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Erotica - Curiosa - - Andre Billy. Visions de Danse. Trente compositions dessinees et gravees a la pointe seche par le peintre et graveur Lobel-Riche. Mit 1 Originalzeichnung, 30 Original-Kaltnadelradierungen und 2 Extrasuiten mit je 26 Radierungen mit Remarquen von Almery Lobel-Riche. 94 S., 1 Bl. Paris, chez l'artiste, 1949. Gr.-4° Lose Doppelbogen in OUmschlag, Pappdeckel und Schuber. Monod 1571. Eins von 20 Exemplaren der Vorzugsausgabe auf Velin de Rives mit der Originalzeichnung und zwei separaten Suiten in Sepia und Schwarzweiss (Radierungen mit Remarquen) (GA 210 Ex.) - Die Abweichungen der Anzahl der Radierungen in den Extrasuiten durch 4 Doppeltafeln, bei denen zwei Motive auf eine Radiertafel komponiert wurden. - Wohlerhalten. Dance. - Monod 1571. With 1 original drawing, 30 original drypoint etchings and 2 extra suites of 26 etchings each with remarques by Almery Lobel-Riche. One of 20 copies of the special edition on vellum de Rives with the original drawing and two separate suites in sepia and black and white (etchings with remarques). (GA 210 ex.) - The variations in the number of etchings in the extra suites due to 4 double plates, where two motifs were composed on one etching plate. - Well preserved.

Corinth, Lovis - - Jonathan Swift. Gullivers Reise ins Land der Riesen. Eine Reise nach Broddingnag. Mit 25 (10 blattgr.) Original-Lithographien sowie 1 sign. Orig.-Radierung von Lovis Corinth. Berlin, Propyläen-Verlag, 1922. 75 S., 2 Bll. Folio. Roter OHMaroquin mit goldgepräg. verziertem Rücken u. Deckeltitel u. Kopfgoldschn. (etwas lichtrandig). Schauer II, 87. - Müller 641-666. - Eins von 200 Exemplaren der Vorzugsausgabe (ges. 400) mit der zusätzl. sign. Original-Radierung auf Kaiserlich-Japan, Druckvermerk von Corinth signiert. - Titelbl. mit kl. Fleck, insgesamt schönes Exemplar der Vorzugsausgabe. With 25 (10 sheet-size) original lithographs and 1 sign. original etching by Lovis Corinth. Red original half morocco with gold-stamped spine and cover title and gilt top edges (some light margins). - One of 200 copies of the special edition (total 400) with the additional sign. original etching on Imperial Japan, printing note signed by Corinth. - Title page with small spot, overall fine copy of the special edition.

Braque, Georges - - René Char. La Bibliothèque est en feu. Mit einer handnummerierten Original-Radierung von Georges Braque. Paris, Louis Broder, 1956. 20 nn. Bll. 4°. OBroschur mit montiertem DSchild, in Original Jute-Chemise mit RSchild. Fünfter Band der Sammlung "Écrits et Gravures". - Eines von 100 nummerierten Exemplaren (GA 146). Von Braque und Char im Druckvermerk signiert. - Auf Vélin d'Arches gedruckt. Die Platte der Radierung wurde nach Fertigstellung des Werks vernichtet. - Seltene Sammlung poetischer Aphorismen über die Rolle des Dichters in Faksimile-Handschrift. Der Titel "La Bibliothèque est en feu" ist René Chars Vergangenheit als Résistance-Kämpfer entlehnt. Es handelte sich nämlich um eine verschlüsselte Nachricht von Radio London, die Hauptmann Alexandre alias René Char einen Fallschirmabwurf von Containern ankündigte, die er in der Nähe von Céreste abholen sollte. Einer der Container fing tatsächlich Feuer und löste einen schrecklichen Brand aus. - Komplett mit dem lose beiliegendem Ankündigungsblatt des Verlegers. - Titel mit etwas Abklatsch der Radierung. With a hand numbered original etching by Georges Braque. Orig. wrappers with mounted cover title, in original jute chemise with spine label. - Fifth volume of the collection "Écrits et Gravures". - One of 100 numbered copies (total ed. 146). Signed by Braque and Char in the imprint. - Printed on Vélin d'Arches. The plate of the etching was destroyed after completion of the work. - Rare collection of poetic aphorisms about the role of the poet in facsimile manuscript. The title "La Bibliothèque est en feu" is borrowed from René Char's past as a Resistance fighter. It was in fact a coded message from Radio London announcing to Captain Alexandre, alias René Char, a parachute drop of containers he was to pick up near Céreste. One of the containers actually caught fire and started a terrible blaze. - Complete with the publisher's announcement sheet loosely enclosed.

Braque, Georges - - Erik Satie. Léger comme un oeuf. Mit einer Original-Farbradierung von Georges Braque. Paris, Louis Broder, 1957. 26 S., 4 Bll. Kl.-8°. Schwarzes Kalbsleder mit goldgepr. RTitel, aufwendigem geometrischen Mosaik-Dekor in Weiß und Orange auf Deckeln, Kopfgoldschnitt, fliegende Vorsätze in orangenem Glanzpapier. In schwarzer Pp.-Chemise mit transparentem Rücken und schwarzem Pp.-Schuber (diese etwas berieben). Einband signiert: Pierre-Lucien Martin, 1958. Erste Ausgabe. - Monod 10174. - Erstes Werk der Serie "Miroir du poète". - Eines von 100 (GA 120) nummerierten und von Georges Braque im Druckvermerk signierten Exemplaren auf Japon ancien. - Mit der in Schwarz und Orange gedruckten Frontispiz-Radierung von Braque, gedruckt bei Crommelynck et Dutrou. - OUmschlag und Rücken miteingebunden. Sehr gutes Exemplar in aufwendig gestaltetem Einband. With an original colour etching by Georges Braque. Black calf with gilt title on spine, elaborate geometric mosaic decoration in white and orange on covers, top gilt edge, flyleaves in orange glossy paper. In black cardboard chemise with transparent spine and black cardboard slipcase (these somewhat rubbed). Binding signed: P.-L. Martin, 1958. - First edition. - First work of the series "Miroir du poète". - One of 100 (total ed. 120) numbered copies on Japon ancien signed by Georges Braque in the imprint. - With the frontispiece etching in black and orange, printed by Crommelynck et Dutrou. - Orig. wrappers and spine bound in. Very good copy in elaborately designed binding.

Italien - Rom - - Giuseppe Vasi. (1710 - 1782). Le Rovine delle antiche magnificenze di Roma che si veggono nel Campo Vaccino (= Die Ruinen der antiken Prachtbauten Roms gesehen vom Campo Vaccino). 1765. Radierung und Kupferstich von drei Platten auf dreiteilig montiertem Büttenpapier. Ca. 101 x 70,5 cm. In der Platte bezeichnet und datiert. Punktuell unter Passepartout montiert. Ansicht gewidmet Abbondio Rezzonico, dem zu dieser Zeit mächtigen Neffen Papst Clemens XIII., dessen Wappen zentral in einer Kartusche plaziert wurde. Weiterhin bezeichnet mit "Roma quanta fuit, ipsa ruina docet" (= Wie groß Rom war, davon zeugen selbst die Ruinen), ein zum Sprichwort gewordenes Zitat Francesco Albertinis, welchen den Untergang der Antike beklagte. Der Stich, welcher eine Vergrößerung eines Ausschnitts aus der Großen Ansicht von Rom darstellt, zeigt in belebter Kulisse imposante antike Bauten wie die Porta San Giovanni, die Ruinen des Tempio della Pace, das Kolosseum, der Septimius-Severus-Bogen u.a. Die Bauwerke je im Stich numm. und mit Bezeichnung. - Mit kl. hinterlegten Einrissen im Blattrand, vereinzelt unauffällige Braunfleckchen in der oberen Blatthälfte, insgesamt nuancenreicher und kräftiger Druck in eindrucksvoller Größe. (= The ruins of the ancient magnificent buildings of Rome seen from Campo Vaccino). 1765. Etching and engraving on laid paper on three conjoined sheets. Inscribed and dated in the plate. Punctually mounted under passepartout. - Dedicated to Abbondio Rezzonico, nephew of Pope Clement XIII, whose coat of arms was placed centrally in a cartouche. Furthermore inscribed with "Roma quanta fuit, ipsa ruina docet", a quote by Francesco Albertini. Shown are imposing ancient buildings such as the Porta San Giovanni, the ruins of the Tempio della Pace, the Colosseum, the Septimius Severus Arch, etc. The buildings each in the engraving numbered and with designation. - With small backed tears in the margins, inconspicuous brown spots in the upper half of the sheet, overall nuanced and strong impression in impressive size.

Jaeckel, Willy - - Richard Dehmel. Aber die Liebe. Zwei Folgen Gedichte. Mit radierter Titel-Vignette, radiertem Titel, 15 Radierungen auf Tafeln, 12 Radierungen im Text und 2 radierten Initialen von Willy Jaeckel. Berlin, Erich Steinthal, 1921. 143 S., 3 Bll. 4°. Roter Ganzmaroquin mit goldgepr. DFileten, reicher RVergoldung, Steh- und Innenkantenfileten und Kopfgoldschnitt (etwas berieben, HDeckel mit unauffälliger Kratzspur). In gefüttertem Pp.-Schuber. Signiert: Bruno Scheer, Berlin. Mit Exlibris von Jorge Monsalvatje in Form einer handsignierten Radierung von M.E. Philipp. - Erste Ausgabe. - Sennewald, 21.1. Jentsch, 115. - Eines von 270 nummerierten und von Jaeckel signierten Exemplaren auf Büttenpapier (GA 340). - Hergestellt bei Otto von Holten. - "Der Text wurde im Einverständnis mit den Dehmelschen Erben neu geordnet. Die in den andern Ausgaben des Werkes enthaltenen Sperrungen sind aus typographischen Gründen zur Erzielung einer einheitlichen Wirkung des Druckes unterblieben, obwohl erwogen wurde, die Sperrungen im Sinne Dehmels bestehen zu lassen, eine Forderung, für die sich namentlich seine Witwe einsetzte." (Druckvermerk) - In den Rändern zart gebräunt, fliegende Vorsätze stärker. Die gratigen Radierungen mit zartem Plattenton, kräftige Abzüge. Expressionism - With etched title vignette, etched title, 15 etchings on plates, 12 etchings in the text and 2 etched initials by Willy Jaeckel. Red full morocco with gold-stamped fillets, rich gilt on spine, standing and inner gilt fillets and gilt top edge (somewhat rubbed, back cover with inconspicuous scratch). Binding signed: Bruno Scheer, Berlin. - With bookplate of Jorge Monsalvatje in the form of a signed etching by M.E. Philipp. - First edition. - One of 270 numbered copies signed by Jaeckel on laid paper (total ed. 340). - Produced by Otto von Holten. - Margins delicately browned, flyleaf endpapers stronger. The burr-like etchings with delicate plate tone, strong impressions.

NO RESERVE Bristol.- Kip (Johannes) The City of Bristol, panoramic view of Bristol, with church spires numbered and identified in lettered margin underneath, plate 29 from 'Britannia Illustrata', etching and engraving, on two sheets joined, total platemark 550 x 905 mm (21 1/2 x 35 1/2 in), under glass, some browning and surface dirt, framed, [1717-1724]

NO RESERVE Caricatures.- Stubbs (George Townley) Refreshment at St. James's, after Charles Ansell, presumably a companion print to 'Refreshment at St Giles's', etching and stipple engraving with hand-colouring, platemark 230 x 250 mm (9 x 9 3/4 in), good margins, under glass, minor surface dirt, framed, [circa 1789]; together with a large folio album of over 150 Vanity Fair caricatures, all neatly trimmed and mounted to leaves, and another folio containing German and Austrian caricatures relating to the Congress of Berlin 1878, and another, 19th century (4)

Norman Ackroyd RA (born 1938), Asthall Barrow, etching, signed in pencil, 1990, artist's proof, plate 12cm x 15cm, framedGood condition, a couple of very tiny fox marks in the margin only visible on close inspection

Jean Pierre Cassigneul, Visage V 1985, etching/aquatint, signed in pencil, no. 68/100, plate 22cm x 26cm, framedGood condition

Jean Pierre Cassigneul, Visage II 1985, etching/aquatint, signed in pencil, no. 68/100, plate 22cm x 26cm, framedGood condition

Salvador Dali, Pierre Ronsard, dry point etching with pencil signed justification page below, 1968, numbered 153/299, plate 34cm x 24cm, framedGood condition

Leonor Fini, Meeting, etching with hand colouring, signed in pencil, no. 48/150, plate 45cm x 37cm, framedSlight surface crease in the bottom margin, good condition

Graham Clarke, etching, Artist proof, signed in pencil, framed, 39 x 30cmgood condition, slight discolouration of paper, monochrome night scene.

Pierre-Paul Prud’hon (1758-1823) after Jean-Frederic Schall (1752-1825), original etching in colours on paper, Mademoiselle de Lavalliere au Couvent de Chaillot, 34.5cmx 45.5cm, glazed in period frame

AFTER PIETER BRUEGEL THE ELDER. DUTCH c. 1525-1569 The Rabbit Hunt 1560. Coloured etching 8¾' x 11¼' sheet. Pub: Hieronymous Cock

AFTER LUCIEN FREUD Male nude. Inscribed Trial Proof. Bears initials L.F. Etching 5¾' x 3¾' plate size

An etching signed Botero, reclining nude. 3½' x 5¼' plate size

AFTER DAVID JONES (1895-1974) A dove above a church on a rocky outcrop in the sea numbered 32/60, wood engraving printed by Alan Bultitude for the Gillian Jason Gallery, with the permission of the David Jones Estate, 1989, the image 4.2cm x 3.8cm; together with an etching of a snowy garden scene with a church beyond, indistinctly signed and numbered 4/25 in pencil to the margin, 19.5cm x 15cm (2)Provenance: Westvale, Nailwell, Bath. The former home of Baron and Lady Craigmyle

KATE SHAW (B. 1958) 'Snowdrops and Sea' signed, titled and numbered 6/10 in pencil to the margin, etching with hand-coloured embellishments, the image 16cm x 12cm; together with four further prints by the same artist (5)Provenance: Westvale, Nailwell, Bath. The former home of Baron and Lady CraigmyleCatriona 'Kate' Shaw is the daughter of Thomas Donald Mackay Shaw, 3rd Baron Craigmyle and Anthea Esther Christine Theresa Rich

Bernard Buffet (1928-1999) drypoint etching, self portrait, signed in pencil Bernard Buffet 1952 to the lower right margin, approx 21.3 x 30 cms, framed and glazed, on Arches paper which is of French origin. Condition ReportThis is in good condition.

Marcel Jacque: a framed pencil signed coloured etching, depicting a named house in France - further pencil text to mount

David Lintine -Tall Window Etching 18/30 signed and dated in pencil- Framed, glazed and mounted, Frame size 24 ¾ “ high by 20 ¾” wide -image size 15” high by 11 ½” wide

William Monk R.A - Foregate Street Chester - Ye Old Brewers Arms - Etching, Dated 1892 and signed in plate MONK - Framed glazed and mounted image size 8” x 10 ½ins frame size 14 ¼”x 16 ¾”

Gaby Moore - Half Term - Etching 12/75 signed and titled in pencil Framed glazed and mounted Frame size 11 ¾ ” x 9¼ ” wide

Dressing I signed Frederik Jones Etching 4/25 Framed glazed and mounted Frame size 15¾ ” x 11 ¾” wide

John Brunson (1933-2014) -Church-signed coloured etching - 71/100 -framed and glazed with cut card mount -Frame size 20” high by 16 ¼ wide

A 1890s' pattern British infantry sword by J.G. Plumb, Westminster, in steel scabbard, length 102cmPitted Guard and scabbard, very tight in scabbard, some pitting to blade, no movement, etching clear on blade.

British 19th Century Scottish Volunteer Artillery Officer’s Sword, 1821 pattern, with scabbard, length 98cmBlade rubbed but etching visible guard and scabbard pitted, solid condition.

Lepke, Gerda: (1939 Jena - lebt in Wurgwitz u. Gera). Konvolut von 7 hs. Künstlerbriefen mit Tusche- u. Aquarellzeichnungen. Adressiert an Maria und Hans-Peter Müller (Herausgeber d. Butzbacher Künstler Interviews). Je auf Japan o. Papier, 1989-2011. Zw. ca. 20 x 30 u. 38 x 50 cm. - Tls. knittrig, tls. mehrfach gefaltet. ╔Dabei: 2 Künstlerbriefe mit Kaltnadelradierungen╗, 1989. - Convolute of 7 Artist letters from Gerda Lepke to Mr. and Mrs. Müller, 1989-2011. Ink and watercolours on paper. Enclosed 2 artist letters with drypoint etching. D

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Studien des Kopfes von Saskia und anderen. Radierung auf cremefarbenem dicken Bütten, 1636. Plgr. 15,1 x 12,7 cm. Blgr. 16 x 13,2 cm. Bartsch 365. New Hollstein 157 ii/ii. - Späterer Abdruck von New Hollsteins zweitem Zustand (von zweien). - Vereinzelt fleckig und mit leichtem Wasserschaden. - Studies of the Head of Saskia and Others. Etching in thick laid paper, 1636. - A later impression of New Hollstein's second state (of two). - Faint water damage and scattered spotting. R

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Jakob, den Tod Josephs beklagend. Radierung auf feinem dünnem Büttenpapier. 1638. Wie aus den Auflagen von McCreery "200 Etchings"um 1816 üblich. Blgr. 10,3 x 8,1 cm. Unter Passep. mont. New Ho. 122 II. - Obere rechte Ecke unauffällig ergänzt, etwas auslassend. Sonst gut erhalten. - Aus einer unbekannten Sammlung. KB (Lugt 4786.) - Jacob lamenting the death of Joseph. Etching on laid. Mounted under Passep. - Upper right corner inconspicuously added, somewhat omitting. Otherwise well preserved. D

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Männlicher Akt mit ausgestrecktem Bein auf dem Boden sitzend. Radierung und Kaltnadel auf cremefarbenem Bütten, 1646. Plgr. 10 x 16,8 cm, Blgr. 10,8 x 17,8 cm. Bartsch 196. New Hollstein 234 iii/iii. - Späterer Abdruck von New Hollsteins letztem Zustand (von 3). - Nude man seated on the ground with one leg extended. Etching and drypoint, 1646. - A later impression of New Hollstein's final state (of 3). R

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Jacob Haaringh (Junger Haaringh, Pieter Haaringh). Kaltnadelradierung auf dickem cremefarbenem Bütten, 1655. Plgr. 11,8 x 10,5 cm. Blgr. 12,7 x 11,2 cm. Bartsch 275. New Hollstein 292 v/v. - Späterer Abdruck. - New Hollsteins fünfter Zustand (von 5). Verso schwacher Wasserschaden. - Jacob Haaringh ('Young Haaringh') (Pieter Haaringh). Etching with drypoint, 1655. - A later impression from the cut plate, New Hollstein's fifth state (of 5). - Faint water damage visible. R

Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Christus vertreibt die Geldwechsler aus dem Tempel. Kaltnadelradierung auf Bütten, 1635. 13,5 x 16,8 cm. Auf Plattenkante beschn. Blgr. 14,8 x 18 cm. Bartsch 69. New Hollstein 139 iv/iv. - Guter, wenngleich später Abdruck von New Hollsteins viertem Zustand. - Leichte Wasserschäden und leichte Tonung. - Christ Driving the Money Changers from the Temple. Etching with drypoint on laid paper, 1635. - A good but later impression of New Hollstein's fourth state (of four).- Some faint water damage and minor toning. R

Roland Green (British, 1896-1976), Mallards in flight, signed in pencil, no:38/55, etching, the plate 27.5cm x 20cm; and Evert Van Muyden (Swiss, 1852 - 1922), Lioness and two cubs, signed in the plate C166, P1891, signed in pencil in the margins, plate 15cm x 21cmA private Bedfordshire estate.Roland Green - Crease or repaired tear to the right bottom side, some light staining to the paper, particularly to the top and bottom borders and down the right side of the image.Evert Van Muyden - Foxing throughout and acid burn from previous mounting clearly evident. Some staining,

Louis Icart (1888-1950) French, 'Thoroughbreds', 1938, etching and aquatint on wove paper, pencil signed with copyright and date in the plate, artist blindstamp, 47.5 cm x 89 cm, unframed, the sheet 56.5 cm x 97 cm.Private collection, purchased in the 1990s, London.Good overall condition, evidence of previous framing to edges of the sheet.

SATIRE: 'The Road to London or the Countryman and the Quakers!': satirical etching by Woodward, pub. Thomas Tegg c.1812, hand colouring, approx 34 x 25cm, mounted framed and glazed. (1)

European School, mid-late 20th century- Untitled, 1966; oil on canvas, 91 x 91 cm: British School, mid 20th century- Untitled; etching printed in colours, signed indistinctly and dated in pencil, 56.8 x 39.2 cm, (2) (part unframed)Please refer to department for condition report

Edgar Chahine, French 1874-1947- L'Italienne, ou Portrait de Madame B, 1900; La Terrasse, 1899; (i) etching with drypoint, cancelled plate, signed, inscribed and dated '19 Mai 1910'(?) within the plate, image: 42.4 x 30.6 cm, (ii) etching with drypoint and aquatint, cancelled plate, signed, inscribed and dated '21 Decembre 1899' in pen and ink within the margin, image: 42.5 x 32.4 cm, (framed) (2)There is some discolouration to the paper, fox marks, most notably to the margins and evidence of light mount burn to the extreme edges.

Paul César Helleu (French 1859-1927) (1 work), Jacques Villon (French 1875-1963) (2 works), Elegante Au Chapeau Et Au Col De Fourrure; La partie de jacquet, 1903; Les cartes ou La reussite, 1903; (i) etching with drypoint on wove, cancelled plate, image: 55.8 x 34.2 cm, (ii) etching with aquatint in sepia, cancelled plate, signed and dated '03' within the plate, with embossed with signature, date and other inscriptions below plate lines, image: 40.5 x 50.9 cm, (iii) etching with aquatint in sepia, cancelled plate, signed and dated '03' within the plate, with embossed signature and other inscriptions below plate lines, image: 41.5 x 49 cm, (framed) (3) Some discolouration to the paper and evidence of mount burn to the margins, very light surface creases, otherwise in good condition for its age.

AMENDMENT: Please note that there is only one Les Deux Gigolos in this lot.Theophile-Alexandre Steinlen, French/Swiss 1859-1923-Two Women of the Street and Their Companions, 1898-1902; Le Bouge, 1902; Les petits chanteurs des rues, 1902; L'Averse, 1898; Sur le seuil, 1902; Les Deux Gigolos, 1898; Les Deux Gigolos, 1898; Untitled, 1902;each etching on wove, cancelled plate, (i) signed within the plate, signed, inscribed and dated in pencil below plate lines, image: 33 x 21.3 cm, (ii) signed, inscribed and dated 'Fevrier 1902' in pencil below plate lines, image: 40.5 x 31.9 cm, (iii) etching on wove, cancelled plate, signed, inscribed and dated 'Fevrier 1902' in pencil below plate lines, image: 40 x 32 cm, (iv) two trial impressions with hand colouring on shared sheet, one plate cancelled, signed in light orange crayon and inscribed in pencil, image: 30.6 x 32.5 cm, (v) signed, dated 'Mars 1902', and inscribed in pencil below plate lines, image: 25.8 x 25.4 cm, (vi) signed in light orange crayon, and inscribed in pencil, image: 36.4 x 22.8 cm, (vii) signed, dated 'Avril 1902' and inscribed in pencil below the plate lines, image: 24.5 x 15.2 cm, (framed) (7)

Dario Betti, Italian 1891-1987- Ponte Vechio, France; Dante's House, Florence; Giotto's Tower, Florence; Santa Maria Novella, Florence; each lithograph, each 23 x 16.7 cm: together with an lithograph depicting St Nicholas, Prague and another etching depicting a landscape (unframed) (ARR) (6)Please refer to department for condition report

Henri Matisse, French, 1869-1954, Untitled, from Poesies, 1932; etching in black and white on Japanese wove, inscribed page 35 in pencil on the reverse, edition of 145, sheet: 33 x 25 cm, (framed) (ARR) Note: Poesies was published by Stephane Mallarme featuring 29 etchings by Matisse, of which this piece is page 35Provenance: Alan Cristea Gallery, LondonPlease refer to department for condition report

After Pablo Picasso, Spanish 1881-1973- Le Loup, from Histoire Naturelle (Textes de Buffon), 1942; etching with aquatint on wove, from the edition of 135, sheet: 36.8 x 28 cm, (unframed) Provenance: Alan Cristea Gallery, LondonPlease refer to department for condition report

Robert Fawcett, American 1903-1967- Curtains; etching signed and titled, plate: sheet: 82.3 x 75.2 cm (unframed) ( VAT on the Hammer price)Please refer to department for condition report

Melvyn Petterson RBA NEAC, British b.1947- Cold January Afternoon, 1988; etching, signed, titled, dated, and numbered 12/50 in pencil, 10.5 x 23.2 cm: together with another etching by the same artist entitled Acacia Tree, Letssom Gardens, signed, titled, and dated '86 in pencil, 23.5 x 17 cm (ARR) (2) Please refer to department for condition report

Melvyn Petterson RBA NEAC, British b.1947- Cat Study, 1992; etching, signed, titled and dated in pencil, 25 x 22 cm: together with another etching by the same artist depicting a portrait of a man, 20 x 15.3 cm (ARR) (2) Please refer to department for condition report

Melvyn Petterson RBA NEAC, British b.1947- Lincolnshire Sunset, 1993; etching, signed, titled, and dated in pencil, 9.7 x 12.2 cm (ARR)Please refer to department for condition report

Ben Sunlight, British 1935-2002- Untitled, 1963; etching and aquatint, signed, dated, and inscribed 'Artist's Proof (2)' in pencil, 25.2 x 20.2 cm.: together with four further etchings by the artist, two signed, dated, and inscribed in pencil, 25 x 30 cm. (unframed) (5) (ARR) Provenance: the Estate of the Artist. Spots of foxing to the sheets, alongside general discolouration. Light cockling to the sheets, and light creasing and marks consistent with handling. In fair condition overall.

Ben Sunlight, British 1935-2002- Untitled; etching with aquatint, signed, dated 'Dec '61', and inscribed 'Artist's Proof (3)' in pencil, 17.5 x 15 cm.: together with five further prints by the same artist, four signed, titled, and inscribed in pencil, 20 x 25 cm. and smaller (unframed) (6) (ARR) Provenance: the Estate of the Artist. General foxing and discolouration to the sheets. Light creasing and further marks consistent with handling. Otherwise in fair condition overall.

Donald Wilkinson, British b.1937- Sound of rain/storm clearing; etching and aquatint with embossing, signed, titled, and numbered 129/150 in pencil, bears blindstamp, 40 x 46 cm: Donald Wilkinson, Provencal landscape - midday sun; etching and aquatint, signed, titled, and numbered 45/225 in pencil, 57.5 x 47 cm: Donald Wilkinson, Morning landscape / Provence; etching and aquatint, signed, titled, and numbered 80/225 in pencil, 58 x 47 cm (3) (ARR) Please refer to department for condition report

Kimio Tsuchiya, Japanese b.1955- Untitled abstract; mixed technique collage, etching and aquatint printed in colours, signed and inscribed 'AP' in pencil, 41 x 39.5 cm. Framed and glazed. Unexamined out of frame. General marks and scuffs to the frame. Creases, folds, and light spots of foxing evident to the sheet. Otherwise in good condition overall.

John Hoyland RA, British 1934-2011, View, 1979; etching with aquatint in colours on wove, signed, dated and numbered 2/10 A/P in pencil, an Artist's Proof aside from the edition of 50, printed by Kelpra Studios, published by Waddington Gallery, with their blindstamps, sheet 92 x 69 cm, (unframed) (ARR)Please refer to department for condition report

Jean-Michel Folon, Belgian 1934-2005- Untitled; etching and aquatint, signed lower right 'Folon' and numbered lower left 'EA III/X', 23 x 26 cm (ARR) Please refer to department for condition report

Jurgen Gorg, German b.1951- Reflexion IV, 1998; etching with aquatint, signed, dated, titled, and numbered 32/100 in pencil, 31.4 x 27.5 cm: together with two further etchings with aquatints, and lithographs and reproduction prints, variously signed in pencil and within the plate (14) (ARR) Please refer to department for condition report

Keith Scott, British school, mid/late-20th century- Autumn landscape, 1962; etching with aquatint, signed, titled, dated, and numbered 3/10 in pencil, 30 x 40 cm: Louise Pim, British b.1952- The Meeting, 1981; etching with aquatint, signed, titled, dated, and numbered 7/10 in pencil, 9 x 50 cm: Eva Sharf, German/British b.1930- Two Chairs; etching in colours, signed and numbered 1/25 in pencil, 23.5 x 32 cm: June Hicks, British b.1935- Bottles; etching with aquatint, signed, titled, and numbered 23/25 in pencil, 20 x 24.5 cm: Unknown artist, mid/late-20th century- Street scene; etching, 10 x 10 cm (ARR) (5)Please refer to department for condition report

Daniel Sinsel, German b.1976- Untitled, 2010; etching in colours on wove, signed, dated and numbered 2/50 in pencil, sheet 56.5 x 37cm (framed) (ARR) (VAT charged on hammer price)Please refer to department for condition report

Henry Wilkinson: coloured etching of two gun dogs, 6/75, various framed pictures and prints, and an oval gilt framed mirror

‡  REMBRANDT VAN RIJN (DUTCH 1606-1669)THREE ORIENTAL FIGURES (JACOB AND LABAN?)Etching, 1641, a fine early impression of New Hollstein's second state (of two), printing with little to no wear within the doorway and with burr-like tonal effects printing in the lower right quadrant, on laid paper with partial watermark of the Arms of AmsterdamSheet 145 x 115 mm (5 3/4 x 4 1/2 in) (unframed)Provenance:Colnaghi & Co., London [stock number in pencil verso C.29900]Private Collection, NorwayLiterature:Bartsch 118; New Hollstein 190 ii/ii Condition Report: - Minor cockling to sheet, notably upper right quadrant- Faint pencil[?] numbering to lower centre '4/6'- A few small areas of very minor discolouration to paper; see right arm of man in doorway, and blank area in upper rightCondition Report Disclaimer