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Lot 4096
Edgar Holloway (British 1914-2008): 'Hurstpierpoint' West Sussex, drypoint etching signed and numbered 3/100 in pencil, signed titled and dated 1936 in the plate 20cm x 27cm; 'Keymer', miniature drypoint etching signed and inscribed 'Best Wishes 1979' in pencil, titled in the plate 5cm x 7cm with full margins (10cm x 13cm full sheet) (unframed) (2)
![Etching 'The Card Players' Signed Jean Louis Ernest Meissonier [70x54cm]](https://cdn.globalauctionplatform.com/1a995081-00ba-43d2-828c-af5800a165ee/46c2bf79-e3a5-4c35-baed-af5901447388/468x382.jpg)
![Original watercolour depicting a guard from The 2nd Royal North British Dragoons (Scots Greys). [52x42cm]Along wih etching by](https://cdn.globalauctionplatform.com/1a995081-00ba-43d2-828c-af5800a165ee/ba3616a3-3505-49b8-b76d-af590144fc03/468x382.jpg)
![Etching 'The Brasserie Hoffmann' Signed Frank Martin (1921-2005) [57x70cm]](https://cdn.globalauctionplatform.com/1a995081-00ba-43d2-828c-af5800a165ee/8c690a35-9c3b-4b84-8f94-af5901452b64/468x382.jpg)
Lot 5024
Susie Perring. Jack of Diamonds. Aquatint Etching on paper, 25 x 25.5cm. Signed. Susie Perring attended the London College of Printing from 1963-1967. Thereafter she persued a successful career as a graphic designer, working with well-known design groups. She is now a printmaker working in etching and aquatint. Susie has exhibited widely in the UK and abroad, with seven Royal Academy Summer Exhibitions and numerous commissions for P&O cruise liners: Queen Mary 2, Oriana, the Pride of Rotterdam and the Pride of Hull. Her work is in many galleries in the UK and abroad. It is in private corporate collections in the UK, including John Lewis; BP, Clifford Change and Citigroup. She has also taught art for Dulwich Picture Gallery's Education Department and at the London College of Communication. www.susieperring.com
Lot 5046
John Howard. Seven of Spades. Pencil, pastel, marker, collage on board, 28.5 x 20.5cm. Signed. John Howard is a fine art printmaker based in Cornwall, with a particular interest in traditional techniques and practices, especially etching. As well as creating his own work he runs a printmaking studio in a fabulous eco-building on the estuary in Penryn, offering courses, workshops and open access to other printmakers. He is an Associate Lecturer at Falmouth University. The suit of spades derives from the suit of swords in tarot cards. The double-edged sword can be both positive and negative, with power and force being used in constructive or destructive ways and I wanted the spades to evoke a sense of physical strength. Seven is a special number in many cultures but I was immediately reminded of the Seven Samurai and one of its many iconic film posters which provided initial inspiration. The suit of swords in tarot is also associated with the element of air and I linked the idea of the garden spade with feelings of working in the open air and the positive impact that the natural environment has on our wellbeing. Websites: www.johnhowardprintmaker.com www.johnhowardprintstudios.com Email: john@johnhowardprintstudios.com
Lot 2692
(1870 Bersenbrück - 1944 Osnabrück)"Unter den Linden" (auch betitelt "Dorfpolitiker"). OriginaltitelRadierung u. Aquatinta/Papier, 1910. R. u. sign.; Wvz. Hamm D31. Eines von ca. 400 sign. Exemplaren. Breitrandiges Exemplar. Leicht gebräunt. Plattenmaß ca. 33 cm x 45,5 cm; Blatt ca. 45 cm x 58,5 cm. Rahmen.Etching and aquatint on paper, 1910. Hand-signed. One from an edition of ca. 400 signed copies. Wide margins. Minor light toning.
![(1746 Fuendetodos/Aragón - 1828 Bordeaux)"El sueño de la razón produce monstruos" (Der Schlaf [Traum] der Vernunft gebiert Un](https://cdn.globalauctionplatform.com/8916e12f-0338-42b5-a356-af3800e03f58/1ba66bd9-5a4b-4279-9601-af4900aac59a/468x382.jpg)
Lot 3233
(1746 Fuendetodos/Aragón - 1828 Bordeaux)"El sueño de la razón produce monstruos" (Der Schlaf [Traum] der Vernunft gebiert Ungeheuer)Radierung u. Aquatinta/Papier, um 1797-1799. L. u. betitelt, r. o. in der Platte die Nr. "43". Wasserzeichen der Calcografia Nacional mit Dat. 1970. Als 43. Blatt der insgesamt 80 in der innovativen Aquatintatechnik ausgeführten Radierungen aus Goyas 1799 erstmals veröffentlichter Sammlung "Los Caprichos" (Launen, Einfälle) gehört es zu den bedeutendsten und meistinterpretierten grafischen Werken der Kunstgeschichte. Es zeigt Goya schlafend an einer Art Tisch, umgeben von unheimlichen nächtlichen Wesen, und war ursprünglich als Titelblatt der Sammlung geplant. Da sich von der Erstausgabe der "Caprichos" von 300 nur 27 Exemplare verkauften, bot Goya 1803 die Restauflage und Platten König Karl IV. von Spanien zum Kauf an. Erst viel später erschienen etliche Neuausgaben der "Caprichos", zuerst circa 1821-1836, zuletzt 1970. Plattenmaß ca. 21,6 cm x 15,2 cm; Blatt ca. 37 cm x 26,5 cm. Rahmen. Die original Druckplatte befindet sich im Museo de Calcografía Nacional, Madrid.Etching and aquatint on paper, circa 1797-1799. Sheet no. 43 of the portfolio "Los Caprichos", first published 1799, later editions are published 1821-1970. Titled on the plate. Watermark by the Calcografia Nacional, dated 1970.
Lot 2716
(1867 Nolde - 1956 Seebüll)"Dorfstraße". OriginaltitelRadierung, Velin, 1908. Sign. u. dat.; Drucker-Sign. von Otto Felsing, Berlin. Unterhalb im Blattrand bez. "1. Zustand" u. betitelt. Wvz. Schiefler/Mosel/Urban 112 I (von II). Eins von nur 19 Exemplaren. Kraftvoller Abzug der seltenen Grafik mit tiefen Plattentönen. Alt auf Karton kaschiert, gleichmäßig leicht gebräunt, ger. Anschmutzungen im breiten Blattrand. Plattenmaß 26,2 cm x 21,5 cm; Blatt ca. 43,5 cm x 31,7 cm. Rahmen. Etching on wove paper, 1908. Hand-signed and dated by the artist, further hand-signed by the printer Otto Felsing, Berlin. One of a small edition of 19. Laid on cardboard, minor light toning over the whole sheet, minor stains to the wide margins.
Lot 2675
(1904 Figueras - 1989 ebenda)"L’aimé est déjà comme un troupeau de chevaux"/"Beloved Is As Fair As A Company of Horses"/"Die Geliebte ist schön wie eine Pferdeherde". OriginaltitelRadierung mit Pochoir u. Goldauflage/Velin, 1971. Bez. u. nummeriert 90/250. Vgl. Wvz. Michler/Löpsinger 475c, S. 461. Aus dem Zyklus "Das Hohe Lied des Salomon". Plattenmaß 40 cm x 24 cm; Blatt 57 cm x 38 cm. Rahmen.Etching, pochoir (stencil colouring) and gilding on wove paper. Inscribed and numbered 90/250.
Lot 2758
(1858 Radeburg - 1929 Berlin)"Frau mit Pleureuse". OriginaltitelRadierung, Vernis mou und Stoffdruckverfahren/Bütten, 1903. Sign.-Stempel "H. Zille" in Schwarz. Wvz. Rosenbach 32IIId. Plattenmaß ca. 43,6 cm x 20,3 cm; Blatt ca. 54 cm x 29,5 cm.Etching and vernis mou on paper, approx. 1903. Signature stamp.
Lot 2693
(1870 Bersenbrück - 1944 Osnabrück)"Primula veris". OriginaltitelRadierung u. Aquatinta/Papier, 1909. R. u. sign.; Wvz. Hamm D19. Eines von ca. 275 sign. Exemplaren. Breitrandiges Exemplar. Gebräunt. Plattenmaß ca. 29 cm x 38,5 cm; Blatt ca. 43 cm x 50,5 cm. Rahmen.Etching and aquatint on paper, 1909. Hand-signed. Wide margins. Light toning.
Lot 132
*** Please note, the description of this lot has changed ***Rembrandt van Rijn.- Hamerton (Philip Gilbert) Etching & Etchers, first edition, half-title, title in red & black with vignette copy of Rembrandt's "Self-portrait in flat cap", 35 etchings or drypoints, including an impression of Rembrandt's "Three Oriental Figures (Jacob and Laban?)", and others, 6 double-page or folding, occasional light foxing, hinges weak, original roan-backed cloth, rubbed, small loss to spine head, joints split at head and foot, g.e., 4to, 1868.
Lot 134
Gillray (James) Tiddy-doll, the great French-Gingerbread-Baker; drawing out a new Batch of Kings, etching with original hand-colouring on Whatman wove paper with partial watermark date '1808', platemark 258 x 380 mm (10 1/8 x 15 in), sheet 320 x 470 mm (12 1/2 x 18 1/2 in), good margins, some toning, minor spotting, unframed, published by Hannah Humphrey, unframed, 1806Literature:BM Satires 10581⁂ Satire on Napoleonic imperialism after The Battle of Austerlitz, following which Austria renounced all further rights over Bavaria, Würtemberg, and Baden, whose princes were vassal-allies of France. Napoleon is depicted as a London street seller of gingerbread cakes, with all Sovereigns and countries humiliated by him having been swept into the 'Ash-Hole'.
Lot 136
Gillray (James) Le débarquement du chevalier John Bull et de sa famille a Boulogne sur Mer. The landing of Sir John Bull & his family, at Boulogne sur Mer, three burly French fishwives carry on their backs three English visitors through the water from a boat, after Henry Bunbury, etching and aquatint with original hand-colouring, on two sheets of conjoined wove paper without watermarks, total sheet 258 x 690 mm (10 1/8 x 27 1/8 in), trimmed to or just within the platemark, repaired split to right side of upper edge, other small marginal nicks carefully repaired verso, handling creases, unframed, published by Hannah Humphrey, unframed, 1792Literature:BM Satires 8189
Lot 137
Gillray (James) Boney and Talley. The Corsican Carcase-Butcher's Reckoning Day, heading a 27-verse broadside, etching and aquatint with original hand-colouring, on wove paper without watermark, platemark 320 x 325 mm (12 1/2 x 12 3/4 in), letterpress text below, the sheet 595 x 360 mm 23 1/2 x 14 1/8 in), central horizontal fold, some offsetting, minor repaired nicks and small marginal losses, unframed, published by J. Ginger, 169 Piccadilly, Price Two Shillings and Six Pence, coloured. Printed by D. W. Shury Berwick Street, 1803Literature:BM Satires 10091⁂ An invasion satire from September, 1803, depicting Napoleon as a frenzied butcher, restrained by Talleyrand from launching himself at a huge bull standing on the cliffs of Dover, the channel filled with ships, the butcher's shop filled with the carcasses of a Spanish sheep, a Dutch pig, Swiss cow, a 'native breed' monkey, and others.
Lot 138
Gillray (James) Georgey a' Cock-horse, etching with original hand-colouring, on wove paper without watermark, brown ink inscription in lower margin identifying the eccentric 'Col. George Hanger', platemark 345 x 265 mm (13 1/2 x 10 1/2 in), sheet 395 x 280 mm (15 1/2 x 11 in), small repaired nicks visible verso, repaired tear in the upper right, minor surface dirt, unframed, [BM Satires 8889], published by Hannah Humphrey, 1796; together with Gillray's representation of George Walpole as Mars [BM 9376], and the caricature of Charles Boothby Clopton as A Prince of the Old School [BM 9376], and Le Trèsorier [BM 9212] from the 'French Habits' series, etchings, all with original hand-colouring, various sizes, unframed, published by Hannah Humphrey, 1796-1800 (4)
Lot 139
Gillray (James) Uncorking Old Sherry, etching with original hand-colouring, on wove paper without watermark, sheet 350 x 255 mm (13 3/4 x 10 in), trimmed within the platemark, small loss within the image at the upper left corner, minor surface dirt and browning, signs of old adhesive visible verso, unframed, published by Hannah Humphrey, 1805Literature:BM Satires 10375⁂ Pitt stands before the commons, comprising opposition heads in bottles capped with small bonnets-rouge, holding and uncorking a bottle with Sheridan's head inside.
Lot 140
Gillray (James) The Plumb-pudding in danger: -or- State Epicures taking un Petit Souper, etching with hand-colouring, on wove paper without watermark, sheet 257 x 358 mm (10 x 14 in), trimmed to or just within the platemark, some toning to extremities of sheet, minor spotting, published by Hannah Humphrey, 1805Literature:BM Satires 10371⁂ The most famous of all Gillray's satirical caricatures, if not the most famous of all political cartoons. Napoleon Bonaparte and William Pitt face each other across a steaming 'plum-pudding' globe, both intent on carving themselves a substantial portion of the world.
Lot 141
Gillray (James) Making-Decent; -i.e.- Broad-Bottomites Getting into the Grand Costume, etching with original hand-colouring, an excellent impression on wove paper without watermark, platemark 250 x 350 mm (9 3/4 x 13 3/4 in), sheet 270 x 372 mm (10 5/8 x 14 3/4 in), contemporary ink inscriptions within margins, minor nick to upper edge, light browning, unframed, published by Hannah Humphrey, 1806Literature:BM Satires 10531⁂ Members of the new Ministry in a handsome room prepare themselves for office, each intent on his toilet, with contemporary brown ink inscriptions within the margins identifying Addington, Sheridan and others.
Lot 142
Gillray (James) Lilliputian-Substitutes, Equiping for Public Service, etching with original hand-colouring, an excellent impression on wove paper without watermark, platemark 250 x 358 mm (9 7/8 x 14 in), sheet 320 x 418 mm (12 1/2 x 16 1/8 in), wide margins with some exposure lines and minor toning, creases to the upper marginal corners with one just touching the upper left corner of the image, to small tape stains within the upper corners but well outside the images, unframed, published by Hannah Humphrey, 1801Literature:BM Satires 9722⁂ Satirising the perceived deficiencies of the new Ministry, all depicted in ill-fitting oversized clothes following the resignation of Pitt.
Lot 143
Gillray (James) The Wounded Lion, etching with original hand-colouring, on wove paper without watermark, sheet 262 x 362 (10 1/4 x 14 1/4 in), thread margins, two small repaired splits to lettered margin, residual album leaf support verso, small nick to the lower right corner, unframed, published by Hannah Humprhey, 1805Literature:BM Satires 10421⁂ Parody of Aesop's Fable depicting Melville, the embattled First Lord of the Admiralty, as a wounded lion under fire from St Vincent's 'Whitbread' cannon, and attacked by 'the sculking herd of the forest' including a fox, a snake with the head of Grey, and rats in legal wigs.
Lot 144
Gillray (James) John Bull bother'd or The geese alarming the Capitol, etching and aquatint with original hand-colouring, on wove paper without watermark, sheet 314 x 395 mm (12 1/4 x 15 1/2 in), thread margins, small repair to upper right corner with associated stain, unframed, published by Hannah Humphrey, 1792Literature:BM Satires 8141⁂ A terrified Pitt clutches John Bull, an armed yokel, both on a parapet watching a flock of geese approaching by moonlight, a satire of Pitt's pre-emptive summoning of the militia to counter rumours of rising revolution amongst the Scots and the Irish.
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71174 item(s)/page