Sign in
Register
notifications_none notifications Alerts

We found 71174 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 71174 item(s)
    /page

OLD MASTER PRINT COMM.V
Lot 198

Allegorical self-portrait by the painter Raymond La Fage / Description: Self portrait of LaFages. Hollstein 120 III (of III). Signed and inscribed in plate. Strong impression on laid paper, with margin around plate mark. 44 x 31 cm. After Raymond LaFage's allegoric self portrait in the form of Bacchus, with reference to his timely death in 1684 at the age of 28 years below image. / Dimensions: 44,00 x 31,00 cm / Condition: Good impression on watermarked laid paper. Excellent condition. / Literature: Hollstein 120 III (of III) / Medium: Etching /Circa: 1700 400

More details

OLD MASTER PRINT COMM.V
Lot 256

Wenceslaus Hollar (1607-1677) - Port of Dordrecht / Description: Port of Dordrecht with moored ship, sailing and rowing boats; ramparts at left lined with trees, church and houses seen beyond; after Jan Peeters. 1651 Etching made by: Wenceslaus Hollar, after Jan Peeters I. From a series of six plates of ports etched by Hollar after various artists, first state published by Joannes Meyssens and second state by Cornelis Galle - see New Hollstein 1165-1170. / Dimensions: 15,80 x 22,20 / Condition: Good impression on rather chalky paper with letter watermark. Full plate border and margins, very good condition. / Literature: New Hollstein (German) / The New Hollstein: German engravings, etchings and woodcuts 1400-1700 (1166.II) --- Pennington 1982 / A descriptive catalogue of the etched work of Wenceslaus Hollar (839.II) / Medium: Etching /Circa: 1651 140

More details

OLD MASTER PRINT COMM.V
Lot 185

Rembrandt van Rijn, Bearded old man with tall fur hat and closed eyes, 1635 / Description: Bearded old man with tall fur hat and closed eyes. Etching, Rembrandt Van Rijn (1606-1669), 1635. References: New Hollstein Dutch 148-2(4), Bartsch 290, Hollstein Dutch 290. Etching in excellent condition. Very good dark impression on laid paper, with 4 mm margins with lot of details. / Dimensions: 11,2 cm x 10,2 cm / Condition: Etching in excellent condition. Very good dark impression on laid paper, with 4 mm margins with lot of details. / Literature: New Hollstein Dutch 148-2(4), second state of four, Bartsch 290, Hollstein Dutch 290 / Medium: etching /Circa: 1635 2250

More details

OLD MASTER PRINT COMM.V
Lot 194

Frans Hals, Adriaen Matham - Portrait of Pieter Bor / Description: Portrait of Pieter Christiaensz Bor; bust-length turned to the right, facing the viewer, holding a quill in his right hand; within lettered oval. Engraving and etching made by Adriaen Matham after a lost painting of 1634 by Frans Hals, formerly in Rotterdam and destroyes in 1864. / Dimensions: 25,00 x 17,30 cm / Condition: Outstanding early impression in excellent condition. Guidelines for the text still visible. Watermarked laid paper and good margins. / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (54) ----- Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders (555) ----- Wurzbach 1906-11 / Niederländisches Künstler-Lexikon (31) --- RKD Stuy: Frans Hals and his Workshop, 2023, Nr.C26 / Medium: Engraving /Circa: 1629-1660 160

More details

OLD MASTER PRINT COMM.V
Lot 124

Giovanni Battista Piranesi - Tempio della Tosse - First state / Description: View of the so-called Tempio della Tosse on the Via Tibertina, near Tivoli. Lettered as if a stone inscription at lower right with the title and still lwit the price: 'Presso l'Autore a paoli due e mezzo'. From the series: Vedute di Roma. Etching by Giovanni Battista Piranesi from circa 1760-1778. Here in a first state on four, with the price, before any number. / Dimensions: 44,40 x 57,60 cm / Condition: A very good impression of the first state on thick laid paper with watermark . Full margins. Flattened middle fold. Overall in excellent condition. / Literature: Wilton-Ely 1994 / Giovanni Battista Piranesi, the complete etchings 202 --- Hind 1922 / Giovanni Battista Piranesi, a critical study (69.I/IV) --- Focillon 1918 / Giovanni Battista Piranesi: Essai de catalogue raisonné de son oeuvre (774) ---- Hind notes that the Tempio della Tosse (the Temple of the Cough) is sometimes thought to be a tomb of the Turcia or Tossia family. / Medium: Etching /Circa: 1760-1778 600

More details

OLD MASTER PRINT COMM.V
Lot 159

Etching by Jacob Jordaens - Jupiter nourished by the goat Amaltheia. / Description: This is one of only seven etchings attributed to Jacob Jordaens himself. Jupiter nourished by the goat Amaltheia. Landscape with the infant Jupiter lying on the ground and suckling from the teats of a goat, a satyr holding the head and horn of the goat, another playing a pipe beyond, the nymph Adrastea sitting on the ground assisting the infant and steadying the goat. 1652 Etching made by Jacques Jordaens. first state before publisher's address. / Dimensions: 21,70 x 29,50 cm / Condition: Excellent early impression with still some ink smudge in the still square plate borders. Good condition with tiny tread margins around the plate border. Small 2 mm closed cut in left margin near top left corner. On laid paper with fools head with bell's watermark. --- / Literature: Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (5.I) ----- There are only seven etchings attributed to Jacob Jordaens (Hollstein 1-3, 5-7 and 9), also described in D'Hulst catalogue (pp.132-136). Although these are all lettered with Jordaens as the designer ('inventor'), they are considered as also made by him. Lit.: R.-A. D'Hulst, 'Jacob Jordaens (1593-1678), volume II: Drawings and Prints', Koninklijk Museum voor Schone Kunsten, Antwerp, 1993, nos. B93-99. (Here B96) / Medium: Etching /Circa: 1652 460

More details

OLD MASTER PRINT COMM.V
Lot 176

Matthäus Merian - Wirtemberg Castle - Unknown Proof state (RRRR) / Description: Proof state unknown to Wüthrich (!). Very atmospheric etching of the residence of the house of Württemberg near Stuttgard build in the 1520's. This etching (Wüthrich.529) in an extremely rare unfinished proof state preceding the first state, before adding of: 1. Three birds in the sky central left of the castle, 2. A stake on the castle wall lower rightr, 3 a shimney on the castles lower roof top at right, 4. two walkers on the path leading down from the castle gate. This excellent early impression before any number and still with square plate borders must be one of the very first impressions of this print and is of the uppermost rarity. The proof state was only printed in a few copies and probably no other has been preserved. (Wüthrich- 529). Matthäus Merian I (1593-1650), born in Basel, Switzerland moved to Oppenheim in 1617 and when the city of Oppenheim was destroyed in 1620 by fire during the Spanish occupation he moved back to Basel. Merian married the daughter of Theodor de Bry in 1617. In his early works in his twenties, he showed a great talent for free landscape etching after his own designs close to his contemporain Jan van de Velde but also influenced by Flemish artists such as the master of the small landscapes and he made even work after Jan Breughel the younger. The landscape art from his early period deserves more attention as it is far superior to his later work. Wütrich mentions: 'Because of the overly tight cross layers in the foreground, most of the known prints are very defective and have numerous blind spots. Clear prints are early prints and rare.' So a proof state like the one here on aucton is of the uppermost rarity and very valuable to enjoy in it's superb quality. RRRR / Dimensions: 13,60 x 17,00 cm / Condition: An early outstanding, richly inked and luminous impression on a full sheet of laid paper. Excellent condition with no folds, tears or stains. Old number in sepia ink in the upper right margin. A rare print, certainly in this very early outstanding printing condition. / Literature: Wüthrich 1966-1996 (Merian) - 529 - (proof state, preceding state I and II) RRRR / Medium: Etching /Circa: Circa 1620-1622 360

More details

OLD MASTER PRINT COMM.V
Lot 123

Italian 16thC. - The Ancient Campidoglio in Rome - C. 1553 / Description: Speculum Romanae Magnificentia - Reconstructed view of the ancient Campidoglio in Rome. This large engraving with etching was first published by Antonio Salamanca circa 1553-1563. There are still traces of the erased publishers address of Salamanca on the road surface before the bottom right building. Here in a later edition with the publishers address of Gio.Jacomo Rossi at bottom middle of the square. For an example with Salamanca's address see THE MET, inventory number 402867. For an example with de Rossi's address see British Museum 1950,0325.1.38. / Dimensions: 27,00 x 40,80 cm / Condition: A good silvery impression on a large sheet of laid paper with flattened middle fold and good margins. In good condition. / Literature: Reference for the 'Speculum Romanae Magnificentiae': In 1540 Antonio Lafreri, a native of Besançon transplanted to Rome, began publishing maps and other printed images that depicted major monuments and antiquities in Rome. These images were calculated to appeal to the taste for classical antiquity that fueled the cultural event we call the Renaissance. After Lafreri published a title page in the mid-1570s, collections of these prints came to be known as the Speculum Romanae Magnificentiae, the "Mirror of Roman Magnificence." Tourists and other collectors who bought prints from Lafreri made their own selections and had them individually bound. Over time, Lafreri's title page served as starting point for large and eclectic compilations, expanded and rearranged by generations of collectors. / Medium: Engraving, etching /Circa: 1553-1660 420

More details

Forum Auctions
Lot 214

Biscaino (Bartolomeo, 1632-1657) Galatea, counterproof (of the etching and drypoint), a delicate and very rare example, on fine laid paper without watermark, sheet 246 x 208 mm (9 5/8 x 8 1/4 in), careful repairs to the left edge and lower right corner, minor spotting and surface dirt, unframed, [circa 1655]

More details

Forum Auctions
Lot 217

Cort (Cornelis) St Jerome reading in a rocky landscape, after Titian, engraving, on laid paper without watermark, sheet 300 x 260 mm (11 3/4 x 10 1/4 in), trimmed to or within the platemark, repairs to sheet loss in the upper edge, minor nicks and tears, some surface dirt, unframed, [New Hollstein 120], 1565; together with 8 other old master prints, including Master of the Die's 'Nymphs assisting Psyche to dress her hair', plate 10 from the 'Story of Cupid and Psyche', an etching after Lodovico Carracci's 'God the Father holding a globe in his left hand, flanked on either side by crowds of putti or angels', an allegory of Time signed in the plate 'Franciscus Ivuanis', and five others, various sizes, between 160 x 120 mm (6 1/4 x 4 3/4 in), all unframed, 16th to 18th century (9)

More details

Forum Auctions
Lot 83

McGrandle (Leith, editor) Europe: The Quest for Unity, number 458 of 475 copies with an original etching by Pietro Annigoni signed and numbered by the artist, half green morocco,  t.e.g., others uncut, cloth slipcase, Verona, Officina Bodoni for Ranelagh Editions, 1975 § Selig (Richard) The Unicorn, number 41 of 55 copies, illustrations & decorations by Margaret Adams, initial in gilt by Jenny Hancox, original morocco-backed pictorial Japanese veneer boards, gilt, by George Percival of Leicester, t.e.g., others uncut, board slip-case, printed at the Stanbrook Abbey Press, Worcester, 1983 § Stillwell (M.B.) The Influence of William Morris and the Kelmscott Press, very light spotting, morocco-backed patterned-paper boards, uncut, spine very slightly faded, Providence, R.I., 1912; and a small quantity of others, mostly private press, many pamphlets, v.s. (c.50) *** The first is a collection of texts by leading figures advocating a unified Europe, including Queen Elizabeth II, John F. Kennedy, De Gaulle, Churchill, Willy Brandt, Adenauer, Pompidou, and others. One of the last book designs of Giovanni Mardersteig.

More details

Forum Auctions
Lot 227

Miscellaneous prints.- Sandby (Paul) The Temple at Sunium, after William Pars, etching and aquatint, on watermarked laid paper, sheet 290 x 470 mm (11 1/2 x 18 1/2 in), trimmed within the platemark, handling creases, small nicks and losses, surface dirt, unframed, [1777]; and 8 others, including 'Sturm' by Anna Costenoble, Earlom's sepia mezzotint after Claude Lorrain, no. 200, an aquatint 'Miletus', a poster by Carl Otto Czeschka for 'Plakat für die Tausendjahrfeier der Stadt Mödling', two lithograph portraits of Gros and Chaudet, a copy after Christoffel Jegher's 'Hercules Slaying Envy', and large French equestrian portrait, various sizes between 240 x 340 mm (9 1/2 x 13 1/2 in) and 680 x 540 mm (26 3/4 x 21 1/4 in), all unframed, mainly 19th and 20th century (9) 

More details

McCartneys
Lot 604

* VALERIE GANZ. WELSH 1936-2015. The Faceworker. Signed , inscribed and numbered 40/150. Etching on paper 17" x 7½".

More details

McCartneys
Lot 114

* ANITA KLEIN. AUSTRALIAN / BRITISH. Bn 1960. Nige Reads What Camera. Signed, dated '98 and numbered 123/150 in pencil. Drypoint etching 4" x 9¾" plate size.

More details

Cheffins
Lot 288

Winifred Austen (British. 1876-1964) Rival Fans, Signed, titled and insribed in pencil,Etching, 22cm x 21cm

More details

Cheffins
Lot 344

Patrick Procktor RA (1936-2003) Cat, 1995signed Artist's Proofetching17 x 26cmThe paper has slightly yellowed. There are no visible signs of foxing or marking. Any marks seen in the photos are either on the glass or underneath. Please be there is tape residue on the glass. Clean signature and artist proof mark.

More details

Cheffins
Lot 390

§ Michael Heindorff (1949-) Trees; a group of six unframed screenprintseach signed 'Heindorff' (lower right); variously numbered from the edition 10092 x 69cm;together with Untitled; from the Affirmations seriessigned 'Heindorff' (lower right); numbered 22/40etching, unframed46 x 58.5cm (7)

More details

Cheffins
Lot 330

David Lucas after John Constable Hadleigh Castle near the Nore, mezzotint, 1832, impression size 18 x 25cm; together with three further works to include a Samuel William Reynolds etching, a George Cuitt etching of Byland Abbey and a further aviation print, largest frame 48cm x 38cm (4)

More details

Cheffins
Lot 322

Karl de Grammont (1929-2006) Ploughingsignedwatercolour,24cm x 34cm together with Le Garf (Lucian Veder) (1902-1978)Northern Street Scenesigned (lower right)etching17cm x 23cm

More details

Cheffins
Lot 378

John Duffin (1965-) Rainy Night - The Ivysigned 'John Duffin' (lower right); numbered 16/150etching65 x 49cm

More details

Gerrards Auction Rooms
Lot 917

Framed Etching 'Italian Journal '84', depicting San Lorenzo Florence - Evening, The Medici Chapel & Chapel of the Princes.

More details

Roseberys London
Lot 65

Richard Bawden, British b.1936 - Bramleys; etching on paper, signed, titled and editioned 8/85 in pencil to lower edge, image: 45 x 63.5 cm (mounted/unframed) (ARR) Provenance:Paintings in Hospitals, London, cat.no.10878

More details

Roseberys London
Lot 64

Peter Matthews, British b.1942 - Hillside, 1972;etching on paper, signed, titled, dated and editioned AP in pencil to the lower edge, image: 42.5 x 49 cm (unframed) (ARR)Provenance:Paintings in Hospitals, London, cat.no.6580 

More details

Roseberys London
Lot 72

Siobhan Cuffe, Irish 20th century - Cyclists I, 1988; etching on paper, signed, editioned, dated and titled in pencil to the lower edge 'Siobhan Cuffe 8/20 1988 Cyclists I', image: 27.5 x 36 cm (mounted/unframed) (ARR)Provenance:Paintings in Hospitals, London, cat.no.11089

More details

Roseberys London
Lot 90

Vikki Slowe, British 1947-2013 - Saville Row II; etching in colours on paper, signed, titled and editioned in pencil to lower edge '6/30', sheet: 70 x 50 cm (ARR)Provenance:Paintings in Hospitals, London. cat.no.10052

More details

Roseberys London
Lot 55

Norman Stevens, British 1937-1988 - First Iris, 1979; etching on paper, signed, titled, dated and editioned A.P. in pencil to the lower edge, image: 25 x 20.2 cm (mounted/unframed) (ARR)Provenance:Paintings in Hospitals, London, cat.no.10900

More details

Roseberys London
Lot 63

Mychael Barratt, Canadian/British b.1961 - Leonardo da Vinci's dog; etching in colours, signed, titled and numbered to the lower edge '13/100', image: 21.5 x 21.5 cm (ARR)Provenance: Paintings in Hospitals, London

More details

Roseberys London
Lot 45

Heidi Koenig, German b.1964 - Ancient World; etching on paper, signed, titled and editioned 5/150 in pencil to lower edge, image: 34.5 x 76.5 cm (unframed) (ARR) Provenance:Paintings in Hospitals, London, cat.no.13046

More details

Roseberys London
Lot 61

Piers Browne, 20th/21st century - October, York Minster; etching, signed, titled and editioned AP in pencil to the lower edge, image: 55 x 41 cm (ARR)

More details

Roseberys London
Lot 89

Vikki Slowe,  British 1947-2013 -  Orbits in Space II, 1984;  etching in colours on paper, signed, titled and dated to the lower edge, image: 25.5 x 33.5 cm (ARR) Provenance: Paintings in Hospitals, London, cat.no.10049 Note: after recovering from a serious illness, Slowe became very interested in the benefit of art in hospitals and was a member of the art committees for St Mary's and the Royal Free hospitals in London. 

More details

Sloane Street Auctions
Lot 557

Pablo Picasso (1881 - 1973) L'Aigle Blanc  From Histoire Naturelle, Published 1942 Ground aquatint etching and drypoint on paper Dimensions: (Paper) 14 in. (H) x 10.5 in. (W) (Frame) 21 in. (H) x 17.5 in. (W)

More details

Sloane Street Auctions
Lot 562

Gerald Leslie Brockhurst (1890 - 1978) Two etchings  [a] Nadia Etching on paper, signed bottom right Published 1921, edition 55 [b] Pepita Etching on paper, signed bottom right Published 1922, edition 35 Provenance: Davidson Galleries, Mercer Island, Wash Dimensions: (Print) [a] 5.5 in. (H) x 4.25 in. (W); [b] 4.5 in. (H) x 4.25 in. (W) (Frame) [a] 12.75 in. (H) x 11.5 in. (W); [b] 13 in. (H) x 12.5 in. (W)

More details

Sloane Street Auctions
Lot 560

Salvador Dali (1904 - 1989) Faust Lisant Signed and inscribed 'E.A' Etching on paper Provenance: Galerie Furstenberg, rue Jacob, 1983 Dimensions: (Paper) 14.5 in. (H) x 13 in. (W) (Frame) 17 in. (H) x 13 in. (W)

More details

Sloane Street Auctions
Lot 611

The Marquess of Camden, 1977 Etching on paper  Numbered lower left 14/50 Signed and dated lower right Dimensions: 13.5 in. (H) x 10 in. (W)

More details

Sloane Street Auctions
Lot 486

A portrait of Alexander Pushkin An etching with pen and ink Signed indistinctly lower right Provenance: Pierre Rouve Dimensions: (Paper) 13 in. (H) x 11 (W) (Frame) 18.5 in. (H) x 15.5 (W)

More details

Cuttlestones Auctioneers
Lot 11

ALBANY E. HOWARTH SIGNED IN PENCIL AN ETCHING OF STIRLING CASTLE WITH GUILD STAMP

More details

Rendells Auctioneers & Estate Agents
Lot 1594

A Victorian album containing original watercolours and handwritten entries dating to the mid 19th Century, etc. - sold with John Howitt: an unframed acrylic on board, depicting Canada geese in flight - signed and a framed monochrome etching, depicting Magdalen Tower

More details

Busby Auctioneers & Valuers
Lot 301

William Lionel Wyllie (1851-1931), drypoint etching of battleships, signed in pencil, the plate 17x43cm

More details

Busby Auctioneers & Valuers
Lot 426

Michael Ayrton (1921-1975), 'A Madame', etching, numbered 15/xx, with studio stamp to reverse, the plate 19.5x25cm

More details

Kinghams Auctioneers
Lot 753

Marco Ricci (1676 - 1730), etching on paper, a walled garden with statues and gardeners at work, monogrammed within the plate DAF, (Davide Antonio Fossati.) and numbered XX, 24.5cm x 36cm, (plate size) framed The Image was originally part of a book - Hasce XXIV Tabulas Olim a Marco Ricci Bellunensi Colorib. Expressas, one of 24 illustrations

More details

McTear's
Lot 164

BENJ MCROMBIE, MEMBERS OF THE SCOTTISH BAR AND BENCH, etching, and another etching of Mary Queen od Scots29cm x 26cmQty: 2

More details

McTear's
Lot 558

THREE ENGRAVINGS, LATE 19TH / EARLY 20TH CENTURY comprising William Renison etching of Maison Jeanne d'Arc-Rouen, another etching of a French street scene signed K. Cameron, and an engraving title The Ayrshire Farm by William Armour, all framed and under glassthe largest 47cm x 39cm overall

More details

Hansons Auctioneers and Valuers
Lot 3209

Tony Enebeli 'Weavers' original metal foil etching. 15cm x 20cm etching size, 17.5cm x 22.2cm mount size.

More details

Twents Veilinghuis B.V.
Lot 1166

Marcel Schellekens. 1954 - . No. 29/65. Bergen aan Zee beach exit. Colored etching on paper. Dimensions: H 55 x W 69 cm. In good condition.

More details

Twents Veilinghuis B.V.
Lot 1224

Anton Pieck. Own pressure. 1895 - 1987. Pollarded willow. Etching on paper. Dimensions: H 52 x W 40 cm. In good condition.

More details

Twents Veilinghuis B.V.
Lot 1225

Anton Pieck. Own pressure. 1895 - 1987. Dunes. Etching on paper. Dimensions: H 50 x W 80 cm. In good condition.

More details

Twents Veilinghuis B.V.
Lot 1265

Anton Heyboer. 1924 - 2005. Depiction of compass. Etching on paper. Dimensions: H 54 x W 40 cm. In good condition.

More details

Twents Veilinghuis B.V.
Lot 4508

Round Persian rug with floral decor. Turquoise etching. Dimensions: ÃËœ 198 cm. In good condition.

More details

Mitchells
Lot 452

A late 19th century etching by William Heath "The Moors" plate No. 2. 24 x 35 cm, framed and mounted.

More details

RWB Auctions Limited
Lot 227

William Lionel Wyllie (1851-1931) -  'Busy Shipping in the Pool of London', etching printed with tone, a fine, atmospheric impression, platemark 37.5cm, x 52.2cm, visible sheet 40cm x 54cm, framed and glazed (76cm x 88cm). (L)

More details

RWB Auctions Limited
Lot 232

Edward W. Sharland (1884-1967) - Rose Window, Notre Dame, etching printed with tone, with margins, signed 'E Sharland' lower right, with the publisher's blindstamps, mount opening 11.6cm x 9cm, framed and glazed (49cm x 32.5cm); together with John H. Engelheart (1808-1861) after A. Cooper (1787-1868), An Oaks Winner, hand coloured steel engraving, mount opening 16.3cm x 20cm framed and glazed  (29.2cm x 32.5cm) (2) (M)

More details

Woolley & Wallis
Lot 755

ADOLF VAN DER LAAN (DUTCH 1684-1755) AFTER JOHANNES GLAUBER (DUTCH 1646-C.1726) Arcadian river landscape with a sphinx; Arcadian river landscape with figures worshipping a statue A pair, both etching with hand-colouring 22.6 x 35.4cm, 23 x 35.6cm (image)Together with Gotfried Eichler (1715-1770) Joseph's brothers kneel before him. Jacob learns that Joseph is alive, A pair, both mezzotint in blue, 24.5 x 35.7cm, 24.7 x 35.8cm (plate) (4) ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

More details

Golding Young & Mawer
Lot 887

Louis Icart (20thC School). Etching of nude female and cat, 15cm x 18cm, framed and glazed.

More details

Golding Young & Mawer
Lot 888

Three 19thC and later prints, comprising after Robert Walker McBeth (1848-1910), etching, signed in pencil to margin of females and sheep, 30cm x 51cm, another signed etching after Caudwell shipping boats and posts, 33cm x 55cm, signed in pencil to margin, and an embroidered panel of female in bedroom looking out window, 52cm x 38cm, framed. (3)

More details

Golding Young & Mawer
Lot 889

Four 19thC and later prints, comprising after Aiensen, boats in rough seas, 39cm x 49cm, and another similar, each in painted and gilded frame, a 19thC etching of the village of Amtion, in walnut frame, 34cm x 24cm, and after William Weekes, Falling Among Thieves, print, 43cm x 68cm, framed and glazed. (4)

More details

Laganside Auctions
Lot 324

An Early 20th Century signed etching ‘The Squires Song’ from the original painting by Walter Dendy Sadler. Signed by both artists. 78x65cm

More details

Laganside Auctions
Lot 322

A large Late 19th Century signed etching ‘For He’s a Jolly Good Fellow, and so Say all of us’ from the original painting by Walter Dendy Sadler. 90x79cm

More details

Laganside Auctions
Lot 323

A large Early 20th Century signed etching ‘Christmas Time’ by James Dobie from the original painting by Walter Dendy Sadler. Signed by both artists. 75x65cm

More details

Maxwells
Lot 418

An early 19th century Continental Governments official officers long dress sword, ceremonial with faint etching to the blade, scabbard, full length 97cm.

More details

Maxwells
Lot 108B

An early 20th century hard/ironwood Oceania war club/paddle, basic carved handle grip and tip, length approx. 78cm; a vintage African carved shield  in the form of an elongated turtle, rough hand grip & etching to reverse, length 49cm.

More details
Loading...Loading...
  • 71174 item(s)
    /page

Recently Viewed Lots