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Lot 1

G WRIGHT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Figure, horse and trap in landscape; Together with three further SIGNED PRINTS AND ENGRAVINGS, (4)

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ATTRIBUTED TO SIR ALFRED JOHN MUNNINGS, (BEARS SIGNATURE), BLACK AND WHITE ETCHING, Boy with pony, 6" x 8"

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EDWARD ERTZ, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Aslesian Market', 7" x 9"

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STANLEY ANDERSON, SIGNED IN PENCIL TO MARGIN, DRYPOINT ETCHING, Hay-making beside a windmill, (see label verso), 6" x 13"

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WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Swan Song', (see memorial letter verso from Mrs W L Wyllie), 6" x 7"

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WILLIAM LIONEL WYLLIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'On the Scheldt', (see original label verso), 5" x 12"

Lot 1

WILLIAM HEATON COOPER, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, 'Saddleback from Trent Beck', 4" x 6" and further UNFRAMED ETCHING BY EDWARD J CHERRY, (2)

Lot 1

AFTER J CROME, ENGRAVED BY W HOLE, BLACK AND WHITE ETCHING, 'Mill on the Yare', 14" x 17" and AFTER S & N BUCK, BLACK AND WHITE PRINT, 'The South East View of Wymondham Abbey in the county of Norfolk', 8" x 14", (2)

Lot 1

Lewis (Wyndham). The Roaring Queen, ed. Walter Allen, 1st ed. Secker, 1973, orig. cloth, slipcase, 8vo, ltd. ed. no. 64 of 100 copies signed by Mrs Wyndham Lewis, Walter Allen and Michael Ayrton, with a signed etching by Michael Ayrton, together with Norris (Leslie, ed.), Vernon Watkins 1906-1967, Faber, 1970, plus Bainbridge (Beryl), Master Georgie, Duckworth, 1988, and Ricks (Christopher, ed.), T.S. Eliot, Inventions of the March Hare, Faber, 1996, all orig. cloth in d.j.s, plus a qty. of others, poetry, criticism etc. (2 shelves)

Lot 1

*Piranesi (Francesco). Veduta dell' Anfiteatro Flavio, detto il Colosseo, [1850 or slightly later], b&w etching, approx. 44 x 70.5cms., framed and glazed together withPiranesi (Francesco)Colonna Trajana, early 19th c. etching,approx. 51 x 39cms, framed and glazed, together with another similar etching entitiled Obelico Egizio, later re-strike, approx. 55 x 40cms, framed and glazed, plus two other modern re-prints of etched views of Rome by Piranesi and Zocchi, both framed and glazed (5)

Lot 1

W. Heydemann, Surprised: two plates, each etching, each p. 25.5 x 33 cm

Lot 1

M** Andrews, Metropolis II, limited edition lithograph 107/150, p. 57.5 x 74.5 cm, Covait, Blue Chairs, lithograph, s. 59.5 x 45.5 cm, Francis St Clair Miller, Amsterdam II, limited edition etching 4/75, p. 37.5 x 25.5 cm, Mark Spain, The Interior Stairway, Kew; St Dunstan's in the East, each limited edition aquatint, the first p. 44.5 x 32 cm, the second p. 31.5 x 44.5 cm, and Continental School, Boats II, limited edition etching 12/200, p. 44 x 65 cm

Lot 1

Piers Brown, Stapleford Mill, limited edition etching 51/100, 41 x 32.5 cm, David Gentleman, Georgian Faade; The White Tower; St James's Palace, each lithograph, the first s. 50.5 x 42 cm, the second s. 41.5 x 53 cm, the third s. 50.5 x 41.5 cm, and Christopher Penny, Saplings, limited edition etching 118/200, 39.5 x 29.5 cm

Lot 1

Hedley Fitton (1859-1929), Rouen, etching, signed within the margin lower right, p. 39 x 43 cm

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Robert W. MacBeth after Millais, Winter landscape with crows, etching, dated 1887 within the plate lower left, signed in pencil by the printmaker within the margin lower right, s. 57 x 48 cm

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David Young Cameron (1865-1945), Arran; Perth Bridge, each etching, each signed and inscribed within the plate lower right, the first s. 12 x 24 cm, the second s. 17 x 25 cm

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S**R**Brightwell, Toilet; Three of a kind, each etching, each signed in pencil within the margin lower right and titled lower left, the first p. 16 x 21 cm,; the second p. 20 x 25 cm

Lot 1

J. Barke after Angelica Kauffman, Henry and Emma; Angelica and Sacriprate, each lithograph, each s. 26.5 cm diameter, and a etching depicting a landscape, circular s. 42 cm diameter

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Eric Hesketh Hubbard (1892-1957), The Old Fruit Tree, etching, signed within the margin lower right, inscribed with title lower centre, trial proof lower left, p. 23 x 32 cm, and a lithograph by the same artist

Lot 1

W. Byrne after W. Turner, Newbury from Speen Hill, hand coloured etching, s. 23.5 x 28.5 cm, and three other prints depicting views of the Newbury locality

Lot 1

Geoffrey Wedgwood, The Fishmarket, Naples, etching, signed and dated 29 in pencil within the margin lower right, inscribed with title lower left, p. 21.5 x 23.5 cm

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Bartolozzi after F. Wheatley, The Water Cress Girl; The Country Girl going a Reaping, each hand coloured etching, each s. 27 x 19.5 cm, each with a verre eglomise mount

Lot 1

J. West after J. F. Herring, J. F. Herring's Farmyard, lithograph, s. 51 x 51 cm, J. K. Sherrin after Sir Joshua Reynolds, Sir Joshua Reynolds, etching, p. 29.5 x 24 cm, and C. Hunt after J. F. Herring, Van Tromp, hand coloured mezzotint, s. 51 x 60 cm

Lot 1

An etching of Perth Bridge by D. Y. Cameron, signed in pencil on the mount, 17.5 x 26cm (7 x 10.25in)

Lot 1

An etching of a cockerel by Edward Julian Detmold (1883-1957) signed with monogram and dated '01, 51 x 40.5cm (20 x 16in)

Lot 1

Katherine Jeffries, The Old George, Salisbury, Etching, Pencil signed, 24cm x 18cm, Two 19th century coloured landscape prints, (3)

Lot 1

Clear glass decanter with star etching, eight similar star etched glasses, plus quantity of miscellaneous clear Victorian and later glasses, some cut-glass (quantity)

Lot 1

Leonard Russell Squirrell (1893-1979), Trafalgar Square etching with hand colouring signed in pencil 24cm x 17cm (PL) together with another etching 'Horseguards Parade' by the same artist (2).

Lot 1

After William H Hamilton Trood (1848-1899), 'More Frightened Than Hurt' etching 19cm x 15cm together with a similar etching 'Oh! What a Surprise' by the same hand, a pair (2)

Lot 1

David Young Cameron (1865-1945 Scottish School), 'Arran' three masted ships off the coast, etching, 12cm x 25cm

Lot 1

James Gillray, (1756-1815). "ELEMENTS OF SKATEING -Making the most of a passing Friend, in a case of Emergency!", a hand-coloured etching, published November 24th 1805 by H. Humphrey, 27 St James's Street, inscribed in sepia ink "Nov. 1805" outside the margin, image size (excluding title) 22.5cm x 33cm, (8.8in x 13in), in gilt and ebonised frame under glass

Lot 1

A LATE 19TH-CENTURY RUBY-FLASHED DECANTER having an original foliate-etched blown stopper, numbered '2', the clear neck outlined in ruby with an hexagonal cellular design, the spherical body having vine etching, also numbered '2' beneath, 29.5cm, (11.6in) high

Lot 1

A J.F.Millet etching of a young girl carrying pails of water, 23 cms.x 16 cms. [bears pencil written inscription on reverse - "Femme Aux Seaux"].

Lot 1

William Lee-Hankey 'SHELLING PEAS, COVENT GARDEN' Etching, signed in pencil 23.5 x 29cm

Lot 1

William Lionel Wyllie, RA, RWS A SCOTTISH COASTAL LANDSCAPE WITH SAILING BOATS Signed in pencil, etching 13 x 38cm

Lot 1

WILLIAM WILSON, North Highland landscape, signed and inscribed in ink, etching, 35cm x 39cm.

Lot 1

ERNEST ARCHIBALD TAYLOR, 'On the Road to Brodick, Arran', pencil signed etching, 16cm x 18cm.

Lot 1

ERNEST ARCHIBALD TAYLOR, An Arran Road, pencil signed etching, 16cm x 18cm.

Lot 1

D Y CAMERON, 'The Clyde at Arran', etching signed in pencil, 12cm x 24cm, and a companion 'Lochranza, Arran'.

Lot 1

TOM MAXWELL, 'Edinburgh University', signed in pencil, etching, 30cm x 21cm, another two by the same hand 'Falkland Palace' and 'Linlithgow Palace'. 35cm x 49cm. (3)

Lot 1

HEDLEY FITTON, 'Glasgow University Gateway', signed in pencil, etching, 43cm x 23cm, and another JOHNSON BAIRD, 'View of Glasgow University'. (2)

Lot 1

TOM MAXWELL, The Briggates Steeple, signed in pencil, etching, 20cm x 17cm, and another by the same hand Provans Lordship, Glasgow. (2)

Lot 1

HEIKKI TANDEFELT - ETCHING OF NUDE

Lot 1

A Verleys (France) frosted with blue opalescent glass bowl, moulded floral spray design, moulded mark Verleys, 29.5cm diameter, together with Etling (France) blue opalescent glass bowl, moulded flower design, 23cm diameter with moulded mark 'etching 214 France'.

Lot 1

Leonard Baskin - 'Flower'; etching in colours, 14.5x8cm: together with two other etchings in colours by the same hand, both signed and inscribed 'proof', 16x12cm., and 9x15cm., (3)

Lot 1

Frank Brangwyn, R.A. - Wooded river woodland scene with a hilltop village, 1910; etching, signed in pencil, 20x24.2cm

Lot 1

Wilhelm Ropke - Standing knight in medieval dress; etching with drypoint printed in colours, signed within the plate, 47.5x32cm

Lot 1

Winifred Marie L. Austen - 'Fox'; etching, signed and titled in pencil, 15.5x22.5cm: together with two other etchings of birds by the same hand titled 'Tree-Creeper' and 'Sedge Warbler', both signed and titled in pencil, 13.2x17.8 and 14x19cm., (3)

Lot 1

Giovanni Battista Piranesi - 'Veduta del Pantheon d'Agrippa'; etching, 47.5x69.5cm

Lot 1

Robin Tanner - 'The Gamekeeper's Cottage'; etching, iv/iv,1928, from the edition of 12 publ. in 1984, signed in pencil, 17.3x22.1cm.

Lot 1

Frederick Landseer Griggs - 'The Almonry'; etching, 3rd state, signed with initials within the pate, 24x16.7cm

Lot 1

Enzo Plazzotta - 'Crouching Girl'; etching, signed, dated 19712 and numbered 18/70, bears artist's blindstamp, 15.5x24.8cm

Lot 1

'Rossall From the Cricket-Field' and three other views of Rossall College, etching by Edward Burrow; one bearing an enamelled armorial to the frame. (4)

Lot 1

'The Sentinel', etching by Herbert Dicksee, vellum proof, signed in pencil, published by Frost & Reed, 1913.

Lot 1

'The City Hunt', etching by Thomas Rowlandson after H. Bunbury, coloured by hand.

Lot 1

'A Roman Madonna', etching, signed proof by Robert Austin, 1922.

Lot 1

A river scene with a salmon leaping, etching, signed proof by Norman Wilkinson.

Lot 1

Sundry unframed prints including an etching by William Strang, 19th Century topographical engravings, colour reproductions, etc. (qty)

Lot 1

William L Wyllie - Ships off the rock of Gibraltar, etching, signed in pencil to the margin, 18cm x 39cm .

Lot 1

Arthur Briscoe, Casting off, etching, 14 in x 10 in, (35cm x 25.5cm)

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