: La vie est un songe" seriesColored etching on paperSigned and numbered 190/250(oxidised paper)34x53 cm (mancha/image)56,5x78,5 cm (papel/sheet)

Günther Förg (1952-2013)"Ground"Watercolored etching on folded cardboard, with text from Georg Trakl on the left sideSigned and dated 99This print was part of the "Groud" portfolio comprising 20 watercolored prints, each with text on the left, selected by Rudi Fuchs, in an edition of 30 copies.51x36 cm (cartão dobrado/folded cardboard)

Günther Förg (1952-2013)"Ground"Watercolored etching on folded cardboard, with text from Georg Trakl on the left sideSigned and dated 99This print was part of the "Groud" portfolio comprising 20 watercolored prints, each with text on the left, selected by Rudi Fuchs, in an edition of 30 copies.51x36 cm (cartão dobrado/folded cardboard)

Lion, van der Gabriel "Little Donkey", etching/paper, h 10 x w 14.5 cm (annotation on the reverse).

Voorde, ten Johannes (Jan) Hendrikus Maria (1941-2011) "Way of Being", etching/paper no. 12/30, h 40 x w 30 cm.

Monogram fog 'View of a farm with haystack', signed in full in pencil and monogram in the plate and '42, etching/paper, h 26.5 x w 23.5 cm.

Heijboer, Anton (Sumatra 1924-2005) "Untitled", series of 3, signed in full m.o, etching/paper, image size h49 x w10 cm. Hereby collage of the same artist, tot. 4x.

Title: Humain-Sur Humain. Color etching print on paper depicting an abstracted geometric image. Color is a deep ocean blue with expressive red splotches. Signature, title, and edition written in pencil along lower edge of image. Artist: Berto LarderaIssued: 1969Dimensions: 22"W x 30"HProvenance: The Bass Museum of Art Condition: Good condition.

Highly detailed aquatint etching print. Image depicts two figures leaving a green forest enclosed by an iron gate with a flock of birds flying overhead; brick red background has leading lines that flow outward from the enclosed forest. Artist signature in pencil on lower right with edition number on lower left. Artist: Lars BoIssued: 1962Dimensions: 25.75""W x 19.75""HProvenance: The Bass Museum of Art Condition: Good condition.

Title: Signe du Feu (translated from French: Fire Sign). Print depicts an abstract impressionist style image with black line etching overlayed with orange and blue colors. Pencil signed by artist on lower right with title in center and edition number on the left. Artist: Camille BryenDimensions: 19.75""W x 25.5""HEdition Number: 42 of 110Provenance: The Bass Museum of Art Condition: Good condition.

Aquatint etching print on paper. Print has an impressed pebbled texture with tonal gray and black outlines and a gradated dark sea green ground. Artist signature in pencil on lower right and edition number on lower left. Artist: Nono ReinholdIssued: 1962Dimensions: 26""W x 20""HEdition Number: 33 of 40Provenance: The Bass Museum of Art Condition: Good condition.

Aquatint Etching Titled "El Fondo del Mar". Numbered 19/20 lower left, pencil signed and dated 1970 lower right. Measures 31.5" x 25.5" including frame, 23.5" x 17.5" image only. Condition: Age related wear.

Aquatint etching print on paper depicting an abstract expressionist style image. Depicts muddy swaths, embossed circular impressions, and deconstructed shapes. Artist signature in pencil on lower right and edition number on lower left. Artist: Johnny FriedlaenderDimensions: 19"W x 26.5"HEdition Number: 29 of 85Provenance: The Bass Museum of Art Condition: Good condition.

Black and white etching titled 'Pots + Pans' lower left and signed in pencil lower right. Measures 16" x 13" including frame, 8.5" x 6.5" image only. Condition: Age related wear.

Fete Champetre a French gendarme listening to an outside concert in Paris in the 1900s. It is an unsigned etching by Jacques Villon (French, 1875-1963). Villon contributed multiple illustrations for Parisian newspapers before creating the Cubist influenced "Golden Section" Group in 1912. Sight size: 13.65"L x 9"H. Frame size: 16.50"L x 20.70"H. x 0.75"W. Artist: Jacques VillonIssued: c. 1960Country of Origin: FranceProvenance: The Bass Museum of Art Condition: Good condition.

Contemporary language based art print displaying poem by artist Kay Rosen titled ""The Man."" Etching on heavy BFK paper. Rosen is a talented language based artist known for her political and feminist work. Embossed seal in lower right hand corner. Indiscernible text impressed to back of piece on righthand edge. White over black double matting with black finished frame. Sight size: 24.5""H x 17.25""W; frame: 32""H x 24.5""W x 0.75""D. Artist: Kay RosenIssued: 1991Condition: Age related wear.

Color etching with embossing on paper after Dali's original 1971 series ""The Visceral Circle of the Cosmos."" Housed in a gold metal frame with a white mat. Signed in pencil lower right: Dali. For Japan series numbered on the lower left: J 18/55. Frame size: 36”W x 47.5”H x 1.25”D. Sight size: 25.25”W x 37”H.Artist: Salvador DaliEdition Number: J 18 of 55Condition: Age related wear.