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Lot 113

STANLEY ANGUS (SCOTTISH fl. 1932 - 1938), LOCH BRORA original etching, signed and titled in pencil 17.5cm x 32cm

Lot 88

* SIR DAVID YOUNG CAMERON RA RSA RWS RSW RE (SCOTTISH 1865 - 1945), PERTH BRIDGE etching 19.5cm, 17.5cm and BRITISH SCHOOL (20TH CENTURY), CLOCK TOWER etching, signed indistinctly in pencil 16.5cm, 11.5cm

Lot 98

WILFRED C. APPLEBY (BRITISH b.1889), GLASGOW UNIVERSITY MEMORIAL CHAPEL etching, signed and titled in the plate and signed in pencil below the plate mark 28cm x 22cm

Lot 199

Scottish Infantry Officers broadsword having twin fullered blade with etched designs including The Black Watch Royal Regiment crest and Edward VII cypher, the ricasso marked for makers Gardner & Co of London and edge stamped 105797, straight crossguard and fish skin grip, blade length 84cm sword length 101cm CONDITION REPORT: No scabbard for etching on blade see images

Lot 2246

A framed hand tinted etching of a street scene, indistinctly signed, with three framed etchings of rural scenes, indistinctly signed and a picture frame (5)

Lot 2270

Etching/Engraving, whaling scene, George IV. Huggins. Maple frame, Hand tinted " Northern Whale Fishery", Engraver E. Duncan, the painting by W.J Huggins, painted to George IV

Lot 2279

A 1711 etching of Whitby Abbey P Combes and J Buck, Hogarth frame; together with a late 19th/early 20th Century comic prints 'The Sheltering Palm'

Lot 932

•HERBERT DICKSEE THE CLOSED DOOR Etching, published by Frost & Reed, 1919, with blindstamp, signed in pencil 34 x 54.5cm.

Lot 935

CECIL ALDIN SIGNED ETCHING - DOG titled For what we are about to receive, Number 99/100 and signed in pencil by the artist in the margin. Mounted and framed, Etching 24 by 16cms

Lot 1008

BSA Airsporter Mk1 air rifle, .22 calibre, serial no. GB 4383, with automatic opening loading tap, retaining original etching on top of cylinder

Lot 444

R.M. Thorne: pen drawing, sailing ship in a storm, dated April 189-, signed, 4" x 5½", framed and glazed; an etching signed 'Monk'

Lot 581

William Lionel Wyllie (1851-1931) British. The Sea Scouts off Tower House. HMS Victory in the distance. Signed in pencil. Etching. 15 x 25 cm.

Lot 1038

Alphonse Legros (1837-1911), The old thatched barn, etching, signed, 15cm x 22cm.

Lot 1063

Antoine Calbet (1860-1944), Reclining nude, colour etching, signed and numbered 316/350, 40cm x 51cm.

Lot 149A

A pair of watercolours, signed A Sinclair, a coloured etching of Venice, and three further pictures

Lot 140

A lithograph - "Furrasola", artist's proof initialed E. A; together with an etching with hand-colouring - Shipping in Newcastle, after T. M. Richardson, indistinctly inscribed and dated 1916, No. 142, published by J. Longhurst, Newcastle-Upon-Tyne. (2)

Lot 144

A reproduction etching - "The Monument", after T. Waghorn; together with another reproduction etching - "St. Paul's From The River", after Oswald Fletcher. (2)

Lot 147

An early 20th Century etching with hand-colouring - "WC-Privie", by Boris O'Klein.

Lot 501A

Frank Greenwood (1883-1954), an etching of Manchester Grammar School (Long Millgate), 35 x 22 cm (13.5 x 8.5 in) signed in pencil by artist, bearing Charles Nicholls & Sons trade label verso

Lot 268

William Lewin (d. 1795) 'Black Wood-pecker' hand-coloured etching, published 1793 17 x 14 cm (7 x 5 1/2 in) together with a chromolithograph of a Greenshank after Archibald Thorburn and two other watercolours

Lot 300

A framed and glazed colour engraving of a yacht race around the Isle of Wight, together with a print of moored sailing boats and etching of a shepherd and his flock

Lot 622

An 18th century black and white engraving after Henry Bunbury showing Falstaff's escape, 48 x 55 cm together with a pair of sepia coloured prints, probably after Morland, showing children gathering berries and fishing beside a stream, also together with a black and white etching in the manner of Corot of an extensive landscape with figure, all framed

Lot 648

An interesting mixed media abstract study in tones of blue, terracotta and grey, dated 1953 and inscribed Frau Lingumann In Herzlichkeit Marz 1953 (?), 32 x 39 cm in simple oak frame together with an abstract etching in tones of blue, indistinctly signed bottom right Hohm (?) and further inscribed in German and dated 1959, 51 x 33 cm and also together with a black and white etching of an industrial building, a watercolour of a mountainous lake scene and an ethnic style painting of harvesting scenes

Lot 659

After Rembrandt - The Artist's Mother, etching, 14 x 13 cm, with stamp verso

Lot 719

Hogarth - Laplanders, 1723-24, etching, 26 x 35 cm, cut down book plate from 'A Lapland Hut Aubry de La Mottraye's Travels throughout Europe, Asia and into Park of Africa', London, 1724, vol. II, plate 38

Lot 572

A sepia coloured etching by Wilson Silsby showing a group of trees, signed bottom centre Wilson Silsby, inscribed WPII To Mr D Ranger London, England and dated 1969, with label verso with biographical details and title California Trees, 21 x 25 cm in wooden frame

Lot 642

A pair of early 20th century coloured mezzotint type engravings of country landscapes after Constable, both signed in pencil bottom left John Cothie Webb, published 1916 and with Frost & Reed labels verso, 40 x 53 cm in gilt frames together with a watercolour of a winter landscape with hayricks, signed bottom right Leonard T Saunders, with label verso Cloak of Winter, 23 x 32 cm, a coloured print after Cecil Aldin - The Bluemarket Races, The Arrival On The Course, 28 x 41 cm, a signed coloured limited edition etching by Annette Johnson - Night Sail, edition 13/150, etc (all framed)

Lot 676

A collection of pictures and prints including a black and white etching of a churchyard, indistinctly signed bottom right John Yorkson (?), a further pair of black and white etchings by H Harvey Clarke - An Old Stronghold and The Priory Farm, both signed in pencil bottom right, five coloured prints of nursery subjects including The Water Babies, a black and white study of a kitten, etc

Lot 493

P W Tomkins after J T Serres/ The Attack on the Danish Fleet and Batteries, off Copenhagen , the Second of April 1801/published July 4 1801/aquatint engraving, 43cm x 71cm/G Humphrey after a Naval Officer/ The Interior of a Midshipman's Berth/published 1821/hand coloured print, 19.5cm x 39.5cm/Allan Gwynne-Jones/ Fishing Boats in Dover Harbour/signed, inscribed and dated 1944/etching, 19.5cm x 25cm/and sundry prints

Lot 469

William Walcot (British 1874-1943) [ARR]/Anthony in Egypt/signed in pencil/etching, 57cm x 48cm/Provenance: Plas Gwyn, Anglesey/*PLEASE NOTE ARTIST'S RESALE RIGHT MAY APPLY TO THIS LOT*

Lot 462

W L Wyllie/Fisherfolk on the Foreshore/signed in pencil/etching, 9cm x 35cm/two etchings by W M Keeley and two others /Provenance: Plas Gwyn, Anglesey

Lot 489

Dame Laura Knight (1877-1970) [ARR]/Some Clowns/signed in pencil and inscribed 50 proofs in edition/drypoint etching, 35cm x 24.5cm/see illustration/*PLEASE NOTE ARTIST'S RESALE RIGHT MAY APPLY TO THIS LOT* Condition Report: In good condition no tears no marks no foxing

Lot 455

Richard Earlom after Rembrandt/Rembrandt's Wife/published May 1 1777/Boydell engraving, 46cm x 31cm/Barbizon School/Shepherd & Flock/signed in pencil/etching, 20cm x 29cm and/H Blain/Arrival/signed and inscribed/pencil, 9cm x 9.5cm

Lot 488

Dame Laura Knight (1877-1970) [ARR]/Watching the Aerial Act/signed in pencil/etching, 30cm x 20cm/see illustration/*PLEASE NOTE ARTIST'S RESALE RIGHT MAY APPLY TO THIS LOT* Condition Report: In good condition no tears no marks no foxing

Lot 236

An etching of a church interior, and a collection of etchings various, framed

Lot 1506

A large gilt framed etching depicting a view of St Ives signed C Holloway 86

Lot 1542

An etching of 'The Very Essence of Middlesex Sport' signed H. A

Lot 1313

AFTER PAULUS POTTER: AN ANTIQUE PASTORAL SCENE with a cow and a horse under a tree with a town in the horizon, etching signed lower right, 12cm x 14cm

Lot 188

AFTER REMBRANDT, SELF PORTRAIT, etching on laid paper with 'VAN GELDER' watermark, 29cm x 22cm; and John Whittakers 'Sir Walter Raleigh' etching, 12cm x 7cm (2)

Lot 204

MARC CHAGALL (Russian-French,1887-1985), 'Fin d'Absalom' 1955, original etching on arches paper, 34cm x 26.5cm, 82/275, printed by Raymond Habsen, Paris and framed. (Please Note Clause 6 of Buyer's Conditions)

Lot 113

A framed Winnie The Pooh etching monogrammed E.H.S.

Lot 1958

A quantity of pictures to include three Prints, two of Indians, an etching of a river scene, a Punch print advertising 'Cigarettes' and a Watercolour of a boat anchored on a lake

Lot 2049

A Scottish black and white Etching of Brechin Ridge by David Watson

Lot 92

Gilt framed etching depicting harbour scene

Lot 2484

Knife: A Victorian Bowie bladed knife by BOND of Sheffield. Slim blade 10" with some etching. Stag horn grip with silver (?) mounts. No scabbard.

Lot 2562

Sword: A pattern 1895 Victorian Infantry Officers sword. Wirebound fishskin grip. Pierced guard with VR Cypher makers name 'E. THURKLE' to ricasso. Blade 33" with foliate etching and VR Cypher. In its leather field service scabbard (worn with some losses). Stitching split. Worn overall. a/f

Lot 286

Thomas Rawlandson, British 1756-1827- "Dr. Syntax & Bookseller", publ. by R. Ackermanns, London 1819; etching with hand-colouring, 12.5x20cm: James Sargent Storer, British 1771-1853- "Cross at Stourhead, Wiltshire" After John Carter, Publ. by Longman, Hurst, Rees & Orme 1806; copper engraving with hand-colouring 26.5x21cm: French 19th Century- "Officiers de l'Armee Andglaise", publ. by Martinet Libraire, Paris 1815; etching with hand-colouring, 27x33.5cm: French 19th Century- "Troupes Autrichiennes" publ. by Martinet Libraire, Paris 1815; etching with hand-colouring, 24x30cm: together with a quantity of prints, of various subjects, 23x18cm max, (a lot) (unframed) CONDITION REPORT: All items are unframed, The Rawlandson is mounted, but unframed, discolouration where print meets the mount Some time fading. The other prints are in various states of condition - some have been timmed or stuck down on mounts Many are suffering from foxing or yellowing/staining round the edges. Surface dirt visible on some too. In reasonable coniditon

Lot 351

Margaret Knott, British, 20th century- "The Sharpie"; etching in colours, signed, titled and numbered 11/30 in pencil, 30x19.5cm: Charlotte L Baker, British, 20th century- "Ammonite"; collograph, signed with initials and dated 96 in pencil, no. 2 from the edition of 15, 19.8x19.1cm, (2) (may be subject to Droit de Suite)

Lot 377

After Sir Anthony van Dyck, Flemish 1599-1641- "Henrietta Maria with their two eldest children, Prince Charles and Princess Mary"; engraving, 40.5x32cm: Francois Dequevauviller, French 1745-c.1807- "L'Assemblee au Concert", after Nicolas Lavreince; engraving, 40.5x47cm: After Nicolas Robert, French 1614-1685- "Scabiosa Settata Annua Prolifera"; hand-coloured etching, 20th century re-strike, 40x30cm: together with nine reproduction prints after different hands, various subjects and sizes, (12) CONDITION REPORT: Van Dyck: mounted in a glazed gilt frame frame with some wear and tear to the sides and edges sheet may or may not be stuck down as unexamined out of the frame no margins visible in good condition Francois Dequevauviller: mounted in a glazed gilt moulding frame frame with damagers to the lower rail and losses to the moulding sheet may or may not be stuck down as unexamined out of the frame sheet is yellowed sheet is subject to spotting throughout overall fair condition other prints: generally in presentable/good condition

Lot 422

Marilyn Simler, South African/British, late 20th/early 21st century- "Jewel Berries"; etching printed in colours, 76x76cm: together with one other etching in colours by the same hand entitled "Orange Jewel", 76x76cm, (2) (may be subject to Droit de Suite)

Lot 449

Heidi König, German b.1964- "Volubilis"; etching with aquatint printed in colours, signed, titled and numbered AP XI/XV in pencil, 54.5x69cm: together with a further etching with aquatint printed in colours by the same hand entitled ''Cadence'', signed, titled and numbered AP IV/XV in pencil, 49x49cm, (2), (may be subject to Droit de Suite) CONDITION REPORT: mounted in glazed metal frames both in good original condition with no visible damage or defects

Lot 467

Alison Neville, British b.1945- "St Paul's"; etching and aquatint in colours, signed, titled and numbered 23/75 in pencil, 75x55.2cm: together with one other by the same artist- "Leadenhall Market"; etching and aquatint in colours, signed, titled and numbered 28/50 in pencil, 75x55.2cm, (2) (may be subject to Droit de Suite)

Lot 171

Thomas Rowlandson (1756-1827) ''The Anatomist'' Etching with colouring, published by Thomas Tegg, 35cm by 25cm, unframed together with ''Comfort in the Gout'', ''Dropsy Courting Consumption'', together with various other coloured etchings by other hands including ''French Generals retiring, on account of their health'', ''The rival Doctors'', ''The Three best Physicians, Dr. Diet, Dr. Merryman, and Dr. Quit'', ''A Physical Lecture'', ''A Mercury and his Advocates defeated or Vegetable Intrenchment'' and '' A Consultation of Doctors on the case of Toby Bumper'' etc, various sizes (all mounted, unframed)

Lot 173

James Abbot Mcneil Whistler (1834-1903) ''Old Hungerford Bridge'' Etching, on laid paper with a variation of the Strasbourg Lily watermark, 13.5cm by 21cm Provenance: F H Bresler Co, USA

Lot 174

After Ferdinand Hodler (1853-1918) Standing figure of a soldier Black and white lithograph, 75cm by 51cm together with an etching by Charles Beauchamp ''Suffolk Hazard'' from an edition of 75, a signed print of Igor Stavinsky by A Newton and two unframed monochrome signed etchings by Peter Freeth ''View from the War Ministry'', 69cm by 52cm, 24.5cm by 57cm, 60cm by 89cm respectively (5)

Lot 175

Stephen Gooden (1892-1955) ''Pegasus'' Signed and dated 1944 in pencil, etching, 9.5cm diameter (tondo) together with a signed 13/20 etching by Brouet ''La Loge de Danseuses'' and a signed etching by Anders Zorn depicting a nude standing on coastal rocks, 23.5cm by 16cm, 16cm by 22cm and 24cm by 15.5cm respectively (3) Stephen Gooden' ''Pegasus'' was the frontispiece to ''Poems from the Desert'', a collection of poems written by members of the eighth army while on active service in the desert, hence the three soldiers trying to mount Pegasus. There is a signed note addressed to Messrs Craddock & Barnard from the artist dated 8th December 1950 outlining this, in addition to a further hand written letter addressed to G C R Maurice Esq. and dated July 19th 1952 from the artist sold together with this lot.

Lot 176

Frederick George Austin RE (20th century) Two men coaxing a reluctant pig into a slaughter house Signed and dated 1922, inscribed ''2nd state drypoint'', etching, 15cm by 20cm together with a further 1928 etching by the same artist depicting an old woman at a well and numbered 4/20 and a 20th century British School etching of coastal farm buildings, 13.5cm by 11cm and 9cm by 12cm (3)

Lot 177

Charles Laborde (1886-1941) ''Paris 1926, no.4 Champs-Elysees'' Hand-coloured etching, 23.5cm by 27cm together with a further etching by the same artist ''London, 1928, No. 43 - Richmond'', 23.5cm by 27cm (2) Provenance: Michael Parkin Fine Art, London, 1981

Lot 157

Sidney Tushingham - A dry point etching depicting a child, signed in pencil lower right, mounted and framed under glass, 28cm x 21.5cm - Est £30 - £50

Lot 133

Sir Henry Rushbury (1889-1968), St Paul's Cathedral after the Blitz, signed and inscribed "To Dr Russell" in pencil, etching, 20 x 30cm.

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