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Lot 98
Julian Trevelyan (1910-1988) - Limited edition etching with aquatint - Owl, No.28/100, signed, titled and numbered in pencil, image size 35cm x 47cm, unframed, Artist Resale Right may apply Condition: Extensive foxing almost 100% of which is on the plain margins with only a small amount appearing on the image, some slight fade, unframed - **General condition consistent with age
Lot 270
19th Century Continental Sword Stick27 1/2 inch, single edged, narrow blade. Narrow fuller. Scroll etching with 'Toledo' to the forte. Cane handle with white metal ferrule. The pommel with two carved tortoises. Lower cane absent. Together with an unfinished sword stick. 12 1/2 inch, single edged blade. Brass ferrule. Wooden bulbous handle. Lower wooden stick. Wood unfinished. 2 items.
Lot 529
William Walcot R.E. (1874-1943), "Interior of St. Peter's, Rome", 1919, signed in pencil in the margin, etching, plate size 15.5 x 17.5cm, 6 x 7in, together with another by James Hamilton Mackenzie (1875-1926), Courtyard scene with figures, signed in pencil in the margin, etching, plate size 13.5 x 19cm, 5.25 x 7.5in (2). For a condition report please visit our website www. peterwilson.co.uk
Lot 229
The Great War period 1897 pattern infantry officer's sword carried by Captain Norman Douglas Fourdrinier, 6th Battalion the Middlesex Regiment, of regulation form with blade etching incorporating George V cypher and 'N. D. FOURDRINIER', by Wilkinson and numbered 50060, with leather sword knot and in leather covered scabbard. Entered France 02/05/15. Entitled to 1914-15 Star, British War and Victory Medals as a Lieutenant. Wounded and issued Silver War Badge. Placed on the retired list "on account of ill health caused by wounds 13th September 1919"
Lot 260B
λ An 18th Century French dagger, hollow triangular-section blade 10 in., traces of etching including script and fleurs de lys; steel guard with drooping quillons terminating in pierced diamond forms and with a side ring, ivory grip; resembles a fencing dagger, possibly a composite with later hilt components.
Lot 1205
A pair of Victorian brass candlesticks; others similar; a pair of Mexican silver salad servers; a Mappin & Webb plated teapot; an Alfred Swatkins etching, signed in pencil; flatware, jam pan, etc; a Royal Worcester Scottie Wilson tray; a mid 19th century Staffordshire trio, Welsh Costume; 19th century lustre jugs; others, Adams; Motto ware; Wedgwood black basalt; etc, qty
Lot 895
Alfred Hartley etching of trees, signed, together with etching of the tower of Malatesta Rimini, etching by Ailek Horsnell Condition Report;Additional photos have been added to the internet.Etchings are loose but have been taped to the card sheets.Please refer to photos.Etchings are in very good condition.
Lot 401
Victorian silver mounted claret jug in the form of a crocodile, with etched glass scaled body and detachable silver head and pouring tongue by Alexander Crichton (London 1882), 42.5cm overall length CONDITION REPORT General overall condition very good. Silver mounts are excellent - no visible signs of damage or repair. Neck and detachable head marked. Glass body is a replacement. Tiny scratch on top of right leg and underside has some surface damage. Top of left rear foot has a small area of rough protruding glass from manufacture. Underside of tail has some marking to surface and there is a small blemish to top of tail where it joins body. Front left foot has some minor surface damage. Main body is good, no major chipping or scratching, there is a bubble in glass above front left leg and skin pattern etching near back of head has been incised twice. Underside of rear feet have areas where glass is not polished. Tip of tail may have been removed
Lot 1159
William Lionel Wyllie (1851 - 1931), signed etching - Yachts racing, Cowes, in glazed frame, 18cm x 39cm CONDITION REPORT Glazed frame and not examined out of the frame. There is some minor staining where the mount meets the paper and a few minor fox marks. Otherwise the etching is in good order, the mount is discoloured in places, framing looks to be original, with some wear. Overall condition generally good
Lot 1376
Henry George Rushbury (1889 - 1968), signed etching - Continental town, two other signed etchings, pen and ink drawing and a William Orpen etching, all unframed CONDITION REPORT The Orpen has staining to the paper and a mark top right, also some foxing to the margin. Rushbury in good condition, not laid down, very light mark around the edge where the mount meets it. Just attached in 2 places on the top edge
Lot 1813
After Benjamin Wilson (British 1721-1788) - 18th century monochrome etching of a landscape inscribed A Proof Print from this Plate, "Designed and Etched by B Wilson - Was Sold As A Very Fine Rembrandt To One of the Greatest Connoisseurs For 6 Shillings, 17th April, 1751, 7.5 x 19cm approx sheet size, unframed, together with a pair of 19th century coloured engraving after P Reinagle - A Stag Hound and a Greenland Dog 19 x 21 cm framed
Lot 1827
WJ Caparne? - River scene, watercolour, signed, 25 x 35cm, together with a further watercolour of a Cornish scene with cottages and figure, indistinctly signed B Ward, inscribed verso - Above Portreath, 12 x 17cm, and also together with a black and white etching of a Thames scene with The Tower of London in the 16th century, signed G Barnard, 18 x 22cm, all framed
Lot 1829
Felix Bernasconi ARCA (1911-2001) - Study of a harbour scene with sailing boats, oil on board, signed, 34 x 44cm, framed, together with a black and white etching of a Lake District landscape - Borrowdale, signed HM Pemberton, a further etching of Richmond Castle , Yorkshire, indistinctly signed, etc
Lot 561
Edward W Sharland (1884-1967)/Bridge of Sighs, Venice, etching in colours, 43cm x 27cm and two others by the same, Scott's Memorial and John Knox House, four early 19th Century portrait engravings and sundry prints Condition Report: *PLEASE NOTE AN ADDITIONAL CHARGE FOR ARTIST'S RESALE RIGHT MAY APPLY TO THIS LOT* Contact us if you require further information.
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71174 item(s)/page