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Lot 17
Gwendoline Cross, "Corn Street, Bristol", pencil drawing and etching, 1920s, "Old Houses near Christmas Steps, Bristol", pencil drawing and etching, c.1920s, "Norman Gate, next to Bristol Cathedral", pencil drawing and etching, c.1929, "Bristol University Tower", etching c.1926. All framed. (4)Condition: some foxing
Lot 1032
*Siegward Sprotte (1913-2004) watercolour - Landscape, signed and dated ‘89, in glazed gilt frame, 20cm x 57cm, another larger landscape, an abstract dated 1988, a limited edition print, 125/200, an oil on board landscape dated 1987, 25cm x 37cm, three printed calendars for 1987-89, another unrelated, together with a signed etching by a different hand (10)
Lot 161
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'The Gothic Spirit' (also known as The Gothic Church of St. Luke, Chelsea), etching, signed within the plate, numbered 3/25 in pencil to margin, impression size H 30 x W 22 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 162
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Chen Mun Gate, Peking, etching, signed within the plate & dated 1918, numbered 18/25 in pencil to margin, impression size H 30 x W 20 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 163
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):Buildings in a wooded landscape, etching, signed within the plate, numbered 8/25 in pencil to margin, impression size H 10.5 x W 19 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 164
Bernard Howell Leach, C.H., C.B.E. (British, 1887-1979):'Little Stack', landscape etching, titled within the plate, numbered 10/25 in pencil to margin, stamped signature, impression size H 10 x W 13 cm. Provenance: Presented as a gift to the present vendor when working at The New Craftsman Gallery, St Ives, by Mary 'Boots' Redgrave, a legendary figure of the Cornwall art scene who founded the gallery alongside Janet Leach, the artist's wife.
Lot 232
Mortimer L. Menpes (Australia, England, 1855 - 1938) Venice Italy Etching. Pencil signed lower right. Menpes became a member of the Royal Society of Painter-Etchers and Engravers (RE) in 1881, Royal Society of British Artists (RBA) in 1885, Royal Institute of Painters in Water Colours (RI) in 1897 and Royal Institute of Oil Painters (ROI) in 1899. Image Size: 8 x 11.5 in. Overall Size: 16.75 x 23.25 in. Framed behind glass.
Lot 272
Paul Beaden Hudder (Nevada, Massachusetts, 1897 - 1991) Harbor scene. Oil on artist's board. Hudder was an artist who showed his paintings in Boston and Reno. At Rockport, Massachusetts artist colony he met and studied under the seascape artist Emile Gruppe. Later Hudder continued his studies with artist Gordon Grant and developed his talent with etching under Charles Winter.Size: 14 x 16 in.Unframed.
Lot 392
AFTER FRED GOOLDEN "The Oldest Licensed House in Great Britain", etching, signed in pencil lower right, together with AFTER FRED GOOLDEN "Street Scene", etching, signed lower right and "The Book!" - "Or The Proceedings and Correspondence Upon the Subject of the Enquiry into the Conduct of Her Royal Highness The Princess of Wales Under a Commission Appointed by the King in the Year 1806", published by T Davison, Whitefriars London 1813
Lot 399
AFTER JOSEPH PENNELL (1860-1926) "Power and Steam Pennsylvania Station Philadelphia", etching, framed and glazed, titled and signed in pencil to margin, together with AFTER MALCOLM OSBORNE RA (1880-1963) "Cattle and Carts", etching, signed lower right and AFTER ALBANY HOWARTH "Street Scene", etching, signed lower right
Lot 403
AFTER GLYNN THOMAS "Mersea Boats", limited edition coloured etching No'd. 64/75, titled, No'd and signed together with ANDY LE POIDEVIN "Frost and Stream", watercolour, framed and glazed, titled, signed and dated 1984 verso and bears "The Marlborough Studio Art Gallery" label verso, together with a box of various paintings and prints
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