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Lot 333

Head and shoulders print Signed Etching 412 x 338 inches plate size

Lot 336

JOHNSTONE BAIRD A tree lined river scene Signed Etching 878 x 1178 inches image size

Lot 337

ERNEST L HAMPSHIRE York Minster Signed and inscribed Etching 834 x 578 inches image size and another of Chartres Cathedral

Lot 338

A SYMES The Key Brixham Signed and inscribed Etching 538 x 338 inches

Lot 339

WILLIAM LEE HANKEY Fisherfolk comprising two women and a small child Signed and with blind stamp Etching 11 2/2 x 10 inches plate size

Lot 340

WILLIAM LEE HANKEY Harbour scene with figures in the foreground Signed in the margin and with blind stamp Etching 914 x 934 inches

Lot 344

JEAN VYBOUD Sepia etching of a nude girl Signed in the margin 412 x 314 plate size

Lot 345

LAURA KNIGHT A nude female ballet dancer putting on her stockings Signed in the margin Dry point etching 8 x 7 inches image size

Lot 346

MORTIMER MEMPES A windswept hillside Signed in the margin Dry point etching 1078 x 1112 inches

Lot 19

JOB NIXON Italian peasant girls. Etching. Ink signed. 11 x 9 1/2ins.

Lot 39

WILLIAM WALCOT Venice. Etching. Signed. 3 1/2 x 5 1/2ins.

Lot 45

PATRICK HALL The bridge. Etching. Signed. Dated in the plate 1942. 10 x 13ins.

Lot 54

ROY CONN Screen print. Signed, dated '80 and numbered 91 from an edition of 100. Together with an etching aquatint signed Stoneman.

Lot 57

PETER FOX Alfred Wallis, Mariner. Etching. Signed, inscribed and numbered 5 from an edition of 75. 5 x 5ins.

Lot 65

CLAUDE ROWBOTHAM Butterfly boat. Etching aquatint. Signed. Inscribed. 3 1/2 x 3ins.

Lot 66

CLAUDE ROWBOTHAM Morning, rising mist Lelant Marshes. Etching aquatint. Signed. 2 1/2 x 4ins.

Lot 67

CLAUDE ROWBOTHAM Godrevy light. Etching aquatint. Signed. 3 1/2 x 2 1/2ins.

Lot 125

ROBERT HOUSTON The sand cart. Etching. Together with a woodblock nude, by Raymond Buckingham. Each unsigned., unframed.

Lot 127

CLAUDE ROWBOTHAM An aquatint etching. Together with a few watercolours by various hands. Unframed.

Lot 252

GEOFFREY GARNIER The Red River, Gwithian. Etching. Signed, inscribed and numbered 30/30. 9 x 12ins.

Lot 274

H. CUTNER The life class. Etching. Signed and dated '27. Dedicated to J. Blampied. 7 1/2 x 10ins.

Lot 275

ELEANOR HUGHES Trewoofe. Etching. Signed. 9 1/2 x 8ins.

Lot 276

H. P. EVANS On The Thames. Etching. Signed. Together with an etching aquatint by Gyrth Russell.

Lot 288

JERZY FACZYNSHI Swans at the park. Oil on canvas. Signed. 24 x 18ins. Together with a Corot etching.

Lot 297

JAMES ABBOT McNEILL WHISTLER Billingsgate. Etching. 7th state of 8 (K47, W45) 5 7/8 x 8 7/8ins. (It is definitely known that this plate has been destroyed.)

Lot 314

GERALD BROCKHURST Casper, 1933. Etching. From an edition of 91. Initialled in plate and signed in pencil.

Lot 332

KENNETH HOLMES Continental architecture. Etching. Signed. 10 x 14ins.

Lot 333

KENNETH HOLMES Coast. Etching. Signed. 8 x 13ins.

Lot 334

KENNETH HOLMES Continental bridge. Etching. Signed. 8 1/2 x 12 1/2ins.

Lot 335

KENNETH HOLMES River architecture. Etching. Signed. 7 1/2 x 9ins. Together with a large etching, by the same, of the works of Joseph Hoyle & Son Ltd., Yorkshire.

Lot 336

KENNETH HOLMES Ice skating. Etching. Signed. 12 x 18ins.

Lot 416

ELIZABETH FORBES Boy with a stick. Etching. Monogrammed in the plate. 4 x 3ins.

Lot 439

BRYAN INGHAM Untitled. Etching. 12 x 18ins., unframed.

Lot 340

AFTER GEORGE SOPER (1870-1942), KELP GATHERERS, ETCHING, signed in pencil to the mount. 21cm by 30cm

Lot 346

AFTER BERNARD LENS (1682-1740), "A VIEW FROM THE BOWLING GREEN AT ISLINGTON", etching, inscribed "B. Lens delt. 1730".

Lot 356

DAME LAURA KNIGHT (1877-1970), CIRCUS PERFORMERS, ETCHING, signed in pencil, framed. 37cm by 26.5cm

Lot 605

WILLIAM LIONEL WYLLIE (1851-1931). Etching, Sea Scouts in Portsmouth Harbour with HMS Victory in the Distance, signed in pencil, 15cm x 24.5cm, framed. ILLUSTRATED.

Lot 606

FRANK LAING: etching Edinburgh street scene with trees to the fore, signed in pencil to mount, 22cm x 14cm, framed

Lot 607

GWEN DAVIES: etching "Aberystwyth from Penybont" river landscape, 16cm x 26cm, framed.

Lot 6

Cameron, D.Y. - Hind, Arthur The etchings of D.Y. Cameron. London: Halton & Truscott, 1924. Folio, number 111 of 200 copies, signed etching as frontispiece, 95 plates, contemporary quarter calf gilt, blindstamped cloth, rubbed backstrip

Lot 523

Clerk, John, of Eldin A series of etchings chiefly of views in Scotland... with additional etchings and facsimiles from his drawings. Edinburgh: Bannatyne Club, 1855, first collected edtion, large folio, lithographed portrait frontispiece and 55 lithographed or etched plates, some with two or more views, tissue guards, recent black half morocco, raised bands, marbled sides, spine gilt Note: John Clerk (1736-1812), artist, author and parliamentarian, was one of the few eighteenth-century Scottish practitioners of etching and his landsape etchings, as well as being important documentary records, are often seen as important precursors to the etching revival of the mid nineteenth century.

Lot 489

AFTER MULLER "With Full Dignity", black and white etching, signed in pencil to mount and inscribed and dated 1912 on label verso

Lot 496

AFTER MULLER "Butterflies II", black and white etching bearing pencil signature to margin and bears inscribed label dated 1899 verso, together with four further butterfly engravings

Lot 139

C HODGSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Friends”, 5” x 8”, and five other framed prints (6)

Lot 142

C H SHANNON, SIGNED IN PENCIL TO MARGIN, SEPIA LITHOGRAPH, “Mother and Child”, 8” x 6”, AFTER FREDERICK TAYLOR, BLACK AND WHITE ETCHING, A Hunting Group, 3” x 4 ½”, maple framed, and TWO HAND COLOURED ENGRAVINGS (From a Publication), “St Katherine’s Docks” and “London Bridge – 1756”, 6” x 8” (4)

Lot 155

FRANK GILLETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Gipsy with Performing Bear in a Lane (first trial proof), 10” x 7”, unframed

Lot 157

FRANK GILLETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “A Regular Customer” (first trial), 12” x 12”, unframed

Lot 208

ANDREW F AFFLICK, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Notre Dame”, 14” x 8” and NATHANIEL SPARKS RE, DRYPOINT ETCHING, “Chatterton’s Church, Bristol”, 14” x 7”, (2)

Lot 209

JACKSON SIMPSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Startled”, (Mallard Rising), 5 ½” x 8”

Lot 210

T F SIMON, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING AND AQUATINT, Booksellers on the Banks of the Seine, Paris, 12” x 15”

Lot 212

A HUGH FISHER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Study of Tiger Heads, 9” x 7”

Lot 216

SIR FRANK BRANGWYN, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING “Porte De Gande” (Bruges), 15” x 13”, mounted but unframed

Lot 219

HENRY JAMES STARLING, BLACK AND WHITE ETCHING, “Market Place, Norwich”, (See Artists Label Verso), 10” x8”

Lot 221

J M BALL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “St Paul’s, Watling Street”, 10” x 4”, together with THREE FURTHER FRAMED SIGNED ETCHINGS, various subjects and sizes, (4)

Lot 222

SIR FRANK BRANGWYN, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, “Trees in Snow”, 4” x 3 ½”

Lot 226

HUBERT VON HERKOMER, INITIALED AND DATED ’91 TO IMAGE, DRYPOINT ETCHING, Young Lady Seated, 6” x 6” and two others (3)

Lot 231

REGINALD GREEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Blakeney Quay”, 6 ½” x 9 ½”

Lot 234

AFTER EDWARD DEGAS, BLACK AND WHITE ETCHING AND AQUATINT (LATER PRINTED FROM AN ORIGINAL COPPER PLATE ENGRAVED BY EDWARD DEGAS), “Danseuses don la Couilisse”, See extensive details verso, 5 ½” x 4”

Lot 235

S TUSHINGHAM, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Pizza Chapel, Florence”, 13” x 7”

Lot 240

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published 1919, “Chiddingstone, Kent”, 11” x 14”

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