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Lot 416

FRANK BRANGWYN; An artist signed Etching of a French rural landscape. 9" (23cms) x 14" (36cms).

Lot 513

WINIFRED MARIE L AUSTIN (1876-1964), A Goat and Kids, etching, monogrammed in the plate and signed in pencil, 8 1/2" x 10 1/2", ebonised frame

Lot 515

ROWLAND HILDER (1905-1993), Smiths Farm, High Holston, Kent, soft ground etching and aquatint, artist proof sixth state, signed and dated 1984, inscribed verso, plate size 9 3/4" x 21 1/4", blonde wood frame

Lot 554

Sir Frank Brangwyn RA RBA RE HRMS ROI HRSA RSW ARWS, British 1867-1956- Gondoliers on the Venice Canal; etching, signed in pencil, 20.3x15cm, (unframed)

Lot 555

Andrew Fairbairn Affleck, British 1874/5-1935/6 exh 1904-1929- "Hotel de Ville, Bruges"; etching, signed and titled in pencil, 44.5x55.5cm: together with three further etchings by the same hand: Axel Herman Haig, Swedish/British 1835-1921- Cathedral interior with choir boys; etching, monogram and dated 1908 within the plate, signed in pencil, 60x40cm: Charles Henry Baskett RE, British 1872-1953- "The Dawn Wind"; aquatint, signed and titled in pencil, 34.5x51.5cm: Sydney Lee NEA RA RBA RE, British 1866-1949- Continental market scene; woodcut, signed in pencil, 37x47cm: together with a further copy of the same print, (8) (unframed)

Lot 584

William Lionel Wyllie NEA RA RBA RE RI, British 1851-1931- The sea scouts rowing out to the HMS Victory; etching, signed in pencil, 14.5x25cm Note: The boats seen on the beach are the "Imp", "Lord Charles", "Jolly Miller", "The Diopsy" and the sailing boats in the distance are the "Pensee Fugitive", "The Maid of Kent" and "The Vendetta (40 Rater)", according to Andrew Lawson Johnston Ltd Gallery label attached to verso.

Lot 646

Thomas McLean, Publ, Haymarket, London, early 19th century- "An Irresistible Arming for Conquest"; hand-coloured etching, 29x23cm: George Cruickshank, British 1792-1878- "An interesting scene on board an East-Indiaman showing the Effects of a heavy Lurch after dinner", publ by H Humphrey 27 St James`s St London; hand-coloured etching, 25x35cm: James Gillray, British 1757-1815- "The Kettle hooting the Porridge-Pot", publ by P J Leatherhead July 23rd 1782; hand-coloured etching, 23.5x32.5cm., (3)

Lot 681

Dame Elisabeth Frink RA, British 1930-1990- "Rolling Over Horse" 1980, Wiseman 123; etching and aquatint in brown on Arches, signed in pencil and numbered 65/75, 54.5x69cm

Lot 689

Richard Smith, British b.1931- Untitled; etching, of irregular form, signed, inscribed `Artist`s Proof` and dated 71 in pencil, 36x47.5cm., approx. (may be subject to Droit de Suite)

Lot 731

Anthony Harrison, British b.1931- "The Mooring"; etching with aquatint printed in colours, signed, titled, numbered 28/50 and dated 1959 in pencil, 50x72cm: together with one other etching with aquatint printed in colours by the same hand titled "The Fig Tree", signed, titled, numbered 31/50 and dated 1959 in pencil, 50x72cm., (2) (mounted) (unframed) (may be subject to Droit de Suite)

Lot 783

Henry Martyn Lack ARE, British exh 1934-40- Farmyard scene; etching, signed and dated 1940 in pencil, 22.5x30.4cm: Hubert Andrew Freeth, British 1912-1986- "Leonard Mott Esq"; etching, signed and titled in pencil, 24x27.5cm: Harold Sayer, British exh 1940- "Dorset Farmstead"; signed, titled and numbered 22/100 in pencil, 20x14.5cm: Raymond T Cowern, British 1913-1986- "The Plain of Argos from Mycenae"; etching, signed, titled and numbered 35/50 in pencil, 14x16.5cm: Lawrence Josset, British 1910-1995- A man camping beneath the stars; engraving, 11.5x14.5cm: together with another engraving by the same hand: and a small quantity of etchings by various hands, (a lot) (unframed)

Lot 784

Arthur John Trevor Briscoe RE, British 1873-1943- "The Shadow of the Mainsail", 1932; etching, signed in pencil, 16.5x30cm, (unframed)

Lot 785

Paul Drury, British 1903-1987- Portrait of a woman in a feathered hat; etching, signed and numbered III.6 in pencil, 17.7x12.7cm, (unframed)

Lot 786

Eileen Alice Soper, British 1905-1990- The cart race; dry point etching, signed in pencil, 11.2x17.4cm, (unframed)

Lot 788

Robin Tanner, British 1904-1988- Moonlight church; etching, signed and dated `79 in pencil 29.5x24.5cm: together with another etching by the same hand, depicting an English elm; signed and dated `76 in pencil, 10x14.9cm, (2) (unframed)

Lot 797

* James Gillray, British 1757-1815- "Confederated-Coalition;_or_The Giants storming Heaven._ with the Gods alarmed for their everlasting-"They never complain`d of Fatigue but like Giants refreshed were ready to enter immediately upon the attack!...", publ b May 1st 1804 by H Humphrey 27 St James`s Street; hand-coloured etching, bears extensive pencil inscriptions recto & verso, 45.8x33cm: Hannah Humphrey, New Bond Street, Publ Jany 19th 1789- "The English Regency";hand-coloured etching, 37x25cm: Edward Hedges, Publ N 92 Cornhill March 19th 1784- "Reynard caught at last or the (Fox) in a Pitt"; hand-coloured etching, 23.5x26cm: John Field, Publ 65 Quadrant Piccadilly- "The Man wot guards the Hopposition"; hand-coloured etching, 35x25.8cm., (4) (unframed)

Lot 798

* Thomas Rowlandson, British 1756-1827- "The Apostate Jack R the Political Rat catcher NB Rats taken Alive!", publ by W Humphrey N 227 Strand; hand-coloured etching, 23x35cm: Thomas Rowlandson, British 1756-1827- "The Covent Garden Night Mare", publ by H Humphrey No 27 Strand; etching, 24x34cm: George Cruikshank, British 1792-1878- "Twelfth Night or What you Will!", publ jan 1815 by H Humphrey St James`s Street; etching, 23.5x34cm: James Sayers, British 1748-1823- "The Last Scene of the Managers Farce", publ 8th May 1795 by H Humphrey New Bond Street; etching, 38.7x28cm: C Tilt, Publ Fleet St 1830- "The Connoisseur", after G Spratt; hand-coloured etching, 26x19.8cm: Edward Topham, British 1751-1820- "The Union...Whom__has join`d let no Man put asunder!", publ by Elizabeth Darchery, James Street March 11 1783; hand-coloured etching, 17x23cm: George Cruikshank, British 1792-1878- "Radical Parliament!!"; hand-coloured aquatint, 13x21cm: Thomas Rowlandson, British 1756-1827- The Prince of Wales, from `A Man of Fashion`s Journal`, publ May 1 1802 by R Ackerman Strand; etching, 19x24cm: James Gillray, British 1757-1815- "The Arch-Duke", after Lieut Swarts, publ by H Humphrey, New Bond Street Nov 15th 1796; etching, 35.5x25cm: William Davison, British, late 18th century- "Spaniard Lousing"; engraving, 23.5x16cm: William Davison, British, late 18th century- "The Frenchmen in Billingsgate"; engraving, 16.5x23.5cm: Anthony Cardon, British 1772-1813- William Pitt, after Henry Eldridge, 1801; stipple engraving, 33x23.5cm: together with a lithograph of The Duke of York and a further cartoon titled `Always go Systematically to work- first get a house then a Wife- & then a Child...", various sizes, (14) (unframed)

Lot 799

* Robert Dighton, British 1752-1814- "The Major part of the Town of Portsmouth" (Major Ashurst), publ Aug 1807; hand-coloured etching, 27x20cm: Robert Dighton, British 1752-1814- "Ireland in Scotland or a trip from Oxford to the land of Cakes", publ June 1807; hand-coloured etching, 27x19.5cm: Robert Dighton, British 1752-1814- A Noble Commander from South Gloucester taken on the Steyne at Brighton", publ Dec 1801; hand-coloured etching, 27.5x20cm: Robert Dighton, British 1752-1814- "Lieu Gen MacDonald", publ 1812; hand-coloured etching, 27x20cm: Robert Dighton, British 1752-1814- "An Officer of the 10th, or Prince of Wales`s Hussars taken from Life"; hand-coloured etching, 33x22.5cm: Richard Dighton, British 1795-1880- "A Discharg`s Fife-r"; hand-coloured etching, 29.518cm: Attributed to Robert Dighton, British 1752-1814- Prince of Orange; hand-coloured etching, 20.2x11cm: Robert Dighton, British 1752-1814- "View of the Blues", after R Dighton Jnr, publ June 1805; hand-coloured etching, 25x18cm: Isaac Cruikshank, British 1756-1811/1812- "A Crop of 1791", publ Sept 1791 by S W Fores Nr. 3 Piccadilly; hand-coloured etching, 31x21.5cm., (9) (unframed)

Lot 800

* Charles Williams, British act 1797-1830- "The Coffin Expedition or Boney`s Invincible Armada Half Seas Over", publ Jany 6th 1804 by S W Fores 50 Piccadilly; hand-coloured etching, 24.5x35cm., (unframed)

Lot 801

* George Cruikshank, British 1792-1878- "Manchester Heroes", publ Sept 1819 by S W Fores 50 Piccadilly; hand-coloured etching, 25x35cm., (unframed)

Lot 803

* James Gillray, British 1756-1815- "Temperance enjoying a Frugal Meal", publ July 26th 1792 by H Humphrey Old Bond Street; hand-coloured etching with stipple, 36x29.2cm: James Gillray, British 1756-1815- "The Dagger Scene:_or_The Plot discover`d", publ Dec 30th 1792 by H Humphrey N 18 Old Bond Street; hand-coloured etching, 37.2x30cm., (2) (unframed)

Lot 804

* Thomas Rowlandson, British 1757-1827- "Junot Disgorging His Booty", publ October 17th 1808 by R Ackermann N 101 Strand; hand-coloured etching, 23.5x32cm: William Elmes, British fl 1804-1816- "General Frost Shaving Little Boney", publ Dec 1st 182 by Thos Tegg No111 Cheapside London; hand-coloured etching, 34.8x24.8cm: James Gillray, British 1756-1815- Company Shocked at a Lady getting up to Ring the Bell", publ November 20th 1804 by H Humphrey N 27 St James`s Street; hand-coloured etching, 25x37.8cm; Charles Williams, British act 1797-1830- "Jourdan and King Joe or Off they Go_a Peep at the French Commanders at the Battle of Victoria", publ July 9th 1813 by Thos Tegg 111 Cheapside; hand-coloured etching, 23.5x33cm: Thomas Rowlandson, British 1757-1827- "The Hanoverian Horse and British Lion", publ March 31 1784 by H Humphrey 227 Strand; hand-coloured etching, 24.8x35cm: S W Fores Publ Nov 16 1788- "Dead Positively Dead"; hand-coloured etching, 24.5x34.8cm., (6) (unframed)

Lot 805

* William Holland Publ London April 20 1802 Oxford St- "A Battle Royal"; hand-coloured etching, 24.5x34cm: Charles Williams, British act 1797-1830- "The Cold-Blooded Murderer or the Assassination of the Duke D`Enghein", publ June 2d 1804 by S W Fores No 50 Piccadilly; hand-coloured etching, 24.5x35cm: Nicholas Charles Goodnight, British act 1769-1793- "The Surrender of Government Castle in March 1782 to the late besieging Minority...", publ by J Barrow May 10th 1782; hand-coloured etching, 30x37.5cm: Thomas Rowlandson, British 1756-1827- "The Departure", 1784, publ by H Humphrey; hand-coloured etching, 24.5x35cm: Charles Williams, British act 1797-1830- "The Rival Gardeners", publ Feby 10th 1803 by S W Fores No 50 Piccadilly; hand-coloured etching, 25x35cm., (5) (unframed)

Lot 827

Else Meidner, German 1901-1985- Figures at an exhibition; pen and black ink, signed with monogram, dedicated and dated 62, 28x20.5cm: David Peretz, French 1906-1982- "Annabelle a 7 ans"; pencil, signed, inscribed and dated 1955, 33x26.5cm: Zdzislaw Ruszkowski, Polish/British 1907-1990- Portraits of a young girl; two, pencil on tissue thin paper, both signed, one dated 52, 20x16.5cm.,, ea: together with three etchings by the same hand, one of a standing female nude and the other two of children, all signed in pencil, 21x11, 11x15 and 13.5x9cm: Maurice Grossman, American b.1927- Nude; etching, inscribed `Holiday Greetings`, inscribed, signed and dated 1970 within the plate, signed and numbered 11/20 in pencil, 23.5x39cm: together with a collection of thirteen hand-made Christmas Cards sent to Professor J P Hodin, to include Zdener Rada, Charles Russell, Peter Arnold, Ernst Wolfhagen and others, (20) (unframed) Provenance: J P Hodin

Lot 832

William Holland, Publ Feby 1804- "Had-In-Tun!_Or a Great Man Badger`d!!; hand-coloured etching, 25x35.5cm: Isaac Cruikshank, British 1764-1811- "The Corporation`s Visit to their Brother in Smithfield or the Hog`s Feast on being Swaron-In", publ S W Fores March 8 1790; hand-coloured etching, 24.5x35cm: John Phillips, British fl. 1825-1831- "The Blessings of Military Law-Givers", publ by S Gans 15 Southampton St Strand July 28 1829; hand-coloured etching, 25.5x36cm: Isaac Cruikshank, British 1764-1811- "John Bull Persuing the Extraordinary Gazette!!", publ by R Ackermann 101 Strand Oct 10 1808; hand-coloured etching, 22x34.5cm: Isaac Cruikshank, British 1764-1811-"The Longitude and Latitude of Warley Camp in the Summer of 1795", publ June 26th 1802 by H Humphrey St James`s Street; etching, 24x30.5cm: George Cruikshank, British 1792-1878- "Home from School_or the Commencment of the Holidays" and "Black Monday_or The End of the Holidays", two, both publ Aug 1st 1835 by Thos McLean 26 Haymarket; hand-coloured etching, 20.2x26cm., ea., (7) (unframed)

Lot 1007

A Georgian glass quill stand with Greek key etching, on flattened knop stem and broad foot, to/w a Victorian `Patent Medlock Rolled Tape Casket` - a cylindrical wooden pot and cover with tartan decoration and original paper labels, by Chisholm

Lot 1405

Robert Walker MacBeth, signed etching, figures with work horses, published 1885 by Colnaghi, unframed

Lot 1503

Rowland Langmaid, signed etching, shipping scene `River Solent` (a/f)

Lot 7

`Supplication`, artist proof, etching on canvas, 90 x 65 cm; `Supplication`, a/p collagraph, 87 x 62 cm; `Supplication`, mixed media, 66 x 50 cm (3)

Lot 11

`Lux Perpetua`, a/p, etching, 2/3, dated `96, 80 x 55 cm; Dancing Figures, 90 x 75 cm; abstract figural study, 95 x 65 cm; `Corpus et Anima`, 65 x 100 cm (4)

Lot 163

E.S. Lumsden - `Triske Monastery`, etching, no. 14, pencil signed to margin, 29 x 34 cm

Lot 1334

Henry Wilkinson, artist signed Limited Edition proof etching, a gun dog in a river landscape

Lot 1335

Henry Wilkinson, artist signed proof Limited Edition etching, two terriers in a landscape

Lot 1344

Graham Clarke, small artist signed Limited Edition etching, a beached fishing boat

Lot 1347

Graham Clarke, artist signed Limited Edition etching, `History of England`

Lot 722

A 18th Century coloured etching entitled `Byrsa Londinensis vulgo the Royal Exchange` showing a cherub flying over three exterior walls, circa 1790, framed 15cm x 25cm

Lot 16

GROUP OF FIVE BLACK AND WHITE PRINTS, Old Master Portraits; together with AFTER MEISSONIER, INDISTINCTLY SIGNED IN PENCIL TO MARGIN BY ETCHER, BLACK AND WHITE ETCHING (PUBLISHED BY ALFRED BELL 1926), Cavaliers on Horseback Drinking Before a Tavern, assorted sizes (6)

Lot 28

AFTER W HOGARTH, BLACK AND WHITE ETCHING, “The Laughing Audience”, 5 ½” x 4 ½”.

Lot 40

JOHN-JACQUES DE BOISSIEU, MONOGRAMMED AND DATED 1790 IN MARGIN, BLACK AND WHITE ETCHING, “Ecrivahn Public”, 10” x 15”.

Lot 65

AFTER J S COTMAN, BLACK AND WHITE ETCHING (PUBLISHED 1813), “Oxburgh Hall”, 13” x 10”.

Lot 68

AFTER J S COTMAN, BLACK AND WHITE ETCHING (PUBLISHED 1813), “North East View of Gillingham Church”; plus two similar Etchings, assorted sizes (3).

Lot 87

AFTER J S COTMAN, BLACK AND WHITE ETCHING, The North West View of Binham Priory, Norfolk, 7” x 10 ½”.

Lot 92

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Old Waterloo Bridge from the South Bank”, 7” x 13 ½”.

Lot 95

DAVID YOUNG CAMERON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Montivilliers”, 7” x 8 ½”.

Lot 96

MARGARET CANE, SIGNED IN PENCIL TO MARTIN, BLACK AND WHITE ETCHING, Reclined Nude on a Beach; plus two further Etchings by different hands, assorted sizes, all unframed (3).

Lot 97

J H WILEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Brixham Harbour”; together with E J MAYBERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, The Harbour, Lynmouth; plus two further Etchings by different hands, assorted sizes (4)

Lot 98

ERNEST HERBERT WHYDALE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Evening”; together with three further Etchings by different hands, assorted sizes (A/F) (4)

Lot 103

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, St Paul’s from the River, 9” x 12”; together with JOHNSTONE BAIRD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Thames River View, 10” x 14” (2).

Lot 106

ARTHUR HEINTZELMAN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, The Pilgrim, 8” x 6”.

Lot 116

WILLIAM PALMER ROBINS, SIGNED AND DATED 1924 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Haymaking on the Waveney”, 8” x 13”, mounted but unframed.

Lot 117

WILFRID BALL, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING (PUBLISHED MARCH 1908 BY W R HOWELL & CO), Country Landscape, 13” x 21”

Lot 118

ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Porte St Pierre, Auxerre” (see Fine Arts Society label verso), 11” x 7”.

Lot 119

REUBEN MORING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Conwy Castle, 8” x 15”; together with W RENISON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Ely Cathedral, 11” x 14” (2)

Lot 120

HENRY JOHN STARLING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Thurne Mill, Norfolk”, 7” x 9”.

Lot 122

INDISTINCTLY SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Ducks Down”, 8” x 9”

Lot 123

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Portrait of James M Martin (Squirrell’s Patron), 9” x 6 ½”.

Lot 125

AFTER SIR A J MUNNINGS, BLACK AND WHITE PRINT, Racehorses; together with J R K DUFF, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Shepherd and his Sheep; and C H BASKETT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Ufford”; and EDWARD J CHERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, St Bartholomew The Great Medieval Gatehouse, assorted sizes (4).

Lot 126

W H SWEET, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “St Mark’s Square, The Lion of St Mark”, 5 ½” x 7”; together with DOUGLAS ION SMART, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “The Morning Rest”, 6 ½” x 8” (2).

Lot 137

IAN STRANG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Harley Street 1928”, 10” x 13”, unframed.

Lot 140

HARRY MORLEY, ARA, RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (FOR THE PRINT COLLECTORS CLUB), “The Home Guards Window”, 6” x 7 ½”, mounted but unframed.

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