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Lot 110

SIR FRANK BRANGWYN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, CIRCA 1924, "Porta Copua, Naples" (see further information verso), 6" x 6"

Lot 113

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Light Ship and Other Shipping at Sea, by Moonlight, 4" x 12"

Lot 114

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Scene from The Battle of Jutland (see labels verso), 7" x 16"

Lot 115

WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Scene from The Battle of Jutland, 7" x 16 ½"

Lot 117

FRED A FARRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, London Street Scene with St Paul’s Cathedral, 12" x 10"

Lot 118

WILLIAM MONK, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, London Street Scene, 7" x 10"

Lot 119

ROBERT GOFF, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Blackfriars Bridge, London, 6 ½" x 10" (mounted but unframed)

Lot 123

W DOUGLAS MACLEOD, SIGNED IN INK TO MARGIN, BLACK AND WHITE ETCHING, Open Landscape with Trees in Distance, 5" x 11"

Lot 125

FRANK GILLETT, SIGNED IN PENCIL TO MARGIN, FIRST STATE, FIRST TRIAL PROOF ETCHING, "Walking the Stubbles" (see inscription verso), 11" x 13" (A/F)

Lot 126

FRANK GILLETT, SIGNED IN PENCIL TO MOUNT, FIRST STATE, FIRST TRIAL PROOF ETCHING, "October" (shooters at edge of a wood), 11" x 13", unframed

Lot 129

ELSIE V COLE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Elm Hill, Norwich", 11" x 6 ½"

Lot 130

CATHERINE MAUD NICHOLS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Trees in a Landscape, 10" x 7"

Lot 131

SIR FRANK SHORT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Strolling Players at Lydd" (see inscription to old label verso), 7" x 10"

Lot 132

ROBERT HOUSTON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Bawtry Cross" (see artist’s label verso), 5" x 3"; ALFRED BENTLEY, SIGNED, BLACK AND WHITE ETCHING, "Firth of Forth" (see artist’s label verso), 6" x 13"; and HAMILTON HAY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Corfe Village" (see Royal Arts Society label verso), 8 ½" x 13" (3) 133. GRAINGER SMITH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "The Sheltering Trees" (see artist’s label verso), 5" x 6 ½"; and TERENCE H LAMBERT, SIGNED AND DATED 1923 TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (5/50), "Evening at Acle Bridge", 4 ½" x 8 ½" (2)

Lot 171

INDISTINCTLY SIGNED TO MARGIN, FRENCH COLOURED LITHOGRAPH, Comical Dogs, 6" x 17" 172. AFTER P ROBERTSON, BLACK AND WHITE ETCHING, PUBLISHED 1890, "The Bridge"; AFTER M W RIDLEY, BLACK AND WHITE ETCHING, PUBLISHED 1890, A Collier in Bristol Harbour; AFTER J CROME, ENGRAVED BY P THOMAS, BLACK AND WHITE ETCHING, PUBLISHED 1894, "A Windmill", 13" x 10"; AFTER SIR A W CALLCOTT, ENGRAVED BY C O MURRAY, BLACK AND WHITE ETCHING, "Entrance to Pisa from Leghorn", 8" x 13" (4)

Lot 181

JEAN JACQUES DE BOISSIEU, INITIALLED AND DATED 1774 IN THE PLATE, BLACK AND WHITE ETCHING, Vue de Saint Andeol, en Lyonnais, 10" x 13 ½" (unframed)

Lot 189

A FOLIO OF ORIGINAL DESIGNS IN TYPOGRAPHY, WOOD ENGRAVING, Lithography and Etching ….. by Students of the Hornsea School of Arts and Crafts, Crouch End Hill N8, September 1933

Lot 207

THE FOLLOWING 5 LOTS ARE A SMALL COLLECTION OF BLACK AND WHITE ETCHINGS BY WALTER DENDY SADLER (1854-1923) WALTER DENDY SADLER, ENGRAVED BY OSWALD BURNS, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1920, The Master taking a Meal in a Garden, 15" x 11"

Lot 209

WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1911, "Memory’s Garden", 14" x 19"

Lot 210

WALTER DENDY SADLER, ENGRAVED BY JULES JACQUET, SIGNED BY BOTH TO THE MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1912, "The Answer", 15" x 11"

Lot 211

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, PUBLISHED 1919, "From Over Seas", 16" x 12"

Lot 265

P A THOMPSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (1/10) BLACK AND WHITE ETCHING, Goats and Herders, 7" x 5"; plus further ETCHING BY DIFFERENT HAND (2)

Lot 299

AFTER HERBERT DICKSEE, BLACK AND WHITE ETCHING, "Against the Wind and Open Sky", 10" x 22"

Lot 246

Slater (J.H.) Engravings and their Value 8vo" 1891; Another copy third edition 8vo [1900] § Cundall (Joseph) A Brief History of Wood-Engraving illustrations 8vo 1895 § Rinder (Frank) Etchings of D.Y.Cameron plates original boards 4to 1908 § Sparrow (Walter Shaw) A Book of British Etching plates front endleaf removed 4to 1926 § Slythe (R. Margaret) The Art of Illustration illustrations 4to 1970 § Hunnisett (Basil) Streel-Engraved Book Illustration in England illustrations 8vo1980 all but the fourth in original cloth the last two with dust jackets; and 161 others relating to prints the majority exhibition or dealers` catalogues" various sizes(168)

Lot 265

Album of drawings" photographs and prints the 57 drawings including two watercolour views of the Isle of Tenedos Greece1879 two pencil views of Bishops Garden Havana1851 a pencil and wash scene with watermill and castle a pencil view of Torquay and various European views and costumes; the 13 photographs including views of Westward Ho by Archibald Coke Torquay Rome and a cloud study; the prints including lithographed views of the "Patent Mathematical Chain Suspension Bridge" Bath a "Proposed Collonade" Bath by J. West Senr. "Woodspring Priory" by C. Rosenberg Junr. Piercefield Mansion and Park" by T.M. Baynes after G. Eyre Brooks; two prison ships coloured by hand an etching of "Collier Discharging" by Edward W. Cooke and various illustrations original half roan lacking spine covers and some leaves loose folio" [c.1850-1880].

Lot 309

Wheatley (Henry B.) Hogarth`s London"1909 colour frontispiece mounted colour paint samples library cloth [c.1930] § Wheatley (Henry B.) Hogarth`s London 1909 § Furst (Herbert) Original Engraving and Etching: An Appreciation 1931 § Fisher (S.W.) A Dictionary of Watercolour Painters 1750-19001972 plates and illustrations the first three ex-library copies with stamps all but the first original cloth the last with dust-jacket a little rubbed; and a quantity of others art reference etc. " v.s; sold not subject to return(qty)

Lot 58

EDWARD BOUVERIE HOYTON Bryher from Tresco, Isles of Scilly. Etching. Signed and inscribed. 7 3/4 x 14 3/4ins.

Lot 61

GEOFFREY GARNIER St. Anthony Lighthouse, Falmouth. Etching aquatint. Together with a limited edition Arts & Crafts woodcut/wood engraving by Alison Hodge.

Lot 63

BRYAN INGHAM Doorways. Etching. 19 x 12ins., irregular.

Lot 78

RICHARD BAWDEN On the mud, Wivenhoe. Etching aquatint. Signed, inscribed and numbered 42 from an edition of 75. 16 x 21 1/2ins.

Lot 101

WINIFRED MARIE L. AUSTIN Cockerel. Etching. Signed. 9 x 11ins.

Lot 108

W. H. SWEET Girl with an owl. Etching. Signed. 5 x 3 1/2ins.

Lot 153

CLAUDE ROWBOTHAM Submarine Pier, Falmouth. Etching aquatint. Signed and inscribed. 3 1/2 x 3ins., unframed.

Lot 154

CLAUDE ROWBOTHAM Pendennis Castle, Falmouth. Etching aquatint. Signed and inscribed. 2 1/2 x 4 1/4ins., unframed.

Lot 155

CLAUDE ROWBOTHAM Falmouth Harbour. Etching aquatint. Signed and inscribed. 3 1/2 x 2 1/2ins., unframed.

Lot 156

CLAUDE ROWBOTHAM Lake Maggrore. Etching aquatint. Signed. 6 x 8ins., unframed.

Lot 157

CLAUDE ROWBOTHAM The mud bed, Swanpool. Etching aquatint. Signed and inscribed. Together with On Penance Point, Falmouth, signed.

Lot 158

CLAUDE ROWBOTHAM Pendennis Castle from Mylor. Etching aquatint. Artist`s label to the reverse. 3 1/2 x 2 1/2ins. Together with The Headland, Newquay.

Lot 159

CLAUDE ROWBOTHAM Helford Creek. Etching aquatint. Signed and inscribed. 2 3/4 x 4ins.

Lot 160

CLAUDE ROWBOTHAM Gathering seaweed. Etching aquatint. Signed and inscribed. 2 3/4 x 3 3/4ins., unframed.

Lot 161

CLAUDE ROWBOTHAM Five etching aquatints.

Lot 169

EDWARD BOUVERIE HOYTON Spanish carnival. Etching. Signed and inscribed. 13 1/2 x 12ins.

Lot 185

GEOFFREY GARNIER Flushing. Etching aquatint. Signed and numbered 24 from an edition of 50. 9 3/4 x 12 1/4ins.

Lot 195

PAUL CEZANNE Seated man with a hat. Etching. 6 x 4 1/2ins.

Lot 197

CLAUDE ROWBOTHAM Three etching aquatints. Each signed.

Lot 204

CLAUDE ROWBOTHAM Becalmed. Etching aquatint. Signed, inscribed. 6 x 9ins.

Lot 205

CLAUDE ROWBOTHAM Sunrise on the fishing grounds, Carbis Bay. Etching aquatint. Signed, inscribed. 3 1/2 x 9 1/2ins.

Lot 239

CLAUDE ROWBOTHAM The cliff path, Cadgwith. Etching aquatint. Signed and inscribed. 2 1/2 x 3 1/2ins.

Lot 240

CLAUDE ROWBOTHAM At Porthoustock. Etching aquatint. Signed. 3 1/4 x 2 1/2ins.

Lot 241

CLAUDE ROWBOTHAM Granny Green`s Cottage, St. Mawes. Etching aquatint. Signed. 2 1/2 x 3 1/2ins.

Lot 242

CLAUDE ROWBOTHAM Gerran`s Bay from Portscatho. Etching aquatint. Signed. 3 1/4 x 2 1/2ins.

Lot 243

CLAUDE ROWBOTHAM Six small etching aquatints. Each signed.

Lot 245

BOUVERIE HOYTON Abstract. Etching. Signed. 12 x 18ins.

Lot 273

GEOFFREY GARNIER The garden god. Etching aquatint. Signed and inscribed. 10 x 7ins.

Lot 276

SUE LEWINGTON Etching aquatint. Together with one other etching and a watercolour by other hands.

Lot 284

FREDERICK ARTHUR FARRELL St. Paul`s. Etching. Signed. 9 1/2 x 13ins.

Lot 285

WILLIAM LIONEL WYLLIE The Tower of London from The Thames. Etching. Signed. 14 1/2 x 10 1/2ins.

Lot 293

GEOFFREY GARNIER In the Roaring Forties. Etching aquatint. Signed and inscribed. 10 x 15ins.

Lot 294

GEOFFREY GARNIER Moonstruck. Etching aquatint. Signed, inscribed and numbered 1 from an edition of 50. 11 1/2 x 11 1/2ins.

Lot 295

GEOFFREY GARNIER The Nativity. Etching aquatint. Signed and inscribed. 11 x 12 1/2ins.

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