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Scottish Infantry Officers broadsword having twin fullered blade with etched designs including The Black Watch Royal Regiment crest and Edward VII cypher, the ricasso marked for makers Gardner & Co of London and edge stamped 105797, straight crossguard and fish skin grip, blade length 84cm sword length 101cm CONDITION REPORT: No scabbard for etching on blade see images
An 18th century black and white engraving after Henry Bunbury showing Falstaff's escape, 48 x 55 cm together with a pair of sepia coloured prints, probably after Morland, showing children gathering berries and fishing beside a stream, also together with a black and white etching in the manner of Corot of an extensive landscape with figure, all framed
An interesting mixed media abstract study in tones of blue, terracotta and grey, dated 1953 and inscribed Frau Lingumann In Herzlichkeit Marz 1953 (?), 32 x 39 cm in simple oak frame together with an abstract etching in tones of blue, indistinctly signed bottom right Hohm (?) and further inscribed in German and dated 1959, 51 x 33 cm and also together with a black and white etching of an industrial building, a watercolour of a mountainous lake scene and an ethnic style painting of harvesting scenes
A pair of early 20th century coloured mezzotint type engravings of country landscapes after Constable, both signed in pencil bottom left John Cothie Webb, published 1916 and with Frost & Reed labels verso, 40 x 53 cm in gilt frames together with a watercolour of a winter landscape with hayricks, signed bottom right Leonard T Saunders, with label verso Cloak of Winter, 23 x 32 cm, a coloured print after Cecil Aldin - The Bluemarket Races, The Arrival On The Course, 28 x 41 cm, a signed coloured limited edition etching by Annette Johnson - Night Sail, edition 13/150, etc (all framed)
A collection of pictures and prints including a black and white etching of a churchyard, indistinctly signed bottom right John Yorkson (?), a further pair of black and white etchings by H Harvey Clarke - An Old Stronghold and The Priory Farm, both signed in pencil bottom right, five coloured prints of nursery subjects including The Water Babies, a black and white study of a kitten, etc
P W Tomkins after J T Serres/ The Attack on the Danish Fleet and Batteries, off Copenhagen , the Second of April 1801/published July 4 1801/aquatint engraving, 43cm x 71cm/G Humphrey after a Naval Officer/ The Interior of a Midshipman's Berth/published 1821/hand coloured print, 19.5cm x 39.5cm/Allan Gwynne-Jones/ Fishing Boats in Dover Harbour/signed, inscribed and dated 1944/etching, 19.5cm x 25cm/and sundry prints
Sword: A pattern 1895 Victorian Infantry Officers sword. Wirebound fishskin grip. Pierced guard with VR Cypher makers name 'E. THURKLE' to ricasso. Blade 33" with foliate etching and VR Cypher. In its leather field service scabbard (worn with some losses). Stitching split. Worn overall. a/f
Thomas Rawlandson, British 1756-1827- "Dr. Syntax & Bookseller", publ. by R. Ackermanns, London 1819; etching with hand-colouring, 12.5x20cm: James Sargent Storer, British 1771-1853- "Cross at Stourhead, Wiltshire" After John Carter, Publ. by Longman, Hurst, Rees & Orme 1806; copper engraving with hand-colouring 26.5x21cm: French 19th Century- "Officiers de l'Armee Andglaise", publ. by Martinet Libraire, Paris 1815; etching with hand-colouring, 27x33.5cm: French 19th Century- "Troupes Autrichiennes" publ. by Martinet Libraire, Paris 1815; etching with hand-colouring, 24x30cm: together with a quantity of prints, of various subjects, 23x18cm max, (a lot) (unframed) CONDITION REPORT: All items are unframed, The Rawlandson is mounted, but unframed, discolouration where print meets the mount Some time fading. The other prints are in various states of condition - some have been timmed or stuck down on mounts Many are suffering from foxing or yellowing/staining round the edges. Surface dirt visible on some too. In reasonable coniditon
Margaret Knott, British, 20th century- "The Sharpie"; etching in colours, signed, titled and numbered 11/30 in pencil, 30x19.5cm: Charlotte L Baker, British, 20th century- "Ammonite"; collograph, signed with initials and dated 96 in pencil, no. 2 from the edition of 15, 19.8x19.1cm, (2) (may be subject to Droit de Suite)
After Sir Anthony van Dyck, Flemish 1599-1641- "Henrietta Maria with their two eldest children, Prince Charles and Princess Mary"; engraving, 40.5x32cm: Francois Dequevauviller, French 1745-c.1807- "L'Assemblee au Concert", after Nicolas Lavreince; engraving, 40.5x47cm: After Nicolas Robert, French 1614-1685- "Scabiosa Settata Annua Prolifera"; hand-coloured etching, 20th century re-strike, 40x30cm: together with nine reproduction prints after different hands, various subjects and sizes, (12) CONDITION REPORT: Van Dyck: mounted in a glazed gilt frame frame with some wear and tear to the sides and edges sheet may or may not be stuck down as unexamined out of the frame no margins visible in good condition Francois Dequevauviller: mounted in a glazed gilt moulding frame frame with damagers to the lower rail and losses to the moulding sheet may or may not be stuck down as unexamined out of the frame sheet is yellowed sheet is subject to spotting throughout overall fair condition other prints: generally in presentable/good condition
Heidi König, German b.1964- "Volubilis"; etching with aquatint printed in colours, signed, titled and numbered AP XI/XV in pencil, 54.5x69cm: together with a further etching with aquatint printed in colours by the same hand entitled ''Cadence'', signed, titled and numbered AP IV/XV in pencil, 49x49cm, (2), (may be subject to Droit de Suite) CONDITION REPORT: mounted in glazed metal frames both in good original condition with no visible damage or defects
Alison Neville, British b.1945- "St Paul's"; etching and aquatint in colours, signed, titled and numbered 23/75 in pencil, 75x55.2cm: together with one other by the same artist- "Leadenhall Market"; etching and aquatint in colours, signed, titled and numbered 28/50 in pencil, 75x55.2cm, (2) (may be subject to Droit de Suite)
Thomas Rowlandson (1756-1827) ''The Anatomist'' Etching with colouring, published by Thomas Tegg, 35cm by 25cm, unframed together with ''Comfort in the Gout'', ''Dropsy Courting Consumption'', together with various other coloured etchings by other hands including ''French Generals retiring, on account of their health'', ''The rival Doctors'', ''The Three best Physicians, Dr. Diet, Dr. Merryman, and Dr. Quit'', ''A Physical Lecture'', ''A Mercury and his Advocates defeated or Vegetable Intrenchment'' and '' A Consultation of Doctors on the case of Toby Bumper'' etc, various sizes (all mounted, unframed)
After Ferdinand Hodler (1853-1918) Standing figure of a soldier Black and white lithograph, 75cm by 51cm together with an etching by Charles Beauchamp ''Suffolk Hazard'' from an edition of 75, a signed print of Igor Stavinsky by A Newton and two unframed monochrome signed etchings by Peter Freeth ''View from the War Ministry'', 69cm by 52cm, 24.5cm by 57cm, 60cm by 89cm respectively (5)
Stephen Gooden (1892-1955) ''Pegasus'' Signed and dated 1944 in pencil, etching, 9.5cm diameter (tondo) together with a signed 13/20 etching by Brouet ''La Loge de Danseuses'' and a signed etching by Anders Zorn depicting a nude standing on coastal rocks, 23.5cm by 16cm, 16cm by 22cm and 24cm by 15.5cm respectively (3) Stephen Gooden' ''Pegasus'' was the frontispiece to ''Poems from the Desert'', a collection of poems written by members of the eighth army while on active service in the desert, hence the three soldiers trying to mount Pegasus. There is a signed note addressed to Messrs Craddock & Barnard from the artist dated 8th December 1950 outlining this, in addition to a further hand written letter addressed to G C R Maurice Esq. and dated July 19th 1952 from the artist sold together with this lot.
Frederick George Austin RE (20th century) Two men coaxing a reluctant pig into a slaughter house Signed and dated 1922, inscribed ''2nd state drypoint'', etching, 15cm by 20cm together with a further 1928 etching by the same artist depicting an old woman at a well and numbered 4/20 and a 20th century British School etching of coastal farm buildings, 13.5cm by 11cm and 9cm by 12cm (3)
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71174 item(s)/page