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Lot 851
AFTER ROWLAND LANGMAID "Tall-masted ship", dry point etching, signed in pencil lower right together with numerous further prints to include vanity fair prints, snaffles "The Warwickshire" etc CONDITION REPORTS Some light scratches throughout. Deeper scratch to the sail. Paper slightly greyed and browned in places. Some light fold marks. Frame with various chips, nibbles, scratches, etc. Various general signs of wear and tear throughout.
Lot 174
Late-Georgian scrapbook, c.1830, 240 pages of mounted engraved portraits, caricatures/cartoons, topographical views, heraldic devices, natural history plates (birds, butterflies, mammals), fashion plates, travel & exploration plates (natives/inhabitants), printed verse and published articles, mounted crests. Printmaking methods include stipple engraving, etching, aquatint. Featuring six pages of trimmed and mounted signatures/autographs (presumably taken from free frank post and correspondence), most appear to be political figures, including Lord John Russell, Palmerston (Prime Minister), Waldo Sibthorp, Thomas Wilde, Melville, Mann-Cornwallis, Christopher Cole, and others (many indistinctly signed). The album includes an original ticket for the trial of Warren Hastings, engraved in red ink on laid/chain-lined paper with wax seal, inscribed 'William Henry'. The album includes a manuscript letter, signed 'G Noel', 1837, requesting a work by Archbishop Leighton if it is 'among your books for sale'. Quarto, contemporary blind-embossed green calf with marbled endpapers, morocco ownership label lettered in gilt to front pastedown, 'Elizabeth Becket, Newark', rebacked with the original spine laid down
Lot 1009
JOHN BRUNSDON (1933-2014); a signed limited edition etching with aquatint 'Shakespeare's Birthplace and Garden', number 148/175 with label and artist biography verso, 11 x 28.8cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Lot 552
* Erotica. A trinket box, circa 1810-1820, circular brass coaster, with pierced rim, top inset with gathered and twisted leather forming a closure (rubbed), base inset with hand-coloured circular etching of six erotic scenes and a mythological deity in the form of a faun (possibly Pan?), toned and some water-staining to edge, small hole in blank margin, diameter 8 cm (3.25 ins), together with An early Victorian Valentine, circa 1840, hand-coloured lithographed sheet, with a romantic allegorical verse in which a cottage 'To be Let with immediate possession' is symbolic of the heart, surrounded by an illustration of cupid beside a young lady seated on a bench next to a fountain, and a winding road 'Love Lane' leading to 'Hearts' Cottage', within border of flowers, lyres, and love birds, several folds, toned, and some show-through from contemporary manuscript on verso, 24.5 x 19.5 cm (9.75 x 7.75 ins), framed and glazed, plus Matrimony Thermometer, Germany, circa 1880s, glass thermometer mounted on card printed with six increments each illustrated by a colour lithographed figure of a man or woman: 'Indifferent', 'Flirting', 'in love', 'Jealous', 'Angry', Furious', toned, extreme tip of lower left corner missing, length 19 cm (7.5 ins), housed in original cardboard box, worn, titled on pull-off lid in early manuscript, and a large heart-shaped Boer War pincushion with label on front 'Granadier Guards' and Edward VII's cypher, 19 x 18 cm (7.5 x 7 ins) (Qty: 4)NOTESAn unusual collection of objects pertaining to love and marriage. The first item is particularly curious; we have been unable to trace anything similar. We can only speculate what it was used for; perhaps holding accoutrements of a gentleman's dress (collar studs etc.), for storing dice, or maybe for holding sugared almonds or similar comfits. Whatever its ostensible use, its true purpose is clearly to amuse and titilate. The second item might appeal to anyone involved in the sale or management of property: "I have a little heart to let,/Depicted just above,/The fixtures are unvarying truth,/The Rent is - Constant Love...".
Lot 10
Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait with Saskia (Bartsch 19; New Hollstein 158) Etching, 1636, on laid paper, a very good impression of New Hollstein's second state (of four), trimmed on or just inside the platemark above, trimmed just inside the platemark but retaining a fillet of blank paper outside the borderline on three sides, small abrasions at the upper sheet edge, generally in good conditionSheet 103 x 93mm. (4 1/8 x 3 3/4in.)
Lot 100
Pablo Picasso (1881-1973)Le Repas Frugal, from La Suite des Saltimbanques (Bloch 1; Baer 2 II.b.1) Etching with drypoint, 1904, on laid japon paper, a rich, atmospheric impression from the small deluxe edition of 27 or 29 impressions on this paper after steel-facing, printed by Louis Fort, published by Ambroise Vollard, Paris, 1913, with wide margins, in very good condition, framedPlate 463 x 377mm. (18 1/4 x 14 7/8in.); Sheet 592 x 505mm. (23 1/4 x 19 7/8in.)This lot is subject to the following lot symbols: AR
Lot 101
Richard Hamilton (1922-2011)Swingeing London 67 (Lullin 70) Etching and aquatint, with embossing, metallic foil die-stamping and collage, 1968, on mould-made etching paper, signed and numbered 63/70 in pencil (there were also three artist's proofs), published by Petersburg Press, London, the full sheet, with pale time-staining and occasional foxing, some creases and a tiny repaired hole in the right margin, otherwise in good condition, framedPlate 340 x 556mm.(13 3/8 x 21 7/8in.); Sheet 570 x 728mm. (22 3/8 x 28 5/8in.)This lot is subject to the following lot symbols: AR
Lot 11
Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait in a velvet cap with plume (Bartsch 20; New Hollstein 170) Etching, 1638, on laid paper, New Hollstein's third state (of four), with small margins, with creases in the lower right image and light-staining, framedPlate 134 x 103mm. (5 1/4 x 4in.); Sheet 144 x 106mm. (5 5/8 x 4 1/8in.)
Lot 110
Wayne Thiebaud (born 1920)Pie Case Etching, aquatint and drypoint in colours, 2002, on wove paper, signed, dated and inscribed 'AP 7' in pencil, an artist's proof aside from the edition of 40, published by Crown Point Press, San Francisco, with their blindstamp, the full sheet, in very good condition, framedPlate 436 x 590mm. (17 1/4 x 23 1/4in.); Sheet 665 x 793mm. (26 1/8 x 31 1/4in.)
Lot 114
Frank Auerbach (born 1931)Lucian Freud, from Six Etchings of Heads (Marlborough 12) Etching, 1981, on wove paper, signed, dated and inscribed 'proof', a proof aside from the edition of 50, printed by Terry Wilson at Palm Tree Studios, London, with their blindstamp, the full sheet, in very good condition, framed Plate 150 x 136mm. (5 7/8 x 5 3/8in.); Sheet 390 x 335mm. (15 3/8 x 13 1/8in.)This lot is subject to the following lot symbols: AR
Lot 115
Lucian Freud (1922-2011)Solicitor's Head (Figura 62) Etching, 2003, on Somerset wove paper, initialled and numbered 37/46 in pencil, printed by Marc Balakjian at Studio Prints, London, published by Acquavella Gallery, New York, the full sheet, in very good condition, framedPlate 369 x 278mm. (14 1/2 x 10 7/8in.); Sheet 590 x 480 mm. (23 1/4 x 18 7/8in.)This lot is subject to the following lot symbols: AR
Lot 116
David Hockney (born 1937)Dog Wall Number 7 Etching, 1998, on Somerset white wove paper, signed, dated and numbered 30/35 in pencil, published by Pace Editions, New York, the full sheet, in very good condition, framedPlate 350 x 300mm. (13 3/4 x 11 7/8in.);Sheet 472 x 417mm. (18 5/8 x 16 3/8in.)This lot is subject to the following lot symbols: AR
Lot 118
David Hockney (born 1937)My Pool and Terrace Etching and aquatint in colours, 1983, on wove paper, signed, dated and numbered 133/250 in pencil, from the portfolio 'Eight by Eight to Celebrate the Temporary Contemporary', published by the Museum of Contemporary Art, Los Angeles, the full sheet, in very good condition, framedImage 603 x 905mm. (23 3/4 x 35 5/8in.); Sheet 737 x 1059mm. (29 x 41 5/8in.)This lot is subject to the following lot symbols: AR
Lot 12
Rembrandt Harmensz van Rijn (1606-1669)Clement De Jonghe, Printseller (Bartsch 272; New Hollstein 264) Etching and drypoit, 1651, on laid paper, with partial watermark Fleur-de-Lis, New Hollstein's seventh state (of ten), trimmed to the platemark, pale foxing and light-staining, generally in good condition, framedPlate 207 x 161mm. (8 1/8 x 6 3/8in.)
Lot 128
Sol LeWitt (1928-2007)Bands of color in Different Directions (Diptych) (Krakow 1996.08) Etching with aquatint on two sheets of white wove paper, 1996, signed and numbered 25/36 in pencil, published by John Campione, New York and Annemarie Verna, Zurich, the full sheets, in very good condition, framedPlates 355 x 976mm. (14 x 38 3/8in.); Sheets 508 x 1051mm. (20 x 41 3/8in.)This lot is subject to the following lot symbols: * TP
Lot 13
Rembrandt Harmensz van Rijn (1606-1669)Bust of an Old Man with a flowing beard, the head bowed forward, left shoulder unshaded (Bartsch 325; New Hollstein 64) Etching, 1630, on laid paper, a good impression of this rare subject, a unique state, trimmed inside the platemark, in good condition, framedSheet 84 x 73mm. (3 1/4 x 2 7/8in.)
Lot 14
Rembrandt Harmensz van Rijn (1606-1669)Abraham casting out Hagar and Ishmael (Bartsch 30; New Hollstein 166) Etching, 1637, on laid paper, with watermark Single-headed Eagle, a good impression of the only state, with thread margins, small round made-up area in the dog's coat, a small tear at centre right sheet edge, otherwise in good conditionPlate 125 x 95mm. (4 7/8 x 3 3/4in.); Sheet 127 x 97mm. (5 x 3 7/8in.)
Lot 147
Jim Dine (born 1935)The Hand-Coloured Viennese Hearts (Carpenter 34) The complete set of seven screenprints with soft-ground etching, aquatint and hand-colouring, 1990, on wove paper, each signed, dated and numbered 28/40 in pencil (there were also some proofs for each print), printed by Advanced Graphics, London and Werkstatt fur Handgedruckte Original-Graphik, Vienna, published by Pace Prints, New York, the full sheets, in very good condition, framedPlates 838 x 794mm. (33 x 33 1/4in.) (and smaller); Sheets 1194 x 919mm. (47 x 36 1/8in.)(7)
Lot 15
Rembrandt Harmensz van Rijn (1606-1669)Abraham and Isaac (Bartsch 34; New Hollstein 224) Etching, 1645, a good but slightly later impression of New Hollstein's first state (of two), trimmed to or along the platemark at the right and left, with narrow margins above and below, lower left corner re-attached, otherwise in good conditionPlate 157 x 130mm. (6 1/8 x 5 1/8in.); Sheet 161 x 131mm. (6 3/8 x 5 1/8in.)
Lot 17
Rembrandt Harmensz van Rijn (1606-1669)The Flight into Egypt (Bartsch 52; New Hollstein 117) Etching, 1633, on laid paper, a good but slightly later impression of New Hollstein's first state (of four), with small margins, in good condition Plate 89 x 62mm. (3 1/2 x 2 1/2in.); Sheet 93 x 67mm. (3 5/8 x 2 5/8in.)
Lot 18
Rembrandt Harmensz van Rijn (1606-1669)The Circumcision: Small Plate (Bartsch 48; New Hollstein 55) Etching with drypoint, circa 1630, on laid paper, a good impression of the only state, with burr on the mouth, head and arm of the child, with thread margins, a few pale pinpoint foxmarks, otherwise in good condition, framedPlate 88 x 64mm (3 3/8 x 2 1/2in.); Sheet 90 x 66mm (3 1/2 x 2 5/8in.)
Lot 19
Rembrandt Harmensz van Rijn (1606-1669)The Descent from the Cross: Second Plate (Bartsch 81; New Hollstein 119) Etching, 1633, on laid paper, a good impression of New Hollstein's fourth state (of eight), trimmed to or on the plate, a tiny hole to the right figure on the ladder, laid onto a sheet of japan, otherwise in good condition, framedPlate 530 x 410mm. (20 7/8 x 16 1/8in.)
Lot 20
Rembrandt Harmensz van Rijn (1606-1669)Canal with an Angler and Two Swans (Bartsch 235; New Hollstein 253) Etching and drypoint, 1650, on laid paper, the second, final state, a good impression of this rare subject, trimmed to or on the plate, the tips of three corners made-up, a small repair in the right lower sheet edge, pale light-staining and pinpoint foxing, otherwise in good condition, framedPlate 82 x 107mm. (3 1/4 x 4 1/4in.)
Lot 21
Francisco José de Goya y Lucientes (1746-1828)Qual la Descañonan!, from Los Caprichos (Harris 56 II.1) Etching and burnished aquatint, 1797-98, on laid paper, a superb, rare trial proof, before the addition of the tilde on the first 'n', printed in warm sepia with rich contrasts and retaining the burnished highlights, before the First edition of 1799, with full margins, a repaired tear in the upper margin at left, otherwise in very good conditionPlate 218 x 150mm. (8 5/8 x 5 7/8in.); Sheet 292 x 205mm. (11 1/2 x 8 1/8in.)
Lot 27
James Barry (1741-1806)The Conversion of Polemon (Pressly 13.IX) Etching with engraving and roulette and traces of aquatint, circa 1778-90, on wove paper, a fine and extremely rare lifetime impression of the ninth, final state, printed and published by the artist in London, with the central vertical fold, with wide margins, in very good condition Plate 572 x 748mm. (22 1/2 x 29 3/8in.); Sheet 630 x 818mm. (24 7/8 x 32 1/4in.)
Lot 28
James Barry (1741-1806)The Thames, or the Triumph of Navigation (Pressly 20) Etching and engraving, circa 1801-2, on laid paper backed onto linen, a good impression of the second state (of five), printed and published by the artist, London, trimmed to the plate on three sides with small margin at the lower edge, framedPlate 415 x 505mm. (16 3/8 x 19 7/8in.)
Lot 34
Henri Matisse (1869-1954)Nu debout en peignoir (Duthuit 205) Etching, 1929, on Chine appliqué to Arches wove paper, signed and numbered 14/25 in pencil, an excellent, evenly-printed impression, the full sheet with a deckle edge at right, in good conditionPlate 159 x 60mm. (6 1/4 x 2 3/8in.); Sheet 382 x 284mm. (15 x 11 3/8in.)This lot is subject to the following lot symbols: AR
Lot 35
Léonard Tsuguharu Foujita (1886-1968)Sleeping Cat, from Les Chats (Buisson 29.200.10) Etching and aquatint printed in colours, circa 1930, on Chine appliqué to japan support sheet, signed and numbered 79/100 in pencil, published by Les Editions Artistiques Apollo, Paris, with wide margins, laid down, some pale foxing, otherwise in good condition, framedPlate 315 x 380mm. (12 3/8 x 15in.); Sheet 436 x 508mm. (17 1/4 x 20in.)This lot is subject to the following lot symbols: AR
Lot 43
Joan Miró (1893-1983)Personatges Solars (Dupin 648) Etching in colours with embossing, 1974, on Arches wove paper, signed and numbered 2/50, printed and published by Editorial Gustavo Gili, Barcelona, the full sheet with deckle edges at top and below, soft handling-creases, otherwise in good conditionSheet 635 x 896mm. (25 x 35 1/2in.)This lot is subject to the following lot symbols: AR
Lot 44
Joan Miró (1893-1983)Personatge I Estels II (Dupin 1089) Etching and aquatint in colours, with embossing, 1979, on Arches wove paper, signed and numbered HC XIII/XV in pencil, one of 15 hors-commerce impressions (the standard edition was 50), published by Maeght, printed by Joan Barbará, Barcelona, printed to the edges of the full sheet with deckle edges at top and below, in very good condition Sheet 910 x 630mm. (35 7/8 x 24 3/4in.)This lot is subject to the following lot symbols: AR
Lot 45
Joan Miró (1893-1983)Personatge I Estels VI (Dupin 1093) Etching and aquatint in colours, with collage, 1979, on Arches wove paper, signed and numbered HC XV/XV in pencil, one of 15 hors-commerce impressions (the standard edition was 50), published by Maeght, printed by Joan Barbará, Barcelona, printed to the edges of the full sheet with deckle edges at top and below, in very good condition Sheet 910 x 630mm. (35 7/8 x 24 3/4in.)This lot is subject to the following lot symbols: AR
Lot 88
Salvador Dalí (1904-1989)Le Grand Tournoi (Field 74-13; Lopsinger 587) Etching with drypoint and stencil, 1973, on Richard de Bas paper, signed and numbered HC XXIX/L, one of 50 hors-commerce impressions aside from the edition of 100, published by Vision Nouvelle, printed by Ateliers Rigal, Paris, the full sheet, with pale time staining to sheet edges, some soft handling creases, otherwise in good overall condition; together with Deux Nus (Gémeaux), lithograph in colours, 1970, on japan paper, signed and numbered XXIV/XXV in pencil (there was also the edition of 175 on Rives paper), published by Musée de l'Athénée, Geneva, printed by Desjobert, Paris, with pale, scattered foxing, in overall good conditionPlate 405 x 592mm. (15 3/4 x 23 1/4in.); Sheet 579 x 790mm. (22 3/4 x 31 1/8in.) (2)This lot is subject to the following lot symbols: AR
Lot 105
δ Harland Miller (b.1964)Tonight We Make HistoryEtching with silver chine colle, 2018, signed in pencil, numbered from the edition of 50 in pencil verso, on wove paper, published by Manifold Editions, London, sheet 1040 x 730mm (41 x 25 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 16
** δ Paula Rego (b.1935)Tilly in Kensington Gardens (Rosenthal 34)Etching and aquatint, 1989, signed and numbered from the edition of 100 in pencil, on Somerset wove paper, printed by Culford Press, published by Serpentine Gallery, London, with the printer's blindstamp, the full sheet, 500 x 495mm (19 5/8 x 19 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 62
δ Howard Hodgkin (1932-2017)Red Listening Ear (Heenk 74)Etching with aquatint and carborundum in colours with extensive handcolouring, 1986, initialled, dated and numbered from the edition of 100 in pencil, on TH Saunders wove paper, published by Bernard Jacobson Gallery, London, the full sheet printed to the edges, sheet 475 x 644mm (19 x 25in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 63
δ Howard Hodgkin (1932-2017)Blue Listening Ear (Heenk 73)Etching with aquatint and carborundum printed in colours with extensive hand-colouring, signed and numbered from the edition of 100, printed at 107 Workshop Wiltshire, published by Bernard Jacobson Gallery, London, the full sheet printed to the edges, sheet 480 x 650mm (18 7/8 x 25 ½in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 74
** δ Chris Ofili (b.1968)UntitledEtching with aquatint printed in orange, 2000, signed and numbered from the edition of 100 in pencil, on Hahnemühle wove paper, as included in the Cubitt Portfolio, with full margins, sheet 260 x 210mm (10 1/4 x 8 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
Lot 75
RICHARD HOLMES LAURIE (1777-1858) 'THE HIGHGATE ARCHWAY FROM THE TURNPIKE GATE AT HOLLOWAY' Published 20 March 1823, a hand-coloured engraving image 26 x 41.5cm; Shury, after JP Neale 'HIGHGATE, MIDDLESEX' a coloured engraving 15.5cm x 10cm, and Norman James 'CHERRY GARDEN PIER, ROTHERHITHE' Signed in pencil, etching 20 x 34cm (3)
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71174 item(s)/page