We found 78411 price guide item(s) matching your search
There are 78411 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
78411 item(s)/page
Lot 225
Frederick Appleyard - "Grimsby Docks from Clee Sands", and a similar view of Grimsby Docks, signed in pencil, etchings with aquatints, 19.5 x 15cms (plate size), and 14.5 x 21cms (plate size); together with Attributed to Charles Napier Hemy - North Shields Harbour, indistinctly signed with monogram in the plate, etching, 12.5 x 17.3cms (plate size), all in frames. (3)
Lot 227
Edward E*** Brannan - "North Shields Harbour", signed in pencil, etching, 12.5 x 17cms (plate size); Fred Appleyard - An industrial canal, signed and dated '27 in the plate, etching, 15 x 21cms (plate size); and Artist Unknown - "Clive Street, North Shields", etching, 12.5 x 9cms (plate size), in frames. (3)
Lot 38
Antonie Waterloo - Woodland scene with children in the foreground, signed in the plate, original etching, 29 x 24cms (plate size); Antonie Waterloo - five miniature landscapes, original etchings in an antique half-morocco and marbled binding; together with Cornelis Brouwer and C* S* Roos after Willem van de Velde - "Tekening", signed "C. Brouwer Fecit (in black ink) and C: S: Roos (in pencil)" and inscribed "Excudit Amst. (in black ink) verso, etching and aquatint, published c.1750, 13 x 19.9cms, all unframed.
![James Ensor (1860-1949, after): 'Anger', etching in colours, [1904] -- Description: Work: 14,6 x 9,3 cmÊ Frame: 43,5 x 38,5 c](https://cdn.globalauctionplatform.com/56bf14a5-b2a9-4707-9ad0-ac230156cba4/6dc2c3e5-0260-450c-a96c-ac2400053fd4/468x382.jpg)
Lot 680
James Ensor (1860-1949, after): 'Anger', etching in colours, [1904] -- Description: Work: 14,6 x 9,3 cmÊ Frame: 43,5 x 38,5 cmÊ Ê 2nd state. The print is one of the series consisting of the album "The deadly Sins".Ê Signed inside and outside the plate.Ê Ê Literature: A. Taevernier, James Ensor. Illustrated catalogue of his engravings, their critical description and inventary of the plates, Ghent, 1999, pp. 298-299 (N. 121).
![James Ensor (1860-1949): 'The deadly sins dominated by death', etching in colours, [1904] -- Description: Work: about 14 x 9](https://cdn.globalauctionplatform.com/56bf14a5-b2a9-4707-9ad0-ac230156cba4/a55259b4-9b15-451a-af3d-ac24000540f2/468x382.jpg)
Lot 681
James Ensor (1860-1949): 'The deadly sins dominated by death', etching in colours, [1904] -- Description: Work: about 14 x 9 cmÊ Frame: 40,7 x 35,8 cmÊ Ê Signed inside the plate.Ê Ê Provenance: Ê - Collection Empain, Brussels, Belgium (see also the wax seal on the reverse)Ê - Private collection, East Flanders, Belgium.Ê Ê Literature: A. Taevernier, James Ensor. Illustrated catalogue of his engravings, their critical description and inventary of the plates, Ghent, 1999, pp. 310-311 (N. 126).
![James Ensor (1860-1949, after): 'Gluttony', etching in colours, [1904] -- Description: Work: 14,6 x 8,8 cmÊ Frame: 43,5 x 38,](https://cdn.globalauctionplatform.com/56bf14a5-b2a9-4707-9ad0-ac230156cba4/d948ad83-f8db-4c80-a1a2-ac240005424b/468x382.jpg)
Lot 682
James Ensor (1860-1949, after): 'Gluttony', etching in colours, [1904] -- Description: Work: 14,6 x 8,8 cmÊ Frame: 43,5 x 38,5 cmÊ Ê 2nd state. The print is one of the series consisting of the album "The deadly Sins".Ê Signed inside (on the edge) and outside the plate.Ê Ê Literature: A. Taevernier, James Ensor. Illustrated catalogue of his engravings, their critical description and inventary of the plates, Ghent, 1999, pp. 306-307 (N. 124).
Lot 99
HERBERT DICKSEE. Original artists proof etching, pencil signed to the margins titled The Old Garden (HD 1921). Label to verso states an artists signed proof impression on Japanese vellum. edition strictly limited. price 5 guineas. copyright Frost and Reed (1921) fine clean impression, glazed and framed overall size. 21" x 28".
Lot 129
.00Keynes (Geoffrey, editor) On the Morning of Christ's Nativity: Milton's Hymn with Illustrations by William Blake, number 67 of 150 copies, plates, original vellum-backed cloth, t.e.g., others uncut, patterned-paper endpapers, Cambridge, University Press, 1923 § Book of Ruth (The), number 148 of 250 copies, with decorative borders in brown after Geofroy Tory and Bernard Salomon, borders lightly offset, original limp brown batik boards, uncut, blue card slip-case with paper label to upper cover, spine slightly faded, [Dreyfus 3], printed by the Pelican Press for the Nonesuch Press, 1923 § Kipling (Rudyard) The Glory of the Garden, number XX of 25 special copies but without the additional suite of plates, from an edition limited to 125 signed by the artist, hand-coloured linocuts by Judith Verity, folding concertina style, original wrappers, hand-coloured label to upper cover, slip-case, Andoversford, Whittington Press, 1989 § Jones (Shirley) The Making of Ellor-gast 1985-1986, number 33 of 200 copies signed by the author/artist, with numbered & signed relief etching tipped in at end, original decorative wrappers, uncut, [Croydon], Red Hen Press, 1986 § Lines (Vincent) The Tuileries Gardens, etching, Artist's Proof from an edition limited to 150, loose as issued in original printed card folder, Jennings Fine Art & Merivale Editions, n.d.; and a bundle of pamphlets, prospectuses etc. from Fleece, Incline and other modern presses, v.s. (c.20)
Lot 183
Detmold (Edward Julius, 1883-1957) Eagle, three impressions, etchings, all signed in pencil, each platemark approx. 110 x 110 mm (4 1/4 x 4 1/4 in), all with wide margins, some minor surface dirt and browning, some light rubbing in places, one with exposure lines, but well outside image, all unframed, [1902]; together with an unsigned etching of an Orang-utan on japan, and another of Hippopotamus on laid paper, both unframed [early 20th century] (5).
Lot 185
Detmold (Edward Julius, 1883-1957) The Owl, etching with plate tone, a heavily inked excellent impression printed by the artist on japan, signed in pencil, platemark 360 x 250 mm (14 1/4 x 9 3/4 in), small margins, affixed onto mount, some minor surface dirt and cockling to sheet, unframed, [early 20th century]
Lot 383
John Brunsdon ARCA (1933-2014) - Limited edition coloured etching - 'Sunset over Chesil Beach', No.67/100, signed to the margin, 45cm x 60cm, unframed Artist Resale Right may apply Condition: Stored in a folio, couple of fox marks visible in the margin. **General condition consistent with age
Lot 384
John Brunsdon ARCA (1933-2014) - Limited edition coloured etching - 'Low cloud over Snowdon', No.96/100, signed in pencil to the margin, 45cm x 60cm, unframed Artist Resale Right may apply Condition: Stored in a folio. Some minor marks to the extremities of the border. **General condition consistent with age
Lot 386
John Brunsdon ARCA (1933-2014) - Limited edition coloured etching - Artist's Proof - Dorset Harbour, signed in pencil to the margin, No.3/10, 60cm x 45cm, unframed Artist Resale Right may apply Condition: Stored in a folio, couple of fooxing marks to the border. **General condition consistent with age
Lot 268
Emilio Amero (Mexican 1901-1976) Head study, signed and dated lower right 'Amero-Mex. 38', numbered lower left '7/10', lithograph, 29 x 25cm; Jack Coughlin (American 1932-) Racoon, inscribed lower left '55/140 Racoon', signed lower right, colour etching, 17.5 x 23.5cm; together with an aquatint by Ralf Kerbach (loose), a signed modernist abstract print possibly by Lee Waisler (American), dated 1989, and another smaller print, indistinctly signed (5)
Loading...-
78411 item(s)/page