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Lot 659
Edmund Blampied RE (Jersey, 1886-1966), Drawing for the etching "Tarascon" sepia ink on laid paper, signed lower right and inscribed "Drawing for Tarascon", in reproduction swept gilded frame 14 x 11½in. * The etching Tarascon is a reverse image of this drawing and was published in 1925 in an edition of only six. (Catalogue Raisonée Appleby & Arnold No.110) * Condition: Ink somewhat faded. Paper is lightly cockled and acidic mount.
Lot 1093
Edmund Blampied R.E. (Jersey, 1886-1966), "The Stranger", drypoint etching, signed "Blampied" at foot of plate, right of centre, signed in pencil lower left, published in 1920, edition of 100 (According to Campbell Dodgson, the plate was destroyed in 1921) 9 7/8 x 13in. (25 x 33cm.) * Notes: Catalogue Raisonné Appleby & Arnold No.66
Lot 1096
Edmund Blampied RE (Jersey, 1886-1966), Loading Vraic, St Malo, etching, signed in pencil lower right and numbered lower left 46/100, signed in the plate and dated September 1926, inscribed with title in pencil, published in 1926-27, edition of one hundred, 6 7/8 x 10in. (17.6 x 25.6cm), unframed and unmounted. * Literature: Catalogue Raisonée Appleby & Arnold No.122, listed as "Loading Vraic, St Malo". * Condition: Glued down onto acidic backing, otherwise good condition.
Lot 1097
Edmund Blampied R.E. (Jersey 1886-1966), "Cider Drinkers", drypoint etching, signed "Blampied" at foot of plate, right of centre, signed in pencil lower centre and inscribed in ink "Country Cider", edition of 50 (According to Campbell Dodgson, the plate was destroyed) 10¼ x 8¼in. (26 x 20.9cm.) * Notes: Catalogue Raisonné Appleby & Arnold No.102
Lot 1102
Edmund Blampied R.E. (Jersey, 1886-1966), "A Jersey Vraic Cart", drypoint etching, signed "Blampied 1939" in the right lower corner of the plate, signed in ink lower centre, published in 1939, edition not known, 8 9/16 x 11 1/16in. (21.8 x 28.1cm). * Notes: Catalogue Raisonné Appleby & Arnold No.183
Lot 567
Walter David Jones CH, CBE (1895-1974) for The Golden Cockerel Press, etching, unpublished print from the series for The Ancient Mariner, 17 x 14cmCONDITION: Appears to be unsigned, undulating so not laid down, one or two small damp marks and discoloured around the margins, later card mount and slim silvered frame.
Lot 1089
Brake Baldwin (British 1885-1915): 'Woman on Bed', etching signed in pencil 16cm x 15cmProvenance: from the collection of the late Brian Hill of Bridlington, purchased by Brian Hill from Michael Parkin Fine Art 'Brake Baldwin' exhibition 1990 No.89, receipt inc. Condition Report Click here for further images, condition, auction times & delivery costs
Lot 108
δ Camille Bryen (1907-1977)UntitledEtching with aquatint printed in colours, 1976, signed and inscribed from the edition of 45 in pencil, an artist's proof aside from the edition of 100, on wove paper, printed by Ateliers Georges Visat, Ateliers Lacourière et Fréaulat and Ateliers Crommelynck, published by Georges Visat, Paris, with full margins, plate 260 x 170mm (10 1/4 x 6 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 66
δ Damien Hirst (b.1965)Wheel Within a Wheel (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 67
δ Damien Hirst (b.1965)Circles in the Sand (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 70
δ Damien Hirst (b.1965)Billy Mill Roundabout (from In a Spin, The Action of the World on Things I)Etching printed in colours, 2002, signed in pencil, from the edition of 68, on Hahnemuhle paper, printed by Hope (Sufferance) Press, published by Charles Booth-Clibborn under his imprint the Paragon Press, London, the full sheet 910 x 706mm (35 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 15
Agostino Carracci (1557-1602) after F.Vanni St Francis consoled by an angel (B.67, Bohlin 204), 1595 etching, first state of two 31 x 24cm. Provenance: Sir Peter Lely (L. 2092); Chatsworth : Christies 5/12/85, lot 135; From the Collection of the late Professor Eric Gerald Stanley (1923-2018).
Lot 21
Pierre Lemaire (1612-1688) Classical figures in a wooded clearing etching 27.5 x 20.5cm. Provenance: Christies 30/06/94, lot 75; From the Collection of the late Professor Eric Gerald Stanley (1923-2018).Lot 21 – In modern frame & mounts, not laid flat, small possibly fox marks nothing serious, please see extra images online, measurements including frame 49cm x 35cm
Lot 224
Charles March Gere (1869-1957) "The Stonebreaker" etching 13 x 19.5cm. Provenance: From the collection of John Redman (b.1937). John Redman lived with the Payne and Gere families in their Cotswold home during the 2nd World War from 1940 to 1944. He points out the home was a constant visiting location for a number of important artists and writers including Sir Stanley Spencer, Vanessa Bell, Virginia Woolf, Sir William Rothenstein, George Bernard Shaw, John Betjeman and many others. He has collected a comprehensive range of the Payne and Gere families works through a lifetime's friendship with Edward R. Payne (1906-1991), the Payne's second son of three and also an artist. These are well represented by the selection included in this auction.
Lot 225
Charles March Gere (1869-1957) "Harvesting" etching 6 x 9.5cm. Provenance: From the collection of John Redman (b.1937). John Redman lived with the Payne and Gere families in their Cotswold home during the 2nd World War from 1940 to 1944. He points out the home was a constant visiting location for a number of important artists and writers including Sir Stanley Spencer, Vanessa Bell, Virginia Woolf, Sir William Rothenstein, George Bernard Shaw, John Betjeman and many others. He has collected a comprehensive range of the Payne and Gere families works through a lifetime's friendship with Edward R. Payne (1906-1991), the Payne's second son of three and also an artist. These are well represented by the selection included in this auction.
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71174 item(s)/page