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Lot 455
WINIFRED WARD; a pair of animal themed watercolours one depicting a bulldog, signed lower right, and one depicting a tiger, 'Head of Tigress', signed lower left, a further original artwork depicting a gentleman seated at a table eating a sandwich and after M.C. Robinson; a black and white etching depicting a harbour scene, all framed and glazed (4).
Lot 111
Karen Gregory (20th century): 'The Miners' Strike '84', etching, hand signed, titled & numbered 1/3 in pencil, H 23 x W 19.5 cm; together with Gustavo Monroy (Mexican, born 1959): Untitled etching, hand-signed in pencil & dated '92, H 11.5 x W 17 cm. Provenance: The collection of Ellie Sice, formerly the manager of 'Safe Studios' artists workshop, part of the Whitechapel Gallery, from 2003-2011. During this period she met many known and up and coming artists who presented her with their works as tokens of appreciation
Lot 42
WILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), BACCHANTE AND THE YOUNG FAUN, 1911 etching with drypoint and aquatint, signed in pencil lower right 19cm x 21cm Mounted, framed and under glass Exhibition Label verso: Taylor and Brown, Fine Art Dealer, 94 George Street, Edinburgh Framer Label verso: Aitken Dott and Son, 26 South Castle Street, Edinburgh Note: In original mount and frame.
Lot 169
Camden Arts Centre 1985, part of a limited edition (of 25) prints produced for the Print Workshops in Camden Exhibition. Artist's Proof 4/25 Mark Callen (apprenticed under Norman Ackroyd at the Central School of Art and Design London, currently based in Seattle), drypoint etching "The Canal Yard ii", signed, titled and dated to margin. Framed and glazed (frame 40 x 50 cm) See our Important Sale Information page here on the-saleroom.com for packing and postage information, or opportunities for personal handover location information. We try to make it as easy as possible for you to get hold of auction lots.
Lot 215
EILEEN SOPER RMS (1905-1990) The Race Etching, signed in pencil, 1923 blind stamp 10cm x 17cm and another by the same hand, Children fishing in a drain Amendment to catalogue, 42cm x 65cm CONDITION REPORT: The Race: rather yellowed at mount edge, plate fairly clean, pencil signed and stamp. And Children, trying to find something down a drain, slightly yellowed at mount edge, plated fairly clean.
Lot 54
LEON UNDERWOOD [1890-1975]. Goat, 1921-2. Etching, edition of 50 [10/50] – very unlikely that the whole edition of prints was produced, as rarely seen. Signed by Mary Underwood and marked ‘this is the work of my husband Leon Underwood’, 14 x 19 cm. Exhibited: Wolseley Fine Art, 2006, no.41 [this actual print]. Literature: ‘Leon Underwood’, C. Neve, Thames & Hudson, 1974, p.64, pl.31. [good condition – unexamined out of frame].
Lot 26
MICHAEL AYRTON [1921-75]. Minotaur Alone, 1971. Etching, artist’s proof V111/X [the proofs were printed first, prior to the edition of 75 prints]. Signed in pencil, 58 x 77 cm. A rare signed Minotaur etching - the majority were unsigned, bearing only the studio stamp signature. Literature: ‘Michael Ayrton’, P. Cannon-Brookes, 1978, Birmingham CAG, p.99. [Good condition – unexamined out of frame].
Lot 51
LEON UNDERWOOD [1890-1975]. Mukul, 1921. Drypoint etching, edition of 25 prints. Inscribed & dated in the plate, 14 x 10 cm. Mukul Dey was an Indian painter/etcher who attended Underwood’s classes and became a pioneer of drypoint etching in India. Literature: ‘Leon Underwood’, C. Neve, 1974, Thames & Hudson, p.56. [good condition – unexamined out of frame].
Lot 25
MICHAEL AYRTON [1921-75]. Minotaur Risen, 1971. Etching, artist’s proof V111/X [the proofs were printed first, prior to the edition of 75 prints]. Signed in pencil, 58 x 77 cm. A rare signed Minotaur etching - the majority of the edition were unsigned, bearing only the studio stamp signature. This is the most sought after of the Ayrton Minotaur etchings. Literature: ‘Michael Ayrton’, P. Cannon-Brookes, 1978, Birmingham CAG, p.98. [Good condition – unexamined out of frame].
Lot 107
GEOFFREY CLARKE, R.A. [1924-2104]. Landscape, Birth of a Flower, 1951 [January]. Etching, 26/50 [one of the early prints from this edition]. Signed, 21 x 44 cm [image]. Literature: ‘Geoffrey Clarke – A Sculptors Prints’, J. Legrove, Sansom, 2012, p.150, pl.119. [good condition generally – small crease top left corner, well outside image - framed, but not mounted, would benefit from re-framing].
Lot 24
MICHAEL AYRTON [1921-75]. Minotaur Rising, 1971. Etching, artist’s proof V111/X [the proofs were printed first, prior to the edition of 75 prints]. Signed in pencil, 58 x 77 cm. A rare signed Minotaur etching - the majority of the edition were unsigned, bearing only the studio stamp signature. Literature: ‘Michael Ayrton’, P. Cannon-Brookes, 1978, Birmingham CAG, p.98. [Good condition – unexamined out of frame].
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71174 item(s)/page