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Lot 248

*Germaine Richier (French, 1904-1959) A FIGURE WITH AN OWL Etching, signed, numbered12/XXX and inscribed '‚preuve d'artiste' in pencil 24.4 x 19.5cm *Artist's Resale Right may apply to this lot.

Lot 264

*Hans Escher (Austrian, 1918-1993) GIRLS BY A WALL Etching with aquatint, signed in pencil and numbered 8/30 plate mark 30 x 39.5cm; and three others by the same hand, all unframed (4) *Artist's Resale Right may apply to this lot.

Lot 265

*Elyse Ashe Lord (1900-1971) 'CONTEMPLATING THE MOON' Hand coloured etching, signed and numbered 35/75 in pencil 39 x 49cm *Artist's Resale Right may apply to this lot.

Lot 266

*Elyse Ashe Lord (1900-1971) A MUSICIAN Hand coloured etching, signed and numbered 1/75 in pencil image 37 x 28cm *Artist's Resale Right may apply to this lot.

Lot 270

*Patrick Procktor RA (1936-2003) 'MARCUS AND A PINK' Etching and aquatint, signed and numbered 427/500 in pencil sheet 72 x 50cm *Artist's Resale Right may apply to this lot.

Lot 281

*Richard Bawden (b.1936) 'FELUCCA ON THE NILE' Etching and aquatint, signed, inscribed with title and numbered 13/75 in pencil plate 41.5 x 58cm *Artist's Resale Right may apply to this lot.

Lot 316

*Brian Blow (1931-2009) STUDIES OF BUILDINGS Two, charcoal both 23 x 30.5cm; and another ROOFTOPS, Etching, artist's proof, signed with monogram and dated 94' 14.5 x 19cm, unframed (3) Brian Blow was an artist, jazz musician and a painter. Trained in London in the 1940s and 1950s, he developed his sensibilities via Paris and New York. While his art is primarily non-representational and 'elegantly minimal', visual input from the natural and man-made world was the bedrock of his creativity. *Artist's Resale Right may apply to this lot.

Lot 261

James Fade, After Sir Francis Grant, "Lord Calthorp", messotint, 42cm x 33cm, two other portrait prints, James, Earl of Malmesbury, after Sir Thomas Lawrence, The Earl of Malmesbury after J.G. Middleton and a drypoint etching by Dorothy Stevens, Seville Cathedral (4).

Lot 354

After Rembrandt van Rijn, Dutch 1606-1669- "The Descent from the Cross: Second Plate"; etching on wove, 53x41cm: Lawrence Gallery, A Series of Facsimiles of Original Drawings by M Angelo Buonarotti, selected from the Matchless Collection formed by Sir Thomas Lawrence, late President of the Royal Academy, London published by S and A Woodburn, 112 St Martin's Lane, 1853, folio, green cloth boards, 58x45.7cm: Giuseppe Bibiena, Architetture e Prospettive, dedicate alla Maestra di Carlo Sesto, Imperador de'Romani da Giuseppe Galli Bibiena, suo primo Ingegner teatrale ed Architetto, Inventore delle Medesime, Augusta, Sotto la Direzione di Andrera Pfeffel, Top of Form 1 Bottom of Form 1 1740, this edition publ 1964 by Gregg Press Limited, Farnborough: English School, early 19th century- Studies of Chinese pagodas; hand-coloured engravings, three, on wove with Whatman watermark 24x32cm: together with two further reproduction prints, (a lot) (unframed)

Lot 432

Graham Clarke, British b.1941- "Tour de France"; etching and aquatint with hand-colouring, signed and numbered 44/300 in pencil, 16.5x13.5cm, (may be subject to Droit de Suite)

Lot 1545

A large framed and glazed limited edition etching by Graham Clarke entitled The Varminty, 365/400

Lot 1720

* JOHN BELLANY CBE RA HRSA, SAMSON AND DELILAH etching with aquatint in colours, signed and numbered in pencil 75cm x 56cm Mounted, framed and under glass Note: From the Bellany Sextet

Lot 1743

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), THE BARBERS CHAIR (1986) etching, signed and numbered 13/50 in pencil 25cm x 20cm Mounted, framed and under glass

Lot 191

Hand coloured etching & watercolour. American artist B J Anderson, signed in pencil to margin lower right, inscribed lower left “Day’s End”. In glazed frame and mount. Image within mount measures 18.5 x 26 cm (7.3 x 10.2 inches). Typical of the artist’s New England and Cape Cod scenes.

Lot 205

8 items: 7 good antique prints of etchings by Claude Lorraine including harbour scenes and landscapes, plus an original etching of a mountain scene (platemarks) with an indistinct pencil signature. Condition: as found

Lot 241

Carlo Mattioli Litografia acquaforte acquatinta p.a.44,3x34 cm raffigurante "albero". Carlo Mattioli lithography etching aquatint pa44,3x34 cm depicting "tree".

Lot 61

James Pridday framed artist proof coloured etching signed and named Quay Hill Tenby.

Lot 180

Francis Kelly,(b.1927,- 2012, American) "Kent", a coloured etching, 44/50 signed in pencil 62 x 52 cm f/g

Lot 189

An 18th Century continental etching, possibly Bohemian, landscape with watermill, signature indistinct, dated 1742, 14 x 8.5cm, f/g.

Lot 488

After Jacquet. An etching, signed in pencil G. Jacquet.

Lot 493

Mark Andrew Godwin. (British b.1957). Lapis II. A coloured etching. 148/250. Unframed. 12 x 16"

Lot 494

Michael Fairclough, British b. 1940. Ramsey Island II, sear rocks, etching and aquatint, signed in pencil by the artist and inscribed AP 1/20, 49.5 x 42cm, f/g.

Lot 511

Epoh Beech, 20th Century British, an etching, Kalachakra seed symbol and peach stone, signed and dated '93 1/10 together with a silkscreen print allotment scene, signed and dated and numbered Lesley Black '78 1/10.

Lot 515

Carl Bloch (1834 - 1890 Danish) A seascape, an etching, signed in pencil Carl Bloch '89.

Lot 518

A mixed quantity of pictures, an etching, signed Malcom Patterson, Edwardian Tunbridge Wells colour photographs framed etc.

Lot 519

A framed 1948 calender, colour printed with the "Dinner Bell" after Winfred Austen, sunrise over meadow pastel signed, coloured print of tall ships signed Frank H Mason, an etching printed on silk, an early 19th Century coloured engraving of a rabbit etc (Qty).

Lot 524

"Local Hero", an etching. 61/150, signed Tim together with four signed Tony Harrison colour prints.

Lot 549

PETER NUTTALL. PEN, INK AND WASH. FAIRGROUND ROUNDABOUT TOGETHER WITH AN ETCHING

Lot 1430

An etching of Tattershall Castle, Lincolnshire

Lot 432

WINIFRED MARIE L AUSTEN (1876-1964) 'Fox' Etching Signed and inscribed 6" x 9"

Lot 434

WINIFRED MARIE L AUSTEN (1876-1964) 'Goldcrest' Etching Signed and inscribed 5.75" x 4.5"

Lot 435

WINIFRED MARIE L AUSTEN (1876-1964) 'Tree-Creeper' Etching Signed and inscribed 5" x 7"

Lot 436

WINIFRED MARIE L AUSTEN (1876-1964) 'Red Squirrel' Etching Signed and inscribed 8.5" x 7"

Lot 437

WINIFRED MARIE L AUSTEN (1876-1964) 'Vole' Etching Signed and inscribed 4.25" x 5.25"

Lot 438

WINIFRED MARIE L AUSTEN (1876-1964) 'Stoat' Etching Signed and inscribed 7" x 8"

Lot 439

WINIFRED MARIE L AUSTEN (1876-1964) 'Bullfinch' Etching Signed and inscribed 5.5" x 7.5"

Lot 440

WINIFRED MARIE L AUSTEN (1876-1964) 'Coal Tit' Etching Signed and inscribed 4.25" x 5.75"

Lot 442

CHARLES CHAPLIN A.R.E. 'Stoat' Etching Signed and inscribed 4" x 8.4"

Lot 443

JULIAN DYSON (1936 - 2003) 'Our Leader' Etching Signed and dated 02 01 Edition 6/6 11.5" x 8"

Lot 466

ARTHUR BRISCOE "2 Yachts" Etching Signed Edition No 9/50

Lot 192

Frank Harding (20th century): The Vanguard, a dry point etching, signed to the lower margin, circa 1920, 16 by 39cm, together with Frank A. Mason: Warships off Portsmouth, a dry point etching, signed lower right, 9 by 22cm. (2)

Lot 225

Nick Hardcastle (20th century): Cannon Street Station, watercolour pen and ink, signed and dated 1999 lower right, 21 by 29cm, together with an etching depicting two figures, unsigned, 15 by 17cm. (2)

Lot 371

EUGENE BEJOT (French, 1867-1931) 'Zaandam', etching, signed, 15.3cm x 18.2cm, with 'James Connell & Sons, Glasgow' label to verso

Lot 373

AP THOMSON 'St.Jude's Church, Glasgow' etching, signed, 26.7cm x 21.7cm, with 'Paisley Art Institute Exhibition' label to verso

Lot 374

ELLEN EXTON 'Edgar', limited edition etching 22/75, signed and dated '84, image area 10cm x 11.5cm

Lot 375

'GLASGOW CASKS' limited edition etching 14/15, signed and dated, 53cm x 52cm

Lot 377

WILLIAM WALCOT (1874-1943) 'Decadence of the Roman Empire', etching, signed, 19cm x 25.3cm

Lot 378

EDMUND BLAMPIED (1886-1966) 'Resting', etching, signed, 13.6cm x 18.2cm, bearing 'Frank H.Geehan, Glasgow' label to verso

Lot 384

MARIUS BAUER (Dutch, 1867-1932) 'The Kremlin', etching, initialled and No.6, 23.2cm x 26cm

Lot 395

WILLIAM DOUGLAS MACLEOD (Scottish, 1892-1963) 'Carting Sand, Machrihanish', etching, signed and dated 1923, 19.7cm x 37.3cm, bearing 'W.B.Simpson, Glasgow' label to verso

Lot 396

WILLIAM DOUGLAS MACLEOD (Scottish, 1892-1963) 'Glasgow Cathedral', etching, signed, 34.8cm x 17.3cm, bearing 'W.B.Simpson, Glasgow' label to verso

Lot 549

A Wilfred Appleby etching, Glasgow University from the Stewart Fountain, signed in pencil to the margin, Dorothy Morse Brown, a landscape, pen and ink, signed, 24 x 36 cm, and three other prints (5)

Lot 555

F. Marryatt, etching of Ravello, Italy, a print of Old London Bridge and a small pine mirror

Lot 91

An oval etching of HMS Centaur 1856-1858, 8" x 12"

Lot 80

FINE AND LARGE CHINESE CARVED IVORY SNUFF BOTTLE Of elongated ovoid form with rounded shoulders, finely carved with ladies under a tree, the reverse with fine black etching of verse and a landscape, on a carved wood stand, with stopper. Height 14 cm (without stand)

Lot 193

John McGrath (British, 1885-1940) The Circus, signed and numbered in pencil 8/50, etching, together with two further black and white prints (3)

Lot 2026

Noel Browne 'Riva Degli Schiavoni, Venice'; a watercolour and a monochrome etching of Venice (2)

Lot 2028

A map of Staffordshire, hand tinted, published by Archibald Fullerton, framed map of Lancaster and an etching of Conway Castle after G.H Gears (3)

Lot 488

A. KNIGHTON HAMMOND; an artist's proof black and white etching "Haddon Hall", signed, inscribed and titled verso, 22 x 27.5cm, framed and glazed.

Lot 489

S.L. SCOTT; a black and white etching "Waterloo Bridge", signed, inscribed and dated 1926, 23.5 x 32cm, framed and glazed.

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