* BARBARA RAE CBE RA RSA RE (SCOTTISH b. 1943), HIGHLAND FENCE limited edition etching and aquatint on paper, signed, titled, dated '93 and dated 20/40mounted, framed and under glassimage size 40cm x 45cm, overall size 71cm x 76cm Note: Painter, printmaker and teacher, born in Stirlingshire. She studied at Edinburgh College of Art 1961–5 concluding with postgraduate study, in 1966 using a travelling scholarship to work in France and Spain. In 1966–7 was at Moray House College of Education, then taught in Edinburgh Schools until appointments 1972–4 at Aberdeen College of Education, then from 1975 at Glasgow School of Art. In 1984 she was an exchange teacher at University of Maryland. Won a number of awards and prizes, including Arts Council Awards and RSA Guthrie Award and Medal. In 1985 she gained a Scottish Arts Council Grant which permitted her to paint in Spain and New Mexico. Rae was an extremely prolific exhibitor internationally and from 1967, when she had her first solo show at New 57 Gallery, in Edinburgh, was regular at venues including Aberdeen Art Gallery; Scottish Gallery, Edinburgh and London; and Glasgow Print Studio. Her work is in several dozen collections, including Aberdeen Art Gallery, University of Glasgow and British Museum. Rae was a striking landscape painter with a rich palette, yet her pictures sometimes have an intense, brooding quality. Was elected RSA, and RA in 1996. Over the next few years Rae travelled extensively and in 2002 had a residency at Ballinglen Arts Foundation, County Mayo, Ireland. The North House Gallery, Manningtree, put on Barbara Rae Ten Years’ Printmaking in 2004, the first such major survey. In the same year she had a solo show at Tom Caldwell Gallery, Belfast, with another, Mayo, of monotypes and colour etchings in 2006. In 2003, Aberdeen University conferred an Hon. Doctorate on Rae and the Royal College of Art an Hon. Fellowship.
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* TOM MACKENZIE (SCOTTISH 1947 - 2018) NORTH UIST FROM SKYE limited edition. coloured etching on paper, signed, titled and numbered 5/25mounted, framed and under glassimage size 45cm x 60cm, overall size 67cm x 85cm Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. Small cracks to glass in both bottom corners
* TOM MACKENZIE (SCOTTISH 1947 - 2018), CAMUS BHAN limited edition coloured etching on paper, signed, titled and numbered 24/30mounted, framed and under glassimage size 38cm x 50cm, overall size 57cm x 75cm Note: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond.
Eduard Wiiralt (Estonian, 1898-1954). Copperplate etching on paper titled "Kabaree (Cabaret)" depicting an intense surrealist view of a crowded club, 1931. Ink signed along the lower right; inscribed "Cabaret - eau forte 1931" along the lower left. Inscribed in pencil along the verso "19 III 1948 Soome Paber."Reference: Kangilaski 59.Height: 23 in x width: 26 in.Condition: The sheet is toned, more so along the perimeter of the image, likely due to a previous framing. There is a crease in the lower left corner and a small loss to the extreme edge of this corner. There is a loss to the upper right corner and a crease. There is a clear piece of tape along the center edge of the etching which covers a tear. There is a smaller tear just to the right of this piece of tape. There is a tear along the upper center edge which extends from the edge of the sheet down to the edge of the image. Signs of moisture exposure to the upper left edge and the lower edge. Undulation to the sheet throughout. Along the verso there are a few areas of skimming corresponding to old areas of tape. One piece of old framer's tape along the lower left corner. Three pieces of clear tape corresponding to tears. Areas of moisture exposure running horizontally through the center of the work and along the lower edge. The work is not framed.
Joshua Abelow (American, b. 1976). Pigment on Hahnemuhle German etching paper titled "Self Portrait" depicting a portrait of the artist in reds, his hair with the face of a dog, 2013. Signed along a card along the verso. From the BAM + NADA portfolio. From an edition of 75 produced by The Brooklyn Academy of Music in collaboration with the New Art Dealers Alliance.Height: 20 in x width: 16 in.Condition: The colors are bold and bright. There are no tears, creases, losses, or repairs. The work is not framed.
Johann Carl "Karl" Bodmer (Swiss/French, 1809-1893). Aquatint etching with hand-coloring titled "Cleveland Lighthouse on the Lake Erie," state one, vig. 32 from "Travels in the Interior of North America," ca. 1832-1843. With a C. Bodmer blindstamp. Published in Paris by Arthus Bertrand, in Coblenz by Jakob Hoelscher, and in London by Ackerman & Co.Unmatted; height: 17 1/4 in x width: 23 3/4 in. Matted; height: 20 in x width: 25 in.Condition: The colors are bold and deep. The sheet is unevenly toned, especially along the extreme edges. There are creases, handling marks, and soiling throughout, particularly along the edges and margins. Small losses to each of the four corners. Undulation to the sheet. Some skimming to the verso. Housed within an acidic mat. The work is not frame.
Harmony Hammond (American, b. 1944). Group of five prints. Includes the "Dance of the Ladder" suite, four color lithographs with screen printing on paper, all pencil signed, dated 1981, and numbered A.P. 8/10 along the lower right. With "Fan Lady Meets Cactus Lady," color lithograph, screenprint, etching, and collage on black paper; pencil signed, dated 1981, and numbered 47/48 along the lower right.Height ranges from 20 1/4 in to 29 1/2 in; width ranges from 29 1/2 in to 41 1/4 in.Condition: The colors are bold and bright. Due to the nature of the works, it is difficult to discern if there is damage; however, there are no major tears, losses, or restorations that do not appear original to the artistic process. The works are not framed.
Claes Oldenburg (Swedish/American, 1929-2022). Etching and aquatint titled "Praline" from the series "Ice Cream Desserts," 1976. Pencil signed and dated along the lower right; numbered 26/60 along the lower left.Provenance: Percival Galleries, Inc., Des Moines, Iowa; Distinguished Corporate Collection.Unframed; height: 25 1/4 in x width: 20 in. Framed; height: 28 1/4 in x width: 23 3/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no major visible tears, losses, or restorations. There is undulation throughout the sheet. Some wear along the deckled edges. Floated in frame; light wear to the frame. Not inspected out of frame.
Roger Bissiere (French, 1886-1964). Etching titled "Aube" depicting a cubist abstract composition of blue and red against a brown background. With a poem of the same name by Francois Joyeux (French, 20th c). From "Paroles Peintes I" Paris: Editions O. Lazar-Vernet, 1962.(Print) height: 15 1/4 in x width: 11 1/2 in.Condition: No tears, losses, or restorations. Light handling marks along the edges. Some acidic burn along the interior of the poem where the print was nested. Not framed.
Harry Lindley Hosford (American, 1877-1945). Etching on paper depicting a fishing boat in a harbor with two fishermen. Pencil signed along the lower right; numbered 5/50 along the lower left.Sight; height: 6 1/2 in x width: 7 1/2 in. Framed; height: 16 in x width: 13 in x depth: 1/2 in.Condition: No visible tears, creases or losses. The print and mat are toned. There is mat burn along the edges of the print. There is discoloration along the bottom left corner and margin, possibly from water exposure. There is a minute spot of discoloration along the center of the lower margin. No signs of restoration under UV light. Framed under glass. Not examined out of frame.
Illustrated Miscellania:- Charles Dana Gibson, Other People (1911). 80pp of cartoons, edges worn, in worn illustrated printed boards. Cecil Aldin. How to Draw Dogs. London: Bodley Head 1935, in buff-covered boards with black lettering, no dust jacket, spine partly missing. H.M. Bateman, Brought Forward (1931). in worn printed paper covered boards (rear board missing). Modern Masters of Etching No. 7. Sir D Y Cameron (The Studio 1925). The Complete Works of William Hogarth, in 157 steel engravings with introductory essay by James Hannay (n.d.), The Sketchbook of Henry Alken (1826). Binding tender, waterstained. Caricature scrapbook (binding title), comprising 'Old and New Ways', 'Demonology and Witchcraft' etc., 33 detached plates (Charles Tilt, n.d.). Max Beerbohm. A Book of Caricatures (1907). Approximately forty chromo-litho scraps and assorted MS letters
After Pablo Picasso(Spanish, 1881-1973)Nude female figure kneeling (Marie-Thérèse) looking at a sculpture of figures surrounding a horse,etching, plate 66 of the Vollard Suite, originally published 5 April 1933, this edition posthumously published by the Mulheim Museum in the Ruhr Valley, Germany, 1992,auto signed, and numbered 255/300,30 x 37.5cms, 60 x 70cms total in frame.
Menpes (Mortimer). Whistler as I Knew Him, limited edition, London: Adam & Charles Black, 1904, previous owner ink inscription to front endpaper, signed by the author to limitation page, with original frontispiece etching, numerous colour and monochrome illustrations, gutters cracked, some occasional minor spotting, original gilt decorated cloth, top edge gilt, binding slightly loose, lightly rubbed to head and foot, number 285/500, 4to, together with; Morris (Edward, editor), Constable’s Clouds paintings and cloud studies by John Constable, 1st edition, Edinburgh: National Galleries of Scotland, 2000, numerous colour and monochrome illustrations, ex libris bookplate to front pastedown, full dark blue Morocco with slipcase, spine slightly faded, large 4to, plus Young (AndrewMcLaren), The Paintings of James McNeill Whistler, 2 volumes, 1st edition, London: Yale University Press, 1980, numerous colour and monochrome illustrations, original cloth in dust jackets, covers and spine lightly rubbed and marked to head and foot, dust jacket rear panel of volume 1 torn to head, large 8vo, and 33 volumes of other art reference and related mostly original cloth in dust jackets some original wrappers, G/VGQTY: (37)
![* Gillray (James). The King of Brobdingnag and Gulliver [H. Humphrey, June 26th 1803], etching with aquatint on wove, contemp](https://cdn.globalauctionplatform.com/f54c81ac-b580-4e6f-aec7-b2650117b382/018b4938-6bd8-4cf1-81f1-b26701148d6e/468x382.jpg)
* Gillray (James). The King of Brobdingnag and Gulliver [H. Humphrey, June 26th 1803], etching with aquatint on wove, contemporary hand colouring, trimmed with loss of the printed borders and the publication line, 280 x 210 mm, together with A Military Sketch of a Gilt stick, or Poker Emblazoned, H. Humphrey, June 11th 1800, etching with aquatint on wove, contemporary hand colouring, trimmed to the image, 255 x 205 mm, with Rowlandson (Thomas). Medical Dispatch or Doctor Doubledose Killing Two Birds with One Stone, circa 1810 [and] A Sufferer for Decency, circa 1797, two etched caricatures with contemporary hand-colouring, both images trimmed to the neatline and laid on later card, each approximately 330 x 230 mm, plus Marks (J. Lewis). St James' Street in an Uproar or the Quack Artist and his Assailants..., S. W. Fores, 1819, etched caricature on laid, trimmed to the image, some adhesion scaring to the verso, 210 x 3110 mm, and one other caricature similarQTY: (6)
* Bayros (Franz von, 1866-1924). A collection of 29 bookplates for Ameila Fahrenhorst, Hedwig Wollf-Adolphi, Gerhard Wunderlich, Bruno Fischer, Sussy de Coiquard, Hans Hickl, Oskar Neuhardt, Eduard Klampfl, Alan Steiner, Dr, Ernst Julius Thaler, And. Barrier, Dr. Otto Kahn etc., mainly etching, etching with aquatint or lithograph on wove paper, Ameila Fahrenhorst signed in pencil to lower right, various sizes, largest sheet 25 x 15.8 cm, contained in twelve clear plastic ring binder sleevesQTY: (29)
AN IMPERIAL GERMANY LIONS HEAD OFFICERS SABRE, the blade has no etching on it but comes complete with its scabbard, the plated fittings have lost some of their original finish and there is a small crease to the plated section on the scabbard, the bound grip is in good condition and only has some age related wear
Otto Eglau(1917 Berlin - 1998 Kampen)"Himalaya II". OriginaltitelAquatintaradierung/Velin, 1973. Das Werk entstand nach einem Studienaufenthalt des Künstlers in Nepal 1970. Von 1969 bis 1976 war Eglau Professor für Radierung an der Internationalen Sommerakademie in Salzburg. Sign., dat., nummeriert 2/50 u. betitelt. Plattenmaß ca. 37 cm x 65 cm. Rahmen.Aquatint etching on wove paper, 1973. Hand-signed, dated, numbered 2/50 and titled.
Beautiful antique original etching on paper that depicts an English landscape with ruins seen in the penumbra and a velvety light that reflects on still water under an old stone bridge. Signature in graphite on lower right: illegible. Issued: c. 1880Dimensions: 7.25"L x 11.25"HCountry of Origin: EnglandCondition: Age related wear.
Antique etching on Marais wove paper entitled The Watering Hole (LAbreuvoir) after French artist Constant Troyons original painting. Engraved by Auguste Boulard for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Artists signature and date in plate: C. Troyon 1851. Edition number in graphite on lower left: 427/525. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Constant Troyon (French, 1810-1865)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained.
Large original etching on laid paper with Social Realism themes. The composition is divided in three parts: one depicts the scene of a accident where two workers carry their colleague; a large American Star is etched without ink on its right; on the lower part, the artist depicts a close-up portrait of a man behind bars. Signature on lower right: illegible. Artwork dimensions: 17"W x 22"H. Mat size: 21"W x 26"H. Issued: c. 1970Country of Origin: United StatesCondition: Age related wear.
Original etching on paper depicting Anne Hathaway's Cottage by English artist Cecil Forbes who depicts Shakespeare's Birthplace with intricate details. Signature in pencil on lower right: Cecil Forbes. Title on lower left: Anne Hathaway's Cottage. Housed in a gilt and brown wood frame with an ecru mat. Sight size: 6.50"L x 4.50"H. Frame dimensions: 10.75"L x 9"H x 1"W. Stamp on verso for La Casa del Cuadro, Miami Fl. Artwork can be unframed and rolled for shipment. Artist: Cecil Forbes ( British 20th-21st century)Issued: c. 1950Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Very fine original etching on laid paper from Salvador Dali's Immortals series featuring Don Quixote and Sancho Panza in a desolated landscape. On verso: Authentication from The Societe de Verification de la Nouvelle Gravure Internationale of New York and Paris. Published exclusively by The Collector's Guild. Signature in plate on lower right: Dali. On verso: Housed in a silver metallic frame with a brown mat. Sight size: 7.50"L x 9"H. Frame dimensions: 11.25"L x 14.25"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: After Salvador Dali (Spanish, 1904-1989)Issued: c. 1950Dimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.
Antique original etching on paper depicting Piccadilly Circus by British artist James Grant. Signature in pencil on lower right: James Grant. Housed in a black wooden frame with an ecru mat. Sight size: 4"L x 6"H. Frame dimensions: 8L x 9.50"H x 0.50"W. Artwork can be unframed and rolled for shipment. Artist: James Arden Grant (British 1887-1973)Issued: c. 1920Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Antique etching on Marais wove paper entitled The Watering Hole (LAbreuvoir) after French artist Constant Troyons original painting. Engraved by Auguste Boulard for the rare limited edition portfolio Art et Nature by Leon Roger-Miles, published by Boudet, Librairie Artistique, Paris 1897. Artists signature and date in plate: C. Troyon 1851. Includes protective cover sheet with artists and engravers name, and title in French. Artist: After Constant Troyon (French, 1810-1865)Issued: 1897Dimensions: 12.50"L x 10"HCondition: Age related wear. Time stained and slight foxing.
THE COBBLER (BARTSCH, HOLLSTEIN, GODEFROY 27)Etching, 1671, on cream laid paper, with thread margins or trimmed to or within the platemark, framed.Sheet 7 1/2 x 5 7/8 inches; 191 x 149 mm.Frame 13 5/8 x 11 1/2 inches; 346 x 292 mm.Provenance:Theodor Falkeisen (1768-1814) and Johann Friedrich Huber (1766-1832), Basel (Lugt 1008)Affixed at top sheet corners verso to back mat, lightstain, matstain verso, some areas of applied white, a tiny spot of discoloration at top left extreme sheet edge, some faint graphite marks at bottom right sheet corner recto, some minor creasing at bottom extreme edge, some old paper hinge residue bottom left sheet edge verso, a thin area at bottom right sheet corner, framed with glass.
MICHAEL A. RICHECOEUR (1946-) 'HEDGE', a limited edition aquatint etching on paper, an extensive winter landscape with a trimmed hedge to the foreground, signed, titled and numbered 62/125 to the lower margin, approximate size 47cm x 70cm including visible margins, frame size 68cm x 98cm, Condition Report: one light spot of foxing below the print number
SIX DECORATIVE 20TH CENTURY PICTURES AND PRINTS, comprising an unsigned oil on board depicting figures in a punt on a river, approximate size 24cm x 29cm, an indistinctly signed river landscape with trees and a river landscape signed A. Bell, both are oils on canvas, a Dorothy Haywood watercolour landscape, James Priddy etching in colours 'Rose Cottage, Dunster' and an indistinctly signed limited edition print 'Evening Water' titled and numbered 5/10 to lower margin, approximate size 29cm x 29cm
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