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Lot 116
Damien Hirst (born 1965)Pyronin Y, 2005 signed in pencil, numbered 19/65 in pencil on the reverseetching and aquatint in colours 103 x 116cm (40 9/16 x 45 11/16in).published by The Paragon Press, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 83
Jamie Reid (British, born 1947)Liberty (Black), 2011signed, numbered and titled by the artist no.5/10, inkjet base print on 310 gsm Hahnemuhle 'German Etching' paper with individual acrylic screen print additions, 112 x 82.5cm (44 x 32 1/2in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 84
Jamie Reid (British, born 1947)Liberty (Blue), 2011signed, numbered and titled by the artist, no.5/10, inkjet base print on 310 gsm Hahnemuhle 'German Etching' paper with individual acrylic screen print additions, 112 x 82.5cm (44 x 32 1/2in)This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 306
Edgar Chahine (French 1874-1947), two etchings; one of a performer standing in a ring with onlooker, signed in pencil, verso paper label for the O'Shea Gallery, London, 38cm by 27cm, the other depicting two clowns, numbered 28/30 and signed in pencil, 32cm by 21cm (a/f - one etching is heavily foxed)
Lot 56
Graham Clarke - 'Jubilee Band', hand-coloured etching with aquatint, signed, titled and inscribed 'artist's proof' in pencil, 32cm x 43cm, within a faux wood frame, together with two monochrome etchings by Graham Clarke.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 45
Norman Ackroyd - 'Evening near Shoreham', etching with aquatint, signed, titled, dated 1981 and editioned 11/90 in pencil, 39cm x 54cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 91
Herbert Thomas Dicksee - Goodbye, monochrome etching, signed in pencil, 74.5cm x 55cm, within an ebonised and gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 77
Patrick Woodroffe - 'Mushroom Farm', hand-coloured etching, signed, titled, dated 1972 and editioned 21/50 (3/6 coloured in this way), 25.5cm x 20.5cm, within a silvered frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 23
Margaret Kemp-Welch, after Lucy Kemp-Welch - A Ploughing Team of Horses in a Landscape, etching, signed by both artists in pencil, published by The Fine Art Society circa 1907, 37cm x 47cm, within a stained wood frame, together with an etching by Herbert Dicksee, 'The Last Furrow'.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 22
John Bluck, after Henry Salt - 'The Town of Abha in Abyssinia', etching with aquatint and hand-colouring, published by William Miller circa 1809, 46cm x 60cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 73
Elyse Ashe Lord - Tiger Lily with her Fan, early 20th century etching, hand-coloured in pochoir, signed and editioned 58/75 in pencil, 28cm x 18cm, within a cream frame, together with another etching by the same hand, Infant reaching for an Apple, signed and editioned 33/75 in pencil, 17.5cm x 16.5cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 78
Patrick Woodroffe - 'Mickey in his Cave', hand-coloured etching, signed, titled, dated 1971 and editioned 31/50, 14.5cm x 17.5cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 21
Wenceslaus Hollar, after Thomas Johnson - 'The North Prospect of Canterbury', etching, published by John Ogilby circa 1675, 17.5cm x 55cm, within a stained wood frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 43
Milein Cosman - Portrait of a Musician playing a Woodwind Instrument, 20th century etching, signed, inscribed and dated '83 in pencil, 15cm x 18.5cm, within an ebonized and gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 79
Patrick Woodroffe - 'Who's been eating my Mushrooms?', and 'Experiences Tortologiques', a pair of tondo proof etchings, both signed, titled and dated 1972, each diameter 14cm, both within gilt frames, together with another etching by the same hand, 'The Marionette'.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 44
Norman Ackroyd - 'Swinbrook Evening', etching with aquatint, signed, titled, dated 1983, and inscribed 'artist's proof' in pencil, 39.5cm x 55.5cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 75
Charles Bartlett - Sailing Dinghies near a Bridge, colour etching with aquatint, 4th state, signed and inscribed in pencil, 43cm x 57cm, within an oak frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 361
AFTER T H MAGUIRE "The Champion of England The Challenge.... from the original picture in the collection of J L Thackeray Esq.....", study of a sailor on flag pole with Union flag in background, engraved by J.S. Shury, 72 cm x 54 cm, together with AFTER C BURTON BARBER "A scratch pack", coloured engraving, 56 cm x 80 cm, AFTER VERNON WARD "Study of poppies in a bowl", limited edition colour print, No'd. 3/500 and signed in pencil lower right, 35 cm x 43.5 cm, together with a botanical watercolour study, bearing label verso, AFTER DOUGLAS GRAHAM "The edge of Loch Awe", etching and AFTER J GOULD "Spathura Solstitialis, Gould", study of Humming birds, colour print, together with five others
Lot 429
AFTER CECIL ALDIN "Old English Inns Series" - "The Middle House Mayfield", "Pomfrett Arms Towcester", "The Red Lion Banbury" and another, all signed in pencil with blind studio stamp, 46 cm x 40 cm, together with AFTER W DANBY SADLER "Monks with pike", black and white etching, signed in pencil, 51 cm x 35.5 cm
Lot 185
Cavendish, William, 'Capriolles pour les Voltes Mains Gauches', from La Méthode et Invention Nouvelle de Dresser les Chevaux, 1737, Engraving transfer glass picture, hand coloured and heightened with gilt, 358 x 517 cm; with William Nutter after Henry Singleton, The Destruction of the Bastile, 1792, etching and stipple engraving, a good impression, published by Benjamin Beale Evans, London, 48.5 x 61.8 cm; with David Loggan, Portrait of Jacob Bobart, Keeper of the Oxford Physic Garden, engraving, a fine, clear impression, sheet 17.4 x 12 cm; with William Faithorne the Elder, Portrait of King Charles, engraving, circa 1658, a fine, rich impression, sheet size 25 x 16.4; with John Smith after Sir Anthony van Dyck, Portrait of James I, mezzotint, mount opening 40.5 x 27 cm, all framed, The Destruction of the Bastile with a couple of waterstains in the lower margin, otherwise all apparently generally in good condition, unexamined out of the frames; with six unframed prints; After John Constable by Frank Short, Flatford Lock, mezzotint, on wove paper, a fine, rich impression, signed in pencil; Three etchings with mezzotint printed in sepia from the Liber Studorium by printed in sepia, etched by Joseph Mallord William Turner, one further engraved by Robert Dunkarton,1807-1819, on laid paper, some waterstaining and discolouration; and Portrait of Oliver Cromwell, engraving after the portrait by Robert Walker, circa 1649, laid on thick card, some defects; and Portrait of King Charles Praying, engraving by Abraham Hertochs after P. Fruytiers after W. Marshall, 1662, some defects, 5 framed works and 6 unframedQty: (11)Footnote: This transfer print on glass shows a nobleman galloping past Bolsover Castle in Derbyshire. The print is from the 1737 English edition of Cavendish's exposition on the theory and practice of equestrian dressage. La Méthode et Invention Nouvelle de Dresser les Chevaux, was first published in 1657 in Antwerp. William Cavendish, The Duke of Newcastle, lost his fortune and title after the Battle of Marston Moor and went into exile on the continent. Whilst in Paris, he purchased eight Barbary horses, set up a manège and developed his own training methods.
Lot 113
RICARDO BAROJA NESSI (Riotinto, Huelva, 1871 - Vera de Bidasoa, Navarra, 1953).Untitled.Oil on canvas.It has slight damage to the frame.Signed in the lower left corner.Measurements: 36 x 56 cm; 48 x 69 cm (frame).Painter, engraver and writer of the Generation of 98, and brother of Pío Baroja, he was formed in a self-taught way. Developing a style contrary to the aesthetic taste of the artistic juries of the beginning of the century, Baroja presented himself at the Modern Art Exhibition in Bilbao from 1900, and exhibited his work in different places, preferably San Sebastian and Madrid. Towards 1900-1906, he focused with dedication on the cultivation of etching, becoming considered the best Spanish master in this field after Goya, standing out from the beginning as a profound portraitist, author of beautiful etchings and scenes of popular life, between Goyaesque and lyrical. At the same time, he dedicated himself to writing. In 1903 he founded, in collaboration with Pablo Picasso and Francisco de Asís Soler, the "Arte Joven" group. In 1928 he was appointed professor at the National School of Graphic Arts. However, as a result of a traffic accident the artist loses an eye and is forced to give up painting, focusing from then on literature. Little by little, he took up brushes again, but he hardly ever painted from life. During the Civil War he lost contact with his brother, who fled to France, and he made a living painting. After the war he continued painting, although only in summer, and writing. In 1940 he again held exhibitions in the art galleries of San Sebastian, Bilbao and Madrid, obtaining great commercial success. In San Sebastian he founds, together with Martiarena, the Artistic Association of Guipuzcoa. In 1952, a year before his death, his success is confirmed with the sale of all his paintings in an exhibition held in San Sebastian. Ricardo Baroja is represented in the Provincial Museum of Lugo, the Fine Arts Museums of Bilbao and Alava, and the San Telmo Museum in San Sebastian, among others.
Lot 273
AUDUBON, John James (1785-1851)Yellow-Crowned Heron (Plate CCCXXXVI) Ardea Violacea, L.Engraving with etching, aquatint and hand-coloring by Robert Havell (1793-1878), 959 x 634 mm sheet, on J. Whatman paper dated 1838, a few short closed tears occasionally touching image repaired verso, a few tiny spots, some minor toning to extreme outer margins, matted and framed. Low p.147.For condition inquiries please contact lesliewinter@hindmanauctions.com
![MOSER, Barry. Thicket. [1973]. 284 x 189 mm. Etching in dark brown ink. One of 50 impressions, captioned and signed in penc](https://cdn.globalauctionplatform.com/972f54cb-c6fc-4bf1-9d72-adc10131c7e7/f49a9f2d-97d2-4a0a-93ae-adc2017d19e2/468x382.jpg)
![[PENNYROYAL PRESS BROADSIDES, ETC.]. A group of 27 printed exhibition, performance or publication broadside ann](https://cdn.globalauctionplatform.com/972f54cb-c6fc-4bf1-9d72-adc10131c7e7/67bf3d5d-2b8e-48db-998a-adc2017ab377/468x382.jpg)
Lot 647
[PENNYROYAL PRESS BROADSIDES, ETC.]. A group of 27 printed exhibition, performance or publication broadside announcements, checklists, invitations and other ephemera printed by Moser at the Pennyroyal Press, mostly for events surrounding Pennyroyal Press publications or lectures and exhibitions presented by Moser. 1971-1982. Includes: Where 's Charley? Announcement for a performance of a play at the Williston Theatre. Easthampton, MA, 1970. Signed by Moser. Pennyroyal Checklist [B]12. "” On Prints and Printmaking. Announcement for a lecture and exhibit by Barry Moser at the Berkshire Museum, Pittsfield MA. [Easthampton, 1971]. Illustrated with a pentagonal etching. Signed by Moser. Pennyroyal Checklist[B]14. "” A proof copy for previous without etching, signed by Moser. "” Edward Hill. Announcement for an exhibition announcement of drawings and collages at Williston-Northampton School. [Easthampton, 1971]. Signed by Moser. Pennyroyal Checklist [B]15. "” Open House & Exhibition. Announcement card for an art exhibition held at the Williston-Northampton School, Easthampton, MA. [Easthampton, MA], 1972. Signed by Moser. See Pennyroyal Checklist [B]18. "” Richard Hendel on Books. Announcement for a lecture at Williston-Northampton School. [East Hampton, 1972]. Signed by Moser. Not in Pennyroyal Checklist. "” Barry Moser. Etchings and Woodengravings. Announcement for an exhibition at Main Street Gallery, Nantucket, MA. [Easthampton, MA, 1973]. Signed by Moser. Pennyroyal Checklist [B]24. "” Barry Moser Botanical Drawings. Announcement for an exhibition at the Spectrum, West Main Street, Brewster, MA. [Easthampton, MA, 1975]. Signed by Moser. Pennyroyal Checklist [B]29. "” Barry Moser. Prints & Drawings. Announcement for an exhibition at the Adams Gallery, Rhode Island College, Providence, RI. [Easthampton, MA, 1975]. Signed by Moser. Not in Pennyroyal Checklist. "” Pennyroyal Press. Announcement of four available books from the Pennyroyal Press. Easthampton, MA, [1976]. One of 155, signed by Moser. Pennyroyal Checklist [B]41. "” An Exhibit of Prints & Drawings by Barry Moser at Beardsley 's Cafe-Restaurant. Checklist for an exhibition at Beardsley 's Cafe-Restaurant, Northampton, MA. [Northampton, MA], 1977. Signed by Moser. Pennyroyal Checklist [B]48. "” Barry Moser. An exhibit of forty-five wood engravings. Checklist for an exhibition at the Wistariahurst Museum, Holyoke, MA. [Northampton, MA], 1977. Signed by Moser. Pennyroyal Checklist [B]50. "” Moser at Dwyer 's. Announcement for an exhibition at Dwyer 's Gallery, Northampton, MA. [Northampton, MA, 1978]. Signed by Moser. Pennyroyal Checklist [B]56. "” And 8 others (a few duplicates), all signed by Moser. Property from the Collection of Mr. Barry MoserFor condition inquiries please contact lesliewinter@hindmanauctions.com
![BARRY, Moser. Treehouse. [printed ca 1994]. 615 x 413 mm. Second printing. Etching printed in sepia ink. Captioned and signed](https://cdn.globalauctionplatform.com/972f54cb-c6fc-4bf1-9d72-adc10131c7e7/67a982f5-8f94-47d8-82b4-adc2017dd798/468x382.jpg)
Lot 678
BARRY, Moser. Treehouse. [printed ca 1994]. 615 x 413 mm. Second printing. Etching printed in sepia ink. Captioned and signed, designated artist 's proof ( "ap I/II 2nd printing"). Property from the Collection of Mr. Barry MoserFor condition inquiries please contact lesliewinter@hindmanauctions.com
![[BROADSIDES]. A group of 4 of Moser 's earliest printed broadsides from his Castalia Press. Comprising: Whistler. The Red](https://cdn.globalauctionplatform.com/972f54cb-c6fc-4bf1-9d72-adc10131c7e7/0becae0c-b658-4ae7-bc6d-adc2017a9d09/468x382.jpg)
Lot 645
[BROADSIDES]. A group of 4 of Moser 's earliest printed broadsides from his Castalia Press. Comprising: Whistler. The Red Rag. Castalia Press. Prospectus. [Easthampton, MA: Castalia Press, 1969]. Unfolded sheet, 303 x 207 mm. Illustrated with a small oval portrait of Whistler in mauve; title printed in red; text on verso. One of an unspecified number printed. SIGNED BY MOSER beneath portrait. Regarding his first book Red Flag, Moser writes: "So inept at engraving wood was I, that I drew a portrait of Mr. Whistler on scratch-board and had a line etching made so that it would look like an engraving. The Castalia Press was started as part of the Art Department at Williston Academy, Easthampton, Mass. in the Spring of 1969. It took a year for the first book to come off the press""”Pennyroyal Checklist 1. The text on verso announces The Red Flag as the first limited edition from the Castalia Press, which preceded his Pennyroyal Press. This announcement does not appear in the Pennyroyal Checklist. [With:] ONITSURA, Uejima. Thus too my lovely life Must end, another flower"¦ To fall and float away [Haiku]. [Easthampton, MA: Castalia Press], 15 November 1969. Broadside, 194 x 300 mm. Illustrated with a small flower device; printed in red. One of an unspecified number printed. SIGNED BY MOSER. "This broadside was an offshoot of the Death of Narcissus, printed more or less as part of the continuing set of exercises I was practicing to learn the craft of printing""”Pennyroyal Checklist [B]2. [With:] The Art of the Book. Announcement for an exhibit of handmade books from Leonard Baskin 's Gehenna Press held at the John Stark Gallery, Williston Academy, Easthampton, MA. [Easthampton, MA: Castalia Press, 1969]. 226 x 213 mm. Printed in red and black. One of an unspecified number printed. SIGNED BY MOSER. Pennyroyal Checklist [B]3. [With:] MILTON, John. For what can Warr, but endless Warr still breed"¦[quotation from Paradise Lost]. [Easthampton, MA: Castalia Press], 15 October 1969. 103 x 329 mm. SIGNED BY MOSER. "This was the first politically motivate bit of printing I ever did, protesting quietly the absurdity of war. Political commentary is a practice I 've maintained to this day""”Pennyroyal Checklist [B]4. Property from the Collection of Mr. Barry MoserFor condition inquiries please contact lesliewinter@hindmanauctions.com
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71082 item(s)/page